Finding Aid
First Accrual. – [ca.1968]-2009. – 1.93 m of textual records, graphic material, sounding recordings and other material.
Box 1
Series 1
Music. – 1968-1993. – 10 cm of textual records. – Title based on content of series. – Includes sheet music, notebooks, and contracts.
F.1 Sheet music/lead sheets. 1968-70.
F.2 Frankenstein score. ca.1970.
F.3 “Anything” sheet music. ca. 1970. (See Box 5)
F.4 “Turn Your Back to the Wind” sheet music, written for the City of Hamilton (Hamilton Philharmonic Orchestra). Pop-Group in Residence. 1971. (Oversized. See Box 5)
F.5 “Ian Thomas” notes/lyrics and extra songs. ca. 1973.
F.6 “Ian Thomas” sheet music. 1973.
F.7 “Warum Immer Ich?” [Everyday by I. Thomas]. Includes accompanying note and sticker. 1975.
F.8 “Right Before My Eyes” lyrics. [1976].
F.9 “Art of Living” and “25,000 Days” composition notebook. ca. 1993.
F.10 “25,000 Days” composition notebook. ca. 1996.
F.11 Contract. Dunbar Music Canada. 1970.
F.12 Resume. Including lyrics for “Ian Thomas” album. 1972.
F.13 Contract. GRT of Canada. 1973.
F.14 Ian Thomas Productions. Equipment List. 1975.
F.15 Contract. Polygram Records Inc. 1984.
Series 2
Correspondence. – [ca. 1971]-1994. – 4 cm of textual records and graphic material. – Title based on content of series.
F.16 Business Correspondence by Author. ca.1971-1979, 1988.
F.17 “Mother’s Celebrity Cow milking”. Includes photograph, certificate, and clipping. 1980.
F.18 “Music for Unicef” Event. 1982-83.
F.19 Fan Correspondence. A-D. 1973-93.
F.20 Fan Correspondence. E-K. 1973-93.
F.21 Fan Correspondence. L-O. 1973-93.
F.22 Fan Correspondence. P-Z. 1973-94
F.23 Family/Personal. 1973-90.
Series 3
Certificates and Awards. – 1973-2009. – 1.39 m of textual records and realia. – Title based on content of series.
F.24 Certificates of appreciation and award. 1980-86. (Box 3)
Danny Kaye Unicef Canada Award, Unicef Canada, 1983. (Box 4)
Contribution to Artistic Community, Excellence in the Arts, 1980. (Box 4)
Outstanding Young Person in our Community, Hamilton Jaycees, 1981. (Box 4)
Juno Award, Dedication to CARAS, 1985-1989. (Box 4)
Gold Leaf Award, Most Promising Male Vocalist of the Year, 1973. (Box 4)
SOCAN Award, Ian Thomas, “Back to Square One”, 1990. (Box 4)
SOCAN Award, Mark-Cain Music Publishing, “Back to Square One”, 1990. (Box 4)
SOCAN Award, Ian Thomas, “You’ve Got to Know”, 1994. (Box 4)
Thank you, Elizabeth’s Concert of Hope, 2002. (Box 4)
Finalist, Hamilton Distinguished Citizen of the Year, 2002. (Box 4)
100,000 Radio Performances (“Pilot”), SOCAN Classics, 2009. (Oversized. Box 5)
100,000 Radio Performances (“Painted Ladies”, “Right Before Your Eyes”, “Hold On”), SOCAN Classics, 1994. (Oversized. Box 5)
Contribution to Platinum Album The Edge by Daryl Braithwaite, “As the Days Go By” and “All I Do”, 1988. (Oversized. Box 6)
Box 2
Series 4
Press and Promotional Materials. – [ca. 1970]-1996. – 16 cm of textual records. – Title based on content of series.
F.1 Press for “Ian Thomas” album. 1973.
F.2 Press for “Long Long Way” album. 1974.
F.3 Press for “Delights” album. 1975-76.
F.4 Press for “Calabash” album. 1976-77.
F.5 Press for “Still Here” album. 1978.
F.6 Press for “Glider” album. 1979.
F.7 Press for “Best of Ian Thomas” album. ca. 1979.
F.8 Press for “The Runner” album. 1981-94.
F.9 Press for “Levity” album. 1988.
F.10 Press for “As the Days Go By” performed by Daryl Braithwaite. 1988-89.
F.11 Press for “The Boomers”. 1991-1996.
F.12 Press for “The Boomers”. German. 1992.
F.13 Press related to Ian Thomas’ music. 1974-93.
F.14 Press on other subjects. 1981-1994.
F.15 “Beetle”. Vol. 5, No. 5. 1973.
F.16 “Billboard Directory”. pp. RS-102. 1974.
F.17 “Canadian Composer.” pp. 4-11. 1983.
F.18 “Canadian Musician”. pp. 34-37. 1981.
F.19 “Canadian Musician”. pp. 48-49.1993
F.20 “Cashbox”. pp. 4, 20, 35. (Oversized. See Box 5)
F.21 “Chicago Kid Productions”. 1982.
F.22 “Destiny”. Vol. 1, No. 2. pp. 25-26. 1979.
F.23 “Hamilton”. pp. 65-68. 1979.
F.24 “Music Scene, The”. p.15. 1973.
F.25 “Music Scene, The”. p.14. 1974.
F.26 “Nightout”. ca. 1976.
F.27 “Performing Arts”. pp. 10-12. 1993.
F.28 “RPM Weekly”. Vol. 20, No. 6. p. 1. 1973.
F.29 “RPM Weekly”. Vol. 20, No. 8. pp. 8-9, 24-26. 1973.
F.30 “RPM Weekly”. Vol. 20, No. 9. pp. 10-11, 24-25. 1973.
F.31 “RPM Weekly”. Vol. 20, No. 10. pp. 8-9, 13. 1973.
F.32 “RPM Weekly”. Vol. 21 No. 8. pp. 6-7, 19, 32-33, 35. 1974.
F.33 “RPM Weekly”. Vol. 28, No. 17. p. 21. 1978.
F.34 “RPM Weekly”. Vol. 29, No. 1. pp. 13, 20, 26. 1978.
F.35 “The Underground Ian Thomas News of the World”. 1974.
F.36 “WOM Journal”. [German]. p. 4. 1992.
F.37 Programs. 1973, 1974, 1987, 2011.
F.38 Promotional Material. Flyers, letterhead, etc. ca.1970-1974, 1989.
F.39 Promotional Material. Brochure. ca. 1974.
F.40 Promotional Material. Press Releases. 1974-81.
F.41 Promotional Material. Memorabilia. 1973-1993.
“Painted Ladies” Viewer. (Box 4)
Posters. ca.1970-1996. Includes posters for Tranquility Base, Ian Thomas, the Boomers and other large sized promotional materials. (Oversized folder.)
Box 3
Series 5
Photographs. – [ca.1967]-[ca. 1993]. – 12 cm of graphic material. – Title based on content of series.
F.1 “Ian, Oliver, and Nora.” [ca. 1967].
F.2 Publicity photo in purple suit. [ca. 1970].
F.3-4 Recording Sessions. [1970s].
F.5 Concerts. [1970s].
F.6 Concert with Hamilton Philharmonic Orchestra. 1974.
F.7 Concerts. [ca. 1970s].
F.8 Concert. [Juno’s]. Bruce Cole, photographer. 1975.
F.9 Concert. [ca. 1970s]
F.10 Publicity Tour. St. Thomas, Ontario. [1970s].
F.11 Contact Sheet. [Juno’s?]. 1975.
F.12 Press image. 1975.
F.13 “Delights”. Includes negatives. [ ca. 1975].
F.14 Plan of Attack. [ca. 1970s].
F.15 “Glider” publicity photograph. [ca. 1979].
F.16 “The Runner”. Deborah Samuel, photographer. [ca. 1981].
F.17 “Add Water” proofs. 1985.
F.18 Contact Sheets. Publicity. Deborah Samuel, photographer. [ca. 1985].
F.19 The Boomers. [ca. 1991].
F.20 Contact Sheet “Looking Back”. [ca.1993].
F.21-2 Miscellaneous photographs. Ian Thomas. [1973-93].
F.23 Miscellaneous photographs. Ian Thomas & SCTV. [n.d.]
F.24 Miscellaneous photographs. Family photos. [n.d.]
Miscellaneous photographs. Ian Thomas. [ca. 1985-1993] (Oversized. Box 5)
Series 6
Audio Discs. – 1970-1985. – 12 cm of sound recordings. – Title based on content of series. – The audio discs are vinyl.
F.25 Tranquility Base. Boris Brott, conductor. 1970-71.
F.26 Various artists. Ian Thomas, producer. CBC. ca.1972.
F.27 “Ian Thomas” singles. 1973.
F.28 “Calabash” singles. 1976.
F.29 “Coming Home” singles. 1977.
F.30 Unknown test pressing.
F.31 Various Artists. From Ian Thomas’ personal collection.
Sleeves for the following audio discs are kept separately in Box 4:
“Delights”. 1975.
“Long Long Way”. 1974.
“Ian Thomas”. 1973.
“Still Here”. 1978.
“Goodnight Mrs. Calabash”. 1976.
“Calabash”. 1976.
“The Runner”. 1979.
“Glider”. 1981.
“Add Water”. 1985. (includes audio disc).
Series 7
Realia. – [ca. 1970]-2008. – 3 items. – Title based on content of the series.
Cigar. (Box 4)
Purple Suit. ca. 1970. (Oversized. Box 5)
Suitcase. ca. 1975.
Books:
“Bequest” novel. Signed. 2006. (Box 1)
“The Lost Chord” novel. Signed. 2008. (Box 1)
Second Accrual. 1964-1992. 10 cm of textual records and other material. This accrual consists mainly of press and promotional materials, and a few additional items of correspondence, photographs, and other.
Box 7
F.1 Press for Ian Thomas unrelated to his music. 1964-84.
F.2 Press for Ian, Oliver & Nora. 1968-69.
F.3 Press for Tranquility Base. 1969-71.
F.4 Press for Concert with the Hamilton Philharmonic Orchestra. 1974.
F.5 Press reviews for albums. 1974-85.
F.6 Press for UNICEF work. 1981-83.
F.7 Press related to Ian Thomas music. 1974-93.
F.8 Arts and Entertainment Forum. Vol. 1. No.8.
F.9 RPM Weekly. Vol. 20, No. 15. Pp 1, 12. 1973.
F.10 Underground Ian Thomas News of the World. Vol. 1, No. 4. 1974.
F.11 Promotional Brochure. [ca. 1974].
F.12 Promotional Material/Ephemera. 1971-81.
F.13 Promotional Material Posters. [1970]-1992.
Two additional posters can be found in the Oversized folder.
F.14 Programs from Hamilton Place. 1970-77.
F.15 Programs. 1971
F.16 Juvenilia school related programs, report card. 1961-69.
F.17 Correspondence -- Forest Fire Prevention Poster Contest. 1964.
Oversized
Photograph of Ian Thomas. [c.1974]. (Box 5)
If Youre Lookin Commemorative Record. 1970. (Box 5)
Ian Thomas Fonds. 3rd accrual. – 1975-2000. – 45 audio recordings; 15 cm textual records; 2 posters; 37 photographs: b&w and col.
Series 1: SRO Management Records. – 1975-1993. – 15 cm textual records; 37 photographs: b&w and col.
Series 2: Commercial Audio Recordings. – 1976-2000. – 23 audio recordings.
Series 3: Master Audio Recordings. – 1980-1984. – 22 audio reels.
Series groupings and file arrangement were supplied by the processing archivist.
Series 1
SRO Management Records. – 1975-1993. – 15 cm textual records; 2 posters; 37 photographs: b&w and col.
Series contains records from SRO Management Inc., an organization which predominantly worked with artists signed to the Anthem Records label. Ian Thomas was a client of SRO Management’s.
Records in the series include Ian Thomas’s management agreements with SRO from 1975-1979; contract riders; lyrics; records related to radio promotions of Thomas’s songs; tour schedules; and other promotional ephemera.
Files are arranged in chronological order.
Box 8
F.1 S.R.O. Productions and Ian Thomas—Management Agreement [Various drafts and final signed copes]. – 1975-1979. – 2 cm textual records.
F.2 Contract, 1975 [Ian Thomas & Band via Dram Agency and Elmira College Student Association]. – 1975-1976. – ca. 10 pp.
F.3 [Contract riders]. – 1975, 1980-1981. – 6 pp.
F.4 Correspondence [Anthem Entertainment Group and GRT Records]. – ca. 1976-1993. – ca. 20 pp.
F.5 Lyrics and correspondence, 1977 [Select letters from Thomas to Polydor Records]. – 1977. – ca. 15 pp.
F.6 Exclusive songwriter’s agreement—Mark-Cain Music and Ian Thomas [draft]. – 1978. – 16 pp.
F.7 Ian Thomas and American Talent International re: exclusive agency agreement [correspondence and copy of agreement between Thomas and American Talent International]. – 1978. – 12 pp.
F.8 Catalogue listings [Mark-Cain Music]. – ca. 1979. – 2 pp.
F.9 [Anthem Records correspondence about Canadian radio promotions for Ian Thomas]. – 1980. – 1 cm textual records.
F.10 Radio Tracking, Canada, 1980 [Tracking sheets for Best of album and associated songs]. – 1980. – 4 pp.
F.11 Capitol Records—Airplay Status for Ian Thomas [Various songs]. – ca. 1980-1983. – 8 pp.
F.12 Ian Thomas route sheets, January 1980-October 1984. – 1980-1984. – 22 pp.
F.13 Bios [Promotional item prepared by Anthem Records]. – ca. 1981. – 4 pp.
F.14 [Insert for cassette version of The Runner album (1981); polaroid photographs of promotional events for The Runner]. – 1981. – 1 p.; 2 photographs : col.
F.15 “Open Me First” [Capitol Records promotional file related to The Runner album]. – 1981. – 4 pp.
F.16 Press photos/bios/press kits. – ca. 1981. – ca. 15 pp. and 1 photograph: b&w.
F.17 Taurus Records Merchandising, Canada [inventory control sheets, 1981; envelope with notes; news clipping]. – 1981. – 5 pp.
F.18 “The Runner” [Anthem Records correspondence related to album promotion and Canadian tour schedule]. – 1981. – 0.5 cm textual records.
F.19 “The Runner” marketing contest file [Prepared by Ziggy D.]. – ca. 1981. – ca. 20 pp.
F.20 “The Runner” sales displays—presented by Ken Fryer, Central Region [Promotional file]. – 1981. – 1.5 cm textual records; 26 photographs: col.
F.21 Winnipeg marketing contest file. – 1981. – ca. 9 pp. and 7 photographs: col.
F.22 [Radio schedule for Thomas’s songs; Anthem Records correspondence regarding The Runner and other items]. – 1981; 1985. – 7 pp.
F.23 Taurus Records and Zomba re: record producers [Correspondence related to producers for Thomas’s albums]. – 1982. – 8 pp.
F.24 Thomas, Ian vs. Swales, Grace re: Bingham Hall, Kitchener [Correspondence related to Thomas’s small claims court action regarding money owed by Swales]. – 1982-1983. – 1 cm textual records.
F.25 Press—1983 [Copy of The Canadian Composer magazine with Ian Thomas interview]. – 1983. – 47 pp.
F.26 Advertisements in old papers and receipts [Anthem Records promotions]. – 1984. – ca. 5 pp.
F.27 Press [Copy of Globe and Mail issue from 23 August 1984]. – 1984. – 4 pp.
F.28 Press—Curtis Arthur Productions [Promotional newsletter]. – 1984. – 4 pp.
F.29 Press [Photocopy of review for Riders on Dark Horses]. – ca. 1984. – 1 p.
F.30 [Press schedule and itinerary for “Harmony Across Canada” promotional tour, 1985]. – 1985. – 6 pp.
F.31 Ian Thomas Foreign Exploitation, “Levity” [Faxes and clipping]. – ca. 1988. – 3 pp.
F.32 [Assignment of Canadian performing rights for “Painted Ladies” and “Before Your Eyes”]. – July 1991. – 2 pp.
F.33 [Inserts for cassette and CD versions of Looking Back album]. – 1993. – 3 pp.
F.34 [Records related to Looking Back album, including Anthem Records promotional correspondence and lyric printouts]. – 1993. – 0.5 cm textual records.
Series 1—Oversize items (MC #95)
F.1 “Glider” [Photograph of airplane wing for cover of album Glider]. – ca. 1979. – 1 photograph: col.; 50.5 x 60.5 cm.
F.2 [Poster for The Runner album]. – ca. 1981. – 61 x 61 cm.
F.3 [Poster of album cover for Add Water]. – ca. 1985. – 61 x 61 cm.
Series 2
Commercial Audio Recordings. – 1976-2000. – 23 audio recordings.
Series contains select commercial audio recordings from Ian Thomas. Record formats include 12” and 7” vinyl records, cassette tapes, and CD-ROMs.
Files are arranged in chronological order.
Box 9 [12” vinyl records]
F.1 Goodnight Mrs. Calabash [CHR 1126] [Ian Thomas Band, Chrysalis Records]. – 1976. – 1 audio disc: vinyl, [33 1/3 rpm?], 5 tracks per side; 12”.
F.2 The Best of Ian Thomas [ANR-1-624] [Anthem Records]. – 1980. – 1 audio disc: vinyl, [33 1/3 rpm?], 6 tracks per side; 12”.
F.3 Ian Thomas Radio Special [SPE-005] [Anthem Records]. – 1980. – 1 audio disc: vinyl, [33 1/3 rpm?], 6 tracks per side; 12”.
F.4 UNICEF Music for Safe Water, Vol. II [Compilation album produced by Ian Thomas] [Anthem Records]. – 1983. – 1 audio disc: vinyl, 33 1/3 rpm, 3 tracks per side, 12”.
F.5 “I’ll Do You Right” single, sides 1 and 2 [SPE-020] [Anthem Records]. – 1984. – 1 audio disc (7 min. 58 sec.): vinyl, [33 1/3 rpm?], 1 track per side, 12”.
F.6 Add Water [ANR-1-1047] [Anthem Records] [Cover for vinyl disc only]. – 1985. – 31 x 31 cm.
F.7 “Harmony” (Side A) and “Endless Emotion” (Side B) [SPE-027] [Anthem Records]. – 1985. – 1 audio disc (8 min. 40 sec.): vinyl, [33 1/3 rpm?], 1 track per side, 12”.
F.8 Midnight [compilation album featuring Ian Thomas song] [JCI]. – 1985. – 1 audio disc: vinyl, [33 1/3 rpm?], 5-6 tracks per side, 12”.
Box 10 [7” vinyl records]
F.1 “Strange Brew” (Sides A and B) [ANS-055] [Anthem Records]. – 1983. – 1 audio disc (6 min. 55 sec.): vinyl, [45 rpm?], 1 track per side, 7”.
F.2 “Hold On” cover (Side A) and “Oxun” (Side B) [Santana, Columbia/CBS]. – 1982. – 1 audio disc (8 min. 1 sec.): vinyl, 45 rpm, 1 track per side, 7”.
F.3 “Runner” cover (Side A) and “No Transkei” (Side B) [Manfred Mann’s Earth Band, Schacht Musik Verlage]. – 1983. – 1 audio disc (6 min. 25 sec.): vinyl, 45 rpm, 1 track per side, 7”.
F.4 “Runner” cover (Side A) and “No Transkei” (Side B) [Manfred Mann’s Earth Band, WEA International]. – 1983. – 1 audio disc (7 min. 17 sec.): vinyl, 45 rpm, 1 track per side, 7”.
F.5 “I’ll Do You Right” (Side A) and “Riders on Dark Horses” (Side B) [ANS-058] [Anthem Records]. – 1984. – 1 audio disc (11 min. 7 sec.): vinyl, [45 rpm?], 1 track per side, 7”.
F.6 “Picking Up the Pieces” (Side A) and “She Don’t Love You” (Side B) [ANS-061] [Anthem Records]. – 1984. – 1 audio disc (9 min.): vinyl, [45 rpm?], 1 track per side, 7”.
F.7 “Endless Emotion” (Side A) and “Tuck Position” (Side B) [ANS-066] [Anthem Records]. – 1985. – 1 audio disc (9 min. 1 sec.): vinyl, [45 rpm?], 1 track per side, 7”.
F.8 “Harmony” (Side A) and “Video Club” (Side B) [ANS-068] [Anthem Records]. – 1985. – 1 audio disc (9 min. 18 sec.): vinyl, [45 rpm?], 1 track per side, 7”.
F.9 “Touch Me” (Side A) and “Same Colour Eyes” (Side B) [ANS-070] [Anthem Records]. – 1985. – 1 audio disc (8 min. 55 sec.): vinyl, [45 rpm?], 1 track per side, 7”.
Box 11 [Cassette tapes and CDs]
F.1 Glider [4AN-1-622] [Ian Thomas Band, Anthem Records]. – 1979. – 1 audio cassette.
F.2 The Runner [4AN-1-632] [Anthem Records]. – 1981. – 1 audio cassette.
F.3 Riders on Dark Horses [4AN-1-1044] [Anthem Records]. – 1984. – 1 audio cassette (38 min. 35 sec.).
F.4 Levity [25-55564] [WEA Music of Canada]. – 1988. –1 audio cassette.
F.5 Looking Back [Anthem Records]. – 1993. – 1 audio cassette.
F.6 Simple Living: Music for Relaxing [Compilation album featuring Ian Thomas] [MDC Music Design & Concepts for LCBO]. – 2000. – 1 CD-ROM.
F.7 Red Rocket: The Single [Compilation album featuring Ian Thomas] [Anthem Records]. – n.d. – 1 CD-ROM.
Series 3
Master Audio Recordings. – 1980-1984. – 22 audio reels.
Series contains select master recordings from Ian Thomas. Master recordings are audio reels in a variety of sizes. Most are for Thomas’s 1984 album Riders on Dark Horses.
Files are arranged in chronological order.
Box 12
F.1 Ian Thomas—Out-Takes: The Runner; I Am the One; I’m a Goner; Free Fall Starburst; When I Need Someone. – 6 October 1980. – 1 audio reel: master, 6.35 mm tape, 10.5” reel diameter, analog.
F.2 Ian Thomas—Live at the Pretzel, Montréal, 10 June 1981, #1. – 1981. – 1 audio reel: master, 55 mm tape, 10.5” reel diameter, analog.
F.3 Ian Thomas—Live at the Pretzel, Montréal, 10 June 1981, #2. – 1981. – 1 audio reel: master, 55 mm tape, 10.5” reel diameter, analog.
F.4 Ian Thomas—Live at the Pretzel in Montréal, 10 June 1981, #5. – 1981. – 1 audio reel: master, 55 mm tape, 10.5” reel diameter, analog.
Box 13
F.1 Ian Thomas—Safety Master—Side One: Picking Up the Pieces; Riders on Dark Horses; I’ll Do You Right; Progress. – ca. 1984. – 1 audio reel: master, 6.35 mm tape, 10.5” reel diameter, analog.
F.2 Ian Thomas—Safety Master—Side Two: Roll the Dice; Move to the Light; The Crossing; Your Love Heals; She Don’t Love You. – ca. 1984. – 1 audio reel: master, 6.35 mm tape, 10.5” reel diameter, analog.
F.3 Ian Thomas—Master Mixes I—Out-Takes: Do You Write [sic]; Move to the Light; Progress. – ca. 1984. – 1 audio reel: master, 6.35 mm tape, 10.5” reel diameter, analog.
F.4 Ian Thomas—Master Mix II—Out-Takes: Love Heals; Roll the Dice. – ca. 1984. – 1 audio reel: master, 6.35 mm tape, 10.5” reel diameter, analog.
F.5 Ian Thomas—Master Mix III—Out-Takes: Roll the Dice; Picking Up the Pieces. – ca. 1984. – 1 audio reel: master, 6.35 mm tape, 10.5” reel diameter, analog.
Box 14
F.1 Ian Thomas—Master Mix—Reel IV—Out-Takes: Riders; Crossing. – ca. 1984. – 1 audio reel: master, 6.35 mm tape, 10.5” reel diameter, analog.
F.2 Ian Thomas—Master Mix—Reel V—Out-Takes: Crossing; Pieces. – ca. 1984. – 1 audio reel: master, 6.35 mm tape, 10.5” reel diameter, analog.
F.3 Ian Thomas—Audience #1. – n.d. – 1 audio reel: polyester, master, 6.35 mm tape, 10.5” reel diameter, analog.
F.4 Ian Thomas—Audience #2. – n.d. – 1 audio reel: master, 6.35 mm tape, 10.5” reel diameter, analog.
F.5 Ian Thomas—Master Mix #3—Out Takes—Stringin’. – n.d. – 1 audio reel: master, 6.35 mm tape, 10.5” reel diameter, analog.
Box 15
F.1 Ian Thomas—Mono Mix #1. – n.d. – 1 audio reel: polyester, master, 6.35 mm tape, 10.5” reel diameter, analog.
F.2 Ian Thomas—Mono Mix #2. – n.d. – 1 audio reel: polyester, master, 6.35 mm tape, 10.5” reel diameter, analog.
F.3 Ian Thomas—Mono Mix #3. – n.d. – 1 audio reel: polyester, master, 6.35 mm tape, 10.5” reel diameter, analog.
F.4 Ian Thomas—Mono Mix #4. – n.d. – 1 audio reel: polyester, master, 6.35 mm tape, 10.5” reel diameter, analog.
F.5 Ian Thomas—Out Takes. – n.d. – 1 audio reel: master, 6.35 mm tape, 10.5” reel diameter, analog.
Box 16
F.1 Ian Thomas—Out-Takes—Phase 1 Tape. – n.d. – 1 audio reel: master, 6.35 mm tape, 10.5” reel diameter, analog.
F.2 Ian Thomas—Rewind First. – n.d. – 1 audio reel: master, 6.35 mm tape, 10.5” reel diameter, analog.
F.3 Ian Thomas—439. – n.d. – 1 audio reel: master, 6.35 mm tape, 7” reel diameter, analog.
