Finding Aid
The listing has been arranged on the following principles: order is alphabetical by composer if known; if not known, by title. Songs are listed alphabetically by title under each composer, or, where there is no given title, under the first word of the first line. The definite and indefinite articles do not signify. Generic or unspecific titles, such as “A new Song”; “The Favourite Air”; “Glee”; etc., have been disregarded, and the first significant word of the sub-title (or first line) taken as the guide.
Titles have been transcribed as accurately as the exigencies of type allow, employing the shortest possible meaning title, ended by a period, whatever the punctuation on the title; peculiarities of spelling, punctuation, capitals, and all other orthographical oddities within the short-title have been faithfully reproduced. The first phrases of all songs have been similarly transcribed within square brackets after the titles, except where they are adequately reproduced within the titles. In the cases of items containing three or more songs, the total number of songs is stated, but the individual title and /or incipit of the first song only is given, all within square brackets.
The place of publication, when given, is recorded precisely as printed. The publisher’s name is recorded precisely as printed, all typographical eccentricities being as far as possible transcribed, thus “A. Bland. and Wellers” may appear in one item, “Bland and Weller’s” in another, and “A Bland & Weller” in a third. The word “printed” in “printed for”, “printed by”, etc. is omitted unless the phrase is “Printed in the year ...” or “Printed and sold by”. In cases where “printed” is omitted, the first word following “printed” is capitalized. If the location of the publisher/seller differs from the place of publication, this is noted. “N.i.” means “No Imprint.”
Dates are those printed on the item concerned. Those within square brackets have been ascertained from other sources. Dates given as “circa” are necessarily conjectural, but great care has been taken to fix upon as accurate a date as possible. Statement of edition has only been given when actually printed on the item concerned. All items are folio in size unless otherwise stated. The format follows the one established by the E.S.T.C.: numbered pages are recorded; unnumbered pages are indicated in square brackets, including blank pages. Page numbers within square brackets do not appear in print on the pages concerned. Where page numbers are printed but are misleading, the situation is clarified by an additional set of nominal page numbers within square brackets. Songs printed on single leaves are designated “s. sh.”, without pagination if printed on one side only, or “2p.” if printed on both. All items are printed from engraved plates unless described as typeset.
Most songs consist of keyboard scores only, with the vocal part either following the top line or given an independent stave to itself; this in turn was often doubled by a violin or flute. Scores with more than this range of orchestration are noted, and instruments are listed where they are named. Songs with accompaniments for more than two unspecified instruments are designated simply “score.” The additional accompaniments (“accompt.”) or arrangements (“arr.”) sometimes given at the end are listed in full.
Box 1A
1. Ah! Çà Ira. Dictum Populaire ou Carrillon National Chanté a Paris a La Fédération, le 14 Juillet, 1790. London: for H. Andrews [ca. 1791]. [4] p.
[AKEROYDE, Samuel]
2. Russell’s Triumph. [Thursday in the Morn]. N.i. [ca. 1765]. S. sh.
3. (Another ed.). Russell’s Triumph. N.i. [ca. 1770]. S. sh.
AMBROSE, J.
4. The Death of Maria. [The Voice of Maria No Longer is Heard]. London: engraved and printed by E. Riley [ca. 1797]. 4 p. Additional accompt. for guitar or German flute.
5. Their Groves of Sweet Myrtles. Written by the Late Robt. Burn. London: engraved, printed and published by E. Riley [ca. 1798]. 3[1]p.
6. William’s Return. [Since fortune Polly has been kind]. London: engraved and printed by E. Riley [ca. 1798]. 4p. Additional accompt. for 2 flutes.
7. And they’re a nodding. A favorite Scots ballad, for two voices. London: printed and sold by Rt. Birchall [ca. 1800]. [1]530-531[1]p.
8. And ye shall walk in silk attire. A celebrated Scotch song, written by R. Burns. London: published by Geo. Walker [ca. 1823]. 3[1]p.
ANDRE, John
9. Return Enraptured Hours. Composed by Major Andre during his confinement. London: by Longman & Broderip [ca. 1785]. 4p. Additional accompt. for guitar.
[ARNE, Michael]
10. Sweet Passion of Love. Sung by Mrs. Arne in Cymon. [This cold flinty Heart]. London: printed and sold by R. Falkener [ca. 1772]. S. sh. Typeset.
11. The Topsails shiver in the Wind. Sung by Mr Arrowsmith. [London] by Longman & Broderip [ca. 1783]. 4p. Additional accompts. for guitar and German flute. (Penultimate line of advert. reads: “within six months,” first bar marked “for”).
12. (Another ed.). 4p. (Penultimate line of advert. reads: “within six months, the”, first bar marked “f”).
ARNE, Thomas Augustine
13. The new Song in the Foundling. Sung by Mrs. Cibber . [For a Shape, and a Bloom]. [London] by J. Oswald [ca. 1750]. S. sh. Additional accompt. for German flute.
14. Let not Rage. Sung by Mrs. Billington in Artaxerxes. London: printed and sold by Preston [ca. 1783]. 3[1]p.
15. The favorite trio in Comus. Adapted for three guitars. [Live and love enjoy the fair]. N.i. [ca. 1770]. [4]p.
16. My Banks They Are Furnished. The words by W. Shenstone. London: printed and sold by R. Falkener [ca. 1775]. S. sh. Typeset. Additional accompt. for guitar.
17. Punch an emblem of the medium of life. Glee [for three voices]. [You Ask Me Dear Jack]. [London] for S. Babb [ca. 1778]. 3 [1]p.
18. Rule Britannia. [When Britain first at Heavens Command]. N.i. [ca. 1755]. S. sh.
19. Sally. [Sure Sally is the loveliest lass]. N.i. [ca. 1760]. S. sh. Additional accompts. for guitar and German flute.
20. Thomas and Sally. [When late I wandered over the Plain]. N.i. [ca. 1763]. S. sh. Additional treble accompt.
21. Under the Greenwood Tree. A song in Shakespeare’s comedy of As You Like It. London: for G. Walker [ca. 1812]. 3[1]p.
22. (Another ed.). Under the Green-wood Tree. Song in the comedy of As You Like It. Arranged by Dr. John Clarke. London: printed and sold by Birchall & Co. [ca. 1823]. 5[1]p.
23. (Another ed.). Under the Greenwood Tree. Sung by Mr. Pearman in the play of As You Like It. Arranged for the voice and piano forte by Henry R. Bishop. London: by Goulding D. Almaine & Co. and to be had of all music and booksellers in the United Kingdom [ca. 1828]. 4p.
24. Where the Bee Sucks There Lurk I. Sung by Miss Romanzini in the character of Ariel in The Tempest. London: for S. A. & P. Thompson [ca. 1785]. S. sh.
25. (Another ed.). Where the Bee Sucks. Song of Ariel in The Tempest. London: by G. Walker [ca. 1799]. 3[1]p. Additional accompt. for guitar.
26. (Another ed.). The favourite song of “Where the bee sucks”. Sung by Miss Meadows ... in The Tempest .... Arranged by J. Davy. London: printed and sold by Rt. Birchall [ca. 1824]. 56-58[1]p. (Apparently a reissue from earlier plates, the address and price re-engraved. Wm.1823).
27. (Another ed.). Where the Bee Sucks. Air in Shakespear’s play The Tempest. Arranged by William Hutchins Callcott. London: printed and sold by C. Lonsdale (late Birchall & Co.) [ca. 1835]. 4p.
ARNOLD, Samuel.
28. Faint and Wearily the way-worn Traveller. Sung by Mrs. Bland and Mr. Bannister Junr. in the Mountaineers. London: printed and sold by Preston & Son [ca. 1795]. 3[1]p. Additional accompt. for German flute.
29. (Another ed.). [ca. 1800]. 4p.
30. Flow thou regal purple stream. Selected from The Castle of Andalusia. N.i. [ca. 1802]. [1]58-59[1]p.
31. (Another ed.). Flow thou regal purple stream. A favorite song sung by Mr. Reinhold in The Castle of Andalusia. London: for G. Goulding [ca. 1809]. [1] 64-66p. (Apparently a reissue from earlier plates, the address re-engraved. Wm. 1809).
32. The Hardy Sailor. A favorite song, sung by Mrs. Kennedy in The Castle of Andalusia. London: by J. Bland [ca. 1785]. [4]p. Additional accompt. for guitar.
33. Oh Happy Tawny Moor. Sung by Mrs. Bland and Mr. Bannister Junr. in The Mountaineers. London: by Preston & Son [ca. 1795]. 4p. Additional accompt. for guitar.
34. The Prince of Arcadia. Occasioned by the King’s Melancholly Indisposition .... Words by Mr. Harrison. [In the realms of Arcadia]. London: for Harrison & Co. Sold likewise, at their shop [1788]. 4p. Score for voice, two violins and bass, additional accompt. for German flute and guitar.
35. The Wandering Sailor. A favourite song sung by Mr. Bannister. London: for S. A. & P. Thompson [ca. 1793]. 4p. Additional accompt. for German flute.
36. When The Hollow Drum. Sung by Mrs. Bland in the Mountaineers. London: by Preston & Son [ca. 1795]. 4p. Additional accompt. for German flute.
37. (Another ed.). When the Hollow Drum. Sung by Mrs. Bland in the Mountaineers. London: by Wm. Walker from Corri Dussek & Co. [ca. 1807]. 4p. Additional accompt. for German flute.
38. As Steals The Morn. Sung by Mr. Harrison and Mrs. Billington. London: printed and sold by J. Bland [ca. 1786]. 3[1]p.
ATTWOOD, Thomas
39. In Peace Love tunes the Shepherd’s Reed. Glee for three voices, the words from the Lay of The Last Minstrel by Walter Scott Esqr. London: published by Monzani & Co. [ca. 1810]. [2]9[1]p. Score for three voices and two pianos (or harp and piano). Initialled.
40. The Land in the Ocean. A favorite song sung by Mr. Fawcett ... in The Mouth of the Nile, written by T. Dibdin. [In the midst of the Sea]. [London] by Goulding & Co. [ca. 1800]. 4p. Additional accompt. for flute.
41. A Masonic Glee. Sung at The Union of the Grand Lodges of Ancient Freemasons of England on The Festival of St. John, 27th December, 1813. [For 3 voices]. London: printed and sold for the author by Preston [ca. 1814]. 7[1]p.
BAKER, George, or John.
42. Oh how Slowly time does Move. Canzonet for two voices, with an accompaniment for the piano forte. London: printed and sold by Preston [ca. 1810]. 3[1]p.
BALL, S.
43. Nelson’s Tomb. The words by a young gentleman. [Nelson the Brave, is now no more]. London: for the author by Broderip & Wilkinson [ca. 1806]. [2]4p. Signed.
44. Begone Dull Care. A favorite Duett, sung ... at Harrison and Knyvetts vocal concerts. London: printed and sold by Preston & Son [ca. 1794]. 4p. Additional accompts. for two guitars or German flutes.
BIGGS, Edward Smith
45. The Morning Call Of the Swiss Pastors. Harmonized and arranged as a Glee; for three voices .... Words written and adapted to the music by Mrs. Opie. [Where feeds your flock?]. London: for Rt. Birchall [ca. 1803]. 3[1]p. Initialled and numbered.
46. My Love to War is going. A song with an accompaniment for the piano forte. [London] printed and sold by Rt. Birchall [ca. 1795]. 4p. Additional arr. for three voices. Initialled and numbered.
BISHOP, Henry Rowley
47. As It Fell Upon a Day. Duet. Sung by Miss Stephens and Miss M. Tree in Shakespeare’s Comedy of Errors .... Words from Shakespeare’s sonnets. London: published by Goulding, D’Almaine, Potter & Co. and to be had at Dublin [ca. 1821]. 6p. (also numbered 67-72).
48. (Another ed.). 2d.ed. As It Fell Upon a Day... [ca. 1823]. 6p. (also numbered 67-72).
49. Bid me discourse. Sung by Miss M. Tree, in Shakespeare’s comedy called Twelfth Night ... Poetry from Shakespeare’s Sonnets. London: published by Goulding, D’Almaine, Potter & Co., and to be had at Dublin [ca. 1821]. 7[1]p. (Imprint on title set in two lines, no imprint at foot of p.7).
50. (Another ed.). Bid me discourse. Sung by Miss M. Tree in Shakespeare’s comedy called Twelfth Night ...[&c.]. [ca. 1822]. 7[1]p.
51. (Another ed.). Bid me discourse. Sung by Miss M. Tree ... [&c.]. [ca. 1824]. 7[1]p. (Imprint on title set in one line, printer’s imprint at foot of p.7.
52. (Another ed.). Bid me discourse. Sung by Miss M. Tree ... [&c.]. [ca. 1824]. 7[1]p. (Heading on p.2 reads: “at the Nobility’s & Public Concerts.” Tempo marked: “Allegro Moderato”).
53. (Another ed.). Bid me discourse ... [&c.]. London: by Goulding, D’Almaine & Co., and to be had at Dublin [ca.1824]. 7[1]p. (P.4-7 also numbered 74-77. Heading on p.2 reads: “at the Nobility’s and Private Concerts.” Tempo marked: “Allegro Modto”).
54. By the simplicity of Venus’ Doves. Sung by Miss Stephens in A Midsummer Night’s Dream .... Words by Shakespeare. London: by Goulding, D’Almaine, Potter & Co., and to be had at Dublin [ca. 1816]. 8-10[1]p. (Imprint on title set in two lines, ending: “Dublin.” No metronome marking).
55. (Another ed.). [ca. 1816]. 8-10 [1]p. (Imprint on title set in one line, ending: “Dun.” With metronome marking).
56. (Another ed.). [ca. 1816]. 8-10[1]p. (Imprint on title set in one line, ending: “Dublin.” With metronome marking).
57. The Dashing White Sargent. The Favorite Military Song, Sung by Miss Stephens, Madame Vestris and Miss Paton in the opera of the Lord of the Manor. [If I had a Beau]. London: by Goulding, D’Almaine & Co., and to be had at Dublin [ca. 1825]. 4p.
58. Lo! Here the Gentle Lark. Sung by Miss Stephens (accompanied on the flute by Mr. Birch) in Shakespeare’s Comedy of Errors. London: published by Goulding D’Almaine, Potter & Co., and to be had at Dublin [ca. 1820]. 7[1]p. (also numbered 88-94). Score for voice, piano and flute.
59. “Should he upbraid”. Sung by Miss M. Tree, in Shakespeare’s play The Two Gentlemen of Verona ... Poetry by Shakespeare. London: published by Goulding, D’Almaine, Potter & Co., and to be had at Dublin [ca. 1822]. [2]75-80p.
60. (Another ed.). [ca. 1823]. [1]75-80[1]p.
61. (Another ed.). London: by Goulding, D’Almaine & Co., and to be had at Dublin [ca. 1824]. [1]75-80[1]p.
62. (Another ed.). London: by Goulding & D’Almaine, and to be had of all music sellers in the United Kingdom [ca. 1828]. [1]75-80[1]p.
63. Black Eyed Susan. Sung by Mr. Incledon. [All in the Downs]. N.i. [ca. 1790]. [4]p. Additional accompts. for guitar and German flute.
64. The Blessings of Union. [How justly alarmed is each Dublin Cit]. Dublin: published by Hime [ca. 1800]. [4]p. Additional accompt. for German flute.
65. The Bold Dragoon. As sung by Mr. Johnstone. [There was an ancient Fair]. London: by Goulding & Co., and Dublin [ca. 1808]. 3[1]p.
66. (Another ed.). The Bold Dragoon. A comic song sung by Mr. Johnson. London: for G. Walker [ca. 1811]. 3[1]p.
[BONONCINI, Giovanni Battista]
67. A Favourite Song in the Opera of Astartus. (in English and Italian). [Transported with Pleasure I gaze on my Treasure]. N.i. [ca. 1725]. S. sh. 1[1]p. Additional accompt. for flute.
BONWICK, Miss ---
68. The Nightingale. [In a sweet shady Arbour]. [London] printed and sold for the author by Longman & Broderip [ca. 1792]. [4]p.
69. The Boy and the Flag’let. An admired ballad for the harp and piano forte. Written by Mr. F. Bryan, the music by the composer of the Maid of Wooburn. [A Village Boy in lowly state]. London: printed and sold by F. Bryan [ca. 1805]. 4p.
BRAHAM, John
70. Ah! thee will I follow. Sung by Sigra. Storace, in the favorite opera of Kais or Love in the Deserts. London: by Goulding & Co., and Dublin [ca. 1808]. [1]53-54[1]p.
71. Ah what a Pity. A favorite air as sung by Sigra. Storace ... in the comic opera of the Cabinet, the words by T. Dibdin. [My love the gayest of the throng]. London: published and sold by J. Dale [ca. 1802]. 3[1]p.
72. The Beautiful Maid. A favorite ballad as sung by Mr. Braham ... in the comic opera of the Cabinet, the words by T. Dibdin. [When absent from her my soul]. London: for J. Dale [ca. 1802]. 4p. (“Entd. at Stats. Hall.” “Price 1/6", tempo in capitals, “p” in first bar).
73. (Another ed.). 4p. “Entered at Stats. Hall.” “Price 1s.6", tempo in lower case, “pia” in first bar.
74. (Another ed.). [ca. 1804]. 4p. “Entd. at Stats. Hall.” “Price 1s/6", tempo in lower case, “p” in first bar.
75. (Another ed.). 47-50p.
76. (Another ed.). London: for Dale & Son [ca. 1807]. 47-50p. “Price 1/6".
77. (Another ed.). 47-50p. “Pr.1/6".
78. Beneath the Willow Tree. Sung by Mr. Braham ... in the comic opera of the Thirty Thousand or Who’s the Richest? The words by T. Dibdin. [Oh take me to your arms my love]. London: by Joseph Dale & Son [ca. 1805]. [1]34-35[1]p.
79. (Another ed.). Dublin: published by Hime [ca. 1806]. [4]p.
Box 1B
80. The Bewildered Maid. A ballad, sung by Mr. Braham, in the favorite opera of Kais or Love in the Deserts. [Slow broke the light]. London: by Goulding Phipps, D’Almaine & Co., and Dublin [ca.1809]. 111-114p.
81. The Favorite Bird. Duet as sung by Sigra. Storace and Mr. Braham ... in the comic opera of the Cabinet. The words by T. Dibdin. [Ah could I hope my Fair to see]. London: for J. Dale [ca. 1802]. 55-62p.
82. (Another ed.). [ca. 1803]. 8p.
83. The Death of General Sir Ralph Abercrombie. Sung by Mr. Braham ... in the comic opera of the Thirty Thousand or Who’s the Richest? The words by T. Dibdin. [‘Twas on the spot in ancient Lore]. London: by Joseph Dale [ca. 1804]. [1]56-58p.
84. Dulce Domum. Composed & sung by Mr. Braham in Out of Place or the Lake of Lausanne. [Deep in a Vale a Cottage stood]. [London] for the authors by Clementi & Co. [ca. 1805]. 35-38p. Initialled.
85. (Another ed.). Dulce Domum. Composed and sung by Mr. Braham. London: by Clementi & Co. [ca. 1805]. 4p.
86. Dunque non senti O Barbaro. The favorite duet, sung by Mr. Braham and Made. Grassini, in the grand serious opera of gli Orazi e i Curazi ... . Arranged by M. C. Mortellari. [London] printed and sold by M. Kelly [ca. 1807]. 5[1]p.
87. The Celebrated Echo Duett. Sung by Mr. Braham and Mrs. Salmon. [Now hope now fear my bosom rending]. London: by Goulding & D’Almaine [ca. 1828]. 1,119-122[1]p.
88. Fair Ellen. A favorite ballad as sung by Mr. Braham ... in the Cabinet. The words by T. Dibdin. London: published and sold by J. Dale [ca. 1803]. 3[1]p.
89. (Another ed.). [1]66-67[1]p.
90. Braham’s music in the favorite opera. False Alarms or My Cousin. Sung by him Signora Storace and Mrs. Mountain .... Arranged for the piano forte by the author. [Six songs]. London: printed and sold by Preston for Mr. Braham [ca. 1807]. 32p. Signed.
91. From thee my Fair One I must Go. A favorite song, sung by Mr. Braham. London: for J. Dale [ca. 1804]. 4p. Additional accompts. for guitar and flute.
92. Is there a heart that never Loved. Ballad, sung by Mr Braham in the operatic romance of The Devils Bridge. London: By Goulding, D’Almaine, Potter & Co., and to be had at Dublin [ca. 1818]. 39-41[1]p.
93. Just as Sweet to Teaze’em. Sung by Signora Storace. in the opera False Alarms. [To hear a tender Lover sigh]. London: by Goulding & Co., and Dublin [ca. 1808]. [1]4-5[1]p.
94. Little Jane of the [Mill]. A favorite ballad, sung by Sigr. Storace in ... Family Quarrels .... Written by T. Dibdin. Junr. Arranged for the piano forte by D. Corri. London: printed and sold [by Domenico Corri] [ca. 1803]. 35-39[1]p.
95. The Celebrated Song of Love and Glory. From the comic opera of The English Fleet. The words by T. Dibdin. Arranged for the piano forte by D. Corri as composed and sung by Mr. Braham. [Young Henry was as brave a Youth]. [London] by M. P. Corri & Co. [ca. 1804]. 10th. ed. 4p.
96. Mild as the Moonbeam! The favorite quartetto introduced by Miss Stephens, Mrs. Bishop, Mr. Durusett and Mr. Braham in the opera of Artaxerxes. [To death ‘mid burning sands]. London: by Goulding, D’Almaine, Potter & Co., and to be had at Dublin [ca. 1818]. 37-43[1]p.
97. No more by Sorrow. Pollacca as sung by Mr. Braham ... in the comic opera of the Cabinet, the words by T. Dibdin. London: printed and sold by J. Dale [ca. 1803]. 85-91[1]p. (“Page 92 Blank.” at foot of p.91, publisher’s name in lower case).
98. (Another ed.). 85-91[1]p. Without “Page 92 Blank.” on p. 91, publisher’s name in capitals.
99. (Another ed.). 7[1]p. With reading “Entd. at Stationers Hall. Price 2s.”
100. (Another ed.). 7[1]p. With reading “Entered at Stationers Hall. Price 2/o”.
101. (Another ed.). Dublin: published by Hime [ca. 1804]. 4p.
102. On this Cold flinty Rock I will lay down my head. Sung by Mr. Philipps ... and Mr. Braham, in the favorite opera of Kais or Love in the Deserts. London: by Goulding, D’Almaine, Potter & Co., and Dublin [ca. 1815]. 87-89[1]p.
103. Poor little Sailor Boy. Sung by Sigra. Storace ... in the comic opera of The Thirty Thousand or Who’s the Richest? The words by T. Dibdin. [One Morning I walked]. London: by Joseph Dale & Son [ca. 1805]. [1]32-33[1]p.
104. Rest Weary Traveller. A favorite duet sung by Mr. Braham and Mr. T. Rovedino ... in the favorite operatic romance of The Devil’s Bridge. London: by Goulding & Co., and to be had at Dublin [ca. 1813]. 76-80[1]p.
105. Said a Smile to a Tear. Braham’s celebrated piano forte song, sung and accompanied by the author in the opera False Alarms. London: printed and sold by Preston for Mr. Braham [ca. 1807]. [3]22-27[1]p. Signed. (“Price.3s.” printed centrally, above “London.”)
106. (Another ed.). [3]22-27[1]p. Signed. (“Price 3s/.” printed to r. above “Mr. Braham.”)
107. (Another ed.). London: by Goulding, Phipps, D’Almaine & Co. and Dublin [ca. 1808]. [1]22-27[1]p.
108. (Another ed.). London: by Goulding, D’Almaine, Potter & Co., and Dublin [ca. 1815]. [1]22-27[1]p.
109. Mr. Braham’s Edition. Scots wha hae wi’ Wallace bled. The celebrated Scottish air sung ... by Mr. Braham ... in the opera Guy Mannering. London: by Button, Whitaker & Co. [ca. 1816]. 3[1]p. Additional accompt. for flute.
110. Should e’er I brave. Sung by Mr. Braham in the opera False Alarms. London: by Goulding & Co., and Dublin [ca. 1809]. 6-8[1]p.
111. Tu l’ami e ancor per lui. The favorite duet sung by Mr. Braham and Mrs. Billington in the grand serious opera of Argenide e Serse. [London] printed and published by Ml. Kelly [ca. 1807]. 7[1]p.
112. The Victory and Death of Lord Viscount Nelson. Written by R. Cumberland .... Arranged for the piano forte by D. Corri. [In death’s dark house]. [London] printed and sold [by Domenico Corri, 1805]. 7-10p. Additional arr. for tenor voice.
113. Vive le Roi. The favorite duet sung ... by Mr. Braham and Sigra. Storace in the comic opera of the English Fleet .... Words by T. Dibdin. [For whom do you sigh]. London: printed and sold at Preston’s [ca. 1812]. 73-79[1]p. (Wm. 1811).
114. (Another ed.). 73-79[1]p. (Wm. 1815).
115. When thy bosom heaves a sigh. Duet sung by Mr. Braham and Miss Wilson in the comic opera called Love in a Village. London: by Goulding, D’Almaine, Potter & Co., and to be had at Dublin [ca. 1814]. 21-28[2]p.
116. (Another ed.). When thy Bosom heaves the Sigh! The admired duet sung by Miss Stephens and Mr. Braham. London: by Goulding & D’Almaine, and to be had of all music sellers in the United Kingdom [ca. 1828]. 21-27[1]p.
117. (Another ed.). London: D’Almaine & Co. [ca. 1835]. 21-27[1]p.
118. With a Friend and a Wife. A favorite duet as sung by Mr. Braham and Mr. Incledon ... in The Cabinet, the words by T. Dibdin. London: published and sold by J. Dale [ca. 1804]. 4p.
BREMNER, Robert
119. Thirty Scots Songs. Adapted for a voice and harpsichord .... Words by Allen Ramsey. London: printed and sold by R. Bremner [ca. 1770]. [2]32[2]p. Alternate leaves typeset. Additional flute accompts. to 10 songs.
BREWSTER, Henry
120. Female Liberty Regain’d. Sung by Mr. Vernon. [Tho’ Man has long boasted]. London: printed and sold by R. Falkener [ca. 1773]. S. sh. Typeset.
121. A Two Part Song. [Britons where is your great Magnanimity]. N.i. [ca. 1730]. S. sh. Additional accompt. for flute.
122. The Brittish Toper Made in Honour of a Bowle of Punch. Occasioned by the Intolerable Price of Bad Clarrett, the words by Mr. Durfey. [Come Aid me ye Muses]. N.i. [ca. 1710]. S. sh. Vocal line with accompts. for bass and flute.
123. The Busy Crew. Sung by Mr. Bannister. [London] Straight [ca. 1780]. S. sh. Additional accompt. for German flute or guitar.
BUTLER, Thomas Hamley
124. No fragrant Flower that scents the air. A favorite ballad written by John Carnegie Esqr. Edinburgh: published by Mr. Butler. - August 1809. [1]2[1]p. Signed.
125. No more does the song give delight. A favorite ballad written by John Carnegie Esqr. Edinburgh: published by Mr. Butler. - August 1809. [1]2[1]p. Signed.
Box 2A
CALLCOTT, John Wall
126. Address to the Sun. From the poems of Ossian Vide Carthon Vol. I Page 95 last Ed. [O thou that rollest above]. London: for the author and sold by Catherine Fentum [ca. 1783]. 3[1]p. Initialled.
127. Chief Of The Windy Morven. A glee from Ossian, for two trebles and a bass with an accompaniment for two performers on one piano forte. London: for the author by Rt. Birchall [ca. 1808]. 14p. (From 1799 plates).
128. A Collection of Four Songs. I Farewell thou fair day, II Tho’ cold are our hills, III The tomb of the brave [Shall a tyrant usurper unanswered proclaim], IV The Maid of Marlivale [Where is the nymph whose azure eye]. [London] for the author. March 1804. [2]11[1]p. Signed and numbered.
129. Lochaber. A favorite Glee, for Three Voices In imitation of the Scotch stile .... To which is added an accompaniment for the harpsichord or piano forte, and the melody adapted for a single voice. [Farewell to Lochaber]. [London] for the author and sold by T. Skillern [ca. 1786]. 3[1]p. Initialled and numbered.
130. The Red Cross Knight. [For 3 voices]. [Blow Warder blow thy sounding horn]. [London: for the author] May 12.1797. 4p. Initialled and numbered.
131. Thyrsis. A glee for four voices. Also adapted as a duet. [Thyrsis when he left me swore]. London: for the author and sold at the music shops, engraved by T. Skillern [ca. 1790]. 7[1]p.
132. The Weeping Willow. Written by Mr. Rannie. [Oh I have heard the plaint of woe]. [London] for the author. August 23, 1797. [4]p.
CAMIDGE, John
133. As oer her white forehead. A favorite song sung by Madame Mara ... composed by M. Camidge. London: printed and sold by Preston & Son [ca. 1790]. 3[1]p. Additional accompt. for guitar.
CAMIDGE, Matthew
134. Occasional Hymn. Sung by Miss Shepley .... Words by Mr. Watson. [Eternal King to thee we bow]. London: printed and sold by Thos. Preston [ca. 1800]. 3[1]p. Additional accompt. for German flute or guitar.
135. The Camp Medley. With the original tunes within compass of the German Flute. [The Lark was up the Morning Grey]. [London] for C. & S. Thompsons [ca. 1770]. 4p.
136. Canzonetta Con Coro. [Quattro e quattrotto]. London: by Longman & Broderip [ca. 1795]. 4p.
[CAREY, Henry]
137. And canst thou leave thy Nancy. Sung by Mr. and Mrs. Mattocks in True Blue. [With] The Jolly Waterman sung by Mr. Bannister in the ... Water-man [by C. Dibdin]. [And did you not hear of a Jolly young Waterman]. N.i. [ca. 1775]. [4]p.
138. The Apotheosis of the most Noble Edmund Sheffield Duke of Buckingham Who Died at Rome ye 30th. Day of October 1735. [For 2 voices]. [Immortal Powers who rule above]. [London] published according to Act of Parliament 1740. [1]26-27[1]p. Additional accompt. for flute.
139. Generous Love. [Love’s a gentle generous Passion]. [London] G. Bickham junr. [ca.1740]. S. sh. numbered 88. Additional accompt. for flute.
140. The Maid’s Husband. [Genteel in Personage, Conduct & Equipage]. [London] G. Bickham [ca. 1740]. S. sh. numbered 80. Additional accompt. for flute.
141. A New Year’s Ode. For 1736. Composed in a Dream. The author imagining himself to be the Poet Laureat. Sung by Mr. Salway. N.i. [ca. 1737]. [1]50-51[2]52-53[1]54[1]p. Additional accompt. for “ye Common Flute.”
CARNABY, William
142. Milton’s Poem, on the Morning of Christ’s Nativity. [This is the month]. London: for the author and sold by Rt. Birchall [ca. 1800]. 3[1]p. Initialled and numbered.
143. See what delights in sylvan scenes appear! A favorite duet, “From Pope’s Pastorals”. [London] printed and sold by Robt. Birchall for the author [ca. 1801]. 4p. Initialled and numbered.
144. Song on Peace. [Tell me, on what holy ground]. London: printed and sold by Rt. Birchall [ca. 1799]. 3[1]p.
CARTER, Charles Thomas
145. Glee for Two Voices. The words by Her Grace the Dutchess of Devonshire. Op. XI. [Bring me flowers and bring me wine]. London: for Harrison & Co. December. 8th. 1785. [2]5[1]p. Oblong fol.
146. The Sea Fight. Sung by Mr. Bannister in the Milesian. [Stand to your Guns my hearts of Oak]. London: for S. A & P. Thompson [ca. 1779]. 3[1]p.
147. The tint on the cheek of my love. Written by the Honble. C. J. Cary. [No hue of the Rose can compare]. London: by J. Buckinger [ca. 1800]. 4p. Additional accompt. for flute.
[CHAPMAN, Richard]
148. Sung by Mr. Lowe in the Naval Review. [Free from each care and strife]. London: for Hugh Andrews [ca. 1790]. [1]18-19[1]p.
CHARD, George William
149. An English Version of Domum. [Sing a sweet melodious measure]. Winchester: for Jas. Robbins and sold in London at Bland & Wellers [ca. 1811]. 3[1]p.
CHILCOT, Thomas.
150. Composed by Mr. Chilcot. [Come live with me & be my Love]. N.i. [ca. 1750]. S.sh. Additional accompt. for flute.
[CIMAROSA, Domenico]
151. Parto Ti Lascio Addio. The much admired duet, as sung by Sigra. Grassini and Sigr. Viganoni ... in the opera of La Vergine del Sole. [London] published by M. Kelly [ca. 1809]. 5[1]p.
[CLARKE, Jeremiah]
152. Could a Man be Secure. Sung by Mr. Dignum and Mr. Sedgwick. London: for G. Goulding [ca. 1802]. [4]p.
CLARKE, John
153. The Song of Fitz - Eustace. The poetry from Marmion, A Tale of Flodden Field as sung by Mrs. Ashe. [Where shall the lover rest]. London: by Wilkinson & Co. (Late Broderip & Wilkinson) [ca. 1809]. 8p.
154. Lochinvar. Lady Heron’s song, in Marmion, A Tale of Flodden Field for two trebles and a bass, (Interspersed with Solos) with an accompaniment for the piano forte. [O, Young Lochinvar is come out of the west]. London: for the author by Wilkinson & Co. Late Broderip & Wilkinson [ca. 1809]. [2]14p.
155. “Weep no more.” Duo, for a soprano (or tenor) and bass, as sung by Messrs. Harrison and Bartleman. London: by Broderip & Wilkinson [ca. 1801]. 7[1]p. Oblong fol.
CLARKE, William
156. Now Spring has clad the Grove in green. Written by Robert Burns. Edinburgh: sold by J. Hamilton [ca. 1803]. [2]9[1][i.e.4]p.
157. Where shall the lover rest. With an accompaniment for the piano forte. Written by Walter Scott. Edinburgh: printed and sold at J. Hamilton’s Music Library [ca. 1809]. [1]2[1]p.
158. Young Lochinvar. Written by Walter Scott. [O Young Lochinvar is come out of the west]. Edinburgh: printed and sold by J. Hamilton [ca. 1809]. [1]2[1]p.
CLIFTON, J. C.
159. If Music be the food of Love play On. A canzonet, with an accompaniment for the harp or piano forte. London: by Clementi, Banger, Hyde, Collard and Davis [ca. 1814]. 3[1]p.
COMBE, T.
160. He’ll never march again. [The tired Soldier Bold and Brave]. Leicester: for the author and sold by Longman & Broderip, London. [ca. 1798]. 3[1]p.
COOKE, Benjamin
161. Hark the Lark at Heav’n’s gate dings. A favorite glee for four voices .... Adapted to a single voice and harpsichord. With an accompaniment for a violin to be added at pleasure, or it may be played an octave higher (with very little omission or variation) by another hand on the same harpsichord. [London] by Longman & Broderip [ca. 1795]. 6p.
COOKE, Robert
162. The Maltese Mariners Hymn. [Queen of the Sea ordained to prove]. London: for the author by Rt. Birchall [ca. 1811]. 4p.
COOKE, T.
163. The celebrated Serenade of “Lilla come down to me”. As introduced in ... the Siege of Belgrade by Mr. Braham. [Come dearest Lilla thy faithful Lover counts]. London: published at J. Powers Music Warehouse and at W. Powers, Dublin [ca. 1818]. [2]3[i.e.5][1]p.
164. (Another ed.). Dublin: published at W. Powers [ca. 1819]. 7[1]p.
CORRI, Domenico
165. The Glad Trumpet Sounds a Victory. Sung by Mr. Braham ... in the opera of The Travellers or Music’s Fascination .... Written by Mr. Cherry. [He was famed for Deeds of Arms]. [London] printed and sold at [Domenico Corri, ca. 1807]. 4p.
166. The Patriot Soldier, (Wherein God Save the King is Introduced). Sung by Mr. Braham ... The words by T. Dibdin. [When glory deckt in martial charms]. London: printed and sold at [Domenico Corri] [ca. 1803]. 7[1]p.
CORRI, Montague P.
167. Vivant Rex Et Regina. A melody on the words of command of the manual exercise of the British Army, sung by Mr. Woodham. [Order Arms Fix Bayonets]. London: sold at [Domenico Corri] [ca. 1805]. [4]p.
CORRI, Natale
168. Ave Maria. Hymn to the Virgin from the popular poem of the Lady of the Lake, written by Walter Scott. [Ave Maria! Maiden mild]. Edinburgh: printed and sold by N. Corri. and at Birchall’s, London. [ca. 1815]. 5[1]p.
COSTELLOW, Thomas
169. The Great Gun in the Park. A popular song written by R. Houlton. [Tho’ my song as ‘twill show]. London: printed and sold by Preston. [ca. 1803]. [4]p.
COUSSER, [i.e. Kusser] Johann Sigismund.
170. An Ode Elegiecal on the Death of Mrs Arabella Hunt. The words by Wm. Meres. [Long have I feared, that you my Sable Muse]. N.i. [ca. 1706]. [4]p.
CROSFEILD, R.T.
171. I’m the Dandy O! He would be a soldier. [Tho’ late as a waiter I run up & down]. [n.p.] Kay fecit 1787. S. sh.
[CROSS, Thomas]
172. A Two Part Song. [Bury delights my roving Eye]. [With] The Fly. Set by Dr. Green. [Busy curious thirsty Fly]. N.i. [ca. 1740]. S. sh. numbered 5-6. Additional accompt. for flute to 2d. song only.
CROTCH, William
173. Glee Go Tuneful Bird. [For 4 voices]. London: for the author by Rt. Birchall [ca. 1805]. 3[1]p.
CROUCH, Mrs. ---
174. “Go, you may call it Madness, Folly”. The words by the author of The Pleasures of Memory, the melody by Mrs. Crouch, adapted for the harp or piano forte. [London] printed and published by M. Kelly. [ca. 1803]. 3[1]p.
CUTLER, W. H.
175. The Rose and the Myrtle. A ballad, with an accompaniment for the piano forte. [Go, little blooming fragrant Rose]. London: for Wm. Dale [ca. 1814]. 4p.
176. D. T. The Captive’s Hymn. Sung by The British Prisoners in France, the words and music by T. D. during his confinement in Sedan Castle. [For three voices]. [O thou to whom all nations bend the knee!]. London: printed and sold at Bland & Weller’s. [ca. 1814]. 4p.
DANBY, John
177. Stay Silver Moon. A favorite rondo sung ... by Mr. Harrison. London: by J. Bland. [ca. 1788]. 4p. Score for voice, flutes, violins, violas and harpsichord.
178. The Favourite Song, Date Obolum Bellisario. As sung ... by Mr. Collins at his Brush. [O, Fortune, how strangely thy Gifts are awarded]. London: for S. A. & P. Thompson [ca. 1786]. 3[1]p.
DAVY, John
179. Crazy Jane. A ballad sung by Mrs. Mountain .... The words by G. M. Lewis. [Why fair Maid in every feature]. London: by Muzio Clementi & Co. [ca. 1802]. 4p.
180. The Fox, Stag and Hare. A hunting song written by T. Dibden, sung ... by Miss Daniels ... and Mr. Incledon. [While Politic Numpskulls bepuzzle their brains]. London: printed and sold by Preston [ca. 1805]. 3[1]p.
181. Hope is now no more. Sung by Mr. Incledon in the comic Opera of The Cabinet .... The words by T. Dibdin. [How blest was I when late you smiled]. [London] England: printed by T. Jones [ca. 1803]. 13-16p.
182. In Britain The Soil. The favorite hunting song sung by Mr. Incledon in the popular opera of The Cabinet. London: by T. Jones & Co. [ca. 1803]. 37-40p.
183. Just Like Love is Yonder Rose. The favorite rondo sung by Mr. Braham ... and by Mrs. Mountain in Life’s Masquerade or Fortune’s Wheel in Motion. London: printed and sold by Preston. [ca. 1803]. 4p.
184. (Another ed.). Just Like Love is yonder Rose. The favorite rondo. Sung by Mr. Braham. London: printed and sold by Preston. [ca. 1805]. 4p. (“Andantino” beginning under “& S” of imprint).
185. (Another ed.). 4p. (“Andantino” beginning under “&” of imprint).
186. May we Nn’er want a Friend nor a Bottle to give him. As sung by Mr. Incledon in Family Quarrels, written by Mr. T. Dibdin. [Since the first dawn of reason]. London: by Clementi, Banger, Hyde, Collard & Davis. [ca. 1803]. 6p.
187. The Strangers at Home. A favorite song, written by Mr. G. S. Carey and sung by him. [Now we’ve drank to the King]. London: printed and sold by Preston & Son. [ca. 1798]. 3[1]p. Additional accompt. for German flute.
DE G., Mr. ---
188. Air Du Major André. Avec accompagnement de harpe, ou de piano forte. [Ciel ô Ciel quel supplice infame]. London: for R. Birchall. [ca. 1810]. [1]40-41[1]p.
DELAMAIN, Henry
189. Did you see ere a Shepherd. London: printed and sold by J. Bland. [ca. 1780]. S. sh.
190. When I think on your Truth. London: printed and sold by J. Bland. [ca. 1780]. S. sh. Additional accompt. for flute or guitar.
DIBDIN, Charles
191. Abraham Newland. A celebrated comic song ... sung by Mr. Johannot. [Ne’er yet was a name so bandied by fame]. Liverpool: printed and sold by H. Hime [ca. 1798]. [4]p.
192. The Advantage of Toping. Written and composed by Mr. Dibdin, and sung by him in ... The Sphinx. [Some says topers should never get mellow]. London: printed and sold by the author [1797]. 4p. Additional accompt. for two flutes. Signed.
193. All’s one to Jack. Written and composed by Mr. Dibdin and sung by him in ... The Sphinx. [Though mountains high the billows roll]. London: printed and sold by the author [1797]. 4p. Additional accompt. for two flutes. Signed.
194. Bachelor’s Hall. Written and composed By Mr. Dibdin for ... The Oddities. [To Bachelor’s hall we good fellow’s invite]. London: printed and sold by the author [1790]. 4p. Additional accompt. for two flutes.
195. The Beggar. Written and composed by Mr. Dibdin for ... Private Theatricals, or Nature in Nubibus. [Why good people all at what do you pry]. London: for the author [1791]. 3[1]p. Additional accompts. for flute and guitar.
196. Ben Backstay. Written and composed By Mr. Dibdin, for ... The Oddities. London: printed and sold by the author [1789]. 4p. Additional accompts. for two flutes and guitar. Signed.
197. The Blind Sailor. Written and composed by Mr. Dibdin for ... The Quizzes, or A Trip to Elysium. [Come never seem to mind it]. London: printed and sold by the author [1793]. 4p. Additional accompt. for two flutes. Signed.
198. Blow high blow low. The words and music by C. Dibdin. As sung by Mr. Rheinhold in the Seraglio and Mr. Bannister in Thos and Sally. [London] J. J[ohnston]. [1776]. [4]p.
199. (Another ed.). ... As sung by Mr. Rheinhold in the Seraglio and Mr. Bannister in Thos and Sally. [London] J. J.[ohnston] [ca. 1777]. [4]p.
200. (Another ed.). Blow High Blow Low. The words and music by C. Dibdin. As sung by Mr. Rheinhold in the Seraglio and Mr. Bannister in Thos and Sally. [London] J. J.[ohnston] [ca. 1778]. [4]p.
201. (Another ed.). London: by Longman & Broderip [ca. 1779]. 4p. Additional accompt. for guitar or German flute.
202. The Bumpkin No Fool. A favorite song in the Whim of the Moment. Written, composed, sung and accompanied by Mr. Dibdin. [What thof I be a country clown]. [London] the author, for and sold by Mess. Preston & Son, and all the music sellers in the Kingdom. [ca. 1789]. 3[1]p. Signed.
203. Captain Wattle and Miss Roe. Written and composed By Mr. Dibdin, and sung by him in ... The Sphinx. [Did you ever hear of Captain Wattle]. London: printed and sold by the author [1797]. 4p. Additional accompt. for two flutes. Signed.
204. (Another ed.). London: for G. Walker. [ca. 1808]. 3[1]p.
205. Colin and Chloe. A favorite song in the Whim of the Moment. Written, composed, sung and accompanied by Mr. Dibdin. [What a plague cried young Colin]. London: for the author and sold by him, Messrs. Preston & Son, and all the music sellers in the Kingdom [1789]. 3[1]p. Signed.
206. Every Inch a Sailor. Written and composed by Mr. Dibdin, and sung by Mr. Incledon. [The wind blew hard]. London: for the author [ca. 1790]. 4p. Additional accompt. for guitar. Signed.
207. The Flowing Bowl. Written and composed by Mr. Dibdin, and sung by him in ... King and Queen. [Of all heaven gave to comfort man]. London: printed and sold by the author [1799]. 4p. Additional accompt. for two flutes. Signed.
208. The Flowing Can. Written and composed by Mr. Dibdin for ... The Oddities. [A Sailor’s life’s a life of woe]. London: printed and sold by the author [1790]. 4p. Additional accompt. for guitar. Signed.
209. The Greenwich Pensioner. Written and composed by Mr. Dibdin for ... The Oddities. [‘Twas in the good Ship Rover]. London: printed and sold by the author [1789]. 4p. Additional accompt. for guitar. Signed.
210. (Another ed.). The Greenwich Pensioner. Written and composed by Mr. Dibdin for ... The Oddities. London: printed and sold by the author [ca. 1790]. 4p. Additional accompt. for guitar. Signed “J. W. for C. Dibdin”.
211. Grizzle. Written and composed by Mr. Dibdin, and sung by him in ... King and Queen. [‘Twas one morning in May]. London: printed and sold by the author [1798]. 4p. Signed.
212. An Irish Drinking Song. Written and composed by Mr. Dibdin for ... The Oddities. [Of the ancients it’s speaking]. London: by the author [ca. 1790]. 4p. Additional accompt. for flute. Signed.
Box 2B
213. Jack at the Windlass. Written and composed by Mr. Dibdin for ... The Quizzes, or A Trip to Elysium. [Come all hands ahoy to the anchor]. London: printed and sold by the author [1793]. 4p. Additional accompt. for flute. Signed.
214. Jack’s Fidelity. Written and composed by Mr. Dibdin and sung by him, in ... Castles in the Air. [If ever a Sailor was fond of good sport]. London: printed and sold by the author [1793]. 4p. Additional accompt. for two flutes. Signed.
215. The Lady’s Diary. Written and composed by Mr. Dibdin, and sung by him in ... A Tour to the Land’s End. [Lectured by Pa and Ma o’er night]. London: printed and sold by the author [1800]. 4p. Additional accompt. for two flutes. Signed.
216. The Lamplighter. Written and composed by Mr. Dibdin for ... The Oddities. [I’m jolly Dick the Lamplighter]. London: printed and sold by the author [1789]. 4p. Additional accompts. for guitar and flute. Signed.
217. The Last Shilling. Written and composed by Mr. Dibdin, and sung by him in ... Tom Wilkins. [As pensive one night in my garret I sate]. London: printed and sold by the author [1800]. 4p. Additional accompt. for two flutes. Signed.
218. (Another ed.). London: for G. Walker [ca. 1820]. 4p.
219. A Little. Written and composed by Mr. Dibdin, and sung by him in ... the Cake House. [Wid my lor Anglois I come over un valet]. London: printed and sold by the author [1800]. 4p. Additional accompt. for two flutes. Signed.
220. The Lottery of Wedlock. Written and composed by Mr. Dibdin and sung by him in ... the Cake House. [This life is a Lottery]. London: printed sold by the author [1800]. 4p. Additional accompt. for two flutes. Signed.
221. Lovely Nan. Written and composed by Mr. Dibdin, and sung by him in ... Great News or A Trip to the Antipodes. [Sweet is the Ship that under sail]. London: printed and sold by the author [1794]. 4p. Additional accompt. for two flutes. Signed. (Address in imprint 411, Strand).
222. (Another ed.). [ca. 1796]. 4p. (Address in imprint Leicester Place ,Leicester Square).
223. The Lucky Escape. Written and composed by Mr. Dibdin, for ... Private Theatricals, or Nature in Nubibus. [I that once was a Ploughman a Sailor am now]. London: for the author [1791]. 4p. Additional accompt. for flute. Signed. (Single-tone hatching in letters of “Mr. Dibdin”).
224. (Another ed.). 4p. (Double-shade hatching in Dibdin’s name).
225. The Lyric Test. Written and composed By Mr. Dibdin, and sung by him in ... The Sphinx. [Come Poet come thy song rehearse]. London: printed and sold by the author [1797]. 4p. Additional accompt. for two flutes. Signed.
226. Meg of Wapping. Written, composed and sung by Mr. Dibdin in ... The General Election. [‘Twas Landlady Meg that made such rare flip]. London: printed and sold by the author [1796]. 4p. Additional accompt. for two flutes. Signed.
227. A Miss is as good as a Mile. Sung ... by Mr. Gibbons, written and composed by Mr. Dibdin. [The ship was rocking in the offing]. London: published and sold by the author [1808]. 4p. Additional accompt. for two flutes. Signed.
228. Mock Italian Song. Written and composed by Mr. Dibdin for ... The Oddities. [First chuse a pretty melody]. London: printed and sold by the author [1789]. 4p. Signed “for C. Dibdin.”
229. Mounseer Nongtongpaw. Written, composed and sung by Mr. Dibdin, in ... The General Election. [John Bull for pastime took a prance]. London: printed and sold by the author [1796]. 4p. Additional accompt. for two flutes. Signed.
230. (Another ed.). [ca. 1797]. 3[1]p. Additional accompt. for two flutes. Signed.
231. (Another ed.). N.i. [ca. 1798]. S. sh. Additional accompt. for German flute.
232. (Another ed.). London: printed and sold at Bland & Weller’s Music Warehouse [ca. 1815]. 4p. Additional accompt. for two flutes.
233. (Another ed.). London: for G. Walker [ca. 1820]. 3[1]p.
234. The Nancy. Written, composed and sung by Mr. Dibdin in ... The Sphinx. [Mayhap you have heard]. London: printed and sold by the author [1797]. 4p. Additional accompt. for two flutes. Signed.
235. The Negroes Complaint. Sung by Mr. Incledon. [Wide over the tremulous sea]. London: printed and sold by Preston [ca. 1807]. 4p. Score for voice, two violins and bass, with additional accompts. for guitar and German flute.
236. Nelson and the Navy. Written, composed and sung by Mr. Dibdin in ... A Tour to the Lands End. [I say my heart]. London: printed and sold by the Author [1800]. 4p. Additional accompt. for two flutes. Signed.
237. None so Pretty. Written and composed by Mr. Dibdin for ... The Quizzes, or A Trip to Elysium. [This life is like a country dance]. London: printed and sold by the author [1793]. 4p. Additional arr. as dance. Signed.
238. Poor Jack. A favorite song in the Whim of the Moment. Written, composed and sung, by Mr. Dibdin. [Go patter to lubbers and swabs]. London: printed and sold by Preston & Son [1789]. 4p. Additional accompt. for German flute. (Last line of advert. begins “NB. The above....”, penultimate word on p.[1] “Though”, heading on p.4 begins above first bar line).
239. (Another ed.). 4p. (Heading on p.4 beginning above 3d. note of bar 2).
240. (Another ed.). 4p. (Last line of advert. beginning “The above ...”, penultimate word on p.[1] “Though”, heading on p.4 beginning above treble clef).
241. (Another ed.). 4p. (Penultimate word on p. [1] “though”, heading on p.4 beginning above 3d. note of bar 2).
242. Poor Tom, or the Sailor’s Epitaph. Written and composed by Mr. Dibdin for ... The Oddities. [Here, a sheer hulk]. London: printed and sold by the author [1789]. 4p. Additional accompts. for flute or guitar and guitar in F. Signed. (Address in imprint 411 Strand).
243. (Another ed.). [ca. 1796]. 4p. (Address in imprint Leicester Place, Leicester Square)
244. Pope Joan. Written, composed and sung by Mr. Dibdin in ... The General Election. [The board is dressed come deal away]. London: printed and sold by the author [1796]. 4p. Signed.
245. The Race Horse. A celebrated song sung by Mr. Bannister ... and Mr. Dignum. [See the Course thronged with gazers]. London: printed and sold by Preston & Son [ca. 1790]. 4p. Additional accompt. for German flute.
246. The Recompence of Constancy. Written and composed by Mr. Dibdin for ... The Quizzes or A Trip to Elysium. [The surge hoarsely murmuring]. London: printed and sold by the author [1793]. 4p. Additional accompt. for two flutes. Signed.
247. The Sailor’s Journal. Written, composed and sung by Mr. Dibdin in ... Will of the Wisp. [‘Twas post meridian half past four]. London: printed and sold by the author [1795]. 3[1]p. Additional accompt for two flutes. Signed. (Period after “Journal”, no comma after “Strand” in imprint).
248. (Another ed.). 3[1]p. (Commas after “Journal” and “Strand”).
249. (Another ed.). [ca. 1796]. 3[1]p. (Address in imprint “Leicester Place, Leicester Square” set on one line).
250. (Another ed.). 3[1]p. (Address in imprint “Leicester Place, Leicester Square” set on two lines).
251. Second Thoughts are best. Written, composed and sung by Mr. Dibdin in ... Will of the Wisp. [I never shall survive it]. London: printed and sold by the author [1795]. 4p. Additional accompt. for two flutes. Signed.
252. Shakespear’s Garland or the Warwickshire Jubilee. Being a collection of ballads. [Pt.I] - Pt.II. [7 songs]. London: printed and sold by John Johnston, August 30th. 1769. [2]7[3]8p. Additional accompts. for guitar, or guitar and German flute.
253. Smithfield Bargains. Written, composed and sung by Mr. Dibdin in ... The Sphinx. [Come round me ye husbands]. London: printed and sold by the author [1797]. 4p. Additional accompt. for two flutes. Signed.
254. The Soldier’s Adieu. Written and composed By Mr. Dibdin for ... The Wags or the Camp of Pleasure. [Adieu, Adieu my only life]. London: printed and sold by the author [1790]. 4p. Additional accompt. for two flutes. Signed. (Address in imprint 411 Strand, without “For two Flutes” at head of additional accompt. on p.4).
255. (Another ed.). 4p. (With “For two Flutes” on p.4).
256. (Another ed.). [ca. 1796]. 4p. (Address in imprint 411 Strand “and Leicester Place”).
257. (Another ed.). 4p. (Address in imprint 411 Strand and “Leicester Place. Leicester Square”).
258. (Another ed.). 4p. (Without 411 Strand address in imprint).
259. The Soldier’s Funeral. Written, composed and sung by Mr. Dibdin in ... Castles in the Air. [The martial pomp the mournful train]. London: printed and sold by the author [1793]. 4p. Additional accompt. for two flutes. Signed.
260. The Spectre. Written, composed and sung by Mr. Dibdin in ... The Cake House. [Cosmelia the fair]. London: printed and sold by the author [1800]. 4p. Additional accompt. for two flutes. Signed.
261. Tack and half tack. Written, composed and sung by Mr. Dibdin in ... Castles in the Air. [The Yarmouth roads are right ahead]. London: printed and sold by the author [1793]. 4p. Signed.
262. Taffy and Griddy. Written and composed by Mr. Dibdin for ... The Oddities. [Abergav’ney is fine Aberistwith also]. London: printed and sold by the author [1789]. 4p. Additional accompts. for two German flutes and guitar. Signed. (Address in imprint 411 Strand).
263. (Another ed.). [ca. 1796]. 4p. (Address in imprint 411 Strand and Leicester Place, Leicester Square).
264. Tarry Here With Me and Love. Sung by Mrs. Kennedy in the Comedy of Errors. [London] S. A.[&]P. T[hompson] [1780]. S. sh. Additional accompt. for guitar.
265. The Tear of Sensibility. Written, composed and sung by Mr.Dibdin in ... Castles in the Air. [When to man the distinguishing form]. London: printed and sold by the author [1793]. 4p. Additional accompt. for two flutes. Signed.
266. The Token. Written, composed and sung by Mr. Dibdin in ... Castles in the Air. [The breeze was fresh]. London: printed and sold by the author [1793]. 4p. Additional accompt. for two flutes. Signed.
267. Tom Tackle. Written, composed and sung by Mr. Dibdin in ... Castles in the Air. London: printed and sold by the author [1793]. 4p. Additional accompt. for two flutes. Signed.
268. (Another ed.). Tom Tackle. Written and composed by C. Dibdin. N.i. [ca. 1800]. [4]p.
269. True Courage. Written, composed and sung by Mr. Dibdin in ... A Tour to the Land’s End. [Why what’s that to you]. London: printed and sold by the author [1800]. 4p. Additional accompt. for two flutes. Signed.
270. True Glory. Written, composed and sung by Mr. Dibdin in ... The Sphinx. [What is glory what is fame]. London: printed and sold by the author [1797]. 4p. Additional accompt. for two flutes. Signed.
271. The Veterans. Written, composed and sung by Mr. Dibdin in ... Great News, or a Trip to the Antipodes. [Dick Dock a tar at Greenwich]. London: printed and sold by the author [1794]. 4p. Additional accompt. for two flutes. Signed.
272. The Warwickshire Lad. As performed ... in the Entertainment of the Jubilee. [Ye Warwickshire Lads and ye Lasses]. [London] J. J[ohnston 1769]. S. sh. numbered 7. Additional accompt. for guitar.
273. The Wife. A new song written, composed and sung by Mr. Dibdin in ... New Years Gifts. [As a Sailor’s all one]. [London] printed and sold by the author [ca.1804]. 3[1]p. Additional accompt. for two flutes. Signed.
274. Wives and Sweethearts or Saturday Night. A favorite song, written, composed and sung, by Mr. Dibdin. [Tis said we venturous die-hards]. London: printed and sold by Preston & Son [ca. 1795]. 4p. Additional accompt. for guitar.
275. Yo heave Ho. Written, composed and sung by Mr. Dibdin in ... A Tour to the Land’s End. [My name d’ye see’s Tom Tough]. London: printed and sold by the author [1800]. 4p. Additional accompt. for two flutes. Signed.
276. (Another ed.). [ca. 1806]. 4p. Initialled.
DIGARD, David
277. The Amour. [Whilst I gaze on Cloe trembling]. [London] G. Bickham junr. 1737. S. sh. numbered 45. Additional accompt. for flute.
[DIGNUM, Charles]
278. Fair Rosale. A Favorite Song sung by Mrs. Crouch ... and by Master Welsh. [On that lone Bank where Lubin, died]. London: by Lewis, Houston & Hyde, (Successors to Mr. Bland) [ca. 1795]. 3[1]p. Score for voice, transverse flute, two violins and bass, with additional accompt. for flute or guitar.
279. Now the Ottoman Porte declares War against France. Written, composed and sung by Mr. Dignum. London: for the author by Longman & Co. [ca. 1808]. 3[1]p. Initialled.
DITTERS, Carl, von Dittersdorf
280. Two Maidens sat complaining. A favorite duet sung by Mrs. Crouch and Mrs. Bland in The Doctor and the Apothecary. [London] By Longman and Broderip [ca. 1790]. 4p. Additional accompt. for two German flutes.
281. Donald. A favorite Scots song with an accompaniment for the piano forte. [When first you corted me]. London: by Goulding & Co. [ca. 1802]. 3[1]p. Additional accompt. for guitar.
282. A new song. Donald’s Return From Egypt. A private in the 42 Regt. Tune Cameron’s got his Wife again. [When Abercromby gallant Scot]. Edinburgh: printed and sold by Muir Wood & Coy [ca. 1803]. [1]2[1]p.
283. Drink To Me Only. A favorite glee for three voices with the original words by Ben Johnson. [London] by T. Straight [ca. 1780]. 4p. Additional accompts. for two German flutes and two guitars.
284. (Another ed.). Drink to me only. [London] engraved, printed and sold by H. Andrews [ca. 1808]. [4]p. Additional accompt. for two German flutes.
285. The Duke’s Defeat of ye Rebels. [Come, my boys, let’s drink and sing]. N.i. [1745]. S. sh.
286. The Favourite Song of Dulce Domum. Performed annually at Winchester College ... adapted for the harpsichord, piano forte, guitar and flute. [Concinamus, O sodales]. London: for the editor by Rt. Birchall [ca. 1790]. 4p.
D’URFEY, Thomas
287. The Kings Health. Set to Farinels Grounds ... within the compass of the flute. [Joy to Great Caesar]. [London] sold at Cluer’s printing-office [ca. 1715]. S. sh. Additional bass accompt.
Box 3A
ECKLEY, J.
288. Mary’s True. As sung by Mr. Simmons ... Adapted for the harpsichord. [Ye lingering winds that feebly blow]. Oxford: for the author by H. Hardy [ca. 1795]. [4]p. Additional accompt. for German flute or guitar.
ESSEX, Timothy
289. Hope. Selected from Essex’s Op.8. [In hope which softens want and woe]. London: published by the composer, to be had at Broderip’s, Birchall’s, Smart’s, Ryley’s, & Campbell’s [ca. 1805]. 4p. Additional accompt. for two flutes or violins. Initialled and numbered.
FERRARI, Giacomo Gotifredo
290. La Semplice. A favorite arietta with an accompaniment for the piano forte. [Un diavolino nel seno mi sento]. London: printed and sold by Rt. Birchall [ca. 1808]. 4p.
FESTING, Michael Christian
291. Reason for Loving. [If Beauty’s lure alone invite]. [London] G. Bickham [ca. 1740]. S. sh. numbered 74. Additional accompt. for flute.
FISH, William
292. How sweet were the days that are gone. A favorite ballad written and composed by Wm. Fish. London: by Goulding Phipps & D’Almaine, likewise may be had of Goulding Knevett & Co., Dublin and James Stevens, Glasgow [ca. 1804]. 3[1]p.
FLORIO, C. H.
293. All I wish in her obtaining. A favorite duet as sung by Madame Mara and Mr. Incledon in Love in a Village and The Beggars Opera. [London] by Muzio Clementi and Co. [ca. 1805]. 4p.
294. Far, Far at Sea. A favorite ballad sung by Mr. Incledon in ... Variety and by Mrs. Bland. [‘Twas at Night when the Bell had tolled Twelve]. [London] sold by C. Mitchell [pasted over former imprint, ca. 1808]. 3[1]p. Score for voice, piano, horns, two violins and viola, with options for flutes and bass.
295. (Another ed.). London: by Goulding, D’Almaine, Potter & Co., and to be had at Dublin [ca. 1815]. 3[1]p. Score as previous edition.
296. The Forsaken Swain. [How pleasingly glided the day]. [London] L[ongman] L[ukey] and B[roderip]. [ca. 1775]. S. sh. Additional accompt. for guitar.
297. From Night Till Morn. A favorite duett, sung by Mr. Incledon and Mr. Johnstone. London: printed and sold by Preston & Son [ca. 1793]. 4p. Additional accompts. for guitar and German flute.
298. The gentle Dew distill’d from heaven. A favorite duet for two voices, with an accompaniment for the piano forte or harp. London: by Longman and Broderip [ca. 1790]. 4p.
299. Gin a Body Meet a Body. A favorite Scotch song, The Old and Modern Words. London: printed and sold by W. Boag [ca. 1798]. [4]p. Additional accompt. for German flute.
GIORDANI, Giuseppe, or Tommaso
300. Canzonett My Morn of Life. Sung by Madame Mara in the Opera of the “Cottage Festival”. London: by Clementi, Banger, Hyde, Collard & Davis [ca. 1805]. 4p.
301. Queen Mary’s Lamentation. Sung by Sigr: Tenducci. [I sigh and lament me in vain]. London: printed and sold by J. Preston [1782]. 4p. Score for voice, two violins, viola and bass.
302. God save the King. As sung by Sigra. Banti... 1st. June 1794...with her Graces and Ornaments. [God save Great George our King]. London and Edinburgh: by Corri, Dussek & Co. [ca. 1795]. [4]p.
303. The Golden Days of Good Queen Bess. A favourite Song, written by Mr. Collins, author of The Evening Brush, with the alterations and additional verses since it was sung at the Royalty Theatre. [To my muse give Attention]. London: for S. A. & P. Thompson [ca. 1786]. [4]p. Additional accompt. for German flute.
304. (Another ed.). [4]p. (With “Muse” for “muse” in line 1 of text).
305. The Golden Days we now Possess. A Sequel to the Favourite Song of Queen Bess, as sung ... by Mr. Collins, at his Brush. [In the Praise of Queen Bess]. London: for S. A. & P. Thompson [ca. 1787]. 3[1]p.
GRAEFF, Johann Georg
306. Adieu to Delight. A favorite Song Sung by Mr. Braham. The words by Mrs. F. Plowden. London: for Rt. Birchall [ca. 1804]. [4]p.
GREENE, Maurice.
307. Charming Silvia. [The Nymph yt undoe’s me]. [London] Bickham [ca. 1735]. S. sh. numbered 22. Additional accompt. for flute.
308. Cloe’s Resolves. [As Cloe on Flowers reclined]. N.i. [ca. 1740]. S. sh. Additional accompt. for German flute.
309. The Fly. [Busy Curious thirsty Fly]. [London] G. Bickham jun. [ca. 1740]. S. sh. numbered 60. Additional accompt. for flute.
310. Go Rose. N.i. [ca. 1760]. [4]p. Additional accompt. for guitar or German flute.
GUEST, George
311. The Afflicted African. A favorite Cantata ... words by Cowper. [Forc’d from Home and all its pleasure]. London: for the author and sold by Preston & Son [ca. 1794]. [2]11[1]p. Score for voice, two violins, viola and bass. Signed.
GUGLIELMI, Pietro
312. Ah spiegar potessi a lei. Duett, sung by Sigra. Calderini and Sigra. Collini in the opera of Romeo e Giulietta. London: printed and sold by Rt. Birchall [ca. 1826]. 5[1]p.
Box 4A
313. Had I a Cave on Some Wild Distant Shore. Written by Robert Burns. Glasgow: printed and sold by J. McFadyen [ca. 1795]. S. sh. Additional accompt. for German flute.
HAGUE, Harriot
314. The Flower Girl’s Cry. Written by Miss Caroline Symmons. [Come buy my wood Hare bells]. London: for the proprietor by Preston [1801]. 3[1]p. Initialled.
HAMMOND, John
315. When once I with Phillida stray’d. [London] by Longman & Broderip [ca. 1790]. 3[1]p. Additional accompt. for flute or guitar.
[HANDEL, George Frideric]
316. Angels Ever Bright & Fair. Sung by Madame Mara and Mrs. Billington. London: by J. Dale [ca. 1795]. [4]p.
317. (Another ed.). Angels ever bright and fair. A favorite Song ... in Theodora Sung by Miss Harrop. [London] by Longman, Clementi & Co. [ca. 1799]. 3[1]p.
318. As steals the Morn. Sung by Mr. Harrison and Mrs. Billington. London: printed and sold at Bland & Weller’s [ca. 1805]. 4p.
319. As When The Dove. [And when the Dove Laments her Love]. [London] for A. Bland & Weller’s [ca. 1804]. [4]p.
320. Song in the Oratorio of Susannah. [Ask if yon damask rose]. [London] Lady’s Magazine for January, 1793. Oblong 4to, s. sh. 2p. Typeset.
321. (Another ed.). Ask if Yon Damask Rose. [London] for J. Bland [ca. 1804]. S. sh.
322. (Another ed.). [With:] May Balmy Peace. [London] for J. Bland [ca. 1804]. [4]p.
323. But Thou Didst Not. [With:] How Beautiful Are The Feet. London: for A. Bland & Weller’s [ca. 1800]. [4]p.
324. Call Forth Thy Pow’rs. [London] for A. Bland & Weller’s [ca. 1809]. [4]p.
325. Cease thy Anguish Smile. London: printed and sold at Bland & Weller’s [ca. 1805]. 3[1]p.
326. Come Ever Smiling Liberty. London: printed and sold at A. Bland & Weller’s [ca. 1805]. 3[1]p.
327. [Comfort ye my people]. [London] W[illiam] R[andall]. [ca. 1809]. [1]4-10p. (Reissue from plates of ca. 1773).
328. Consider Fond Shepherd. [London] A. Bland & Weller’s [ca. 1804]. [4]p.
329. “Deeper and Deeper still”. As sung by Mr. Harrison, Mr. Braham, and Mr. Incledon. London: printed and sold at Bland & Weller’s [ca. 1805]. [4]p.
330. Dimmi Cara. [London] G. Bickham Jun. [ca. 1740]. S. sh. numbered 23. Additional accompt. for flute.
331. The favourite song from the opera of Rodelinda. .... Sung by Miss Harrop. [Dove sei amato bene]. [With:] The favourite song from the opera of Alcina .... Sung by Miss Harrop. [Verdi prati e selve amene]. [London] For J. Bland [ca. 1790]. [4]p.
332. Every day will I give thanks. As sung by Mr. Incledon. London: printed and sold at Bland & Weller’s [ca. 1805]. 3[1]p.
333. Ev’ry Valley Shall be Exalted. A favorite song ... in the Oratorio of Messiah. N.i. [ca. 1800]. 6p. Score.
334. Farewell ye limpid springs. N.i. [ca. 1800]. [4]p.
335. Father Of Heaven. [London] for A. Bland & Weller’s [ca.1800]. [4]p.
336. The Flocks shall leave the Mountains. London: printed and sold at A. Bland & Weller’s [ca. 1800]. 3[1]p. Score for 3 voices with bass accompt.
337. From Mighty Kings. [London] for A. Bland & Weller’s [ca. 1801]. [4]p.
338. From This Dread Scene. [London] for A. Bland & Weller’s [ca. 1800]. [4]p.
339. Gentle Airs. [With:] Musick Spread Thy Voice Around. London: printed and sold at Bland & Weller’s [and] [London] for J. Bland [ca. 1801]. [4]p.
340. (Another ed.). Gentle Airs. [With:] Total Eclipse. N.i. [ca. 1805]. [4]p.
341. (Another ed.). Gentle Airs, melodious Strains. A favorite song in the Oratorio of Athalia. N.i. [ca. 1805]. 3[1]p. Additional accompt. for guitar or flute.
342. Song in the Oratorio of Deborah. [The glorious sun shall cease to shed]. [London] Lady’s Magazine, for March, 1787. Oblong 4to, s. sh. 2p.
343. Hail Judea. [With] Ah wretched Israel. London: printed and sold at Bland & Weller’s [ca. 1805]. [4]p.
344. Happy, Happy Pair. [London] for G. Walker [ca. 1800]. 3[1]p.
345. Hark Tis The Linnet. London: printed and sold at A. Bland & Weller’s [ca. 1802]. 3[1]p.
346. He Layeth the Beams. London: printed and sold at Bland & Weller’s [ca. 1804]. 4p.
347. He Shall Feed His Flock. London: printed and sold at A. Bland & Weller’s [ca. 1795]. [4]p.
348. He was brought as a Lamb to the slaughter. For the piano forte, as Sung by Mr. Bartleman and Mr. Denman. London: printed and sold at Bland & Weller’s [ca. 1805]. 4p.
349. He Was Despised. [London] for A. Bland & Weller’s [ca. 1805]. [4]p.
350. He was Eyes unto the Blind. Sung by Mrs. Billington. London: printed and sold at Bland & Weller’s [ca. 1804]. [4]p.
351. Heart The Seat. [London] printed and sold at A. Bland and Weller’s [ca.1801]. [4]p.
352. The Favorite Air of Holy, Holy Lord as sung ... by Mrs. Billington and Madam Mara. London: printed and sold at A. Bland & Weller’s [ca. 1805]. 4p. Score.
353. How Vain is Man. [London] for J. Bland [ca. 1790]. 3[1]p.
354. Hush ye pretty Warbling Quire. London: printed and sold at A. Bland & Weller’s [ca. 1800]. 3[1]p.
355. I know that my Redeemer liveth. [London] by Muzio Clementi & Co. [ca. 1805]. 3[1]p.
356. In sweetest harmony. As sung by Mrs. Harrison in Saul. London: printed and sold at Bland & Weller’s [ca. 1805]. 4p. Score for voice, keyboard, two violins and viola.
357. Jehovah is my Shield my Glory. Sung by Mr. Braham. London: printed and sold at Bland & Weller’s [ca. 1805]. 4p.
358. Let me wander. Sung by Mr. Beard in L’Allegro’e Penseroso. [With:] Or let the merry bells A favorite song in L’Allegro Il Penseroso. London: printed and sold at A. Bland and Weller’s [ca. 1800]. 3[1]p.
359. (Another ed.). Let me wander not unseen. [London] for G. Walker [ca. 1803]. 3[1]p.
360. Let the Bright Seraphims. London: for A. Bland & Weller’s [ca. 1802]. 3[1]p.
361. (Another ed.). London: engraved, printed and sold by E Riley [ca. 1803]. 3[1]p.
362. The favorite Air of Lord Remember David. As sung ... by Mr. Harrison. London: printed and sold at A. Bland & Weller’s [ca. 1805]. 4p. Score for voice, two violins and keyboard, with additional accompt. for German flute.
363. Lord to thee, each night and day. A favorite song in Theodora. London: by H. Wright [ca. 1800]. 4p.
364. Love in Her Eyes. London: printed and sold at A. Bland & Weller’s [ca. 1804]. 3[1]p.
365. Love sounds th’ alarm. [London] printed and sold at A. Bland and Weller’s [ca. 1805]. [4]p.
366. O Liberty Thou Choicest Blessing. [With:] Who Calls My Parting Soul. [London] for A. Bland. and Weller’s [ca. 1803]. [4]p.
367. O Lovely Peace. A Duet, as sung by Miss Parke and Miss Poole, in Judas Maccabeus. London: by Goulding & Co. [ca. 1804]. [1]84-88p. Score for two voices, two violins or flutes, viola and keyboard.
368. (Another ed.). O Lovely Peace with Plenty Crown’d. Duet. London: printed and sold at A. Bland & Weller’s [ca. 1805]. 4p.
369. O Magnify the Lord. As sung by Mrs. Harrison. London: printed and sold at Bland & Weller’s [ca. 1805]. 4p. Score for voice, two violins and keyboard.
370. O ruddier than the cherry. [London] for A. Bland & Weller’s [ca. 1804]. [4]p.
371. O thou that tellest good. London: printed and sold at A. Bland & Weller’s [ca. 1803]. [4]p.
372. Oft on a plat. London: printed and sold at A. Bland & Weller’s [ca. 1805]. [4]p. Score.
373. Oh had I Jubal’s Lyre. [London] for J. Bland [ca. 1795]. [4]p.
374. (Another ed.). Oh! Had I Jubal’s Lyre. Sung by Mrs. Billington. London: printed and sold at A. Blands [ca. 1801]. 3[1]p. Score.
375. Oh never bow we down. [London] for Bland & Weller’s [ca. 1805]. [4]p.
376. Our Limpid Streams with Freedom Flows. A favorite Duett, sung by Miss Munday and Miss Tyrer. London: by Bland & Weller’s [ca. 1805]. 3[1]p.
377. Pious orgies. [With:] Haste thee nymph. [London] for A. Bland & Weller’s [ca. 1804]. [4]p.
378. Sung by Mr. Harrison in Time and Truth. [Pleasure my former ways resigning]. London: for F. Linley [ca. 1798]. [4]p. Score.
379. The Prince Unable. N.i. [ca. 1805]. 4p.
380. Prophetick Raptures. [London] for Bland [ca. 1800]. 4p.
381. Rejoice greatly. [London] for A. Bland & Weller’s [ca. 1804]. [4]p.
382. Sung by Mr. Harrison in Sosarmes. [Rendi’l sereno al Ciglio]. London: for J. Bland [ca. 1795]. [4]p. Score for voice, two violins and bass.
383. Return O God Of Hosts. [London] by Bland & Weller’s [ca. 1805]. [4]p.
384. Shall I in Mamres fertile Plain. Sung by Mr. Denman. London: printed and sold at Bland & Weller’s [ca. 1805]. 3[1]p. Score for voice, two violins, viola and keyboard.
385. Shepherd what art. [London] for A. Bland & Weller’s [ca. 1801]. 4p.
386. The Smiling Dawn. [With] O Sleep. [London] for J. Bland [ca. 1803]. [4]p.
387. So shall the lute. [London] for A. Bland & Weller’s [ca. 1805]. [4]p.
388. Sound an alarm. London: printed and sold at A. Bland & Weller’s [ca. 1800]. [4]p.
389. Song in the Oratorio of Jephtha. [Take the heart you fondly gave]. [London] Lady’s Magazine for, June, 1793. Oblong 4to, s. sh. 2p. Typeset.
390. Tears such as tender Fathers shed. As sung by Mr. Sale in Deborah. London: printed and sold at Bland & Weller’s [ca. 1805]. 3[1]p. Score for voice, two flutes, two violins, harpsichord and bass.
391. Thais Led the Way. [With] Softly Sweet. [London] for J. Bland [ca. 1804]. [4]p.
392. Thou didst Blow. [London] for J. Bland [ca. 1800]. [4]p.
393. Thou Shalt Bring them in. Sung by Miss Tyrer. London: printed and sold at Bland & Weller’s [ca. 1801]. 4p. Score.
394. ‘Tis Liberty. London: printed and sold at A. Bland & Weller’s [ca. 1800]. 3[1]p.
395. To fleeting Pleasures. London: printed and sold at Bland & Weller’s [ca. 1805]. 3[1]p.
396. To song and dance. [London] printed and sold at A. Bland and Weller’s [ca. 1805]. [4]p.
397. Total eclipse. [With:] Softly sweet. [London] for A. Bland. and Weller’s [ca. 1805]. [4]p.
398. What’s Sweeter than. [London] for J. Bland [ca. 1800]. 3[1]p.
399. (Another ed.). London: printed and sold at A. Bland & Weller’s [ca. 1805]. 3[1]p.
400. What tho’ I trace. London: printed and sold at A. Bland & Weller’s [ca. 1800]. [4]p.
401. Where e’er you Walk. Sung by Mr. Harrison. London: printed and sold at A. Bland & Weller’s [ca. 1804]. [4]p. Score.
402. (Another ed.). Where e’er you Walk cool Gales shall fan the Glade. A favorite song, sung by Mr. Harrison, in the Oratorio of Semele. N.i. [ca. 1805]. 4p. Score for voice, two violins, viola and bass, with additional accompts. for guitar and German flute.
403. Why does the God of Israel sleep. London: printed and sold at Bland & Weller’s [ca. 1801]. 4p.
404. Wise men flatt’ring. [London] for A. Bland & Weller’s [ca. 1805]. [4]p.
405. Ye limpid streams. [Farewell, ye limpid springs & floods]. London: printed and sold at A. Bland and Weller’s [ca. 1803]. [4]p.
406. Ye Men of Gaza. N.i. [ca. 1805]. [4]p.
HARINGTON, Henry
407. How sweet in the Woodlands. A favorite duet. N.i. [ca. 1775]. S. sh. numbered 17. Additional accompt. for guitar or German flute.
408. (Another ed.). Duetto. [How sweet in the Woodlands]. [London] R. B[remne]r [ca. 1775]. S. sh.
409. (Another ed.). How sweet in the Woodlands. A favorite Duetto. [London] L[ongman] & [Broderip (?)] [ca. 1780]. [4]p. Additional accompt. for guitar or German flute, additional arr. for solo voice and harpsichord.
Box 4B
HAWES, William
410. Robin Adair. An original Scotch air, harmonized for three voices with an accompaniment for the harp or piano forte. London: printed and sold by Rt. Birchall [ca. 1810]. 5[1]p.
HAYDN, Franz Joseph
411. The Marv’lous work behold amaz’d. A favorite Air, Sung by Madm. Mara in the Oratorio of the Creation. London: printed and sold at Bland & Weller’s [ca. 1801]. 3[1]p.
412. Dr. Haydn’s, VI Original Canzonettas, for the voice with an accompaniment for the piano forte ... First Sett. [The Mermaids Song, &c. &c.]. London: printed and sold for Messrs. Corri, Dussek & Co., and Edinburgh [1796]. 31[1]p.
413. To sing of love’s Passion I’m call’d by my Fair. London: engraved by E. Riley, and published by G. Goulding & Co., and sold by all Music Sellers [ca. 1799]. 4p. Additional accompts. for guitar and flute.
[HAYES, Philip]
414. Thy Fatal Shafts Unerring Move. With an accompaniment for the harpsichord or piano forte. [London] L[ongman] & B[roderip] [ca. 1785]. [4]p. Additional accompt. for guitar.
415. The Hero’s Grave. A new song composed on the death of General Sir Ralph Abercromby. The music by a young officer. [Mirth, a while thy crew restrain]. Edinburgh: printed and sold by Muir Wood & Co. [ca. 1802]. [4]p. Additional accompt. for German flute.
416. Highland Mary. Written by Robt. Burns. [Ye banks, and braes, and streams around]. Edinburgh: printed and sold by J. Brysson [ca. 1812]. S. sh. Additional accompt. for German flute.
417. Histoire de Malbrouk, ou le Petit Page. A celebrated french song with a new accompaniment for the harp, piano forte, violin, German flute and guitar. By an Eminent Master, as sung by Miss George. [Venez savoir l’histoire Mironton]. London: printed and sold for the proprietor by S. Babb, and to be had at all the Music Shops [ca. 1785]. 4p.
HODSON, G.A.
418. Soft in the East. Sung with unbounded applause by Miss Forde, in Shakespeare’s play of The Merry Wives of Windsor. Dublin: published by I. Willis & Co. and at the Royal Musical Repository London [ca. 1824]. 8p.
HOLDER, Joseph William
419. A Collection of Songs, Duetts and Glees. For three and four voices with an accompaniment for the piano forte or harp ... Op.14. [17 songs]. London: by Goulding, Phipps & D’Almaine [ca. 1802]. [4]43[1]p. Signed and numbered.
HOOK, James
420. All on Board of a Man of War. A favorite sea song, sung by Mr. Dignum. [Wou’d you know pretty Nan]. London: published by G. W. Bown [ca. 1828]. 3[1]p.
421. Alone by the Light of the Moon. Sung by Mr. Darley. [The day is departed]. London: for S. A. & P. Thompson [ca. 1780]. [1]8-9[1]p. Additional accompt. for German flute.
422. (Another ed.). Alone by the Light of the Moon. Sung by Mr. Darley. London: for S. A. & P. Thompson [ca. 1785]. [4]p. Additional accompt. for German flute.
423. (Another ed.). Dublin: published by Hime [ca. 1800]. S. sh. Additional accompt. for flute or guitar.
424. The Aviary. A collection of sonnets, consisting of The Thrush ... and The Sky Lark .... Properly adapted for the voice and harpsichord, or harp, violin or German flute. [Sweet warbling Thrush, &c. &c.]. London: for S. A. & P. Thompson [ca. 1790]. Oblong fol. [2]14p.
425. The British Heroe’s. A new song, sung by Mrs. Franklin ... Written by Mr. T. Dibdin. London: printed and sold at Bland & Weller’s [ca. 1801]. 4p.
426. A Canzonett. The words in imitation of Burns, composed for No.83 of La Belle Assemblee ... Arranged with an accompaniment for the harp or piano forte. [Could I but fly]. [London] La Belle Assemblee [ca. 1816]. 8vo, s. sh.
427. The Cautious Maid. Sung by Mrs. Ward. [The Lass that wou’d know how to manage a Man]. [London] S. A.[&] P. T[hompson] [ca. 1786]. [1]4-5[1]p. Additional accompt. for German flute.
428. Chanson de Malbrouk. A celebrated French song, to which is added variations for the harpsichord or piano forte. [Malbroug s’en va en guerre]. London: printed and sold by J Preston [ca. 1783]. 5[1]p.
429. Content and Plenty Shepherds Fare. A favorite song sung ... by Mrs. Second. [Beneath a spreading willow shade]. London: printed and sold at Bland & Weller’s [ca. 1805]. 3[1]p.
430. The Days of Delight. A collection of Canzonetts, for one and two voices, with an accompaniment for the harp or piano forte, consisting of infancy, youth, love and marriage, The Poetry and Music entirely New. Opera 98. [Fair memory, celestial Maid, &c. &c.]. London: printed and sold at Bland & Weller’s [ca. 1803]. 11[1]p.
431. The Disconsolate Sailor. A favorite ballad, written by Mr. George Saville Carey. [When my money was gone]. London: printed and sold by J. Preston [ca. 1784]. 4p. Additional accompts. for guitar and German flute.
432. Donna Della. The much admired song, sung by Mrs. Bland in the Opera of Jack of Newbury. [When Cupid first his trade began]. London: printed and sold at A. Bland & Weller’s [1795]. 3[1]p. Additional accompt. for guitar.
433. Down in the Valley the Sun setting clearly. A favorite rondeau sung by Mrs. Bland, in the Comic Opera of “The Soldiers Return”. London: printed and published by Goulding, Phipps, D’Almaine & Co., and Dublin. Likewise may be had of James Stevens, Glasgow [ca. 1806]. 44-47p.
434. Down the Burn Davy Love. [When Trees did bud and Fields were green]. N.i. [ca. 1770]. [4]p. Additional accompt. for guitar.
435. Hail Innocence Celestial Maid. Ode to Innocence, with an accompaniment for the harp or piano forte. London: printed and sold at Bland & Weller’s [ca. 1805]. 4p. Vocal score and separate arr. Numbered and signed.
436. The Hermit. Written by the late celebrated Dr. Goldsmith ... Adapted for two violins, voice and harpsichord. Opera XXIV. [Turn gentle Hermit of the Dale]. London: for S. A. & P. Thompson [ca. 1782]. [2]19[1]p.
437. The Hours of Love. A collection of sonnets, containing morning, noon, evening, and night ... Adapted for the voice, harpsichord, violin, or German flute. [Come, come my fair one let us stray, &c. &c.]. London: printed and sold by S. A. & P. Thompson [ca. 1780]. Oblong fol. [2]9[1]p.
438. (Another ed.). [ca. 1781]. new ed. Oblong fol. [2]9[1]p.
439. Hush Ev’ry Breeze. Noon Sonnet II. N.i. [ca. 1790]. [1]4-5[1]p. Additional accompt. for guitar.
440. (Another ed.). Hush ev’ry Breeze. A favorite rondo. [London] engraved, printed and sold by H. Andrews [ca. 1804]. [4]p.
441. I’d think on thee my Love. A favorite sea song sung by Mr. Incledon. [In Storms when Clouds obscure the Sky]. London: printed and sold at Bland & Weller’s [ca. 1800]. 4p. Additional accompt. for German flute.
442. Song sung by Mr. Dubellamy. [In the dead of the Night when with Labour oppress’d]. N.i. [ca. 1785]. [4]p. Additional accompt. for guitar and German flute.
443. Jem of Aberdeen. [The tuneful Lavrocks cheer the grove]. Glasgow: printed and sold by J. McFadyen [ca. 1800]. S. sh.
444. The Judicious Choice. Composed for No.87 of La Belle Assemblee ... with an accompaniment for the harp or piano forte. [London] La Belle Assemblee [ca. 1817]. 8vo, s. sh.
445. The Kiss Stolen. [How can you refuse me a bliss]. [n.p. ? Henry Fougt] [ca. 1769]. S. sh. Typeset. Additional accompt. for German flute or guitar.
446. Lash’d to the Helm. [In storms when clouds obscure the Sky]. [London] Engrav’d, printed and sold by H. Andrews [ca. 1808]. [4]p. Additional accompt. for German flute. (Same as “I’d think on thee my Love,” v. supra).
447. Listen, Listen to the Voice of Love. A favorite new song, sung ... by Master Welsh. London: printed and sold at A Bland & Weller’s [1795]. 3[1]p. Score for voice, two violins, horns, viola, bass and keyboard.
448. The New Scots Song Introduc’d by Miss Catley in Love in a Village. [Down the Bourne and throo’ the mead]. [Dublin] published by Anne Lee [ca. 1782]. S. Sh. Additional accompt. for German flute.
449. The Lover’s Catechism. [Tell me Damon dost thou languish]. [London] R. Falkener [ca. 1775]. S. sh. Typeset. Imprint cropped.
450. Margarets Ghost. A celebrated ballad, written by D. Mallet. [`Twas at the fearful midnight hour]. London: printed and sold by Preston [ca. 1805]. [2]9[1]p.
451. Mary The Beauty of Buttermere Vale. Sung by Miss Parke ... Written by the author of Netley Abbey and Hartford Bridge. [For Mary who feels not a tender concern]. London: published for the composer by Henry Thompson [ca. 1803]. 3[1]p.
452. The Merry Muleteer. An admired ballad sung by Mrs. Bland. [My true loves o’er the mountain gone]. London: printed and sold by Preston [ca. 1812]. 3[1]p.
453. The Minstrel. A collection of songs selected from the relics of Ancient Poetry ... Op. XXXI. [Six songs]. London: printed and sold by J. Preston [1784]. [2]13[1]p.
454. A Monody on the Death of The Right Honble. Spencer Perceval ... The words by The Revd. J. Davies A. M. of St. Mary Hall, Oxford. [Scarce had he reached the Imperial Senates wall]. London: printed and sold by Rt. Birchall [1812]. 5[1]p.
455. Music and Mirth. Sung by Mrs. Wrighten. [I sing of the transports of Music]. N.i. [ca. 1780]. [4]p. Additional accompt. for German flute.
456. Nay well I know. Sung by Mr. Phillips in the opera Safe and Sound. London: printed and sold by Preston [ca. 1809]. [1]16-17[1]p.
457. The Riddle. A favorite canzonet with an accompaniment for the piano forte or harp. [The staff of life my Parent was]. London: for the author, by J. Balls & Co. and to be had at all the Music Shops in Town and Country [ca. 1810]. 3[1]p. Initialled.
458. So Dearly I Love Johnny O. Dublin: published by Hime [ca. 1801]. S. sh.
459. Strephon of the Hill. Composed for No.88 of La Bell Assemblee ... with an accompaniment for piano forte and flute. [London] La Bell[e] Assemblee [ca. 1817]. 8vo, s. sh.
460. Sweet Lillies of the Valley. A favorite song sung ... by Master Shepherd... Words by Richardson. [O’er barren Hills and Flowery Dales]. [London] By Longman and Broderip [1792]. 3[1]p. Score for voice, two violins and bass, additional accompt. for guitar.
461. The favorite Tambourine Roundelay sung by Miss De Camp, in the comic opera of “The Soldiers Return”. [With my Tambourin I hail the day]. London: printed and published by Goulding, Phipps, D’Almaine & Co., and Dublin. Likewise may be had of James Stevens, Glasgow [ca.1806]. 30-33[i.e.4]p.
462. The Test of Love. Written by Major Topham. [Love that is but slightly grounded]. London: printed and sold for the author by Preston [ca. 1806]. 3[1]p. Additional accompt. for flute. Signed.
463. Variety. Sung by Mrs. Sherborne. [Ask you who is singing here]. [London] for Wright & Co. [ca. 1784]. [1]4-5[1]p.
464. The Waves were Hush’d the Sky Serene. A favorite sea song sung by Mr. Dignum .... The words by Mr. Upton. London: printed and sold at A. Bland & Weller’s [ca. 1805]. [1]14-15[1]p.
465. While Strephon Thus You Teaze Me. Dublin: published at McDonnell’s [ca. 1800]. [4]p.
466. Within a mile of Edinburgh. N.i. [ca. 1800]. S. sh.
HORN, Charles Edward
467. Ah flatt’ring man. A favourite ballad sung by Miss Kelly ... in ... the Devil’s Bridge. The words by S. J. Arnold. London: by Goulding, D’Almaine, Potter & Co., and Dublin [ca. 1815]. 36-38[i.e.3][1]p.
468. Cherry Ripe. A cavatina, sung... by Madame Vestris, in Mr. Poole’s popular comedy Paul Pry. London: published by I. Willis & Co., and Dublin [ca. 1826]. 2d. ed. [2]5[1]p.
469. (Another ed.). 3d. ed. [2]5[1]p.
470. (Another ed.). 4th. ed. [2]5[1]p.
471. (Another ed.). [ca. 1827]. 5th. ed. [2]5[1]p.
472. Hark! Italy’s Music! A gondola serenade, for three voices. London: published by T. Williams [ca. 1820]. 9[1]p.
473. He loves and rides away. A favorite ballad as sung ... by Mrs. Liston and Mrs. Cooke. [At the Baron of Mowbray’s gate]. London: by Goulding & Co. and Dublin [ca. 1807]. 3[1]p.
474. “I know a bank whereon the wild thyme blows”. A popular duet sung by Madame Vestris and Miss Povey, in Shakespeare’s revived play of The Merry Wives of Windsor. London: published by T. Welsh [ca. 1830]. 7[1]p.
475. I’ve been Roaming. A cavatina sung by Madame Vestris. London: published at the Royal Harmonic Institution, by Welsh and Hawes, and to be had at all the Music Warehouses in the United Kingdom [ca. 1827]. [2]5[1]p. (Words attributed to George Darley).
476. (Another ed.). London: published at the Royal Harmonic Institution, by Welsh and Hawes [ca. 1828]. [2]5[1]p. (Words unattributed).
477. Kathleen O’More. As sung by Miss Byrne ... with the original words by Geo N. Reynolds. [My love still I think that I see her once more]. Dublin: published by William Power [ca. 1819]. 3d. ed. 6[2]p.
478. Love in the Heart. Sung by Mr. Horn in The Election ... also by Miss Carew. [What is it that drives the red rose from the cheek]. London: published by T. Williams [ca. 1820]. 2d. ed. 4p.
479. Remember your Vows. A cavatina, written by Mr. Rannie. London: sold by J. Hannam [pasted over imprint of Goulding, Phipps, D’Almaine & Co.] [ca. 1807]. 4p. Provenance: Emma, Lady Hamilton, with her signature dated July 19th 180[7].
480. Six Canzonets. With an accompaniment for the piano forte. [Friendship, &c. &c.]. London: for the author by Goulding, Phipps, D’Almaine & Co., and Dublin [ca. 1807]. [4]29[1]p. Signed. Provenance: Emma, Lady Hamilton, with her signature dated July 19th 1807.
481. How Imperfect Is Expression. Sung by Mrs. Abington in the Twelfth Night. London: printed and sold by R. Falkener [ca. 1773]. S. sh. Typeset.
HOWARD, Samuel
482. Cupid Deceiv’d. [Young Cupid thought from Cloe’s Eyes]. [London? G. Bickham Jr.] [ca. 1740]. S. sh. numbered 72. Additional accompt. for flute.
483. The ‘Inamourd’ Swain. [Tell me dear Charmer tell me why]. [London] G. Bickham Junr. [ca. 1735]. S. sh. numbered 57. Additional accompt. for flute.
484. Summer. Never before published. [The earth is cloathed in cheerful green]. [London] Lady’s Magazine, for October, 1793. Oblong 4to, s. sh. 2p. Typeset.
HUDSON, John
485. The Power of Music. The words by Mr. Smith. [Music! How powerful is thy Charm]. [London] G. Bickham Junr. [ca. 1740]. S. sh. numbered 68. Additional accompt. for flute.
HUDSON, Robert
486. Beauty’s Shrine. From the novel of Emily de Varmont. [In youth’s gay morn, fair Sylvia came]. [London] Lady’s Magazine, for February 1798. Oblong 4to, s. sh. 2p. Typeset.
487. The Dreaming Lover. The words by a Correspondent ... for a contra-tenor voice as by request, and agreeable to the compass given, from F to C. [When raised by hope, and awed by fear]. [London: Lady’s Magazine, for November, 1780]. 4to, s. sh. 2p. Typeset.
488. Song for the Lady’s Magazine. [Since ev’ry charm on earth combine]. [London] Lady’s Magazine for April, 1787. Oblong 4to, s. sh. 2p. Typeset.
489. A new song. The words by a correspondent. [When e’er the dear damsel appears]. [London Lady’s Magazine, for December, 1780]. 4to, s. sh. 2p. Typeset. Additional accompt. for guitar.
HUNTER, J.
490. Norman’s Song. Selected from Walter Scott’s poem, of the Lady of the Lake. [The heath this night must be my bed]. London: for the author by Clementi & Co. [ca. 1810]. [2]5[1]p. Signed.
Box 3A
491. In Airy Dreams. A favorite duet. [London] P. H[odgson]. [ca. 1779]. [4]p. Additional accompts. for two German flutes or guitars.
492. (Another ed.). In Airy Dreams. A favorite song and duet. Greenwich: printed and sold by C. Martin [ca. 1795]. [4]p. Additional accompt. for two German flutes.
JACKSON, William
493. O Waft Me Zephyr. London: printed and sold by J. Bland [ca. 1785]. 3[1]p. Score for voice, two violins and bass.
494. Rest beauteous Flow’r. A favourite song sung by Miss Prudom in the Lord of the Manor. London: printed and sold by J. Preston [ca. 1785]. 4p. Additional accompts. for German flute and guitar.
495. Time has not thin’d my flowing Hair. [London] by Longman & Broderip [ca. 1780]. 4p. Additional accompt. for German flute or guitar.
496. When first this humble Roof I knew. A favorite song sung by Mr. Bannister in the Lord of the Manor. London: printed and sold by Preston & Son [ca. 1790]. 4p. Additional accompts. for guitar and German flute.
497. Jamie’s Complaint. Or the sequel to Auld Robin Gray Set to the Original and much admired Air. For the harpsichord, violin, flute and guitar. [Since Jenny she has married]. N.i. [ca. 1790]. [4]p.
498. The favorite duett of Jess Macpharlane. As sung ... by Mr. Dignum and Mr. Hindle. [When first she came to town]. N.i. [ca. 1795]. 4p. Additional accompt. for two German flutes.
499. Jockey to the Fair. [‘Twas on the Morn of sweet May-Day]. [London] L[ongman] & B[roderip] [ca. 1787]. S. sh.
500. The Judgment of Paris. [When for a Silly glittering Toy]. [London] G. Bickham [ca. 1738]. S. sh. numbered 69. Additional accompt. for flute.
KEAN, Edmund
501. Sweet Kitty Clover. As sung by Mr. Knight ... in the Revived Opera of the Lord of the Manor. The words by Mr. Knight. Arranged for the piano forte by E. Knight Junr. London: published by Goulding, D’Almaine Potter & Co., and to be had at Dublin [ca. 1821]. 4p.
KELLY, Michael
502. The baby’s hush a bye. A favorite Ballad, Sung by Miss Davis ... in the new comedy of the Blind Bargain or Hear Him Out, written by H. Siddons. [A Baby wandered from its home]. [London] printed and published by M. Kelly [ca. 1804]. 3[1]p.
503. Green leaves all turn yellow. A favorite ballad with a harp and piano forte accompaniment ... Sung by Mrs. Jordan, accompanied by herself on the lute in ... Matrimony. [A Sage once to a maiden sung]. [London] published by M. Kelly [ca. 1804]. 3[1]p. Additional accompt. for flute.
504. In the rough blast heaves the Billow. Sung by Mrs. Jordan ... in the Comedy of Fashionable Friends. [London] published by M. Kelly [ca. 1803]. 4p. Additional accompts. for flute and guitar.
505. Medley song by Miss de Camp. [In Spain I have been where as Travellers tell us]. [London] for M. Kelly, and to be had at all the Music Shops [ca. 1801]. 36-39 [i.e. 4]p.
506. Oh no my Love no. Sung by Miss de Champ in the Opera of Age to Morrow. [While I hang on your bosom distracted]. London: by C. Wheatstone [ca. 1810]. [4]p.
507. Sailor Boy Sailor Boy. A favorite trio, sung by Mrs. Mountain, Miss de Camp and Mr. Sedgwick in the Opera of Adelmorn. [London] published by M. Kelly [ca. 1802]. 70-73 [i.e. 4]p.
508. “Young Colinette”. Sung by Mrs. Jordan, in the new comedy called the Marriage Promise. [London] published at his Musical Saloon [ca. 1803]. 4p. Additional accompts. for guitar and flute.
KENT, James
509. Kent’s favorite Anthem. For two voices. Hear, hear my Prayer. London: printed and sold by J. Dale [ca. 1801]. 6p.
KIALLMARK, George
510. Fare thee well! Written by Lord Byron. London: published by Goulding, D’Almaine, Potter & Co., and to be had at Dublin [ca. 1816]. [2]5[1]p.
KING, J.
511. When Beauty Sorrows. Cambridge: sold by W. Hague [ca. 1800]. 3[1]p.
KING, Matthew Peter
512. The celebrated air of “Oh! Nanny wilt thou fly with me”. London: printed and sold by Lavenu & Mitchell [ca. 1803]. 4p.
513. “So runs the World away”. A favorite glee for three voices, the words from Shakespeare. [Why let the strucken deer go weep]. London: printed and sold by Lavenu & Mitchell [ca. 1807]. 4p.
KNAPTON, Philip
514. “There be none of Beauty’s daughters”. Sung by and dedicated to Mrs. Salmon, the words by Lord Byron. London: printed and sold by Chappell & Co., and Goulding & Co. [ca. 1822]. 7[1]p.
KNYVETT, William
515. The Bells of St. Michaels Tow’r. A favorite glee, for three voices, sung by the Messrs. Knyvetts. [Merrily, Merrily rung the Bells]. London: printed and sold by Rt. Birchall [ca. 1809]. 4p.
516. The New Gilderoy. [The last the fatal hour is come]. London: printed and sold by Lavenu & Mitchell [ca. 1803]. 3[1]p.
517. Six Airs. Harmonized for three and four voices. [Robin Adair, &c. &c.]. London: printed and sold by Chappell & Co. [ca. 1816]. Oblong fol. [2]7[3]33[1]p. Signed.
KRUMPHOLTZ, Johann Baptist
518. The Nuns Complaint. From Mrs. Robinson’s novel Vancenza. [In this sad and silent gloom]. London: printed and sold by Preston & Son [ca. 1794]. 4p. Full score.
LACY, James
519. Allan-Bane, The Minstrel’s Song. The words from The Lady of the Lake by W. Scott. [Not faster yonder rowers might]. London: published by G. Walker [ca. 1815]. 7[1]p.
LAMPE, Johann Friedrich
520. The Dying Nymph. [Whilst endless Tears and Sighs declare]. [London] G. Bickham Junr. [ca. 1735]. S. sh. numbered 43. Additional accompt. for flute.
521. The Lass of Peaties Mill. For two voices. N.i. [ca. 1765]. S. sh. Additional accompt. for two German flutes.
522. (Another ed.). The Lass of Patie’s Mill. [For two voices]. London: printed and sold by W. Boag [ca. 1800]. [4]p. Additional accompt. for two German flutes.
LATOUR, T.
523. Farewell! Hopes and Fear. Fond Lover. A Favorite Rondo ... The words by C. Smith. [Ah! th’ alternate keen sensations]. London: printed and sold at J. Lawson’s [ca. 1823]. 3[1]p.
524. In my Cottage near the Wood. A favorite song, the words are an imitation of the French poetry, by Miss Calcraft. London: printed and sold at Bland & Weller’s [ca. 1800]. 4p.
525. (Another ed., with imprint of J. Downing pasted over that of Bland & Weller’s). 4p.
526. Let us haste to Kelvin grove bonnie lassie. A favorite scotch song sung by Mr. Braham in the Opera of Guy Mannering the poetry by Richard Ryan. London: published by G. Shade, and Dublin [ca. 1820]. 3[1]p.
[LINLEY, Thomas, and Thomas, the younger].
527. Ah! sure a pair. Sung by Mr. Incledon in the Duenna. [London] by H. Andrews [ca. 1808]. [4]p. Additional accompts. for guitar and German flute.
528. Antonio’s favorite Song. Sung by Miss Romanzini in Richard Coeur de Lion. [The merry Dance I dearly love]. London: for S. A. & P. Thompson [ca. 1787]. 3[1]p. Additional accompt. for guitar.
529. A favourite song in the new comedy of the Heiress ... Adapted to an air of Sigr. Paesiello, by Mr. Linley. Sung by Mrs. Crouch. [For tenderness form’d in Life’s early Day]. London: For S. A. & P. Thompson [ca. 1786]. 4p. Additional accompts. for guitar and German flute.
530. The favourite song in the comedy of the New Peerage, sung by Mrs. Crouch. [From the light Down, that mocks the Gale]. London: for S. A. & P. Thompson [ca. 1786]. 4p. Additional accompts. for German flute and guitar.
531. Had I a heart for falsehood fram’d. Sung by Mr. Incledon, in the Duenna. [London] engraved and printed by H. Andrews [ca. 1808]. 3[1]p. Additional accompts. for guitar and German flute.
532. How oft Louisa hast thou said. A favourite song, with the accompaniments, sung by Mr. Du-Bellamy, in the Duenna. London: for S. A. & P. Thompson [ca. 1790]. 4p. Additional accompts. for German flute and guitar.
533. In my pleasant native plains. A favourite song sung by Mrs. Cargill in the Carnival of Venice. London: for S. A. & P. Thompson [1781]. [4]p. Additional accompts. for German flute and guitar. “Price 6d.” to right of Linley’s name; imprint set in one line.
534. (Another ed.). [4]p. Price printed centrally under Linley’s name and directly above “London” of imprint; imprint set in two lines.
535. Nancy of the Dale. Sung by Mr. Webster in the Camp. [My Nancy leaves the rural train]. [London] published by authority. S. A. [&] P. T[hompson] [ca. 1780]. [4]p. Additional accompt. for German flute.
536. Still the Lark finds repose. The favourite rondo sung by Miss Phillips in the Spanish Rivals. London: for S. A. & P. Thompson [1784]. 4p. Additional accompts. for German flute and guitar.
537. The Woodman. Written by Wm. Pearce. [Stay Traveller tarry here to Night]. London: printed and sold by Preston & Son [ca. 1795]. 4p. Additional accompt. for German flute. “Sym” over first bar in Roman.
538. (Another ed.). 4p. With “Sym” in italics.
539. Young Lubin was a Shepherd Boy. A favourite song sung by Mrs. Cargill in the Carnival of Venice. London: for S. A. & P. Thompson [1781]. 3[1]p. Additional accompts. for guitar and German flute.
540. (Another ed.). 3[1]p. With “Ger:” for “German” on p.[4].
LINLEY, William
541. The Night was dark. A much admired song sung by Mrs. Bland in A Trip to the Nore. [London] by Longman and Broderip [1797]. 2[2]p. Additional accompts. for German flute or guitar.
542. The Linnets. [As bringing home the other Day]. N.i. [ca. 1760]. S. sh. Additional accompt. for German flute or guitar.
543. The Linnets. [At setting Sun, tho’ half afraid]. [London] for J. Bland [ca. 1780]. S. sh. Additional accompt. for German flute.
544. Lochinvar. Lady Heron’s song from Marmion of Flodden Field a poem by Walter Scott. [O Young Lochinvar is come out of the West]. London: by Joseph Dale [ca. 1809]. 4p.
545. Logie of Buchan. [O Logie of Buchan!]. Glasgow: printed and sold by James Aird [ca. 1785]. S. sh.
546. The Lovely Betrayers. [In vain bright Nymphs ye would disguise]. [London] G. Bickham Jun. 1737. S. sh. numbered 41. Additional accompt. for flute.
LYON, Samuel Thomas
547. My Mary. Selected from Cowper’s Verses. [The twentieth Year is well nigh]. London: printed and sold by Rt. Birchall [ca. 1805]. 3[1]p. Signed.
Box 3B
MARCELLO, Benedetto
548. Marcello’s Celebrated Psalm. O Lord our Governor. London: printed and sold by Preston & Son [ca. 1805]. 3[1]p.
MARLBOROUGH, George Spencer, Duke of
549. I love thee dearly. A song, with an accompaniment for the piano forte. The words by a lady. London: printed and sold by Chappell & Co. [ca. 1820]. [2]5[1]p.
550. Oh wear for me this blooming Rose. A song with an accompaniment for the piano forte, the words by T. Lindsay. London: printed and sold by Chappell & Co. [ca. 1820]. 5[1]p.
551. Mary Queen of Scots Lamentation When Confined in Prison, by Elizabeth Queen of England. Set for the voice, piano forte, guitar, or clarinet. [I sigh and lament me in vain]. Edinburgh: printed and sold by Muir Wood & Co. [ca. 1806]. [1]42-43[1]p.
MAYR, Johannes Simon.
552. Dolce fiamma del mio core. London: printed and sold by S. Chappell [ca. 1828]. 7[1]p.
553. Era felice un di. Ariettina, In the opera of Ginevra di Scozia. London: printed and sold by Birchall & Co. [ca. 1823]. 3[1]p.
554. Gia un Dolce Raggio. A favorite polacca, sung by Sigra. Berdinotte Rudicarti in the opera of La Principessa Filosofa. London: by Goulding, D’Almaine, Potter, & Co., and Dublin [ca. 1813]. 5[1]p.
555. The favorite Reco. & Duetto, Parto ti lascio, addio! From the opera of Lodoviska, as introduced and sung by Signra. Grassini and Sigr. Viganoni, in the opera, La Vergine del Sole. [Lovinski hai cor ne temi?]. London: printed and sold by Rt. Birchall [ca. 1805]. 11[1]p. Score for voice, two violins, viola and keyboard.
MAZZINGHI, Joseph
556. The Cypress Wreath. From the celebrated poem Rokeby, written by Walter Scott Esqr. Composed for three voices. [O Lady, twine no wreath for me]. London: by Messrs. Goulding, D’Almaine, Potter & Co., and Dublin [ca. 1817]. 9[1]p. Initialled.
557. Had I a Heart for Falsehood fram’d. A favorite air arranged as a glee, for three voices. London: by Goulding, Phipps, D’Almaine & Co., and Dublin. Likewise may be had of Mr. Jas. Stevens, Glasgow [ca. 1806]. 3[1]p. Initialled.
558. Huntsman rest thy chace is done. Recitative and air, in continuation of the song Soldier Rest thy Warfare o’er from the Lady of the Lake, written by Walter Scott Esqr. Sung by Mrs. Vaughan. [She paused - then blushing, led the lay]. London: by Goulding, D’Almaine, Potter & Co., and to be had at Dublin [ca. 1816]. 4p.
559. Lay of the Imprisoned Huntsman. From the Lady of the Lake, written by Walter Scott Esqr. [My hawk is tired of perch and hood]. London: by Goulding, D’Almaine, Potter & Co., and Dublin [ca. 1811]. 4p. Initialled.
560. Let our Halls & Towers Decay. From the celebrated poem, Rokeby, written by Walter Scott. London: by Goulding, D’Almaine, Potter and Wood, and Dublin [ca. 1813]. 4p. Initialled.
561. The Lonely Isle. From the Lady of the Lake, written by W. Scott. [Not faster yonder rower’s might]. London: by Goulding, D’Almaine, Potter, & Co., and Dublin [ca. 1811]. 4p. Initialled.
562. The Maid with a Bosom of Snow. A favorite song, sung ... by Mr. Incledon, in his new entertainment called Variety. [O bright as the Lilly the maid of the Wold]. London: by Goulding, Phipps & D’Almaine [ca. 1802]. 4p. Initialled.
563. The celebrated Air, No ‘twas neither Shape nor Feature. Arranged as a glee, for three voices with an accompaniment for the harp or piano forte. London: by Goulding, Phipps, D’Almaine & Co., and Dublin and may be had of Jas. Stevens, Glasgow [ca. 1806]. 5[1]p. Initialled.
564. Roderigh vich Alpine. From the Lady of the Lake, written by Walter Scott, Esqr. Composed as a glee, for three voices. [Hail to the Chief who in triumph advances]. London: by Goulding D’Almaine Potter & Co., and Dublin [ca. 1811]. 8p. Initialled.
565. (Another ed.). Sung ... by Mrs. Ashe, Mr. Magrath and Mr. Bellamy, Roderigh vich Alpine [ ...&c.]. 8p. Initialled.
566. A Soldier to his own Fireside. A favorite song sung by Miss De Camp ... in The Wife of Two Husbands. London: by Goulding, Phipps & D’Almaine. Likewise may be had of Goulding Knevett & Co., Dublin and James Stevens, Glasgow [ca. 1806]. 48-51 [i.e. 4]p. Initialled.
567. Sweet charm of Loveliness. Sung by Mr. Braham ... (with the Favorite March) in the Opera of Chains of the Heart. London: by Goulding & Co. [ca. 1802]. [1]20-21, 18[i.e. 4]p. Initialled.
568. The Wreath. A pastoral glee, for three voices. [Ye Shepherds tell me]. London: by Goulding, Phipps, D’Almaine & Co., and Dublin [ca. 1810]. [2]7[1]p. Initialled.
MELLISH, Miss.
569. My Phillida adieu love. [London] by Longman and Broderip [ca. 1795]. 4p. Additional accompt. for guitar.
MILLER, Dr. [Edward (?)].
570. The Afflicted African. Written by Mr. Cowper. [Forced from home and all its pleasures]. London: by Longman and Broderip [ca. 1790]. 7[1]p. Scored for voice, two violins, and bass.
MOLINEUX, Jno.
571. Fare thee well thou first & fairest. A ballad, written by Robt. Burns. London: published by J. Power and W. Power, Dublin [ca. 1815]. 3[1]p.
[MONTLIVAULT, Chevalier de]
572. Six Songs. [The Country Wedding of the young Lord of the Manor. The words by H. S.]. N.i. [ca. 1795]. [2]17[1]p. Composer`s name in ms.
MOULDS, John
573. The Caledonian Maid. Written by Peter Pindar. [Oh say have you my Mary seen]. [London] printed and sold by J. Dale [ca. 1796]. [4]p. Additional accompt. for German flute.
574. Invocation to Oblivion. The words by Miss Maria Vaughn. [Since hope gentle Cherub is fled]. London: for G. Goulding [ca. 1793]. [4]p.
575. Kate. A favourite ballad taken from Cowper’s Task, sung by Miss George. [‘Twas near a Sea beat rock reclined]. London: for S. A. & P. Thompson [ca. 1785]. 4p.
576. Moulines Maria. A favourite ballad taken from Sterne. [‘Twas near a Thickets calm retreat]. London: for S. A. & P. Thompson [ca. 1785]. 4p. Additional accompts. for German flute and guitar.
577. Rubens Nutt Brown Maid. An Admir’d ballad ... for the piano forte. With an accompaniment for a violin. [The breeze was hushed]. London: by C. Wheatstone [ca. 1815]. [4]p. Additional accompt. for German flute.
MOZART, Wolfgang Amadeus
578. Deh prendi un dolce amplesso. Duett, with the additional verse as sung by Mr. Braham and Mrs. Billington, in ... La Clemenza di Tito. [London] printed and published by M. Kelly [ca. 1807]. 4p.
579. Giovinette che fate all’amore. Duetto e Coro, Nell’ Opera, Il Don Giovanni. London: by Goulding, D’Almaine Potter & Co., and to be had at Dublin [ca. 1815]. 5[1]p.
580. Non so piu cosa son cosa faccio. Aria, in the opera of Le Nozze di Figaro. London: published at Mitchells Musical Librarys [ca. 1818]. 4p.
581. The Placid Eve. A favorite song with an accompaniment for the piano forte. London: printed and sold by Preston [ca. 1805]. 3[1]p. Additional accompt. for flute or guitar.
MURPHY, S.
582. The Smiling Maid. [With mutual Love by Celia bless’d]. London: for A. Bland [ca. 1788]. [4]p. Scored for voice, two violins and bass. Additional accompt. for German flute or guitar.
MUSGRAVE, W. P.
583. Sweet Mary of the Vale. [Twas far from Fashions Syren voice]. N.i. [ca. 1800]. 3[1]p. Inscribed and corrected by composer.
584. Music charms the ravish’d soul. A favorite duet for two voices, the music by a gentleman. London: printed and sold by Preston & Son [ca. 1788]. [4]p.
585. My Heart with Love is Beating [Transported by your Eyes]. A favorite ballad sung by Mr. Braham ... Adapted with an accompaniment for the harp or piano forte. Edinburgh: printed and sold by N. Corri [ca. 1800]. 3[1]p.
586. (Another ed. and another version). My heart with Love is Beating [Fond trembler feel it move]. Ballad, the poetry by Mr. Rannie, arranged to the favorite air of the Maid of Lodi, as sung by Mr. Braham. London: printed and sold by Preston [ca. 1811]. 3[1]p.
587. My Lodging. A Favorite Mad Song. [London] Ka[therine] F[entu]m [ca. 1782]. S. sh. Additional accompt. for German flute or guitar.
588. N., I. The Princely Strangers. Humbly dedicated ... to ... the Duchess of York, the words by the Revd. J. Davies A.M. [Borne on the Wings of lofty Fame]. [London] to be had at Birchall’s, and all other Music Sellers [ca. 1814]. 7[1]p.
NASOLINI, Sebastiano
589. Non e questo il sacro alloro. Sung by Mr. Braham ... In the grand serious opera of La Morte di Cleopatra. [London] printed and published by Ml. Kelly [ca. 1807]. 4p.
NEILSON, Lawrence Cornelius
590. Sweet Ellen Sorrow’s Child. A favorite ballad with an accompaniment for the piano forte. [Cold blew the wind]. London: printed and sold by Preston & Son [ca. 1795]. 4p. Additional accompt. for German flute.
591. New Black Joak. Sung by Mr. Beard. [The Sun was sleeping in the Main]. [London] Str[aight] & Sk[illern] [ca. 1772]. S. sh. Additional guitar accompt.
592. No Union for our dear native island. [May God in whose hand, is the lot of each land]. Dublin: published by Hime [ca. 1800]. [4]p.
593. Of a’ the airts the Win’ can blaw. A favorite old Scots tune the words by Robt. Burns. Set for the voice, piano forte, violin and German flute. Edinburgh: printed and sold by Muir Wood & Co. [ca. 1805]. [1]132-133[1]p.
OLIVE, Joseph
594. The Favorite Song of Bacchus and Venus. Sung by Mr. Lowe. The words by Mr. Woty. [Myself between Venus and Bacchus I’ll poize]. [London] C [&] S T[hompson] [ca. 1770]. S. sh. Additional accompt. for German flute.
595. One day I heard Mary say. An old Scots song supposed to have been composed about the time Lord Darnley and Queen Mary lived in the Abbey at Edinburgh. Set for the voice, piano forte, guitar, flute or clarinet. Edinburgh: by J. Watlen [ca. 1795]. [1]24-25[1]p.
[OSWALD, James]
596. The Dust Cart. A cantata sung ... in manner of the Moderns. [As Tinkering Tom, the Streets his Trade did cry]. N.i. [ca. 1753]. [4]p.
597. Paddy Bull’s Expedition. Written and sung by Collins in his Brush to the tune of Lango Lee. [When I took my departure from Dublin’s sweet Town]. Dublin: published by John Lee [ca. 1795]. S. sh.
PAISIELLO, Giovanni
598. Pandolfetto Graziosetto. A favorite duet, sung by Sigr. Morrelli and Madm. Bolla, in the comic opera of I Zingari in Fieri. London: printed and sold by L. Lavenu [ca. 1801]. 8p. Scored for voice, oboe, two violins and bass.
599. Where is my Love. Sung by Signora Storace in the Haunted Tower, with new words by Peter Pindar. London: for G. Goulding [ca. 1795]. [4]p. Additional accompt. for guitar.
600. Whither, my Love, ah! whither art thou gone? Sung by Signora Storace in the Haunted Tower. London: by Longman, Clementi & Co. [ca. 1799]. 4p. Additional accompt. for guitar, and arr. for two voices or flutes.
PANORMO, Robert
601. “The Martial note is the Soldiers Knell”. Written on the death of ... The Duke of York by Leigh Cliffe. London: published and sold by the author, and may be had of all the principal Music Sellers in the United Kingdom [ca. 1827]. 5[1]p. Initialled.
PARK, Maria Hester
602. Toll for the Brave. A Tribute to the memory of Lord Nelson, the words paraphrased from Cowper. London: printed and sold by Rt. Birchall [ca. 1806]. 3[1]p.
PARKE, William Thomas
603. “Sweet Maid”. An elegy (for four voices,) on the much lamented death of ... The Princess Amelia, the words and music by W. T. Parke. London: for the author and sold by Goulding, D’Almaine, Potter & Co., and Dublin, may be had at all other Music Warehouses in town and country, and of the author [ca. 1811]. 4p. Initialled.
PARRY, John
604. Beauty in Tears. A ballad sung by Mr. Braham, in the Grand Romance of Lodoiska. [Oh weep not sweet maid]. London: by Goulding, D’Almaine, Potter & Co., and Dublin [ca. 1815]. 3[1]p.
605. England & her Brave Allies. A patriotic song, sung by Mr. Pyne... written and composed ... (in the year 1814) and most humbly dedicated to H. R. H. The Prince Regent of England. Also sung by Mr. Sinclair. [In War, the Bard in lofty strains]. London: by Goulding & Co., and Dublin [1814]. 4p.
606. Oranje Boven. A patriotic song, sung ... by Mr. Braham ... written, composed and most humbly dedicated to His Serene Highness the Prince of Orange. [Hark! hark the voice of Freedom cries]. London: By Goulding & Co., and Dublin [ca. 1814]. 3[1]p.
607. The Voice of her I Love. A ballad sung by Mr. Braham, in the opera of The Castle of Adalusia. [How sweet at close of silent eve]. London: by Goulding, D’Almaine, Potter & Co., and Dublin [ca. 1814]. 4p. Additional accompt. for flute or flageolet, and arr. for soprano voices.
PERCY, John
608. It is Night and I am alone. (The Words from Ossian) ... [Select Songs] No.1. [London] for the author and to be had at the Music Shops [ca. 1795]. 6p. Signed.
609. Select Songs No.5. The Shipwreck, (From the Mysteries of Udolpho) Sung by Mr. Incledon. [Soft came the breath of Spring]. [London] for the author [ca. 1795]. 21-28p. Signed.
610. Select Songs No.9. Wapping Old Stairs. [Your Molly has never been false]. [London] for the author [ca. 1795]. 45-47 [1]p. Signed.
611. Select Songs No.11. The Ghost of Carril (From the Works of Ossian). [The Stars of the night arise]. London: for the author [ca. 1801]. 51-58p.
612. The Siege of Gibralter. [For Ever Recorded be that Glorious day]. London: for the author [1784]. 7[1]p. Scored for voice, two violins and bass. Signed.
[PIERCY, H.]
613. The Beggar Girl. A favorite ballad for the piano forte or harp, also as a duett, for two voices. [Over the Mountain and over the Moor]. London: published by C. Wheatstone [ca. 1804]. [4]p.
PLEYEL, Ignaz Joseph
614. Pleyels German Hymn with variations. Also harmonised for three voices and adapted for the harpsichord or piano forte. [The spacious Firmament on high]. London: for G. Goulding [ca. 1796]. 3[1]p.
615. Poll’s Answer to Poor Jack. [Dear Jack my fond Love]. London: printed and sold by Preston & Son [ca. 1795]. [4]p. Additional accompt. for German flute.
616. Poor Anna’s Heart Lord Henry Won. A ballad written by M. G. Lewis Esqr. The music composed ... by an amateur. Edinburgh: printed and sold by John Hamilton. J. Johnson Sculpt. [ca. 1800]. [2]-2[1][i.e.4]p.
617. Poor Mary of Buttermere. Written by a lady, set to music by an amateur. [Ah poor wretched Mary]. London: by Goulding Phipps & D’Almaine. Likewise may be had of Goulding Knevett & Co., Dublin and Stevens & Co., Glasgow [ca. 1803]. 3[1]p.
[PRING, Jacob Cubitt]
618. The Dying Christian to his Soul. A celebrated ode by Mr. Pope. Set to music for three voices. [Vital spark of heavenly flame]. [London] by Longman and Broderip [ca.1790]. 3[1]p.
619. (Another ed.). London: printed and sold by J. Bland [ca. 1790]. 3[1]p.
620. (Another ed.). London: by Goulding, D’Almaine, Potter & Co., and to be had at Dublin [ca. 1812]. 3[1]p.
PUCITTA, Vincenzo
621. Serbami il primo affetto. Change not from me thy love, the favorite duet, sung by Madame Bianchi and Sigr. Righi, in the opera of La Ginevra di Scozia. London: printed and sold by Chappell & Co. [ca. 1823]. 3[1]p. additionally numbered 101-103.
PURCELL, Henry
622. Come if you Dare. A favorite air and chorus sung by Mr. Incledon. London: printed and sold at Bland & Weller’s [ca. 1800]. 4p.
623. Glee for Three Voices. [Fairest isle of isles]. [London] Lady’s Magazine, for January, 1787. Oblong 4to, typeset. S. sh. 2p.
624. Five favorite catches for three voices. [Fye nay prithee John do not quarrel (with four others by Purcell, Hayes, Webbe and Needham)]. N.i. [ca. 1780]. [4]p.
625. From Rosy Bow’rs. Sung by Miss Harrop. [London] for J. Bland [ca. 1785]. 3[1]p.
626. A Two Part Song. [Two Daughters of this Aged Stream are we]. N.i. [ca. 1710]. S. sh. numbered 62.
PUTTI of Cambridge.
627. On Zelinda. [On dear Zelinda’s charms I gaze]. [London] G. Bickham junr. [ca. 1740]. S. sh. numbered 56. Additional accompt. for flute.
RAMONDON, Lewis
628. A Hymn upon the Execution of two Criminals. [All you that must take a leap in the dark]. N.i. [ca. 1710]. S. sh. Additional accompt. for flute.
RANNIE, John
629. Fair Anna. A Scottish ballad sung by Mrs. Bland, the words and melody by Mr. John Rannie. [Fair Anna was the brightest maid]. London: by Goulding Phipps & D’Almaine. Likewise may be had of Goulding Knevett & Co., Dublin and James Stevens, Glasgow [ca. 1804]. 3[1]p.
RAUZZINI, Venanzio
630. Jervis & Duncan. Or The Year Ninety Seven ... Sung by Mr. Taylor ... The words by Mr Wm Meyler. [Thy Navy old England has long been thy Pride]. N.i. [? Bath, 1797]. [4]p.
[REEVE, William]
631. The Chapter of Kings. A celebrated historical song written and sung ... by Mr. Collins author of the Brush and by Mr. Dignum. [The Romans in England they once did sway]. [London] by Longman and Broderip [ca. 1797]. 4p. Additional accompt. for flute or guitar.
632. The Favorite Fishing Duet. Sung by Mrs. Martyr and Mrs. Mountain ... in the Pantomime of Don Juan. [Thus for Men the Women fair]. London: for G Goulding [ca. 1790]. [1]70-71[1]p. Additional accompt. for guitar or flute.
633. (Another ed.). The Fishing Duet Sung in Don Juan. N.i. [ca. 1810]. [4]p.
634. The Frolicks of Queen Mab. Paraphrased from Shakspere, written and sung by Mr. Collins in his celebrated entertainment of the Brush. [When Fancy roves in a rambling Dream]. [London] by Longman and Broderip [ca. 1790]. 25-28p. Scored for voice, keyboard and violin. Additional accompt. for guitar.
635. The Galley Slave. Sung by Mr. Dignum in the Purse, or Benevolent Tar. [Oh, think on my fate!]. London: printed and sold by Preston & Son [ca. 1795]. 4p. Additional accompt. for German flute.
636. Never think of meeting Sorrow. A favorite duet, sung by Sigra. Storace and Mr. Fawcett ... in the comic opera of The Cabinet. The words by T. Dibdin. London: published and sold by J. Dale [ca. 1803]. 3[1]p.
637. Peter Pull-haul. A favorite song as sung by Mr. Munden ... in the comic opera of The Cabinet, the words by T. Dibdin. [Near Kew one Morn was Peter born]. London: published and sold by J. Dale [ca. 1803]. 4p.
638. Robin Adair. The much admired ballad, sung ... by Mr. Braham ... composed and arranged for the harp, or piano forte. [What’s this dull Town to me]. London: by Button & Whitaker [ca. 1812]. 4p. Additional arr. for four voices.
639. The Single Married, & the Married happy. Sung by Mr. Fawcett ... in the comic opera of the Cabinet, the words by T. Dibdin. [A Batchelor leads an easy life]. London: published and sold by J. Dale [ca. 1803]. 3[1]p.
640. The Favorite Glee, Some Yield their Breath. Sung in Raymond and Agnes. London: printed and sold by Preston & Son [ca. 1798]. [1]6-7[1]p.
RELFE, John
641. Mary’s Dream. [The Moon had climbed the highest hill]. [London] for H. Andrew’s [ca. 1804]. [4]p. Scored for voice, keyboard and violin. Additional accompt. for unspecified instrument.
RINGWOOD, J.
642. Ye darksome Woods where Echo dwells. A hunting song, the words by Mr. R. Bloomfield. Dublin: published at Rhames’s Musical Circulating Library [ca. 1802]. 3[1]p.
643. Robin Adair. Sung ... by Mr. Braham. [What’s this dull Town to me]. London: by J. & G. Balls [ca. 1818]. [4]p. Additional arr. as “Duet for two Ladies.”
644. Roderick Vich Alpine. (Boat Song) in the Lady of the Lake, by Walter Scott. [Hail to the chief who in triumph advances]. [London] by G. Bown [ca. 1820]. 2[2]p.
ROSS, John
645. The Heath This Night must be My Bed. From the Lady of the Lake. Set to music, with an accompaniment for the piano forte or harp. Edinburgh: printed and sold by Muir Wood & Co. [ca. 1812]. 4p.
646. O balmy Zephyr as you fly. A canzonet with an accompaniment for the piano forte. London: by Goulding, Phipps & D’Almaine, likewise may be had of Goulding, Knevett & Co., Dublin and James Stevens, Glasgow [ca. 1806]. 4p.
Box 5A
SAINT GERMAIN, Comte de.
647. A New Song, Set by Count St. G---. [Gentle Love this hour befriend me]. N.i. [ca. 1745]. S. sh.
648. A new song set by Comte de St. Germain. [O wouldst thou know what Sacred Charms]. N.i. [ca. 1745]. S. sh.
649. (Another ed.). The Maid that’s made for Love and Me. Set by Comte de St German. [O wouldst thou know what Sacred Charms]. N.i. [ca. 1750]. S. sh.
650. (Another ed.). Set by Comte de St. Germain. N.i. [ca. 1750]. S. sh.
SALE, John Bernard
651. The Butterfly. A much admired Duett, as sung by Mr. Nield and Mr. Sale Junr. [Gay being born to flutter thro’ the day]. London: for the author, by Lavenu & Mitchell, and may be had of Mr. Sale, Westminster, and of all the Principal Music Sellers in town and country [ca. 1808]. 6p.
652. Sally in our Alley. A favorite song sung by Mr. Braham. [Of all the Girls that are so smart]. [London] for H. Andrews [ca. 1812]. [4]p. Additional accompt. for German flute.
SANDERSON, James
653. The Cottage of Peace. A pastoral ballad, sung by Miss Gray ... in the grand Caledonian spectacle romance, called The Iron Tower or The Cell of Mystery, the poetry by Mr. Upton. [Fair Lady tho’ low is our Cot]. London: engraved, printed and published by E. Riley [ca. 1801]. [4]p. Scored for voice, flute or flageolet, violins and keyboard. Additional accompt. for flute.
654. The Cottage on the Moor. Sung by Mrs. Herbert in the Pantomime of Niobe, written by Mr. Cross. [My Mam is no more]. London: engraved, printed and sold by E. Riley [ca. 1802]. 4p. Scored for voice, flute and oboe, violins, bass and keyboard. Additional accompts. for guitar and flute.
655. The little Orphan Sailor Boy. Arranged for the harp or piano forte, written by Mr. Nussey. [A little Orphan Sailor Boy]. London: engraved, printed and sold by E. Riley [ca. 1801]. 4p. Additional accompts. for guitar and flute.
656. The Seaman’s Departure. Sung by Mr. Incledon, written by a gentleman. [When ye quit your native Shore]. [London] engraved, printed and sold by E. Riley [ca. 1802]. 3[1]p. Scored for voice, keyboard and another, unspecified.
657. A Scotch Song. [Gin thou wer’t my ene Thing]. N.i. [ca. 1720]. S. sh. Additional accompt. for flute.
SCOTT, John
658. Abraham Newland. As sung by Mr. Davis .... The words by C. T. Dibdin Junr. [There ne’er was a name so banded by fame]. London: by Longman Clementi & Co. [ca. 1800]. 4p. Additional accompt. for German flute.
SEDGWICK.
659. On the Death of General Wolfe. [In a mouldering Cave where the Wretched retreat]. [London] by J. Fentum [ca. 1776]. [4]p.
660. A sequel to the popular Ballad of the Beautiful Maid. The words by a Lady of Fashion, composed by an amateur. [There’s no Lilley on Earth half so fair]. London: for the proprietor by E. Riley [ca. 1803]. 3[1]p.
SHIELD, William.
661. Ah weladay my poor heart. The favorite song of the page. Sung by Mrs. Martyr in the new comedy of The Follies of a Day. Written by Mr. Holcroft. [To the Winds to the Waves]. [London] by Longman and Broderip [ca. 1784]. 4p. Scored for voice, two violins and keyboard. Additional accompt. for guitar.
662. A New Song. [Be breathless your reeds]. [London, Lady’s Magazine, February 1778]. 4to, typeset. S. sh. 2p.
663. Bonny Bet. Sung by Mr. Johnstone in the Farmer. Written by J. O’Keefe. [No more I’ll court the Town bred fair]. [London] by Longman and Broderip [1788]. 4p. Additional accompt. for guitar.
664. The Bud of the Rose. Sung by Mr. Bannister in Rosina. [Her mouth, which a smile devoid of all guile]. London: printed and sold by J. Dale [1783]. 4p. Additional accompts. for German flute and guitar.
665. (Another ed.). Sung by Mr. Banister in Rosina. London: for G. Goulding [ca. 1804]. [4]p. Additional accompt. for German flute.
666. (Another ed.). Sung by Mr. Incledon in Rosina. N.i. [ca. 1811]. [4]p. Additional accompt. for German flute.
667. Caleb Quotem. Sung by Mr. Fawcet in the Review or Wags of Windsor. [I’m Parish Clerk and Sexton here]. London: printed and sold by Preston [ca. 1809]. [1]30-35[1]p.
668. Charming Village Maid. A favorite song sung by Mr. Johnstone in the comic opera of The Farmer. London: by Longman and Broderip [ca. 1788]. 4p. Scored for voice, violins, viola and bass. Additional accompts. for guitar and German flute.
669. The Conflict of Love and Duty. Ballad sung by Mrs. Mountain in the Lyric Novelist, the poetry by Mr. Cherry. [My Country’s voice dear Emma calls]. London: printed and sold by Preston [ca. 1809]. 3[1]p.
670. Could I bid the fond Passion to cease. An admired song with an accompaniment for the piano forte. London: printed and sold by Thos. Preston [ca. 1816]. 3[1]p. Additional accompt. for guitar.
671. The Death of Tom Moody. Written by the author of Hartford Bridge ... and sung by Mr. Incledon in ... the Wandering Melodist. [You all knew Tom Moody the whipper in well]. London: by Goulding Phipps, D’Almaine & Co. [ca. 1805]. 4p. Signed.
672. ‘Ere around the huge Oak. A favorite song sung by Mr. Darley in The Farmer, a comic opera. London: by Longman and Broderip [1788]. 3[1]p. Additional accompts. for guitar and German flute.
673. (Another ed.). London: by Longman, Clementi & Co. [ca. 1800]. 3[1]p. Additional accompts. for guitar and German flute.
674. From Night till Morn. A favorite duet sung by Mr. Incledon and Mr. Johnstone ... with an accompaniment for the harpsichord. London: printed and sold by Preston & Son [ca. 1794]. 4p. Additional accompts. for guitar and German flute.
675. The Girl of my Heart. A favorite ballad sung by Mr. Incledon .... The words by J. Rannie. [I have Parks I have Grounds]. London: by Goulding, Phipps & D’Almaine. Likewise may be had of Goulding, Knevett & Co., Dublin and James Stevens, Glasgow [ca. 1805]. 4p. Signed.
676. The Heart that can feel for another. A ballad sung by Mr. Incledon .... in his new entertainment called the Traveller, written by Mr. Upton. [Jack Stedfast and I were both messmates]. London: by Goulding & Co., and Dublin [ca. 1806]. 4p. Additional accompt. for German flute. Signed.
677. The Heaving of the Lead. A favorite song, sung by Mr. Incledon in Hartford Bridge. [For England, when with fav’ring gale]. [London] by Longman and Broderip [ca. 1795]. 4p. Additional accompt. for German flute. Exclamation mark at foot of p.4 within inverted commas.
678. (Another ed.). 4p. Exclamation mark at foot of p.4 outside inverted commas, period after “W” of Shield’s initial.
679. (Another ed.). 4p. Exclamation mark outside inverted commas, colon after “W” of Shield’s initial.
680. (Another ed.). The Heaving of the Lead. N.i. [ca. 1795]. S. sh.
681. (Another ed.). Sung by Mr. Incledon in Hartford Bridge. London: for G. Walker [ca. 1795]. 3[1]p. Additional accompt. for flute.
682. (Another ed.). A favorite song sung by Mr. Incledon in Hartford Bridge ... with an additional [i.e. 4th] Stanza. [London] by Longman and Broderip [ca. 1796]. 4p. Additional accompt. for German flute.
683. Hey-dance to the Fiddle & Tabor. A favorite dialogue, sung by Mrs. Martyr and Mr. Fawcet in the Lock and Key. London: printed and sold by Preston & Son [1796]. 4p. Additional accompt. for German flute or guitar.
684. How Merrily we Live. The much esteemed glee sung in the opera of The Flitch of Bacon. [Dublin] published by Anne Lee [ca. 1782]. [1]19-20[1]p.
685. I canno’ laike ye gentle Sir. A favorite ballad sung by Mrs. Kennedy, in the opera of Marian. London: by Longman and Broderip [ca. 1790]. 4p. Additional accompts. for guitar and German flute.
686. If you Wou’d Know what Pain it is To Part. Dublin: published by Edmund Lee [ca. 1790]. S. sh.
687. I’m in love, I’m in debt, I’m in Liquor. A favorite glee, sung by Mr. Fawcett, Mr. Liston and Mr. King in the comic opera of Two Faces Under a Hood. [We are three jolly boys as you ever have met]. London: by Clementi, Banger, Hyde, Collard and Davis [ca. 1803]. 53-55[1]p.
688. The Last Whistle. A favorite song sung ... by Mr. Incledon, in his new entertainment, called A Voyage to India. [Whether Sailor or not for a moment avast]. London: by Goulding & Co., and Dublin [ca. 1811]. 3[1]p. Signed.
689. Lovely Jane. A ballad sung by Mr. Incledon in ... The Songsters Jubilee, written by Mr. Cherry. [‘Twas where sweet Shannon’s silver tide]. London: by Goulding, Phipps, D’Almaine & Co. [ca. 1806]. 4p. Signed.
690. The Maid of Lodi. A favorite ballad with an accompaniment for the harp or piano forte, the music collected by Mr. Shield, when in Italy. [I sing the Maid of Lodi]. London: by Goulding, Phipps, D’Almaine & Co., and Dublin [ca. 1809]. 3[1]p.
691. (Another ed.). The Maid of Lodi. A favorite ballad, with an accompaniment for the piano forte or pedal harp, the music collected by Mr Shield. [I sing a Maid of Lodi]. N.i. [ca. 1815]. 3[1]p. Additional accompt. for German flute.
692. Mark’d you her eye. A celebrated song ... the words by Mr. Sheridan. Dublin: published by [John and (deleted)] Edmd. Lee [ca. 1790]. [4]p. Additional accompt. for German flute or guitar.
693. O why to be Happy. The favorite cheerful glee, sung by Mr. Incledon, Mr. Bowden and Mr. Linton .... The words by W. Pearce. London: printed and sold for the author by Preston & Son [ca. 1795]. 3[1]p. Signed.
694. Old Towler. A favorite hunting song sung ... by Mr. Incledon ... Written by J. O’Keefe. [Bright Chanticleer proclaims the dawn]. London: by Longman and Broderip [ca. 1795]. 4p. Additional accompt. for guitar.
695. (Another ed.). 4p. With “Written by J. O’Keef Esqr.”
696. (Another ed.). London: by Broderip and Wilkinson [ca. 1806]. 4p.
697. On by the Spur of Valor Goaded. Sung by Mr. Bannister, in The Castle of Andalusia, written by Mr. O’Keefe. London: for G. Walker [ca. 1816]. 4p.
698. Patty Clover. A favorite ballad sung by Mr. Blanchard ... in the opera of Marian. [When little on the Village green we played]. London: by Longman and Broderip [1788]. 4p. Additional accompt. for guitar or flute.
699. A New Edition of Shakespear’s Poor Barbara. [My mother had a maid called Barbara]. London: for the author and sold by Preston & Son [ca. 1795]. 5[1]p. Scored for four voices, with additional arr. in a higher key for three voices. Signed.
700. (Another ed.). Shakespear’s Poor Barbara. Dublin: by Hime [ca. 1801]. [4]p. Scored as previous item.
701. The Post Captain. Sung by Mr. Incledon ... in his new entertainment called Variety .... Words by Mr. Rannie. [When Steerwell heard me first impart]. London: by Goulding & Co. [ca. 1802]. 4p. Signed.
702. (Another ed.). London: by Goulding & Co., and Dublin [ca. 1809]. 4p. Initialled.
703. The Pretty Little Heart. Written by Prince Hoare .... Sung ... since the summer of 1800 when it was first published in Shields introduction to Harmony. [I’ve a pretty little heart]. London: printed and sold for the author by Preston [1801]. 3[1]p. Signed.
704. Rise Cynthia Rise. A favorite duet. Glasgow: printed and sold by J. Steven [ca. 1805]. S. sh.
705. The Rosary. A favorite ballad sung by Mrs. Martyr in The Midnight Wanderers. [Tho’ oft we meet severe distress]. [London] by Longman and Broderip [ca. 1793]. 4p. Additional accompt. for guitar.
706. Sally Roy. Sung by Mr. Incledon in ... The Wandering Melodist. The words by Mr. Rannie. [Fair Sally once the village pride]. London: by Goulding, Phipps & D’Almaine. Likewise may be had of Goulding Knevet & Co., Dublin; A. Guthrie, Edinburgh and Stevens, Glasgow [ca. 1802]. 3[1]p. Signed.
707. Shakespear’s Duel and Loadstars. [It was a Lordling’s daughter]. London: printed and sold for the author by Preston & Son [1797]. 5[1]p. Signed.
708. Sleep on my Kathlean Dear. A favorite song, sung by Mr. Johnstone, in the Poor Soldier. London: printed and sold at Bland & Wellers [ca. 1803]. 3[1]p. Additional accompt. for flute.
709. The favorite Irish ballad Smalilou. As sung... by Mr. Johnstone... in the Picture of Paris. [There was an Irish Lad]. London: by Longman and Broderip [ca. 1792]. 4p. Additional accompt. for German flute.
710. A smile from the Girl of my heart. A favorite song sung by Mr. Blanchard in The Woodman. [In the World’s crooked path]. [London] by Longman and Broderip [ca. 1791]. 4p. Additional accompt. for guitar or flute.
711. (Another ed.). [London] by Broderip and Wilkinson [ca. 1804]. 4p. Additional accompt. for guitar or flute.
712. The Streamlet that flow’d round her Cot. A favorite song sung by Mr. Incledon in the Woodman. [London] by Longman and Broderip [1791]. 4p. Additional accompt. for flute.
713. (Another ed.). The Streamlet. A favorite song sung by Mr. Incledon ... In the opera of the Woodman. London: by Broderip and Wilkinson [ca. 1804]. 4p. Additional accompt. for flute.
714. (Another ed.). The Streamlet. Ballad sung by Mr. Incledon in the Woodman. London: printed and sold by Preston [ca. 1807]. 4p. Additional accompt. for flute.
715. (Another ed.). The Streamlet. A favorite song sung by Mr. Incledon in the Woodman. N.i. [ca. 1810]. [4]p. Additional accompt. for German flute.
716. Tell Her I’ll Love Her. A ballad sung by Mr. Incledon in ... The Songsters Jubilie. London: by Goulding, Phipps, D’Almaine & Co., and Dublin [ca. 1806]. 4p. Additional accompt. for German flute. Signed “For Wm. Shield.”
717. (Another ed.). London: by Goulding & Co., and Dublin [ca. 1809]. 4p. Additional accompt. for German flute.
718. (Another ed.). Tell Her I’ll Love Her. A ballad sung by Mr. Incledon, in ... The Songsters Jubilee. London: by Goulding & Co., and to be had at Dublin [ca. 1817]. 4p. Additional accompt. for German flute.
719. The Thorn. Sung by Mr. Incledon ... in his new entertainment called Variety .... Words by Robt. Burns. [From the white blossomed Sloe]. London: by Goulding & Co. [ca. 1802]. 4p. Signed.
720. (Another ed.). London: by Goulding, Phipps & D’Almaine. Likewise may be had of Goulding, Knevett & Co., Dublin [ca. 1802]. 4p. Signed.
721. (Another ed.). London: by Goulding, Phipps & D’Almaine. Likewise may be had of Goulding, Knevett & Co., Dublin; A. Guthrie, Edinburgh and Steven’s, Glasgow [ca. 1803]. 4p. Signed.
722. (Another ed.). London: by Goulding. Phipps & D’Almaine. Likewise may be had of Goulding. Knevett & Co., Dublin and James Stevens, Glasgow [ca. 1806]. 4p. Signed.
723. (Another ed.). London: by Goulding, Phipps, D’Almaine, & Co., and Dublin [ca. 1806]. 4p. Signed “For Wm Shield.”
724. (Another ed.). London: by Goulding D’Almaine & Co., and Dubin [ca. 1825]. 4p. Initialled.
725. Those treasures Aladin. A favorite rondeau sung by Mrs. Martyr in The Pantomime of Aladin. London: for G. Goulding [ca. 1795]. [1]60-61[1]p.
726. The Twins of Latona. Sung by Mr. Bannister in The Poor Soldier, written by Mr. O’Keefe. London: by J. Bland [ca. 1785]. 4p. Additional accompt. for guitar or German flute.
727. The Waving Willow. A favorite ballad sung by Mrs. Martyr in The Midnight Wanderers. [‘Twas at the hour of days decline]. [London] by Longman and Broderip [1793]. 4p. Additional accompt. for flute or guitar.
728. When bidden to the Wake or Fair. Sung in Rosina. [London] by G Walker [ca. 1816]. [4]p. Additional accompt. for German flute.
729. When Nicholas first to court began. A favorite trio sung by Mrs. Martyr, Mrs. Kennedy, Mr. Darley and &c. in the opera of Richard Coeur de Lion. [London] by Longman and Broderip [ca. 1790]. 4p. Additional accompt. for flutes or guitars.
730. The favorite song of The Wolf. Sung by Mr. Bannister in The Castle of Andalusia. Written by Mr. O’Keefe. [At the peaceful midnight hour]. London: for G. Goulding [ca. 1815]. 4p.
731. (Another ed.). The Wolf. A celebrated song sung by Mr. Bannister, in The Castle of Andalusia, The words by O’Keefe. [London] published by J. Lawson [ca. 1820]. 4p.
SMITH, C.
732. When Robin Dressed Out. Sung by Mrs. Bland, in the Musical Farce Hit or Miss. London: printed and sold by Preston [ca. 1811]. 13-15[1]p.
733. Soldier Rest Thy Warfare O’er. Ellen’s song in The Lady of the Lake by Walter Scott. [London] by G. Bown [ca. 1820]. [4]p.
734. Soldiers Bride. Written by an officer. [The Village Maid when first she hears]. [London] printed and sold at Fentum’s [ca. 1795]. [4]p. Additional accompt. for German flute.
735. A soldiers song for two voices. [How stands the Glass around]. [London] C. S. T[hompson] [ca. 1765]. S. sh. Additional accompt. for two German flutes.
736. (Another ed.). [London] L[ongman] L[ukey] [ca. 1772]. S. sh
737. Somebody. A favorite song. [Were I oblig’d to beg my Bread]. London: printed and sold by J. Dale [ca. 1798]. [4]p. Additional accompts. for German flute and guitar.
738. The Sorrowful Shepherd. The words by Mr. Hawkins. Set to music by an Eminent Master. (Extracted from) [London] New Lady’s Magazine, June, 1793. S. sh. 2p. Typeset. Additional accompt. for guitar.
SPOFFORTH, Reginald
739. Julia to the Wood Robin. Sung by Master Elliot. [Stay sweet enchanter]. [London] by Muzio.Clementi & Co. [ca. 1803]. 4p.
740. Nelson’s Victory. A much admired song written by Mr. G. Fox. [Again the trump of Fame is heard]. [London] by Longman and Broderip [1798]. 4p. Additional accompt. for German flute.
741. The Sportsmans Invitation. Sung by Mr. Arrowsmith. [Hark forward away my brave boys]. N.i. [ca. 1790]. 3[1]p. Indications for horns and oboes, additional accompt. for German flute.
SPRAY, John
742. The Bid Me Sleep. The maniac song, from the Lady of the Lake by Walter, Scott. Dublin: published at J. B. Logier’s Music Saloon [ca. 1811]. [2]5[1]p. Scored for voice, flute and piano or harp.
STANLEY, John
743. Advice to Caelia. [London] G Bickham junr. [ca. 1740]. S. sh. numbered 50. Additional accompt. for flute.
STEVENS, Richard John Samuel
744. Cheerful Glee for Four Voices. The poetry from Shakespear. [Crabbed Age and Youth, cannot live together]. [London] for the author [ca. 1808]. Oblong fol. 4p. Signed.
745. Sigh no more Ladies. Cheerful glee for five voices. London: by Longman and Broderip [ca. 1790]. 5[1]p.
746. (Another ed.). London: by Muzio Clementi & Co. [ca. 1803]. Oblong fol. [1]20-23[1]p.
747. (Another ed.). London: printed and sold at Bland & Weller’s [ca. 1805]. 5[1]p.
STEVENSON, Sir John
748. Alas! Poor Lubin. A favorite duet with an accompaniment for the piano forte, the words by J. Atkinson. [Young Cupid my fond heart beguiles]. London: published by Pearce & Co. [ca. 1808]. 4p. Additional accompt. for two flutes or guitars.
749. And will he not come again (Shakespear’s Ophelia). A glee for three voices with an accompaniment for the piano forte or harp. Dublin: published at Wm. Power & Co. Music Warehouse [ca. 1806]. 4p.
750. No. 1. Glee for five voices. The words taken from Shakespeare. [As it Fell upon a Day]. Dublin: published by B. Cooke [ca. 1795]. 5[1]p.
751. Bards of the Days of Old. A glee for three voices, the words taken from Ossian. Dublin: published by F. Rhames [ca. 1800]. 5[1]p.
752. Bonny Lasses O. A favorite ballad with an accompaniment for the piano forte or harp. [There’s nought but care on every han]. London: published by C. Wheatstone [ca. 1809]. 3[1]p.
753. A Broken Cake. Glee for three voices with an accompaniment for the piano forte. The poetry translated from Anacreon by Thos. Moore. London: published by Broderip & Wilkinson and in Dublin by F. Rhames [ca. 1803]. 4p.
754. Buds of Roses, Virgin Flowers. A cheerful glee for four voices, the poetry translated from Anacreon by T. Moore. Dublin: by F. Rhames [ca. 1800]. 5[1]p.
755. By a murmuring brook. A favorite song sung by Mr. Braham. Dublin: published by M. Hime [ca. 1800]. 3[1]p. Additional accompt. for German flute.
756. (Another ed.). Liverpool: published by H. Hime, and may be had of M. Hime, Dublin: Clementi & Co. and T. Preston, London. and all the Music Sellers in the United Kingdoms [ca. 1800]. 4p. Additional accompt. for German flute, and arr. “in two lines.”
Box 5B
757. The Catherine. A favorite melody of Lady Catherine Stewart’s arranged as a duet. [If to gaze on thee waking with love]. London: published at Powers Music Ware House and at W. Powers, Dublin [ca. 1818]. 7[1]p.
758. (Another ed.). London: published at Power’s Music Ware House and at W. Powers, Dublin [ca. 1818]. 7[1]p.
759. Cease not yet sweet Bard thy strain. An answer to Moore’s celebrated ballad, of Here’s the Bower. London: published at Powers Music Ware House and at W. Powers, Dublin [ca. 1815]. 7[1]p.
760. The Charter Glee of the Freemason’s Harmonic Club. The words by T. M. Rafter. [Our hall this night with festive glee]. Dublin: published by I. Willis, and may be had at the Royal Musical Repository, London [ca. 1826]. 7[1]p.
761. The Chieftain and Lord Ullin’s Daughter. A duet with an accompaniment for the piano forte ... Words by Thos. Campbell. [A chieftain, to the Highlands bound]. London: published by J. Power and W. Power, Dublin [ca. 1815]. 8p.
762. Come take the Harp. London: published at J. Power’s Music Ware house and sold at W. Power’s, Dublin [ca. 1808]. 7[1]p.
763. Come unto these Yellow Sands. Glee for three voices, as sung at the Hibernian Catch Club, with an accompaniment for two performers on one piano forte. The words from Shakespear. Dublin: published by Hime, and to be had at all the Music Shops in England [ca. 1802]. [2]15[1]p.
764. (Another ed.). Adapted from the glee composed by J. A. Stevenson, Mus. Docr. for one voice with an accompaniment for the piano forte. Dublin: for Hime and to be had of all the Music dealers in England [ca. 1798]. 5[1]p.
765. Emma’s Plaint. [Sweet Zephyr, tho’ ‘midst Rosebuds playing]. Dublin: published at Rhames’s [ca. 1795]. S. sh.
766. Faithless Emma. Sung with great applause by Mr. Spray at the Music Hall, Liverpool ... .Words by G. A. Esqr. of Dublin. [I wander’d once at break of day]. Liverpool: published by Hime, and may be had at Messrs. Clementi & Co., and Preston’s London [ca. 1802]. 3[1]p.
767. (Another ed.). Sung with great applause by Mr. Spray. Liverpool: published by H. Hime & Son, and may be had at Messrs. Clementi & Co., and Preston’s, London [ca. 1804]. 3[1]p.
768. (Another ed.). Dublin: published by M. Hime [ca. 1805]. 3[1]p.
769. (Another ed.). Dublin: published by M. Hime [ca. 1810]. 3[1]p.
770. (Another ed.). Sung with great applause by Mr. Spray, Mr. Vaughan and Mrs. Ashe. Liverpool: by Hime & Son, and may be had of all the Principal Music Sellers in London [ca. 1812]. 6th. ed. 3[1]p.
771. Flow on, Thou shining River. The words by Thomas Moore. London: published by J. Power [ca. 1829]. 3[1]p.
772. For Anna once I culled a flower! A favorite ballad sung by Mr. Spray. Liverpool: published by Hime & Son [ca. 1807]. 3[1]p. Additional accompt. for flute.
773. The Frantic Maid. A ballad sung by Mr. Braham. [To Mary’s sad story give ear gentle stranger]. London: for Goulding & Co., and Dublin [ca. 1809]. 3[1]p.
774. Song No.5. Half Hid In The Grove. With an accompaniment for the piano forte or harp... words taken from the Celebrated poem of Oscian. Dublin: published by B. Cooke [ca. 1798]. [4]p.
775. The Harp in softly pleasing strains. A ballad with an accompaniment for the harp or piano forte. London: by C. Wheatstone [ca. 1809]. 3[1]p.
776. “How slowly move the hours”. A favorite ballad sung by Mr. Braham. Composed and arranged with an accompaniment for the harp or piano forte. [London] by Goulding & Co., and Dublin [ca. 1810]. 3[1]p.
777. No..4. An Irish Song. [Along the mead one Morn I stray’d]. Dublin: published by B. Cook [ca. 1798]. [4]p.
778. The Maid of Marlivale. A ballad from Moore’s poems composed with an accompaniment for the piano forte or pedal harp. [Where is the Nymph whose Azure Eye]. Liverpool: (By permission of the Proprietor) by H. Hime, and sold by Clementi & Co., London [ca. 1806]. 6p.
779. The Maid whose Heart was cold to Love. A ballad sung ... by Mr. Philipps. [Mild thro’ the groves soft Zephyrs played]. London: published at J. Power’s and at W. Power’s, Dublin [ca. 1810]. 7[1]p.
780. Mary I believed thee true. A Scotch song with an accompaniment for the piano forte or harp, the poetry by Thos. Moore. London: by Broderip & Wilkinson [ca. 1803]. 3[1]p.
781. (Another ed.). Mary I believe the true. A ballad. London: at C. Wheatstone’s Music Warehouse [ca. 1810]. [4]p.
782. The Meadows look cheerful. A celebrated air in the Poor Soldier Harmonized by Doctor Stevenson. Dublin: published by E. Rhames [ca. 1795]. [4]p. Scored for five voices.
783. My Love is Far Away. A canzonet with an accompaniment for the piano forte. [Not the charms of blooming spring]. London: by Clementi, Banger, Hyde, Collard & Davis and sold at all the Music Shops in England and Ireland [ca. 1808]. 4p.
784. No.2 Song. O Ever Skilled to Wear the Form. with an accompt. for the piano forte. Dublin: published by B. Cooke [ca. 1798]. [2]2-3[i.e.4]p.
785. (Another ed.). O Ever Skilled. Liverpool: published by H. Hime [ca. 1800]. 3[1]p.
786. (Another ed.). London: by C. Wheatstone [ca. 1810]. 3[1]p.
787. Oh stay sweet Fair! An answer to Moore’s favourite ballad, of Oh Lady Fair! .... Words by G. A. Esqr. London: by Clementi, Banger, Hyde, Collard & Davis and W. Power & Co., Dublin [ca. 1806]. [2]7[1]p.
788. (Another ed.). [2]7[1]p.
789. Oh tell me, tell me Mary dear. A favorite ballad sung ... by Mr. Spray. London: by Goulding & Co., and Dublin [ca. 1812]. [2]5[1]p.
790. Oh! then dearest Ellen! [When the Rosebud of Summer its beauties bestowing]. London: published by J. Power, and W. Power, Dublin [ca. 1812]. 6p.
791. Remember me my Delia. A favorite canzonet with an accompaniment for the piano forte. London: published by Goulding, D’Almaine, Potter & Co., and to be had at Dublin [ca. 1814]. [2]5[1]p.
792. Say Pretty weeping Figure. A ballad with an accompaniment for the piano forte or harp. London: published by C. Wheatstone [ca. 1810]. [4]p.
793. The Sigh of her Heart was sincere. A favorite ballad written by Peter Pindar. London: by Goulding, Phipps & D’Almaine. Likewise may be had of Goulding, Knevett & Co., Dublin and James Stevens, Glasgow [ca. 1804]. 4p.
794. The Surprise. A canzonet for two voices with a figured bass for the piano forte, the poetry by Thos. Moore. [Chloris, I swear by all I ever swore]. Dublin: published by E. Rhames [ca. 1800]. 3[1]p.
795. Sweet is the Woodbine’s fragrant twine. London: by Goulding Phipps & D’Almaine. Likewise may be had of Goulding Knevett & Co. Dublin and James Stevens, Glasgow [ca. 1804]. 4p.
796. Sweet Little Margaret. A favorite duet with an accompaniment for the piano forte, the words by Edward Lysaght. Liverpool: published by H. Hime, and may be had at all the other Music Shops [ca. 1803]. 3[1]p.
797. The sweetest Eyes that e’er were seen. (From Lord Strangford’s Camoens) As sung by Miss Bolton, with an accompaniment for the piano forte. [The Heart that warmed my guileless breast]. Liverpool: by Hime & Son [ca. 1809]. 3[1]p.
798. Tell me where is fancy Bred. A Duett for two voices with an accompaniment for the piano forte or harp, the words from Shakespeare. Dublin: published at Wm. Power & Co., Music Warehouse [ca. 1798]. 6p.
799. (Another ed.). Liverpool: (by permission of the proprietor) by H. Hime, and sold by Clementi & Co., London [ca. 1805]. 6p.
800. Thyrsis. A fragment from J. J. Rousseau, set to music with an accompaniment for the piano forte. Liverpool: (by permission of the proprietor) by H. Hime, and sold by Clementi & Co., London [ca. 1805]. 3[1]p.
801. To the Brook & the Willow. A favorite song, with an accompaniment for the piano forte or harp, as sung by Mrs. Ashe, Messrs. Harrison, Greatorex and Bartleman’s, vocal concerts. London: printed and sold by L. Lavenu [ca. 1808]. 3[1]p. Additional accompt. for flute.
802. What’s Life Unblest with Love. A favorite song .... Words by Joseph Atkinson Esqr. M.R.I.A. [If sweet concord tunes the mind]. Dublin: published at Wm. Power & Co. Music Ware House [ca. 1806]. 3[1]p.
803. When first from the Girl of my Bosom I parted. A favorite ballad, sung by Mr. Spray. Liverpool: published by Hime & Son [ca. 1807]. 4p.
804. When the Rose-bud of Summer. A ballad, as sung by Mrs. Ashe and Mrs. Salmon ... and by Miss Stephens. London: published by J. Power and W. Power, Dublin [ca. 1814]. 6p.
805. Whilst I listen to thy Voice. Sung by Mr. Spray. London: published by J. Power and W. Power, Dublin [ca. 1810]. [2]5[1]p.
806. Why does my Love her Linnet mourn. A favorite song composed and arranged with an accompaniment for the piano forte. London: by Goulding, Phipps, D’Almaine & Co., and Dublin [ca. 1807]. 4p.
807. With Delight will I Sing. Liverpool: published by H. Hime [ca. 1804]. 3[1]p.
808. With The Sun We Rise At Morn. A favorite glee for five voices. Dublin: published by Hime [ca. 1801]. 5[i.e.3][1]p.
809. Song, No. 3. The Wreck. With an accompaniment for the piano forte ... words taken from the celebrated poem of Oscian. [The wind is abroad]. Dublin: published by B. Cooke [ca. 1798]. 3[1]p.
810. Ye Shepherds, Give Ear To My Lay. Liverpool: published by H. Hime [ca. 1804]. 3[1]p.
811. Ye Zephyrs where’s my blushing Rose. A favorite song in answer to The Mansion of Peace. London: printed and sold by J. Bland [ca. 1793]. 3[1]p. Additional accompt. for German flute or guitar.
812. Young Ella was the Happiest Maid. A favorite ballad written by T. Moore. Liverpool: published by Hime & Son [ca. 1807]. 3[1]p.
STORACE, Stephen
813. Across the downs this morning. Sung by Sigra. Storace in No Song No Supper. [London] by Longman and Broderip [ca. 1790]. 4p. Additional accompts. for guitar and two German flutes.
814. As Wrapt in Sleep I Lay. A favorite song sung by Mrs. Crouch in The Pirates. London: for J. Dale [ca. 1797]. 15[i.e.1]-3[1]p. Additional accompt. for flute.
815. (Another ed.). Dublin: published by H. Mountain [ca. 1799]. S. sh. Additional accompt. for flute or guitar.
816. Be mine, tender Passion. Sung by Sigra. Storace in The Haunted Tower. London: by Longman, Clementi & Co. [ca. 1800]. 4p. Additional accompt. for German flute or guitar.
817. (Another ed.). A favorite new song sung by Sigra. Storace in the opera of The Haunted Tower. Dublin: published by Hime [ca. 1801]. [4]p. Additional accompt. for German flute or guitar.
818. Captivity. Supposed to be sung by the unfortunate Marie Antoinette, during her imprisonment in the Temple. The words by the Revd. Mr. Jeans, Dibden, Hants and sung by Sigra. Storace and Mrs. Crouch. [My foes prevail]. London: for and sold by J. Dale [ca. 1796]. 4p. Additional accompt. for German flute or guitar.
819. The Carpet Weaver. A favorite song sung by Sigra. Storace in Mahmoud. [Don’t you remember a Carpet weaver]. London: printed and sold by Joseph Dale & Son [ca. 1807]. 3[1]p. Additional accompt. for German flute.
820. Dicky Gossip. A favorite song sung by Mr. Suett in My Grandmother. [When I was a younker]. London: for and sold by J. Dale [1796]. 3[1]p.
821. (Another ed.). 3[1]p.
822. Down by the River there grows a green Willow. A favorite song Sung by Sigra. Storace in the Iron Chest, the words by Geo. Coleman. London: for and sold by J. Dale [ca. 1797]. 3[1]p.
823. Five Times By the Taper’s Light. A glee in the opera of the Iron Chest. Dublin: published by E. Lee [ca. 1805]. 3[1]p.
824. From Break of The Morn. A much admired Duett in the Iron Chest. [From break of the morning]. Dublin: published by Hime [ca. 1798]. [4]p.
825. Go, George, I can’t endure you. Sung by Mrs. Bland in the comic opera No Song No Supper. [London] by Longman and Broderip [ca. 1790]. 4p. Additional accompt. for guitar.
826. (Another ed.). Go, George, I can’t endure you. Sung by Miss Romanzini in the comic opera No Song No Supper. [London] By Longman and Broderip [ca. 1790]. 4p. Additional accompt. for guitar.
827. Go not my Love. A favorite song sung by Miss Leak in ... the Three and the Deuce. London: for and sold by J. Dale [ca. 1797]. 4p. P.[1] numbered 15. Additional accompt. for flute or guitar.
828. Haste Zephyr O’er the Glade. A celebrated duet in the Siege of Belgrade. Dublin: published by Edmund Lee [ca. 1805]. [4]p.
829. How happily my life I led. A favorite song sung by Mr. Dignum, in ... No Song No Supper. [London] by Longman and Broderip [ca. 1790]. 4p. Additional accompt. for guitar.
830. (Another ed.). How Happily my Life I led. A favorite song in No Song No Supper. [London] engraved, printed and sold by H. Andrews [ca. 1804]. [4]p.
831. Canzonet. [How sweet the Calm of this sequester’d Shore]. [London] by Longman and Broderip [ca. 1785]. [1]6-8p. Additional accompt. for guitar.
832. The Jealous Don. A favorite duet sung by Mr. Bannister and Sigra. Storace in the Pirates. London: printed and sold by C. Wheatstone [ca. 1810]. 3[1]p.
833. The favorite air & minuet as sung by Siga. Storace in the Siege of Belgrade. [La ra la ra la la ra]. London: for J. Dale [ca. 1792]. [4]p. Additional accompt. for German flute.
834. The ling’ring pangs of hopeless Love. A favorite song sung by Mr. Kelly in No Song No Supper. [London] by Longman and Broderip [ca. 1790]. 4p. Additional accompt. for German flute.
835. Little Taffline. A favorite song sung by Mrs. Bland, in ... the Three and the Deuce. [Should e’er the fortune be my lot]. London: for and sold by J. Dale [ca. 1797]. 3[1]p.
836. The Lullaby. A favorite song sung by Sigra. Storace in the Pirates. [Peaceful slumb’ring on the ocean]. London: for and sold by J. Dale [ca. 1792]. 4p. Additional accompts. for German flute and guitar.
837. Canzonet. [My Banks they are cover’d with Bees]. [London] by Longman and Broderip [ca. 1785]. [1]16-19[1]p.
838. My native Land I bade adieu. A favorite song sung by Mr. Sedgewick in the Haunted Tower. [London] by Longman and Broderip [ca. 1790]. 4p. Additional accompts. for guitar and flute.
839. (Another ed.). London: by C. Wheatsone [ca. 1803]. [4]p. Additional accompt. for flute.
840. (Another ed.). [London] for H. Andrews [ca. 1808]. [4]p. Additional accompt. for German flute.
841. Now all in preparation. A favorite song sung by Mr. Bannister Junr. in the Haunted Tower. [London] by Longman and Broderip [ca. 1795]. 3[1]p. Additional accompts. for guitar and German flute.
842. The favorite masquerade song, as sung by Sigra. Storace in My Grandmother. [On the lightly sportive wing]. London: for J. Dale [ca. 1797]. 3[1]p.
843. The Poor Black Boy. A favorite song as sung by Master Welsh in The Prize, or 2.5.3.8. [You care of money]. London: for J. Dale [ca. 1797]. 4p. Additional accompt. for German flute.
844. The Sapling Oak. A favorite song sung by Mr. Sedgwick in the Siege of Belgrade. London: printed and sold by J. Dale [ca. 1797]. 3[1]p.
845. Spirit of my sainted Sire. A favorite song sung by Mr. Kelly in the Haunted Tower. [London] by Longman and Broderip [1789]. 4p. Additional accompt. for guitar.
846. The Summer heats bestowing. A favorite rondo sung by Mrs. Crouch in the Doctor and the Apothecary. [London] by Longman and Broderip [ca. 1788]. 4p. Additional accompt. for guitar.
847. Sweet little Barbara. A duet sung by Sigra. Storace and Mr. Bannister Junr. in the Iron Chest. London: printed and sold by J. Dale [ca. 1797]. 4p.
848. (Another ed.). London: published by C. Wheatstone [ca. 1809]. 3[1]p.
849. There, the Silver’d Waters roam. A favorite song as sung by Mr. Sedgwick in the Pirates. London: for and sold by J. Dale [1792]. 4p. Additional accompt. for German flute.
850. Well-a-day! Lack-a-day! A favorite song sung by Mr. Bannister Junr. in My Grandmother. [Ah, me! I am lost and forlorn!]. London: for and sold by J. Dale [1796]. 3[1]p. Additional accompt. for flute.
851. With lowly suit and plaintive ditty. Sung by Sigra. Storace in No Song No Supper. [London] by Longman and Broderip [ca. 1790]. 4p. Additional accompt. for German flute or guitar.
852. (Another ed.). With lowly Suit. A favorite song in No Song No Supper. [London] for H. Andrews [ca. 1808]. [4]p.
853. (Another ed.). With lowly suit and plaintive ditty. Sung by Sigra. Storace in No Song No Supper. London: for G. Walker [ca. 1816]. 4p. Additional accompt. for German flute or guitar.
854. Ye streams that round my Prison Creep. A favorite song sung by Mrs. Crouch, in ... Lodoiska. London: printed and sold by J. Dale [1794]. 4p. Additional accompt. for two flutes. “Entered at Stationers Hall” above imprint.
855. (Another ed.). London: printed and sold by J. Dale [ca. 1797]. 4p. Additional accompt. for two flutes. “Entered at Stationers Hall.” above imprint.
Box 6A
THOMPSON, Thomas
856. The Banks of Ayr. Written by the late R. Burns. [The gloomy night is gathering fast]. London: by G. Goulding [ca. 1787]. 3[1]p.
857. The Wandering Savoyards Song. Written by Mr. Dimond Junr. [Within a silent sheltered spot]. London: by Goulding & Co., and for W. Wright, Newcastle upon Tyne [ca. 1800]. 3[1]p.
THORLEY, Thomas
858. ‘Tis not the distant Seas can part. A favorite song sung by Mr. Pottier. London: for and sold by John Longman [ca. 1805]. 3[1]p.
859. Three Old Woman Weather wise. An interlude inscribed to Master Moore, Almanack Maker, with three songs, set to music. The words By George Saville Carey. [O lack a day]. London: printed and sold at Bland & Wellers [ca. 1805]. 4p.
860. Tibbie, I hae seen the day. The words by Burns. [O Tibbie]. Edinburgh: printed and sold by J. Hamilton [ca. 1802]. S. sh. Additional accompt. for German flute.
861. To the Land of the Leal. Tune (Hey Tutti Taiti) played when Robert Bruce led his troops to Battle at Bannock Burn. [I’m wearin’ awa John]. Edinburgh: printed and sold by Gow and Shepherd [ca. 1806]. [1]1-2[1][i.e.4]p.
862. The Tobacco Box or Soldier’s Pledge of Love. [Tho’ the fate of Battle on tomorrow wait]. [London] L[ongman] & B[roderip] [ca. 1785]. [4]p. Additional accompts. for guitar and German flute.
863. (Another ed.). with “Pr. 6d.” after title. [4]p.
864. (Another ed.). [London] for G. Goulding [ca. 1786]. [4]p. Additional accompt. for German flute.
TOWERZEY, Edward
865. Sweet is the Vernal Matin Air. Written by W. M. L.L.D. Oxford: for the author by H. Hardy [ca. 1795]. [4]p. Score for voice, violin and keyboard. Additional accompt. for guitar.
TRAVERS, John
866. Haste my Nanette. Words by M. Prior. [London] for J. Bland [ca. 1785]. 6p. P.1 incorrectly numbered 2.
867. (Another ed.). Haste my Nanette. A favorite canzonet for two voices .... Words by Prior. London: printed and sold by Preston [ca. 1790]. 4p.
868. (Another ed.). Canzonet for two voices. London: for G. Walker [ca. 1812]. 4p.
869. Glee ... words by Matt. Prior. [Soft Cupid wanton am’rous boy]. N.i. [ca. 1780]. [1]14-16p.
870. True Justice or the Reward of a Traitor. A song on the times. [To Tom Paine in France]. Oxford: by R. Firth and sold at the Music Shops in town and country [ca. 1795]. 3[1]p.
871. The Trumpets Loud Clangor. [London] for J. Bland [ca. 1785]. 3[1]p.
872. The Unsettled Lover. [Yes I Could Love, if I Could Find]. N.i. [ca. 1750]. S. sh. Additional accompt. for German flute.
URBANI, Pietro
873. Fare thee weel &c. Words by Robert Burns. Edinburgh: printed and sold by Urbani and Liston [ca. 1801]. [1]2[1]p. Additional accompt. for German flute.
VANBRUGH, George
874. The Coquet. [From White’s and Will’s to purling Rills]. [London] G. Bickham junr. [ca. 1740]. S. sh. numbered 8. Additional accompt. for flute.
VERNON, Joseph
875. Epilogue to the Irish Widow. Sung by Mrs. Barry. [A Widow bewitch’d with her passion]. [And] the Irish Fair. [London] J[ohn] J[ohnson]. [1772]. 4p. Additional accompt. for guitar.
876. La Ville de Paris or England’s Glory. [For three voices]. [Britain insulting France and Spain had Join’d]. N.i. [ca. 1782]. [4]p. Additional accompts. for guitar and German flute.
[WADE, John Francis] attrib.
877. Adeste Fideles. The favorite Portuguese hymn on the Nativity with an accompaniment for the piano forte to which is added English words. [And] The Sicilian Mariner’s Hymn. London: by Goulding, D’Almaine, Potter & Co., and Dublin [ca. 1814]. 4p.
WALKER, George, ed.
878. Walkers Collection of Popular Scotch Songs for the Piano Forte or German Flute. Book [2d]. [Saw you my father, &c.]. [London] for G. Walker [ca. 1815]. [1]28-30p.
WALMISLEY, Thomas Forbes
879. Oh Memory thou fond Deceiver. Ballad ... words by Dr. Goldsmith. London: published by T. Monzani [ca. 1805]. 3[1]p. Initialled.
880. Water. The words by Geo. Alex Stevens. [Our Chorus to Bacchus, to Bacchus we’ll raise]. [London] P. H[odgson]. [ca. 1778]. S. sh. Additional accompt. for German flute or guitar.
WEBBE, Samuel, the elder
881. “All Day I wander through the Groves”. Duet. London: by Broderip & Wilkinson [ca. 1800]. 4p. Additional accompt. for two flutes or two guitars.
882. “Around my Fair”. Terzetto. London: by Broderip & Wilkinson [ca. 1800]. 3[1]p.
883. Glee. [Come live with me...and be my Love]. N.i. [ca. 1790]. Oblong fol. [1]28-32p.
884. (Another ed.). [Come live with me...and be my love]. [London] for F. Linley [ca. 1798]. [1]102-103[1]p.
885. (Another ed.). Come live with me and be my love. A celebrated glee. London: for G. Walker [ca. 1805]. [1]2-2[1][i.e.4]p.
886. (Another ed.). Come live with me. A glee .... Words by Christopher Marlow. London: printed and sold by Chappell & Co. [ca. 1825]. 64-67 [i.e.4]p.
887. From Glaring Shew. A favorite song as sung by Miss Harrop. London: for J. Bland [ca. 1780]. 4p.
888. To the President and Members of the Glee Club, Instituted in London, 1787. [Glorious Apollo from on high beheld us]. London: by Longman and Broderip [ca. 1788]. 3[1]p.
889. (Another ed.). Glorious Apollo. A celebrated glee. [London] sold by G. Shade [ca. 1816]. [1]2-3[1]p.
890. The Harmony of Peace. An ode for six voices ... performed at the Vocal Concerts of Messrs. Harrison. The words by J. Taylor. [When fam’d Timotheus with his wond’rous Lyre]. London: printed and sold for the author by L. Lavenu [ca. 1808]. 12p. Initialled.
891. The Mansion of Peace. Sung by Mr. Harrison. The words by a Lady. [Soft Zephyr on thy balmy Wing]. [London] for J. Bland [ca. 1790]. 4p. Scored for voice, flute, horn, two violins, viola and bass.
892. (Another ed.). London: for John Bland [ca. 1790]. 4p.
893. (Another ed.). [London] for G. Walker [ca. 1808]. [4]p. Additional accompt. for German flute.
894. Glee. [The mighty Conqueror...of Hearts]. N.i. [ca. 1808]. [1] 162-164p.
895. (Another ed.). The Mighty Conqueror. [London] by Clementi and Co., Horsley’s ed. [ca. 1830]. 95-98p.
896. O Lead Me Where the Lonely Nightingale. Sung by Mr. Harrison ... Words by a Lady. London: printed and sold by J. Bland [ca. 1785]. 5[1]p. Scored for flute, two violins, viola and harpsichord.
897. The Rose had been Washd. A favorite song, sung ... by Mr. Harrison .... Words by a young Lady. London: by J. Bland [ca. 1786]. 4p. Scored for flute, two violins, viola and harpsichord.
898. (Another ed.). The Rose had been Wash’d. London: for J. Dale [ca. 1795]. 4p.
Box 6B
899. In three Volumes: A Selection of Glees, Duetts, Canzonets. Principally taken from the nine books published at different periods from the year 1764 ... to which are added many new glees and canzonets, never before published. [Ninety-three songs: Music’s the Language of the Blest Above, &c &c.]. London: for the author by Rt. Birchall [ca. 1810]. 3v. Vol. I-I[II]. Vol. statement Vol. I[I]-I[II] in manuscript. Signed.
900. “Swiftly From The Mountain’s Brow.” The poetry by Cunningham. [London] by Clementi and Co., Horsley’s ed. [ca. 1830]. 53-58 p.
901. The Traveller. A favorite ballad as sung by Mr. Harrison. [O tarry gentle Traveller]. London: printed and sold by L. Lavenu [ca. 1801]. 3[1]p.
[WEBBE, Samuel] the younger
902. The Answer to “Come live with me and be my Love”. Composed at the request of the Earl of Sandwich. [If Love and all the World were young]. N.i. [ca. 1795]. Oblong fol. 2-7[i.e.6]p.
903. The Wood Nymph. A glee for three voices, written by Mr. Lewes. [Gentle stranger have you seen]. London: printed and sold by Rt. Birchall [ca. 1805]. 4p.
904. Would you know my Celia’s charms, Sir you are a Comical Fellow. Two celebrated catches, composed by S. Webbe and W. Bates. London: published by W. and S. Wybrow [ca. 1826]. 3[1]p.
WELCH, J.
905. Willie and Waterloo. A new song, composed and set to music by J. Welch. [Young Willie was a Highland Lad]. N.i. [ca. 1815]. 3[1]p. Additional accompt. for German flute.
[WELSH, Thomas] attrib.
906. The House that Jack Built. With appropriate introductions, the music entirely new, by an eminent composer. [This is the House that Jack built]. London: printed and sold by C. Mitchell [ca. 1811]. 3[1]p.
907. What Care I for Whom She Be. Sung by Mr. Vernon. [Shall I wasting in despair]. [London] S. A.[&] P. T[hompson] [ca. 1780]. [1]8-9[1]p. Additional accompt. for German flute.
WHITAKER, John
908. Each Has a Lover But Me. A ballad sung ... by Mrs. Liston. Composed with an accompaniment for the piano forte. [My old Maiden Aunt says I’m young]. London: at Button & Whitaker’s [ca. 1811]. 4p.
909. Had I a Cave on Some Far Distant Shore. A favorite song, written by Robt. Burns, composed with an accompaniment for the piano forte. London: printed and published by Button & Whitaker [ca. 1808]. 3[1]p.
910. Paddy Carey’s Fortune, Or Irish Promotion. A favorite comic song sung ... by Mr. Webb. Written by Mr. Cherry. [‘Twas at the Town of nate Clogheen]. London: published by Button & Whitaker [ca. 1814]. 5[1]p.
911. Pibroch of Donuil Dhu. Written by Sir Walter Scott and sung ... by Mr. Braham .... Arranged with symphonies and accompaniments. London: published by John Gow & Son [ca. 1825]. [2]5[1]p.
912. No.1. Silent Kisses. The words by Leigh Hunt. [We’ll breathe not a kiss to the tell tale Air]. London: at Button & Whitaker’s [ca. 1808]. 3[1]p.
913. The Soldier slumb’ring after War. Sung by Mr. Payne. London: by Button & Whitaker [ca. 1808]. 3[1]p.
914. The White Cockade. [My love was born in Aberdeen]. (With) Donald. [When first you courted me I own], (and) Donald and Flora. [When merry hearts were gay]. (Imprint on p.2:) London: printed and sold by J. Bland [ca. 1790]. 3[1]p. Additional accompt. for guitar to second song only.
WILLIAMS, Thomas
915. Twist ye Twine ye. Cavatina sung by Mr. Nelson .... The words by Walter Scott. London: published by T. Williams [ca. 1818]. 3[1]p.
[WINTER, J. D.]
916. Rest Lady Fair. A ballad, for three voices as sung ... by Messrs. Terrail, Vaughan and J. Sale ... as an answer to Oh Lady Fair. [London] engraved and published by J. Davies; sold also by E. Riley and W. Rolfe, R. Williamson, Sc. [ca. 1801]. [2]7[1]p. Initialled.
WINTER, Peter von
917. Six Italian canzonets, one duet, a trio and a quartetto. With an accompaniment for the harp or piano forte. [Con tala storia che vera un tempio, &c]. London: printed and sold by Rt. Birchall [ca. 1800]. 28p.
918. Vaghi colli ameni prati. The much admired duet as sung ... by Sigra. Grassini and Mrs. Billington, in the grand serious opera of Il Ratto di Proserpina .... Arranged by M. C. Mortellari. London: by M. Kelly [ca. 1805]. 6p.
WORGAN, John
919. Neptune’s Resignation. Written on the Naval Victory obtain’d by Sr. Edward Hawke November 20th, 1759 Off Bellisle. Sung by Mr. Lowe. The words by Mr. Wignel. [The Wat’ry God great Neptune lay]. N.i. [ca. 1760]. S.sh.
920. The Wounded Hussar. The words by F. Campbell, author of the Pleasures of Hope a Poem. [Alone to the Banks of the dark rolling Danube]. London: by Goulding, Phipps & D’Almaine. Likewise may be had of Goulding Knevett & Co, Dublin, A. Guthrie, Edinburgh and Stevens, Glasgow [ca. 1802]. [4]p. Additional accompt. for German flute.
921. Ye Banks And Braes of Bonny Doon. A favourite Scotch song, the words by the celebrated Robt. Burns. [London] printed and sold by Wm. Boag [ca. 1800]. [4]p. Additional accompt. for German flute.
922. (Another ed., variant text in four verses). Ye Banks an’ Braes of Bonny Doon. A favorite Scots duet by Robert Burns. As sung by Mrs. and Miss Ashe. Glasgow: printed and sold by J. McFadyen [ca. 1802]. [1]12-13[1]p. Additional accompt. for 2 German flutes.
ZINGARELLI, Niccolo Antonio
923. Questo sol ché si funesto. Also, sung with the greatest applause at the Oratorios, private and public concerts. A favorite air sung by Signora Corri. [Esulta appienoe godi barbaro Ciel]. Edinburgh: by N. Corri, and to be had at Goulding & Co., London [ca. 1815]. 7[1]p.
This listing has been arranged on the following principles: anonymous songs are listed first; thereafter the order is alphabetical by composer. Under each composer songs are listed alphabetically by title, or, where there is no given title, under the first word of the first line: the definite and indefinite articles do not signify. Generic or unspecific titles such as “A new Song,” “The Favorite Air,” “Glee, “ etc have been disregarded, and the first significant word of the sub-title (or first line) taken as a guide.
Titles have been transcribed as accurately as the exigencies of type allow: peculiarities of spelling, punctuation, capitals, and all other orthographical oddities have been faithfully reproduced. Punctuation has been inserted within square brackets only where strictly necessary and constant reiteration of [sic] has been eschewed except in cases where a genuine confusion might arise. The first lines of all songs have been similarly transcribed within square brackets after the titles, except where they are adequately reproduced in the titles. In the cases of items containing three or more songs, the total number of songs is stated, but the title and/or incipit of the first song only is given, all within square brackets.
The publisher’s name is recorded precisely as printed, all typographical eccentricities being as far as possible transcribed; thus “A. Bland & Wellers” may appear in one item, “Bland and Weller’s” in another, and “A. Bland & Weller” in a third. “N. i.” means “No imprint”. Place of publication is London, unless otherwise stated. Dates are those printed on the item concerned. Those within square brackets have been ascertained from other sources. Dates given as “circa” are necessarily conjectural, but great care has been taken to fix upon as accurate a date as possible. Statement of edition has only been given when actually printed on the item concerned. All items are folio in size except where stated.
The page numbers given refer only to printed pages. Thus a bifolium of four pages with p.1 blank is described as pp.2-4. Page numbers within square brackets do not appear in print on the pages concerned. Where page numbers are printed but are misleading, as in the case of, say a bifolium bearing page numbers 26-29 (i.e. with a recto bearing an even number) the situation is clarified by an additional set of nominal page numbers within square brackets. Additional leaves (separate title-pages, catalogues etc.) are separated from the music itself by a plus sign. Where such leaves are not reckoned in the printed pagination they are given Roman numerals. Songs printed on single leaves are designated “S. sh.” with the addition of “lp.” if printed on one side only, or 2pp. if printed on both.
All items are printed from engraved plates unless described as typeset. Most songs are scored for voice and keyboard, but those with more than this range of instrumentation are noted and specific instruments are listed where they are named. Songs with accompaniments for more than two unspecified instruments are designated simply “score.” The additional accompaniments (“accompt.”) or arrangements (“arr.”) sometimes given at the end are listed in full.
Box 7A
ANONYMOUS
The Address. A New Song. [Tell me my lovely, charming Fair]. N.i. [ca. 1740]. S sh. 1p.
The Address with the Lady’s Answer. [Ah lovely Nymph give over those cruel frowns to me]. N.i. [ca. 1725]. S. sh. p.7. [i.e. 1p.]. Additional accompt. far flute.
Advice to the Ladies [ .] The words by a Gentn. of Exeter. [Let an empty flattering Spirit]. L[ongman] & B[roderip]. [ca. 1780]. Pp. [2-3].
Ally Croaker. [There lived a Man in Baleno Crazy]. N.i.. [ca.1745]. S. sh. 1p.
And ye shall walk in silk attire [. ] Rutter & McCarthy, [ca.1820]. Pp.1-4.
Arcas and Rosetta [.] A favorite dialogue, sung at Finch’s Grotto Gardens. [Be hushed ye rude Tempests]. N. i. , [ca. 1770]. Pp. [2-3].
A New Song. [Ask me not how calmly I]. N..i., [ca. 1745]. S. sh. 1p.
The Banks of Alan Water, A ballad, sung by Miss Stephens in The Antiquary, the words by M.G. Lewis Esqr. , composed by Lady — and arranged for the piano forte by C. E. Horn. [On the banks of Allan water] J. Power [ ca. 1820]. Pp. 1-3.
Begone dull Care. A favorite duet as sung at Harrison and Knyvett’s Concerts. J. Dale, [ca. 1795]. Pp.[1]-3.
(Another edition). Be gone dull Care. A favorite duet. H. Andrews. [ca. 1808] .Pp. [2-3]. Additional accompt. for German flute.
Bellisle March, or the Review [.] As sung at Marybone Gardens, set for the German flute. [All Hail to the King]. N.i., [ca. 1763]. S. sh. lp. Additional accompt. for guitar.
(Another Edition). Bellisle March or The Review. As sung at Marybone Gardens. Set for the German flute. [All hail to the King]. N.i.. [ca. 1763]. S. sh. 1p. Additional accompt. For guitar.
The Bold Dragoon. A comic song sung by Mr. Johnson. [There was an Ancient Fair]. G. Walker. [ca. 1807]. Pp. 2-3.
Braes of Ballandine. [Beneath a Green Shade a Lovely Young Swain]. Dale’s, [ca. 1799]. S. sh. 1p.
The Broom of Cowdenknows. [When Summer comes the Swains on Tweed]. N..i. [ca. 1780]. S. sh. 1p.
The Camp Medley [ , ]. With the Original Tunes [.] Within compass of the German flute. [The Lark was up to the Morning Grey]. C. & S. Thompson. [ca. 1770]. Pp.1 - 4.
(Another Edition) S. A. & P. Thompson [ca. 1785]. Pp. 1-4.
The Much Admired Catch of Care thou Canker of our Joys [.]. Adapted for the harpsichord and voice; also for the German flute and guitar. G. Smart. [ca. 1780]. Pp. 2-4.
The Chimney Sweeper [.] Sung by Mr. Atkins. The words by Mr. Mozeen. [In various shapes I’ve oft been known]. N.i. [ca. 1770]. S. sh. 1p.
Sung in the Livery Rake. Ste for ye German Flute. [Come, be free, my lovely Lasses]. N.i. [ca 1734]. S. sh. 1p.
The Comparison. The words by a Young Lady. [See Myra, See the Lilly Fair]. N.i. [ca. 1734]. S. sh. 1p.
The Contended Shepherd. [The Sun being Set, and my work being done]. N.i., [ca. 1780]. S. sh. 1p.
Corn Riggs are bonny. [My Patie is a Lovey gay] Together with The Birks of Endermay. [The Smiling Morn, the Breathing Spring]. N.i.. [ca. 1750]. Additional accompt. for flute. S. sh. 1p.
Daffodil. Or the Shepherds Complaint. Sung by Mrs. Smith. [Spring returns, the Fawns advance]. N.i. [ca. 1755]. S. sh. 1p. Additional accompt. for flute.
Damon’s Wish. A song set for the German flute. (If Flattering Love is Wild]. N.i., [ca. 1740]. S. sh. 1p.
The Favorite Song, Date Obolum Bellisario, as sung with great applause by Mr. Collins at his Brush. [O, Fortune, how strangely thy Gifts are awarded]. S. A. & P. Thompson. [ca. 1785]. Pp.2-3. Additional accompt. for German flute.
Disconsolate Lover’s Request. [The Silver Rain the Pearly Dew]. I. R[utherford]. (ca. 1775]. S. sh. 1p. Additional accompt. for German flute.
Donald, A Favorite Scots Song, with an accompaniment for the piano forte. [When first you courted me]. Preston & Son. [ca. 1795]. Pp.[2-3]. Additional accompt. for guitar.
[Another edition]. Donald, The Popular Scotch Ballad sung by Miss Stephens, in the opera of Guy Mannering, G. Shade [ca. 1818]. Pp.(2-30). Additional accompt. for flute.
The Don Cossack War Song. Written by R. Elly Esqr. J. Adapted to a National Russian Melody, with an accompaniment for the harp, or piano forte. [Huzza to the battle! the Tartars are near]. Preston, [ca. 1816]. Pp.1-3.
The Dream. [Come gentle God of soft repose]. N.i. [ca. 1740]. S. sh. 1p. Scored for voice, violin and keyboard.
Drink to me only with thine eyes. A favorite glee for three voices. Adapted for a single voice and piano forte. H. Andrews. [ca. 1797]. Pp.(2-3). Additional accompt. for two German flutes. B. U. C. and CPM.
The Fairy Queen. A Song. [Come follow follow me]. N.i. [ca. 1730] .S. sh. 1p. Additional accompt. for flute.
The Flirtation. [Ye dear pretty Ladies]. N.i. [ca. 1760]. S. sh. 1p.
A New Song. Within compass of the German flute. (Fool that is I wealthy is sure of a Bride] .N. i. I (ca. 1760] .S. sh. 1p.
Forc’d from Home and all it’s Pleasures [,] For one or two voices, the words from Mr. Cowper’s Negro’s Complaint. N.i. [ca. 1795]. Pp.[2-3].
The gentle Dew distill’d from heav’n [.] A favorite duett for two voices with an accompaniment for the piano forte or harp. Longman and Broderip. [ca. 1790]. Pp.1-4. (1).
A Scotch Song. Set for the German flute. [Gin thou wert mine ene thing]. N.i., [ca. 1730]. S. sh. 1p. (2).
A new Song. Sung by Mr. Beard. [Give Us Glasses My Wench]. N.i., [ca. 1760]. S.sh. 1p. (1).
The Golden Days of Queen Bess [,] Sung by Mr. Collins in his Evening Brush. (To my Muse give attention]. John Lee, Dublin. (ca. 1790]. S. sh. 1p.
The Golden Days we now Posses. A sequel to the favorite song of Queen Bess, as sung with great applause by Mr. Collins, at his Brush. [In the Praise of Queen Bess]. S. A. & P. Thompson. [ca. 1785]. Pp.2-3. (1).
(Another edition). The Golden Days we now Possess [,] Written and sung by Mr. Collins in his Brush. [ In the Praise of Queen Bess]. John Lee, Dublin. (ca. 1790]. S. sh. 1p. BUC and CPM (0).
The Good fellow. Set for the German flute. [Let’s drink and be merry] .N.i. I (ca. 1720]. S. sh. 1p. (2).
Gramachree Molly [.] A Favorite Irish Air. N. i. , (ca. 1780]. S. sh. 1p. Additional accompt. for guitar. (0).
(Another edition). Gramachree Molly, A favorite Irish Air. N.i., [ca. 1780]. Additional accompt. for guitar. With “Gramachree Molly” in italics.
The Happy Couple. [At Upton on the Hill]. N.i. [ca. 1740]. S. sh. 1p. Additional accompt. for flute. (2).
Hellvellyn, A favorite song, written by Walter Scott Esqr. Adapted to the favorite Air of Erin go Bragh, with an accompaniment for the harp or piano forte. [ I climbed the dark brow of the mighty Hellvellynl]. Goulding, D’Almaine, Potter & Co. [ca. 18121. Pp.1-4. Additional accompt. for flute.
The Highland Queen. [No more my song shall be ye swains]. R. Falkner. [ca. 1773]. Typeset. S. sh. 1p. Additional accompt. for guitar.
The Honey-Moon. [As May in all her youthful Dress]. N.i. [ca. 1740]. S. sh. 1p. Additional accompt. for flute.
The Hounds are all out. A Favorite Hunting Song. N.i. [ca.1775]. S. sh. lp. Additional accompt. for guitar.
If doughty deeds my Ladye please, A Favorite Ballad [.] The poetry selected from the Minstrelsy of the Scottish Border. By Walter Scott Esqr. Hime & Son, Liverpool. [ca. 1813]. Pp.1-4. Additional accompt. for flute.
In Airy Dreams. P. H[odgson]. [ca. 17801. S. sh. 1p. Additional accompt. for German flute or guitar. With “Affettuoso” beginning under C# of the first stave.
(Another edition). In Airy Dreams [.] P. H[odgson], [ca.1780]. S. sh. 1p. Additional accompt. for German flute or guitar. With “Affettuoso” beginning under the first note of the stave.
(Another edition). A favorite song. Adapted for the harpsichord, German flute, violin and guitar. J. Preston. [ca. 1785]. Pp. l[-3].
The Inconstant Fair One. The words by Mr. Lockman. [How can you love Nancy]. N.i. [ca. 1740]. S. sh. 1p. Additional accompt. for flute.
Songs and Duetts. Composed by a Lady. [Eight songs: (In vain I’ve wooed the balmy pow’r) &c.] Rt. Birchall, [ca. 1808]. Pp.[i- ii] + 2 [i.e. 1] + [2 (blank)] + 3-27.
Jamie Gay. [As Jamie Gay gang’d blyth his way]. N.i. [ca. 1770]. S. sh. 1p. Additional accompt. for guitar.
Jenny’s Complaint [.] Set for the German flute. (Twa bonny lads were Sawney and Jockey] N. i. [ca. 1740]. S. sh. 1p.
The Jolley brisk Tarr. In composs for ye German flute. [Early one morn a Jolly brisk tarr]. N.i. [ca. 1730]. S. sh. 1p..
The Kiss. A favorite song as sung by Miss Brown and Mrs. Farrel. [One kind Kiss before we part]. S. B[abb]. (ca. 1770]. S. sh. 1p. Additional accompt. for guitar.
(Another edition). The Kiss. John Lee [Dublin, ca. 1791]. S. sh. 1p. Additional accompt. for guitar.
Lango Lee. A favorite Irish song. [There lives a sweet lovely dear sir]. N. i. I [ca. 1775] .S. sh. 1p. Additional accompt. for guitar.
The Larks shrill Notes. Sung by Mrs. Vincent at Vauxhall. N. i. [ca. 1765]. Pp.2-3.
Linco’s Advice to Damon. [Linco found Damon lying]. N. i. [ca.1735]. S. sh. 1p. Additional accompt. for guitar.
The Little Man and Maid. [There was a little, Man and he wooed a little maid] .N. i. [ca. 1770] S. sh. 1p. Additional accompt. for flute.
A Favorite Hymn [.] Sung at the Magdalen Chapel. [The Lord my Pasture shall prepare] N. i. [ca. 1770] .S. sh. p.3 [i.e. 1p.]. Additional accompt. for the guitar.
Sung by Mr. Lowe. [Love never more shall give me pain]. N. i. [ca. 1755] S. sh. 1p..
A Loyal Song. Sung at both theaters, for two voices. [God save Great George our King]. N. i. [ca. 1745]. S. sh. 1p. Additional accompt. for the flute.
The Maidens Desire. [As Celia was walking one day in a grove] N. i. [ca. 1720]. S. sh. 1p. Additional accompt. for unspecified instrument.
The Man to My Kind. [While fashion prevails with the Youth of the Age]. Babb [ca. 1775]. S. sh. 1p..
Mary Scot [.] [Happy’s the Love that meets return]. N. i. [ca. 1735]. S. sh. 1p. Additional accompt. for flute.
Moderation and Alteration. [With an old Song made by an ancient Pate].C. S. T[hompson] [ca. 1775]. S. sh. 1p.
The Modest Lover. [In silent ecstacy I gaze]. N. i. [ca.1750]. S. sh. 1p.
My Lodging. A favourite mad song. [My Lodgings is on the cold Ground]. I. F[entumJ. [ca. 1775]. S. sh. 1p. Additional accompt. for German flute or guitar.
(Another edition). N. i. I [ca. 1785]. S. sh. 1p. Additional accompt. for German flute or guitar.
My Nanny O [.] Sung by Mr. Lowe. [Whilst some for pleasure waste their health]. N. i. [ca. 1750]. S. sh. 1p. Additional accompt. for unspecified instrument.
Nobody. [I’ll Sing you a Song Sirs]. C. S. T[hompson]. [ca. 1770]. S. sh. 1p.
O! Dear What Can the Matter Be[.] For one, two, three, four or five voices. Engraved from the original manuscript and entered at Stationers Hall. J. Dale. [ca. 1792]. Pp.[1] 4. Additional arr. for German flute, guitar or two voices.
An Ode to Solitude. [Sweet Companion of the Muse]. N. i. [ca.1750]. S. sh. 1p.
A New Song. [Oh how could I venture to love one like thee]. N. i. [ca. 1745]. S. sh. 1p.
A Pastoral Ode [in] Praise of Peace [,] the words by F. Forrest. [Ye Nymphs and Swains, come join with m]. N. i. [ca. 1760]. S. sh. lp. Additional accompt. for flute.
Peace, Or Old England triumphant. A song written on the Preliminaries of Peace being signed between Great Britain and France. 1801[.] The words by a Gentleman of Salisbury and set to music by an eminent master. J.& H. Banks. [1801]. Pp.2-4. Additional accompts. for flute and guitar.
The Pensive Swain. [Sweet day so cool, so calm, so bright]. N. i. [ca. 1760]. S. sh. 1p. Additional accompt. for flute.
The Pilgrim [,] For the Ger: fluet (sic). [In Pennance for past folly]. N. i. [ca. 1770]. S. sh. 1p.
Pinky House. [As Sylvia in a Forest lay]. N. i. [ca. 1770]. Pp. 6-7. ( 1) .
Plato’s Advice. [Says Plato why should Man be vain]. N. i. [ca. 1770]. S. sh. 1p. Additional accompt. for guitar.
The Poor Shepherd [.] The words by Mr. Gay. [The Sun was sunk I beneath the Hill]. N. i. [ca. 1725]. S. sh. 1p. Additional accompt. for flute.
Poor Walleys Complaint. [Oh who’ is me poor Walley Cryd]. N. i. [ca. 1750]. S. sh. 1p. Additional accompt. for flute.
The Request [.] A favorite song and duet with an accompaniment for a piano forte or harp. [Tell me babbling Echo why]. J. Dale. [ca.1795]. Pp.2-4. Additional accompts. for guitar, German flute and arr. for two voices.
Robinhood’s Hill. A favorite song. [Ye Bards who extol the gay Valleys and glades]. Sk[illern] [ca. 1780]. S. sh. 1p. Additional accompt. for German flute.
Together with on reverse:
HARRIBGTON, (Henry). How Sweet in the Woodlands [.] A favorite duet. N. i. [ca. 1775]. S. sh. lp.
Rosa and Henry. The much admired song in the new comedy of The Secret, as sung by Mrs. Jordan, properly disposed of for the harp or piano forte, the music by a Lady of Fashion. Longman, Clementi & Co. [ca. 1799]. Pp. l-4. Additional accompts. for flute and
guitar.
Rosline Castle [,] A very favorite old Scotch song. [‘Twas in that Season of the year]. John Lee, [Dublin]. [ca. 1790]. S. sh. 1p. Additional accompt. for guitar.
The Rover [.] A new song. [Tell me You Rover, what you discover]. N. i. [ca. 1720]. S. sh. 1p. Additional accompt. for flute.
St. Osyth at the Hill. Set for the German flute. [At St. Osyth by the Hill]. N. i. [ca. 1740]. S. sh. 1p.
Scots what have we Wallace bled, or Bruce’s Address. Words by Burns, sung by Mr. Incledon and Mr. Broadhurst, with an accompaniment for the piano forte. R. Major [ca. 1816]. Pp.2-3. Additional accompt. for flute.
Silenus and Cupid. The words by Geo. Alex Stevens. [Cupid sent on a message one evening]. P[eter] H[odgson]. [ca. 1779]. S. sh. 1p. Additional accompt. for guitar.
New Song. Within compass of the German flute. [Silvia bright Nymph who long had found]. N.i. [ca. 1750]. S. sh. 1p.
Sung by Mrs Jordan in the Spoiled Child. [Since then I’m doomed this sad reverse to prove].
Together with:
Act 2d. Sung by Mrs. Jordan in the Spoil’d Child. [I am brisk a sprightly Lad] . N. i. [ca. 1790]. Pp.[2-3], Additional accompt. for German flute.
Six Glees [.] Composed by an amateur. [Six songs: (Altho soft Sleep Death’s near resemblance wears) &c.]. Willm Napier, [ca.1785]. Pp.[i-ii] +[l]-7.
The Slighted Lover [.] [Believe my Sighs my Tears my Dear]. N. i. [ca. 1740]. S. sh. 1p. Additional accompt. for flute.
Social Pow’rs [,] A favorite song. [Come now all ye Social Pow’rs]. J. Bland. [ca. 1785). S. sh. 1p.
A Soldiers Song for two Voices. [How stands the Glass a round]. C. S. T[hompson] [ca. 1765]. S. sh. 1p. Additional accompt. for two German flutes.
Stanco di pascolar le Pecorelle. A catalogue of the music arranged, harmonized or composed by Mr. Biggs; the original copies of which are printed and sold by Rt. Birchall at his musical Circulating Library N. 133 New Bond Street, London.
The Storm [.] Sung by Mr. Dodd. [Cease rude Boreas blistering Railer]. W. N [apier]. [ca.1780]. S. sh. 1p..
(Another edition). The Storm. An admired ballad as sung by Mr. Incledon, at the Theatre Royal, Covent Garden. [Cease rude Boreas, blistering Railer]. C. Wheatstone. [ca. 1810]. Pp.2-3. Additional accompt. for German flute.
The Stormy Ocean roving [.] Recitative and song. The words by Miss Seward. N. i. [ca. 1815]. Pp.73-75.
The Swain’s Request. [Why Chloe with so grave a face]. L[ongman], L[ukey] & B[roderip] [ca. 1780]. S. sh. 1p. Additional accompt. far German flute or guitar.
Sweet Robin. A popular ballad, sung with the greatest applause at The Lyceum Theatre by Mrs. Cooke. [Oh! where are you going sweet Robin]. W. Andrews. [ca. 1811]. Pp.[2-3]. Additional accompt. for German flute or flageolet.
Sylvania by Mr. Costeker. [Where beauteous Flora, Where beauteous Flora cloaths the Fields]. N. i. (ca. 1730]. S. sh. 1p. Additional accompt. for flute.
Tarry Woo [.] A favorite Scotch song. [Tarry Woo, its Tarry Woo]. N. i. [ca. 1730]. S. sh. 1p. Additional accompt. for German flute.
The Tell Tale. A new song. Set for the German flute. [Blab not what you ought to smother]. N. i. [ca. 1740]. S. sh. 1p. Additional accompt. for flute.
There’s nae luck about the house. A favorite Scotch song. [And I are ye sure the news is true] R[ober] T. B[remne]r. [ ca. 1770]. S. sh. 1p.
There was a little Woman. The favorite comic song, introduced and sung by Mr. Fawcett in Crotchet Lodge. Preston & Son. [1795]. Pp.2- 3.
Tho’ Prudence may press. Sung by Mrs. Smith in The Deserter. N. i. [ca. 1773]. S. sh. 1p. Additional accompt. far guitar.
Thy Fatal Shafts Unerring Move. With an accompaniment for the harpsichord or piano forte. L[ongman] & B[roderip]. [ca. 1785]. Pp.(2-3).
The Tobacco Box or Soldier’s Pledge of Love [.] A favorite dialogue. [Tho’ the fate of Battle on tomorrow wait]. J. Dale. [ca.1800]. Pp.(2-3). Additional accompts. for guitar and German flute.
Tom of Bedlam. Sung by Mr. Incledon in the Wandering Melodist. Sold by C. Mitchell at his Musical Circulating Library and instrument ware-rooms. 51 Southampton Row, Russell Square.
Town & Country A celebrated song, sung by Mr. Dignum, at the Theatre Royal, Drury Lane and at the Nobility’s Concerts, with unbounded applause, written by Captn. Korris. [In London I never know what to be at]. Longman and Broderip. [ca. 1795]. Pp.2-4.
Tyburn Tree. [Since Laws were made for every degree]. Str[aight] & Sk[illern]. [ca. 1760]. S. sh. 1p.
The valiant Mariner. [Come and listen to my Ditty]. N. i. [ca. 1740]. S. sh. 1p. Additional accompt. for flute..
Variety is Charming. [I’m in Love with twenty]. Str[aight] & Sk[illern]. [ca. 1775]. S. sh. 1p. Additional accompt. for guitar.
The Humourous Song of The Vicar of Bray. Set for the German flute[.] [In good King Charles’s golden Days]. N. i. [ca. 1735]. S. sh. 1p. Additional accompt. for flute.
Weep, Britons, weep, a tribute to the Memory of Her Royal Highness the Princess Charlotte Augusta [.] Written & composed by an amateur. Published and sold for the author by Robt. Purdie, Edinburgh. [ca. 1818]. Pp.[i-ii] 2-5.
When you tell your Heart is anothers [.] A favorite song, with an accompaniment for the harp or piano forte. J. Dale. [ca. 1796]. Pp.2-4. Additional accompt. for German flute or guitar.
Whilst Happy in my Native Land [.] A favorite song sung by Mr.Bannister. Longman and Broderip. [ca. 1787]. Pp.2-4. Additional accompt. for one or two German flutes or guitars. Whistle and I’ll come to you my Lad. [O! whistle an I’ll come to you my lad].
Together with:
O! Merry may the Maid be. G. Walker. [ca. 1805]. S. sh. pp.5-6 [i.e. 2pp.]. Additional accompts. for German flutes.
Woe’s my heart that we should sunder [.] A favorite Scotch song. [With broken words and down cast eyes]. N. i. [ca. 1780]. S. sh. 1p. Additional accompt. for flute.
Woo’d and Married and A’. [The bride came out of the byre].
Together with:
The White Cockade. [My Love was born in Aberdeen]. G. Walker. [ca. 1805]. S. sh. pp.7-8 [i.e. 2pp]. Additional accompts. for German flute.
The Yellow Hair’d Laddy [.] A favorite Scotch song. [In April when Primroses paint the sweet plain]. H. Andrews. [ca. 1797]. Pp.2-3. Additional accompt. for German flute.
Sung by Kiss Stevenson. [Ye Swain’s that are courting a Maid]. N. i. [ca. 1760]. S. sh. 1p.
ABINGTON, (Leonard).
Damon and Celia [.] A dialogue. [Behold the Bird, in Love combin’d]. N. i. [ca. 1750]. S. sh. 1p. (2).
ABRAMS, (Harriett).
Crazy Jane. A favorite song, the words by M. Lewis, Esqr. and set to music with an accompaniment for the harp or piano forte. [Why fair Maid in every feature]. L. Lavenu. [ca. 1800]. Pp.1-4. Signed by the publisher.
The Orphans Prayer. A pathetic ballad, the words by M.G. Lewis, Esqr. and set to music with an accompaniment for the harp or piano forte. [The frozen streets in Moonshine glitter]. L. Lavenu. [ca.1800]. Pp.[i] + 2-6. Signed by the publisher.
ALDRICH, (Henry).
The Bonny Christ Church Bells. A favorite Catch. Composed by Dr. Aldrich, for three voices, piano forte or flutes. [Hark the Bonny Christ Church Bells]. N. i. [ca. 1810]. Pp.[2]-3. Additional accompt. for one or three flutes.
AMBROSE, (John).
The Sympathizing Sigh. [Say what is Friendship but a Name]. E. Riley. [ca. 1800]. Pp.1-4. Additional accompt for flute.
ANGLOSINI, (Sigr.).
New Cantata [.] [Whilst Strephon on fair Cloe hung]. N. i. [ca. 1740]. S. sh. 1p. Additional accompt. for flute.
ARNE, (Michael).
Homeward Bound. Sung by Mr .Arrowsmith at Vauxhall . .. . The words by Capt. Thompson. [Loose every sail to the breeze]. Harrison & Co. [ca. 1795]. Pp.[1]-3.
The Celebrated Linnet Song, in Cymon. Sung by Mr. Duruset at the Theatre Royal, Covent Garden. [You gave me last week a young Linnet]. T. C. Bates and sold at J. Konro’s. [ca. 1815]. Pp.1-3.
Sweet Passion of Love [.] A favorite song in Cymon. [This cold flinty Heart it is you who have warmed]. Longman and Broderip. [ca.1783] .Pp.2-3.
The Topsails shiver in the Wind. Sung by Mr. Arrowsmith at Vauxhall. Longman & Broderip. [ca. 1783]. Pp.2-4. Additional accompts. for guitar and German flute.
[ARNE, (Thomas Augustine)].
Affectation, A Cure for Love. [Long at thy Altar. God of Love]. Printed (by assignment from Dr. Arne) for G. Kearsly. [1760]. S. sh. p.28 [i.e. 1p].
The Caution. [Philira’s charms poor Damon took]. Printed (by Assignment from Dr. Arne) for G. Kearsly. [1760]. S. sh. p.34 [i.e. 1p.].
Colin and Phillis. A pastoral dialogue. Sung by Mr. Beard and Miss Hallam. [Hark! hark! o’er the Plains what glad Tumults we hear]. N. i. [ca. 1775]. Pp.[2-3].
Colinet [,] Sung by Mr. Lowe and Mrs. Lampe. [Now the happy Knot is tyd]. N. i. [ca. 1760]. S. sh. 1p.
Come Live with me & be my Love [.] Sung at Vauxhall, the words by Marlow. A. Bland. [ca. 1788]. Pp.[2-4].
The Cuckow. Sung by Mrs. Baddely in As You Like It. [When Daisies pied & Violets blew]. N.i. [ca. 1780]. S. sh. 1p. Additional accompt. for guitar or German flute.
The Dirge in Cymbaline. Harmonized by Mr. Rauzzini & performed at the Bath Concerts, with Universal Applause. [To fair Fideles grassy Tomb soft Maids and Village hinds shall bring]. N.i. [ In ms. ‘Entered at Stationers hall’] [ca. 1795]. Pp.[2-3]. Scored for three voices and piano.
Hebe a pastoral. [When forced from dear Hebe to go]. N. i. [ca. 1764]. S. sh. 1p. Additional accompt. for guitar.
The Lover’s Petition. [Fairer than the op’ning Lillies]. Printed (by Assignment from Dr. Arne) for G. Kearsly. [1760]. Pp.32- 33. Scored for horns, violins, voice and bass.
My Banks. [My Banks they are furnished]. N .i. [ca. 1775]. S. sh. 1p. Additional accompt. for guitar.
My fond Shepherds [,] Sung by Sigra Frasi[.] W. Forster. [ca.1770]. S. sh. 1p.
Nymphs and Shepherds. Sung by Miss Brent, at Ranelagh, and by Mrs. Vincent, at Vauxhall Gardens. N. i. [ca. 1770]. Pp.1-2 [i.e. 2-3].
Peggy, or the fickle Fair. [Ye Shepherds, who blessed in your I Loves]. Printed (by Assignment from Dr. Arne) for G. Kearsly. [1760]. Pp.36-37. Scored for two violins, voice and bass.
Rule Britannia [.] A favorite song. [When Britain first, at Heavens command]. Preston & Son. [ca. 1795]. Pp.[2-3]. Additional accompt. for guitar.
(Another edition). Rule Britannia [.] A favorite song. [When Britain first at Heav’ns command]. H. Andrews. [ca. 1795]. Pp.[2-3].
(Another edition). The Grand National Air Rule Britannia. Verse and chorus. [When Britain first at Heav’ns command]. Printed and sold at No.1 Clare Court, Drury Lane. [ca. 1805]. Pp.[2-3]. Additional accompt. for German flute.
The Soldier Tir’d. Sung by Miss Brent in Artaxerxes [.] N. i. [ca.1785]. Pp.50-51 [i.e. 2-3].
(Another edition). The Soldier Tir’d. Sung by Mrs. Billington. Major’s Music Warehouse. [ca. 1809]. Pp.[2-3].
Spring an Ode. [Decripit Winter limpt away]. Printed (by assignment from Dr. Arne) for G. Kearsly. [1760]. S. sh. p.8 [i.e. 1p.] .
The Scotch Air in the Overture to Thomas and Sally. Composed by Dr. Arne [,] Sung by Mr. Tenducci and Miss Brent at Vauxhall and Ranelagh. [To ease his Heart and own his Flame]. N.i. [ca. 1765]. Pp.[2-3]. Additional accompt. for German flute.
Water parted from the Sea. Sung by Mr Tenducci in Artaxerxes. N. i. [ca. 1765]. S. sh. p.4 [deleted], 58 [i.e. 1p.] Additional accompt. for German flute.
The way to keep him. [Ye Fair possessed of every charm]. Printed (by Assignment from Dr. Arne) for G. Kearsly. [1760]. S. sh. p.11 [i.e. 1p.].
Mrs. Scott’s Song in the Desert Island. [What tho’ his Guilt my Heart hath torn]. Printed (by assignment from Dr. Arne) for G. Kearsly. [1760]. Pp.26-27. Scored for two flutes, voice and bass.
Sung by Mrs. Vernon. [When all the Attick Fire was fled]. N. i. [ca. 1765]. S. sh. 1p.
(Another edition). Sung by Mrs. Vernon. [When all the Attic Fire was fled]. N. i. [ca. 1785] .S. sh. 1p. (1)
Where the Bee sucks [.] A favorite song in The Tempest. Longman & Broderip. [ca. 1790]. Pp.2-4. Scored for two violins, flute, bass and voice. Additional accompt. for guitar.
(Another edition). The favorite song of “Where the bee sucks”, sung by Miss Meadows with Universal Applause in The Tempest. Arranged by J. Davy. Mitchell’s (pasted over imprint of Rt.Birchall). [ca. 1816]. Pp.56-58.
[ARNOLD, (Samuel)].
Amo Amas &c. As sung by Mr. Cornelys in the “Agreeable Surprize”. John Lee, Dublin. [ca. 1781]. S. sh. 1p. (1).
Bustle and stir in my shop. As sung by Mrs. Heaphy in the Agreeable Surprize. [In choice of a husband we Widows are nice]. John Lee, Dublin. [ca. 1781]. S. sh. 1p. Additional accompt. for guitar. (2).
The Charming Fellow [.] Sung by Mrs. Hitchcock in the Agreeable Surprize. [Lord what care I for Mam or Dad]. John Lee, Dublin, [ca. 1781]. S. sh. 1p. Additional accompt. for guitar. (1).
Corporal Casey, A Favorite Song Sung by Mr. Johnstone in the Surrender of Calais. [When I was at home I was merry and frisky]. Preston & Son, [ca. 1792]. Pp.2-3.
Fresh and Strong the Breeze is blowing. A much admired and justly favorite song, in Inkle and Yarico, composed by Doctor Arnold, adapted e [sic] Trois Mains, and published at the particular request of several Ladies. Longman & Broderip. [ca. 1790] .Pp.2-4. Additional accompts. for guitar and German flute.
From Night till Morn I take my Glass. A favorite duett as sung at the Theatre Royal, Covent Garden and Hay Market and at the Je ne sais quoi Club. Adapted & printed by J. Dale. [ca. 1791]. Pp.(2-4). Additional arrs. for piano, one or two German flutes, and guitar.
(Another edition). From Night till Morn [.] A favorite duett with an accompaniment for the Piano Forte. N. i. [ca. 1810]. Pp.[2- 3]. Additional accompt. for one or two German flutes.
The Hardy Sailor. A favorite song sung by Mrs. Kennedy in The Castle of Andalusia. J. Bland. [ca. 1785]. Pp.(2-4). Additional accompt. for guitar.
Jackey Bull [,] A favorite song from the Agreeable Surprize as sung by Mr Moss. [In Jackey Bull, when bound for France]. John Lee, Dublin. [ca. 1781]. S. sh. 1p. Additional accompt. for guitar.
Lira Lira [,] A favorite song, sung by Mrs. Bland, in the Surrender of Calais. [Little think the Townsmans Wife]. Preston & Son. [ca. 1792]. Pp.2-4. Additional accompt. for German flute.
(Another edition ) Little think the townsmans wife [.] A favorite song, sung by Miss Brett in The Surrender of Calais. Hime, Dublin. [ca. 1800]. S. sh. 1p. (1).
Oh the moment was sad [.] A favorite song, sung by Mr. Johnstone in the Surrender of Calais. Preston & Son. [ca. 1795]. Pp.2-4. Additional accompt. for guitar.
The Prince of Arcadia. A pastoral elegy. Occasioned by the King’s Melancholy Indisposition. The words by Kr. Harrison. [In the realms of Arcadia, the dwelling of Peace]. Harrison and Co. [1788]. Pp.2-4. Additional accompt. for German flute and guitar.
The Rush-Light. An additional song, introduced and sung by Mr. Bannister, Junr. in Peeping Tom, the words by G. Colman, Junr. Esqr. [Sir Solomons Simons when he did wed]. Printed for B. Wood and sold by T. Skillern. [ca. 1789]. Pp.[2]-4. Additional accompt. for German flute.
To be sure I would [.] Sung by Mr. Cornelys in The Agreeable Surprise. [Of all the pretty flowers a Cowslip’s my delight]. John Lee, Dublin. [ca. 17811. S. sh. 1p. Additional accompt. for guitar.
ATFIELD, (John)
Comus’s Court. Set to music by Mr. Atfield. The words by Harry Howard ballad master General to the choice Spirits. [Come hither, come hither ye languishing Swains]. N. i. [ca. 1740]. S. sh. 1p.
ATTWOOD, (Thomas)
Ah! welcome merry Hour of Dawn. Song, as sung by Miss Tyrer, at the Theatre Royal, Covent Garden in Adrian and Orrilla, written by Wm. Dimond, Esqr. Monzani & Co. [ca. 1807]. Pp.1-5. Initialed by the composer.
Box 7B
[BAILDON, (Joseph)]
Adieu to the village delights [.] A favourite pastoral elegy by the late Lord Littleton. Adapted for the harp, harpsichord or piano forte. N. i. [ca. 1785]. Pp.1-3. Additional accompt. for two German flutes.
Set by Mr. Baildon. [How pleasing is Beauty, how sweet are the Charms]. N. i. [ca. 1755]. S. sh. 1p.
(Another edition). Set by Mr Baildon. [How pleasing is Beauty how sweet are the Charms]. N. i. [ca. 1765]. S. sh. 1p.
Sung by Mr. Lowe at Marybon Gardens. [If Love’s a sweet, Passion how can it torment]. N. i. [ca. 1760]. S. sh. 1p.
BAKER, (Dr. G.)
See, see my Fair. A favorite song. Published for the author by Messs. (sic) Phipps & Co. [ca. 1812]. Pp.[i] + 2-3.
BALL, (William).
The farewell of The Portuguese Maiden. To her brother on his joining the National Army, the words written to a foreign melody by William Ball. [Dost thau depart, my Brother!]. S. Chappell, [ca. 1828]. Pp.1-4.
BARKER, (Mr.)
A Song. The words by a Gentleman. Set for the German flute. [At last my Dear Chloe reveal]. N. i. [ca. 1760]. S. sh. 1p.
BARNET, (James).
Duncan Grey, Old Scottish Ballad. Written by Robert Burns. Arranged expressly for Miss Stephens, by James Barnet. W. Wybrow. [ca. 1828]. Pp.2-3.
BARNETT, (John)
Not a Drum was heard. The celebrated poem written on the Death of General Sir John Moore. Sung with the most distinguished approbation, by Mr. Sapio. at the Argyll Rooms. Mayhew & Co. [ca.1825]. Pp [i-ii] + 1-6.
Rise Gentle Moon. Sung by Miss Love, in the Historical Drama, Charles the Twelfth, or the Siege of Stralsund, performed at the Theatre Royal, Drury Lane. Written by J. R. Planché Esqr. [Day has gone down on the Baltic’s broad billow]. Mayhew & Co. [ca. 1828]. Pp.[i-ii] + 1-5.
This Rose I pluck’d at Morn, Air Sung by Miss Taylor, in the popular musical play of The Carnival at Naples, now performing with unbounded applause at the Theatre Royal, Covent Garden. John Barnett & Co. [ca. 1830] .Pp.[i]+1-3.
BARRETT, (John).
A new song set by Mr. Barrett. [Whilst I Fondly view the Charmer]. N. i. [ca. 1707]. S. sh. 1p.
BARTHELEMON, (François Hippolyte)
Durandarte and Belerma [.] A Pathetic Scotch ballad with an accompaniment for the harp. [Sad and fearful is the Story]. Lavenu & Mitchell. [ca. 1809]. Pp.1-4. Additional accompts. for German flute and guitar.
BEALE, (William)
Madrigal for four voices. [This pleasaunt Monthe of Maie]. Printed for the author. [ca. 1815]. Pp.[i] + 2-8. Signed and inscribed by the composer.
BIGGS, (Edward Smith)
Ah! me! with that false one. A favorite Irish air harmonized as a glee for four voices. The words by Mrs. Opie. Rt. Birchall. [ca. 1803]. Pp.1-3. Initialed and numbered by the composer.
Come my bonny love [.] A duett with an accompaniment for the piano forte. Rt. Birchall. [1794]. Pp.1-3. Initialed and numbered.
The Evening Call Of the Swiss Pastors. Harmonized and arranged as a glee, for three voices. The words written and adapted to the music by Mrs. Opie. [Now Evening’s come!]. Rt. Birchall, [ca. 1802]. Pp.I-3. Initialed and numbered.
Here’s a Health to those far away. A song with an accompaniment for the piano forte, the words by the author of ‘”My Love to War is Going.’” N.B. The melody taken from a Scotch air. Rt. Birchall. [ca. 1796]. Pp.I-3. Initialed and numbered.
(Another edition). Here’s a Health to those far away. A Scots air harmonized for four voices by Mr. Biggs, the words by Mrs. Opie. Rt. Birchall. [ca. 1803]. Pp.1-3. Initialled and numbered.
A Hindustani Girl’s Song, ‘Tis thy will, and I must leave thee. Rt. Birchall. [ca. 1795] .Pp.
[7 (cat.)] + 8-9. Initialled and numbered.
My Love to War is Going. A song with an accompaniment for the piano forte. Rt. Birchall. [ca. 1795]. Pp.2-4. Additional arr. for three voices. Initialed and numbered.
BILLINGTON, (Thomas)
The Consolation, to sooth the Royal Parents, an (sic) Illustrious Consort, and a Nations Loss. Composed and arranged for the piano forte, or organ, with voice and flute. [Ascend bright Orb and take your flight]. Printed for the author at Preston’s Wholesale Warehouses, [1817]. Pp.[i-ii] + 1-5. Signed by the composer.
BISHOP, (Henry R.).
And has she then fail’d in her truth. Rondo Sung by Mr. Sinclair, in the revived Persian Tale of Selima and Azor. Also Introduced in Love in a Village, and the Theatre Royal Covent Garden. Goulding D’Almaine Poter & Co., [ca. 1814]. Pp.1-3.
(Another edition). Goulding & Co., [ca. 1814]. Pp. 1-3.
As it fell upon a Day. Duetto, sung by Miss Stephens & Miss M. Tree, In Shakespeare’s Comedy of Errors, at the Theatre Royal, Covent Garden, The Words from Shakespeare’s Sonnets. Goulding, D’Almaine, Potter & Co., [ca. 1820]. Second edition. Pp. 1-6.
Bid me discourse, Song by Miss M. Tree, In Shakspeare’s Comedy call’d “Twelfth Night,” Performed at the Theatre R oyal, Covent Garden, The Poetry from Shakspeare’s Sonnets. Goulding, D’Almaine, Potter, & Co., [ca. 1824]. P. [I] + 2-7.
By the simplicity of Venus Doves, Sung by Miss Stephens in A Midsummer Nights Dream, Theatre Royal, Covent Garden, The Words by Shakespeare. Goulding D’Almaine, Potter & Co., [ca. 1818]. Pp. 38-42 [i.e. 1-5].
Come shining forth my dearest, Serenade. Sung by Mr. Sinclair in Don Juan or the Libertine at the Theatre Royal, Covent Garden, Composed by Mozart. Adapted to the English Stage, & arranged by Henry R. Bishop. Goulding D’Almaine Potter & Co., [ca. 1817]. Pp. 9-12.
He is all the World to me, A Favourite Air, as sung with great applause by Miss Bolton at the Theatre Royal Covent Garden. [O’er the brake or o’er the Mountain]. For the Author, by L. Lavenu, [ca. 1807]. P. 1-3.
The last Token or “Remember me [,]” Written on the Princess Amelia’s Mornful Present to his Majesty. Born the 7th Day of August 1783. Died the 2nd Day of November, 1810. The Words by Peter Pindar Esqr. Set to Music with a Recitative & Piano Forte Accompaniment. [With all the Virtues blest, And ev’ry grace]. Goulding, D’Almaine, Poeert & Co., [1810]. Pp [i] + 2-4.
List and I’ll find love! Sung by Miss Stephens in the opera of Don Juan or The Libertine, at the Theatre Royal, Covent Garden. Composed by Mozart, adapted to the English Stage and arranged from the score. Goulding, D’Almaine Potter & Co. [ca. 1817]. Pp.48-50 (i.e. 1-3].
Love has Eyes. A ballad sung by Mr. Sinclair in the comic opera of “The Farmer’s Wife”, at the Theatre Royal, Covent Garden, the words by C. Dibdin Junr. Esqr. [Love’s blind they say]. Goulding, D’Almaine, Potter & Co. [ca. 1814]. Pp.38-41 [i.e. 1-4].
Love in Idleness. Ballad, the words from the Life of The Right Honorable Richard Brinsley Sheridan, by Thomas Moore Esqr. [In Gardens oft a beauteous flower there grows]. J. Power. [1826]. Pp.[i-ii] + 3-7.
Sons of Freedom hear my story. The highly popular ballad, as sung with rapturous applause by Miss Stephens, at the Theatre Royal, Covent Garden in the opera of The Slave. The poetry by T. Morton Esqr. Goulding, D’Almaine, Potter & Co. [ca. 1817]. Pp.[i] + 84-86.
Sweet Maid. A favorite song, sung by Mrs. Bland (with an accompaniment for the harp) at the late Theatre Royal Drury Lane, in the opera of The Circassian Bride. [Wherefore Sweet Maid sigh you so]. L. Lavenu. [ca. 1810] .Pp.35-38.
Sweet Rose of England! Fare thee well! A tribute of respect to the memory of Her Royal Highness the Princess Charlotte of Wales, the poetry by J. Pocock Esqr. Goulding, D’Almaine, Potter & Co. [1817]. Pp.[i] + 2-7. Scored for four voices.
BLAND, (John)
Bland’s Collection of Divine Music, Consisting of Psalms, Hymns & Anthems, For One, Two, Three, and Four Voices [.] The Basses Figured, and proper Harmonies annexed, for the Organ or Harpsichord[.] The Words chiefly from Dr. Watts. No.14. [Four songs: (Anthem, Unto Thee, O Lord) &c.]. J. Bland, [ca. 1795]. Pp.[i-ii] + 133-141 + [142 (numbered 3 [cat.])].
Linley’s Continuation of Bland’s Collection [.] Divine Music [&c.]. No.18. [Three songs: (Ode to Spring) &c.]. F. Linley. [ca. 1797]. Pp.[i] + 172-181 + [182(cat. )].
The Ladies Collection, of Catches, Glees, Canons, Canzonets, Madrigals, &c. Selected from the Works of the Most Eminent Composers. [Nos. 1-12, 14-24, 30, 35-36, 40-41, 46: ca. 350 songs; (Down in the Valley) &c.]. J. Bland. [ca. 1787-96]. Pp.[1]-121 + [122 cat.)] &c.
Box 8A
BOYCE, (William)
A song in Solomon set by Mr. Boyce. [Balmy sweetness ever flowing from her dropping Lip distills]. N. i. [ca.1744]. Pp.[2-3]. Additional accompt. for flute.
The Constant Lover. A new song set by Mr. Boyce. [If you my wandering Heart would find]. N. i. [ca. 1740]. S. sh. 1p. Additional accompt. for flute.
Softly rise O Southern breeze [ .] Arranged with an Accompaniment for the Piano Forte. Preston & Son [ca. 1794]. Pp.1-4.
Together let us range the Fields, A Favorite Duet. Muzio Clementi & Co. [ca. 1803]. Pp.1-4.
BRAHAM, (John)
Ah what a Pity [.] A favorite air sung by Sigra. Storace at the Theatre Royal, Covent Garden, in the comic opera of The Cabinet. The words by T. Dibdin. [My love the gayest of the throng]. J. Dale. [ca. 1802]. Pp.1-3.
All’s Well. The favorite duett, sung by Mr. Incledon and Mr.Braham in the comic opera of The English Fleet. The words by T. Dibdin, arranged for the piano forte by D. Corri. [Deserted by the waning moon]. Corri, Pearce & Co. [ca. 1806]. Pp l-6.
(Another edition). All’s Well. The favorite duett sung by Mr. Incledon and Mr. Braham, in the comic opera of The English Fleet. The words by T Dibdin, arranged for the piano forte, by D. Corri. Preston’s Music Warehouses. [ca. 1812]. Pp.1-6.
(Another edition). All’s Well. The Favorite duet, sung by Mr. Incledon and Mr. Braham in the comic opera of The English Fleet. The words by T. Dibdin, arranged for the piano forte by D. Corri. Corri, Pearce & Co. [ca. 1814] . Pp.[1]-6.
The Beautiful Maid [,] A favorite ballad as sung by Mr. Braham at the Theatre Royal, Covent Garden in the comic opera of The Cabinet, the words by T. Dibdin. [When absent from her]. J. Dale, No.19, Cornhill. [ca. 1804]. Pp.1-4.
(Another edition). J. Dale at his Warehouse. [ca. 1810]. Pp.1- 4.
The Bewildered Maid. A ballad, sung by Mr. Braham, in the favorite opera of Kais or Love in the Deserts, as performed at the Theatre Royal, Drury Lane. [Slow broke the light and sweet breathed the morn]. Goulding, D’Almaine, Potter & Co. [ca. 1812]. pp.111- 114.
(Another edition). Goulding & Co. [ca. 1814]. Pp.111-114.
The favorite Bird. Duet as sung by Sigra. Storace and Mr. Braham, at the Theatre Royal, Covent Garden in the comic opera of The Cabinet, the words by T. Dibdin. [Ah could I hope my Fair to see]. J. Dale. [ca. 1803]. Pp.1-8..
Dulce Domum. Composed and sung by Kr. Braham in Out of Place or The Lake of Lausanne. [Deep in a Vale a Cottage stood]. Printed for the [authors] by [Clementi & Co.] [ca. 1813]. Pp.35-38..
Fair Ellen [.] A favorite ballad as sung by Mr. Braham at the Theatre Royal, Covent Garden in The Cabinet, the words by T. Dibdin. J. Dale. [ca. 1803] .Pp.2-3.
Love and Glory [.] Composed and sung by Mr. Braham, in the comic opera of The English Fleet [.] The words by T. Dibdin. [Young Henry was as brave a Youth]. K. P. Corri & Co. [ ca. 1804]. Pp. 62-65.
The Love Letter [.] A favorite song composed and sung by Mr. Braham in the new comic opera called Family Quarrels. The words by T. Dibdin. Arranged for the piano forte by D. Corri. [Hark the martial Music sounding]. Printed and sold No.28, Haymarket [i.e. D. Corri]. [ca. 1803]. Pp.54-58, also paginated 1-5.
(Another edition). The Love Letter. Composed and sung by Mr. Braham, with great applause in the comic opera of Family Quarrels, the words by T. Dibdin. Arranged for the Piano Forte by D. Corri. Corri, Pearce & Co. , [ca. 1806]. Pp.[54]-58, also paginated [1]-5.
No more by Sorrow. Pollacca as sung by Mr. Braham, at the Theatre Royal, Covent Garden, in the comic opera of The Cabinet, the words by T. Dibdin. J. Dale. [ca. 1803]. p.1-7.
On this Cold flinty Rock I will lay down my head [.] Sung by Mr. Phillips at the Theatre Royal, Dublin and Mr. Braham, in the favorite opera of Kais or Love in the Deserts, as performed at the Theatre Royal, Drury Lane. C. Mitchell. [ca. 1814]. Pp. 87-89.
Said a Smile to Tear. Braham’s celebrated piano forte song sung and accompanied by the author in the opera False Alarms, at the Theatre Royal, Drury Lane. Goulding, Phipps, D’Almaine & Co. [ca. 1808]. Pp.[i] + 22-27.
Tis but fancy’s Sketch. The celebrated picture song, sung by Mr. Braham, with universal applause in the favorite operatic romance of The Devil’s Bridge. The words by S. J. Arnold Esqr. now performing at the Theatre Royal, Lyceum. [Here mark the poor desolate maid]. Goulding D’Almaine Potter & Co. [ca. 1813]. Pp.62-65 [i.e. 1-4].
The Victory and Death of Lord Viscount Nelson. Received with unbounded applause at the Theatre Royal, Drury Lane, in the Melo Dramatic piece commemorative of that ever Memorable event. Written by Cumberland Esqr. Composed and sung by Mr. Braham. Arranged for the piano forte by D. Corri. [ In death’s dark house]. Printed and sold at No.28, Hay Market [i.e. D. Corri] [1805]. Pp.7-10. Additional arr. for tenor voice.
When thy bosom heaves the sigh. Duett, sung by Mrs. Dickons and Mr. Braham, in the comic opera call’d Narensky at the Theatre Royal, Drury Lane. Also by Miss Stephens and Mr. Braham, in The Siege of Belgrade, at the Theatre Royal, Covent Garden. Goulding, D’Almaine.
Potter & Co. [ca. 1821]. Pp.21-28.
BREWER, (Thomas).
Turn Amarills to thy Swain [.] A celebrated glee for three voices. N. I. [ca. 1765]. S. sh. p.17 [i.e. 1p.].
BRODERIP, (Robert).
Hail bounteous May! A favorite duet with an accompaniment for the piano forte or harp[.] The words from Milton. Broderip and Wilkinson. [ca. 1800]. Pp.1-3.
BROWN, (Thomas).
The Words by a Gentleman. Set by Mr. Brown. [Return, return my lovely Nymph]. N. i. [ca. 1740]. S. sh. 1p. Additional accompt. for flute.
[BURGESS, (Henry, the elder)].
The Rose. Taken from the ninth fable of The Fables for the Female Sex. Set by an Eminent Kaster. [Sweet are the Flowers that deck the Field]. N. i. [ca. 1740]. S. sh. p.3 [i.e.1p.]. Additional accompt. for flute.
BURGHERSH, (Lord John Fane).
Six Canons, for Three Voices. With an accompaniment for the piano forte. Book 1. [Six songs: (Come dal Mar l’Arene) &c.]. Chappell & Co. [1816]. Pp.[i-iv] + 1-32.
BUTLER, (Thomas Hamley).
Through ev’ry varied scene thy Love. A new song written by R. P. Ogilvy Esqr. Broderip & Wilkinson. [ca. 1806]. Pp.[2-3].
CALLCOTT, (John Wall)
Ah How Sophia or A House on Fire. The favorite catch sung at the Noblemen and Gentlemen’s Catch Club, at the Thatch’d House St. James’s. R. Major. [ca. 1818]. Pp.[2]-3.
Angels of Life. The words from Campbell’s Pleasure of Hopes[.] Sung by Mr. Bartleman at the vocal concerts, at Willis’s Rooms. March 1802. Printed for the author, May 3, 1802. [watermark 1812]. Pp.1-8. Initialled by the composer.
Peace to the souls [.] A much admired serious glee composed by I.W. Calloct. (sic) M.B. B. Cooke, Dublin. [ca. 1796] .Pp.[1]-3.
When Arthur First in Court Began. A celebrated glee for three voices. N. i. [ca. 1800]. Pp.2-4.
[CAREY, (Henry)]
And canst thou leave. N. i. [ca. 1740]. S. sh. 1p. Additional accompt. for guitar and German flute.
The Gregorian Constitution Song. [Let Poets and Historians, Record the brave Gregorians].
N. i. [ca. 1735]. S. sh. 1p. Additional accompt. for flute.
Happy Myrtillo. Set for the German flute. [On a Grassy Pillow]. N. i. [ca. 1720]. S. sh. 1p. Additional accompt. for flute.
The Life of a Beau. Sung by Mrs. Clive. [How brimfull of nothing’s the Life of a Beau]. N. i. [ca. 1740]. S. sh. 1p. Additional accompt. for unspecified instrument.
CARNABY, (William)
Song on Peace. [Tell me, on what holy ground]. Rt. Birchall. [ca. 1799]. Pp.2-3.
CARTER, (Charles Thomas)
Neptune and Britannia [.] A favorite cantata composed by T. Carter[.] NB. This cantata was wrote on seeing the French Fleet in the British Channel in the year 1779. [As on the Sea beat Cliff Britannia stood]. G. Smart. [ca. 1780]. Pp. 1-3. Additional accompt. for German flute.
O Nanny wilt thou gang with me. A celebrated ballad, written and composed by T. Carter. G. Walker. [ca. 1824]. Pp.1-3. Scored for violin and keyboard, additional accompt. for flute.
The Sea Fight [.] Sung by Mr. Bannister in The Milesian. [Stand to your Guns my hearts of Oak]. S. A & P. Thompson. [ca. 1777]. Pp.1-3.
When you tell me your Heart is another’s [.] A favorite song with an accompaniment for the harp or piano forte. Rt. Birchall. [ca.1815]. Pp.[1-3]. Additional accompt. for German flute or guitar.
CASSON, (Margaret)
The Cuckoo [.] A favorite song with an accompaniment for the piano forte or pedal harp. Written and composed by Miss Margaret Casson. [How the Sun is in the West]. G. Goulding & Co. [ca. 1797]. Pp.1-4. Additional accompts. for guitar and German
flute.
CAVENDISH, (Georgiana, Duchess of Devonshire)
The Favorite Song. Sung bv Mrs. Bland in The Stranger, the words by R. B. Sheridan Esqr. [ I have a silent Sorrow here]. Longman & Broderip. [ca. 1798]. Pp. l-4. Scored for horns, flutes, oboes, two violins, viola and piano.
(Another edition). I have a silent sorrow here [.] The favorite song in The Stranger, sung by Mrs. Bland, the words by R. B. Sheridan Esqr. G. Walker. [ca. 1802]. Pp.2-3. Additional accompt. for German flute.
CHEESE, (Dinah)
Go let me fondle with my Dove. A favorite ballad, sung by Mrs. Mountain and Miss Shepley. Dedicated to the Committee of the Gentlemen’s Concert Manchester, the words by Dr. Wolcot. Written expressly for and given to the composer. [Forbear to tease me for my heart]. Goulding, Phipps & D’Almaine. [1804]. Pp.[i] + 2-3.
CHEESE, (Griffith James).
Johnny was a Piper’s Son. A comic song sung by Mr. Hollingsworth at the Theatre Royal, Manchester. W. Cope. [ca. 1797]. Pp.[2-3].
CHILCOT, (Thomas)
Composed by Mr. Chilcot. [Come live with me & be my Love]. N. i. [ca. 1750]. S. sh. 1p. Additional accompt. for flute.
CLARKE, (John)
Blanche of Devan’s song “They bid me sleep, they bid me Pray [.]” The poetry from the popular poem of The Lady of The Lake, written by Walter Scott Esqr. Published for the author by Messrs. Phipps & Co. [ca, 1811]. Pp.[i-iii] + 2-5.
Borne in yon blaze of orient Sky. A favorite duett, as sung by Mr.& Mrs. Vaughan at Mr. Harrison’s Annual Concert, with an accompaniment for the piano forte. The poetry by the late Dr. Darwyn. Rt. Birchall. [ca. 1807]. Pp.1-9.
The Coronach or Funeral Song. (“He’s gone on the Mountain”,) The poetry from The Lady of The Lake, written by Walter Scott, Esqr. Published for the author, by Messrs. Phipps & Co. [ca. 1812]. Pp.[i] + 2-7.
The Cypress Wreath. The poetry from Rokeby, written by Walter Scott Esqr. [O Lady, twine no wreath for me]. Rt. Birchall. [ca. 1814] .Pp.[i] + 2-9.
The Song of Fitz-Eustace. The poetry from Marmion, A Tale of Flodden Field, as sung by Mrs. Ashe at the Bath Concerts. [Where shall the lover rest]. Wilkinson & Co (Late Broderip & Wilkinson). [ca. 1809]. Pp.1-8.
(Another edition). The Song of Fitz Eustace [,] The poetry from Marmion, A Tale of Flodden Field as sung by Mrs. Ashe at the Bath Concerts. Preston. [ca. 1812]. Pp.1-8.
Gondibert to Zulima. A Spanish song, the poetry by John Stewart Esqr. [Beneath the west tower is thy love]. Rt. Birchall. [ca. 1810] .Pp.1-4.
Lay of the Imprisoned Huntsman. From The Lady of the Lake, sung by Mrs. Ashe at the Bath Concerts, written by Walter Scott Esqr. [My hawk is tir’d of perch and hood]. Printed for the author by Messrs. Phipps & Co. [ca. 1811]. Pp.[i-ii (cat. )] + 1-4.
The Minstrel’s Harp. From The Lay of Last Kinstrel, written by Walter Scott Esqr. [And said I that my limbs were old]. Mitchell’s Musical Library [pasted over imprint of Clement & Co.] [ca. 1812]. Pp.[i]-7.
CLARKE, (William)
Young Lochinvar. Written by Walter Scott Esqr. [O Young Lochinvar is come out of the west]. J. Hamilton. Edinburgh. [ca. 1809]. Pp.1-2 [i.e. 2-3].
COBHAX, (Charles)
The Violet Girl [.] A favorite ballad sung with the greatest applause by Mrs Liston at the Theatre Royal, Drury Lane, the words by I. Smith Esqr. [Come buy my pretty Violets blue]. Preston. [ca. 1815]. Pp.[i] + 2-3.
COGGINS, (Joseph)
Anagram. P. C. Her August Race is Lost! O! Fatal News. The Tears of Britain. Written by a Nobleman, on the melancholy death of Her Royal Highness the Princess Charlotte Augusta, born. Jan. 7. 1796, married May 2nd. 1816, died 6th of November 1817.
[While sad remembrance paints the scene]. Phillips & Co. [1817]. Pp.[i] + 2-3.
COOKE, (Benjamin)
The celebrated Amen. Sung at Westminster Abbey after Dr. Blows service in A majore at the Commemoration of the Composer. N. i. [ca. 1814]. 8vo. pp.[2-3].
Hark the Lark at Heav’n’s gate sings [.] A favorite Glee for four voices sung at Vauxhall Gardens [.] Adapted to a single voice and harpsichord with an accompaniment for a violin to be added at pleasure, or it may be played an octave higher (with very little omission or variation) by another hand on the same harpsichord. Longman and Broderip. [ca. 1795]. Pp.1-6.
[COOKE, (Robert)]
Can Joy that wretched bosom cheer. An admired song with an accompaniment for the piano forte or harp, composed by the author of The Farewell. Preston. [ca. 1800]. Pp.1-4. Additional accompt. for German flute.
COOKE, (Thomas)
Anthem for one Voice with an Accompaniment for the Organ or Piano Forte, Composed and Respectfully Dedicated to the London Society for promoting Christianity among the Jews. [Oh! pray for the peace of Jerusalem!]. Published at T. Cooke & Cos., for the Benefit of Said Society, Dublin. [ca. 1815]. Pp.[i-ii] + 1-7.
Great Britains Tribute, A National Effusion. Written by a lady. [To Glory’s shrine three Maidens came]. Cooke & Co. Music Warehouse. [ca. 1816]. [i-ii] + 1-7.
COURTEVILLE, (Raphael)
The Charms of Bright Beauty. A song set by Mr. Courtivill. N. i. [ca. 1718]. Pp.[2-3]. Additional accompt. for flute.
A Lass there Lives upon the Green [,] A song set by Mr. Courteville. N. i. [ca.1720]. Pp.[2-3]. Additional accompt. for flute.
DAVIS, (Thomas)
On Content [,] Set to music by T. Davis [,] The words by Mr. Holdsworth. [Without content what’s Man!]. N. i. [ca. 1740]. S. sh. 1p. Additional accompt. for flute.
DAVY, (John)
The Bay of Biscay O! Sung by Mr. Incledon in Spanish Dollars, or the Priest of the Parish. [Loud roar’d the dreadful thunder]. Clementi, Banger, Hyde, Collard & Davis. [ca. 1806]. Pp.24-26.
Crazy Jane [,] A Favorite Song with an accompaniment for the Harp or Piano Forte. [Why fair Maid in ev’ry feature]. Hime, Dublin. [ca. 1800].
Just Like Love is Yonder Rose. The favorite rondo sung by Mr. Braham, at the Theatre Royal, Covent Garden and by Mr. Mountain in Life’s Masquerade or Fortune’s Wheel in Motion. Preston. [ca. 1804]. Pp.[1]-4.
(Another edition). Just Like Love is yonder Rose. The favorite rondo. Sung by Mr. Braham with the utmost applause at the Theatre Royal, Covent Garden. Preston. [ca. 1805]. Pp.[1]-4.
Kate Kearney, The favorite Irish air sung by Mr. Incledon with great applause in his new entertainment of The Songsters Jubilee, the words by Miss Owenson. [Oh did you not hear of Kate Kearney]. Goulding, Phipps, D’Almaine & Co. [ca. 1806]. Pp.1-3.
[DEFESCH, (Willlem)]
Monsieur Tantin [.] Sung by Miss Falkner [,] Set for the German flute. [I sing not of Battles that now are to Cease]. N. I. [1748]. S. sh. 1p.
A new Song set by Mr. Defesch. [Stretch’d on the Turf in Sylvan Shades]. N. i. [ca. 1750]. S. sh. 1p.
DIBDIN, (Charles)
The Advantage of Toping. Written and composed by Mr. Dibdin and sung by him in his new entertainment called The Sphinx. [Some says topers should never get mellow]. Printed and sold by the author. [1797]. Pp.[1]-4. Additional accompt. for two flutes. Signed by the composer.
Bachelor’s Hall [.] Written and composed By Mr. Dibdin for his entertainment called The Oddities. [To Bachelor’s hall we good fellow’s invite]. The author. [1790]. Pp.[2]-4. Additional accompt. for two flutes. Signed.
Ben Backstay. Written and composed by Mr. Dibdin, for his entertainment called The Oddities. The author. [1789]. Pp.[2]-4. Additional accompts. for two flutes and guitar. Signed.
The Blind Sailor. Written and compos’d by Mr. Dibdin for his entertainment called The Quizes, or A Trip to Elysium. [Come never seem to mind it]. The author. [1793]. Pp[2]-4. Additional accompt. for two flutes. Signed.
Blow high blow low. The words and music by C. Dibdin. As sung by Mr. Rheinhold in the Seraglio and Mr. Bannister in Thos and Sally. Longman & Broderip. [ca. 1778]. Pp.2-4. Additional accompt. for guitar or German flute.
Captain Wattle and Miss Roe. Written & composed by Mr. Dibdin and sung by him in his new entertainment called The Sphinx. [Did you ever hear of Captain Wattle]. The author. [1797]. Pp.[1]-4. Additional accompt. for two flutes. Signed.
The Country Club. Written & composed by Mr. Dibdin and sung by him in his new entertainment called The Sphinx. [Now we’re all met here together]. The author. [1797]. Pp.[1]-4.
The Flowing Can [,] Written and composed by Mr. Dibdin for his entertainment called The Oddities. [A Sailor’s life’s a life of woe]. The author. [1790]. Pp.[21-4]. Additional accompt. for guitar. Signed.
The Greenwich Pensioner [,] Written and composed y Mr. Dibdin for his entertainment called The Oddities. [‘Twas in the good Ship Rover]. The author. [1789]. Pp.[2]-4. Additional accompt. for guitar. Signed.
(Another issue). Without price, and with “Andantino” at beginning. Signed.
Jack at the Windlass. Written & composed by Mr. Dibdin for his entertainment The Quizes, or A Trip to Elysium. [Come all hand ahoy to the anchor]. The author. [1793]. Pp.[1]-4. Additional accompt. for flute. Signed.
The Jolly Young Waterman. Sung by Mr. Bannister. [And did you not hear of a jolly young Waterman]. J. J[ohnston]. [1774]. S. sh. 1p.
The Lady’s Diary. Written and composed by Mr. Dibdin and sung by him in his new entertainment called A Tour to the Land’s End. [Lectured by Pa and Ma o’er night]. The author. [1800]. Pp.[2]-4. Additional accompt. for two flutes. Signed.
The Lamplighter [.] Written and composed by Mr. Dibdin for his entertainment called The Oddities. [I’m jolly Dick the Lamplighter]. The author. [ca. 1789]. Pp.[2]-4. Additional accompts. for guitar and flute. Signed.
(Another issue). Without “Allegretto” at the beginning. Signed.
Lovely Nan. Written & composed by Mr. Dibdin in his new entertainment called Great News or A Trip to the Antipodes. [Sweet is the Ship that under sail]. The author. [ 1794]. Pp.[2]-4. Additional accompt. for two flutes. Signed.
The Lucky Escape. Written and composed by Mr. Dibdin for his entertainment called Private Theatricals or Nature in Nubibus. [I that once was a Ploughman]. The Author. [ca.1791]. Pp. [2]-4. Additional accompt. for flute. Signed.
The Margate Hoy. Written and composed by Mr. Dibdin and sung by him in his new entertainment called Christmas Gambols. [Standing one summer’s day]. The author. [1795]. Pp.1-3. Signed. (3).
Mounseer Nong Tong Paw. Written & composed by Mr. Dibdin and sung by him in his new entertainment called The General Election. [John Bull for pastime took a prance]. The author. [1796]. Pp.[1]-3. Additional accompt. for two flutes. Signed.
The Old Cloaths Man [,] Written and composed by Mr.Dibdin and sung by him in his new entertainment called Tom Wilkins. [Shoes hats and old cloaths]. The author. [1800]. Pp.[2]-4. Signed.
Poor Jack. A favorite song in The Whim of the Moment, written, composed, and sung by Mr. Dibdin. [Go patter to lubbers and swabs]. Preston & Son. [1789]. Pp.[1]-4. Additional accompt. for German flute. With the “A” of “Allegretto” immediately beneath the time signature.
(Another issue). With the “A” of “Allegretto” printed just before the time signature.
Poor Tom, or the Sailor’s Epitaph [.] Written and composed by Mr. Dibdin for his entertainment called The Oddities. [Here, a sheer hulk]. The author at his Music Warehouse, No.411 Strand, opposite the Adelphi. [ca. 1790]. Pp.[2]-4. Additional accompts. for flute and two guitars. Signed.
(Another edition). [Here a sheer hulk]. The author, at his Music Warehouse No.411 Strand and Leicester Place, Leicester Square. [ca. 1797]. Pp. [1] -4. Additional accompts. for flute and two guitars. Signed.
(Another edition). The author at his Music Warehouse, Leicester Place, Leicester Square. [ca. 1801].
The Sailors Consolation. Written and composed by Mr. Dibdin for his entertainment called Private Theatricals or Nature in Nubibus. [Spanking Jack was so comely so pleasant]. The Author, [1791]. Pp.2- 4. Additional accompt. for flute. Signed.
The Sailors Journal. Written and composed by Mr. Dibdin and sung by him in his new entertainment called Will of the Wisp. [Twas post meridian half past four]. The Author, at his Music Warehouse 411, Strand opposite the Adelphi. [1795]. Pp.[1]-3. Additional accompt.
for two flutes. Signed.
(Another edition). The Author, at his Music Warehouse Leicester Place, Leicester Square. [ca. 1800]. Signed.
Shakespear’s Garland or the Warwickshire Jubilee. Being a collection of ballads as performed at the Theatre Royal, Drury Lane. [Part I only. Three songs: (Sweet Willy O) &c.] John Johnston. [1769]. Pp.[i-ii] + 1-6. Additional accomps. for German flute and or guitar.
The Soldier’s Adieu. Written and composed by Mr. Dibdin for his entertainment called The Wags or the Camp of Pleasure. [Adieu Adieu my only Life]. The Author. [1790]. Pp.[2]-4. Additional accompt. for two flutes. Signed.
(Another edition). Additional accompt. for two unspecified Instruments. Signed.
The Tea Table. Written and composed by Mr. Dibdin and sung by him in his new entertainment called A Tour to the Land’s End. [The inquest is set for the tea things]. The Author. [1800]. Pp.[1]-4. Signed (3).
The Tear of Sensibility. Written & composed by Mr. Dibdin and sung by him in his new entertainment called Castles in the Air. [When the man the distinguishing form]. The Author. [1793]. Pp.[2]-4. Additional accompt. for two flutes. Signed.
True Courage. Written & composed by Mr. Dibdin and sung by him in his new entertainment called A Tour to Land’s End. [Why what’s that to you if my eyes I’m a wiping]. The Author. [1800]. Pp [1]-4. Additional accompt. for two flutes. Signed.
True glory. Written & composed by Mr. Dibdin and sung by him in his new entertainment called The Sphinx. [What is glory what is fame]. The author. [1797]. Pp.[2]-4. Additional accompt. for two flutes. Signed.
Water Cresses. Written and composed by Mr. Dibdin and sung by him in his new entertainment called Most Votes. [Jack come home]. The Author. [ca. 1802]. Pp.[1]-3. Additional accompts for two flutes. Signed.
Yo heave Ho. Written & composed by Mr. Dibdin, and Sung by him in his new entertainment called A Tour to the Land’s End. [My name d’ye see’s Tom Tough]. The Author. [ca. 1798]. Pp.2-4. Additional accompt. for two flutes. Signed.
(Another edition). Yo heave Ho. Written & composed by Mr. Dibdin and sung by him in his new entertainment called A Tour to the Land’s End. The author. [ca. 1800] Pp.2-4. Additional accompt. for two flutes. Signed.
DIGNUM, (Charles)
Fair Rosale. A favorite song, sung by Mrs. Crouch at Liverpool and Master Walsh at the Theatre Royal in the Hay-Market. [On that lone Bank where Lubin dyed]. Messrs. Thompson. [ca. 1795]. Pp.[1]-3. Scored for flute, two violins, keyboard and voice; additional accompt. for German flute or guitar.
The Fight off Camperdown [,] A celebrated song [,] the melody composed & sung by Mr. Dignum. [Enrolled in our bright Annals]. Longman & Broderip. [ca. 1798]. Pp.1-3. Scored for violin, voice and harpsichord.
The Fight off the Nile [,] Written, composed & sung, by Mr. Dignum of Dury Lane Theatre. [Twas off the mouth of Nile]. Longman & Co. [1798]. Pp.1-3. Scored for keyboard and one other unspecified instrument. Initialed by the composer.
Kate of the Dale. A celebrated song, the melody composed and sung by Mr. Dignum at the nobility’s concerts, the accompaniments by W. Calcott MB. [The matchless attractions of Kate of the Dale]. S. A. & P. Thompson. [ca. 1788]. Pp.1-3.
DOYLE, (John Colston)
Love among the roses. As sung with greatest applause by Mr. Sinclair at the Theatre Royal, Covent Garden, in the revived opera of The Lord of the Manor. [Young Love flew to the Paphian Bow’r]. C. Mitchell. [ca. 1819]. Pp.1-4.
[DUNN, (John)].
The words by Mr. Waller. [Phillis, why shou’d We delay]. N. i. [ca. 1760]. S. sh. 1p. (1).
Together with, on verso.
The Shepherds Resolution [.] The words by Mr. Boyce. [Young Collin. the blithest upon the gay Green]. N. i. [ca. 1760]. S. sh. 1p.
DUSSEK, (Jan Ladislav)
The Favorite Song of The Willow [.] Sung by Mrs. Bland in The Captive of Spilburg. Performed at the Theatre Royal, Drury Lane. [When the Shepherd asks my hand]. Corri, Dussek & Co. [ca. 1798] .Pp.1-3.
Box 8B
EAST, (Michael)
A Favorite Glee. [O come again my love]. S. Babb. [ca. 1780]. Pp. [1]-3.
EASTCOTT, (Richard)
Fly far the Circles of the Great [.] The words and music by the Revd. Richd. Eascott. L[ongman] & B[roderip]. [ca. 1780]. Pp.[1]-2 [i.e. 2-3]. Additional accompt. for guitar.
ESSEX, (Timothy)
The Sea-Side Sonnet. From Mr. Pratt’s Gleanings Vol. l. [On the brink of the beach, as I silently roam’d]. Printed for the composer. [1796]. Pp.1-3. Initialed by the composer.
FESTIIG, (Michael Christian)
The Lass of the Kill. Set by Mr. Festing, sung by Mr. Beard. [Who has e’er been at Badlock must needs know the Kill]. Publish’d under his Majesty’s Royal Licence. [ca.1750]. S. sh. 1p.
On tree top’d hill. A favorite song sung at Ranelagh. N. i. [ca. 1750]. S. sh. 1p. Additional accompt. for guitar or German flute.
[FISCHER, (Johann Christian?)]
How welcome my Shepherd [.] A favorite song, for one or two voices. N. i. [ca. 1760]. Pp.[2-3]. Additional arr. for two guitars or German flutes.
FORD, (Thomas)
A Favorite Glee. [Fair sweet cruel]. S. Babb. [ca. 1780]. Pp.[1]-3.
FRITH, (Edward)
The Contented Cottager [,] A favorite song composed by Edward Frith [.] The words by Mrs. Rowson. [My Collin is the kindest Lad]. Engraved and printed by E. Riley. Sold by Messrs. Culliford, Rolfe & Barrow. [ca. 1797]. Pp.[1]-4. Additional accompt. for guitar.
[GALUPPI, (Baldassare)].
Love in a Village. Sung by Miss Brent. [Young I am, and sore afraid]. N. i. [ca. 1770]. S. sh. 1p.
GANTHONY, (Joseph)
The Absent Lover [.] The words and music by Joseph Ganthony Junr. [Ye Zephirs that do Fan the Air]. N. i. [ca. 1760]. S. sh. 1p.
GARDIIER, (P.)
The Shepherd’s in Clusters. Str[aight]: & Sk[illern]: [ca. 1775]. S. sh. 1p. Additional accompt. for guitar.
[GATES, (John)]
An Ode to Echo [.] [Daughter sweet of Voice and Air]. N. i. [ca. 1745]. S. sh. 1p.
[GEMINANI, (Francesco)]
The Warbling Lyre. Burlesqued by Sir W. Y. [Gently stir and blow the Fire]. Straight. [ca. 1780]. S. sh. 1p. Additional accompt. for German flute.
GERARD, (John)
On Friendship. [The World, my dear Myra, is full of deceit]. N .i. [ca. 1765]. Pp.[2-3]. Additional accompt. for German flute.
GIORDANI, (Tommaso)
The Favourite Additional Rondo. Sung by Sigra. Sestini in The Castle of Andalusia. Adapted for the Harpsichord, Piano-Forte or Harp. [ If I my heart surrender]. J. Preston. [ca.1796] .Pp. [1]-4.
Queen Mary’s Lamentation. Sung by Sig. Tenducci at the Pantheon, Mr. Abel’s Concert. [I sigh and lament me in vain]. J. Preston. [1782]. Pp [i] + 2-4. Scored for voice, two violins, viola and bass.
Tell me, thou Soul of her I love! A favorite ballad. Longman & Broderip. [ca. 1785]. Pp.2-4. Additional accompt. for flute or guitar.
[GOODWIN, (Starling)]
A favorite Duet for two voices. [Cou’d a Man be secure]. A. Bland. [ca. 1790]. Pp.[2-3].
(Another edition). Could a Man be secure [.] A favorite duett sung at all the Concerts. G. Walker. [ca. 1795]. Pp.2-3.
[GOUGE, (?)].
The Despairing Shepherd [.] A new song. [Alexis shun’ed his Fellow swains]. N. i. [ca. 1720]. S. sh. 1p. Additional accompt. for flute.
GREEN, [Maurice]
Charming Silvia. [The Nymph that undoes me, is fair and unkind]. N. i. [ca. 1735]. S. sh. 1p. Additional accompt. for flute.
H., (B.R.)
“Hopt She” [.] A convivial glee sung with the most rapturous applause at all Pleasant Parties. I. Willis, Dublin. [ca. 1819]. Pp.[i] + 2-4. CPM (1).
[(H., (S.M )].
An Antient Ballad. New set to Musick. [Despairing beside a clear Stream]. N. i. [1760]. S. sh. p.3 [i.e. 1p.].
Reflection [.] A favorite Ariette, With an Accompaniment for the Piano Forte [,] Harp, Guitar and Flute. Wm. Rolfe. [ca. 1800]. Pp. l- 4. Additional accompt. for guitar or German flute.
HAIGH, (L.)
Fate gave the Word. A Ballad, the Words by R Burns. Phipps & Co. [ca. 1811]. Pp.1-3.
HANDEL, (George Frederic)
And the glory of the Lord. G. Walker. [ca. 1808]. Pp.2-3.
Angels ever bright and fair [.] A favorite song by Mr. Handel, in Theodore sung by Miss Harrop. [O worse than Death indeed!]. N. i. [ca. 1775]. Pp.[2-3]. Scored for voice, two violins, viola and bass.
(Another edition). Angels ever bright and fair. As sung by Master Welsh, in Theodora. [O worse than death indeed!]. Clementi & Campy. [ca. 1814]. Pp.15-17. Scored for voice, two violins, viola and piano.
Ask if yon damask rose. N. i. [ca. 1760]. S. sh. 1p. Additional accompt. for German flute.
Song from the Oratorio of Joshua. [Awful pleasing being say]. N. i. [1778]. Typeset 4to. S. sh. 2pp.
A song. [Come, come, live with pleasure].
Together with:
A Catch. Set by Mr. Purcel. [Prithee, ben’t so sad and ser’ous]. N. i. [ca. 1775]. S. sh. 1p..
Come ever Smiling Liberty. Judas Maccabeus. J. Bland. [ca. 1790]. Pp.2-3.
[Comfort ye my people]. W[illiam] R[andall]. [ca. 1773]. Pp.4-5. Scored for voice and four unspecified instruments.
Coronation Anthem. For the Voice, Harpsichord or Piano Forte. [Zadock the Priest]. Clementi and Co. [ca. 1803]. Pp.1-4.
“Deeper and deeper still” as Sung by Mr. Harrison, Mr. Braham and Mr. Incledon in the Oratorio’s, at the Theatre Royal, Covent Garden. Goulding & Co. [ca. 1810]. Pp.2-3.
The Flocks shall leave the Mountain. A Bland & Weller’s. [ca.1800]. Pp.1-3. Scored for three voices.
(Another edition). The flocks shall leave the mountain. Trio in Acis and Galatea. G. Walker. [ca. 1809]. Pp.45-48.
For Unto Us [.] A grand chorus in The Messiah. G. Walker. [ca. 1808]. Pp.1-4.
From this dread scene. A. Bland & Weller. [ca. 1803]. Pp.2-3.
Glory to God in the Highest.
Together with:
Behold the Lamb of God. G. Walker. [ca. 1808]. Pp.2-3.
Hallelujah Chorus [.] Messiah. John McCalley, Dublin. [ca.1795]. Pp.1-4.
Holy, Holy Lord God Almighty. Sung by Madam Mara. Goulding & Go. [1814]. Pp.[2-3].
I know that my Redeemer Liveth. J. Dale. [ca. 1797]. Pp. [2-3].
Jehova is my Shield my Glory. Sung by Mr. Braham in the Oratorios at the Theatre Royal Covent Garden. Bland & Weller’s [ca. 1805]. Pp.1-4.
Let me wander not Unseen.
Together with:
Or the Merry Bells. H. Andrews. [ ca. 1808]. Pp.2-3. Additional accompt. for German flute.
Love Sounds th’ alarm. H. Andrews. [ca. 1808. Pp.(2-3].
Song in the oratorio of Saul. [O godlike youth by all confest]. Lady’s Magazine, Jan 1798. Typeset oblong 4to. S. sh. 2pp.
Oh! had I Jubal’s Lyre. Sung by Mrs. Billington at the Theatre Royal, Covent Garden. A. Blands. [ca. 1788]. Pp.1-3.
(Another edition). O had I jubal’s lyre. H. Andrews. [ca. 1808]. Pp.1-3.
O thou that tellest of Good [,] A favorite song. Goulding & Co. [ca. 1814] .Pp.15-17.
Composed by Handel. New Edition, arranged by Saffery. [O worse than death indeed!]. Goulding & Co. [ca. 1814]. Pp.23-24.
Pleasure my former ways resigning. As sung by Mr. Nield in Time and Truth. Rt. Birchall. [ca. 1795]. Pp.18-19. Scored for voice, two violins, viola, keyboard and bass.
Handel’s Celebrated Pastoral Symphony, in The Messiah. Arranged as a hymn, for three voices, by J. Mazzinghi. [Rise O Rise my Soul the Hour Review]. Goulding, Phipps, D’Almaine & Co. [ca. 1806]. Pp.1- 6. Initialed by Mazzinghi..
So shall the Lute [.] Judas Maccabeus. F. Linley. [ca. 1796]. Pp.1-3.
Sound an alarm. Judas Maccabeus. A. Bland & Weller’s. [ca. 1800]. Pp.[2-3].
Deborah. [Tears such as tender Fathers shed]. Sung by Miss Harrop [.] W[illiam] R[andell]. [ca. 1775]. Pp.42-43. Scored for voice, two flutes, two violins and bass. BUC and CPM (0).
The trumpet shall sound [.] Walker. [ca. 1808]. Pp.2-4.
The Trumpet’s loud Clangor [.] Dryden’s Ode [.] G. Walker. [ca. 1808]. Pp.2-3.
Waft her Angels. Sung by Mr. Harrison in Jephtha. [Deeper and deeper still]. Rt. Birchall. [ca. 1800]. Pp.1-125 [i.e. 5]. Scored for voice, three unspecified instruments and bass.
What tho’ I trace [.] Solomon. A. Bland & Weller’s. [ca. 1800]. Pp.[2-3].
(Another edition). What tho’ I trace each herb and flow’r. As sung by Miss Parke in Solomon. Goulding & Co. [ca. 1802]. Pp.41- 43. Scored for voice, two violins and keyboard.
What’s Sweeter than the New Blown Rose. A favorite duet. H. Wright. [ca. 1793]. Pp.1-5. Scored for two voices, three unspecified instruments and bass.
When the Ear heard him. Performd at Westminster Abbey in Commemoration of Mr. Handel. Taken out of his Anthem Composed for the Funeral of Her most Sacred Majesty Queen Caroline. Bland & Weller’s. [ca. 1805]. Pp.1-4. Scored for four voices.
Where e’er you walk. (Semeli). Goulding & Co. [ca. 1804]. Pp.[2]-3.
Worthy is the Lamb [.] Messiah. G. Walker. [ca. 1808]. Pp.1-4.
Ye Men of Gaza. Samson. N. i. [ca 1805]. Pp.[2-3].
Ye sacred Priests. As sung by Madame Mara in Jeptha. Clementi & Co. [ca. 1804]. Pp.7-11. Scored for voice, two violins. viola and piano.
HARINGTON, (Henry)
Air. [Gentle Airs sweet Joys impart]. N. i. [ca. 1780]. S. sh. 1p.
Duetto. [How sweet in the Woodlands]. R. Br[emner]. [ca. 1715]. S. sh. 1p.
(Another edition). How sweet in the Woodlands. N. i. [ca.1780]. Pp.[2-3]. Additional arr. for voice and harpsichord.
(Another edition). How sweet in the Woodlands. A favorite duetto to by Mr. Harington. N. i. [ca. 1785]. Pp.[2-3]. Additional accompt. for guitar or German flute, and arr. for voice and
harpsichord.
Retirement. [Beneath the silent rural Cell]. L[ongman] L[ukey] & B[roderip]. [ca. 1775]. S. sh. 1p. Scored for three voices.
HAWDON, ( Matthias)
Beauty’s Power[.] Set by Mr. Hawdon. [Born with the Vices of my kind]. N. i. [ca. 1760]. S. sh. 1p. Additional accompt. for German flute.
Love and Beauty [.] Set by Mr. Hawdon. [Nature when she framed a Man]. N. i. [ca. 1760]. S. sh. 1p.
HAYDEN, (George)
New Mad Tom. [In my triumphant Chariot hurled]. N. i. [ca. 1750]. Pp.[1-3] Additional accompt. for guitar.
HAYDN, (Franz Joseph).
A Prey to tender Anguish. A favorite ballad with an accompaniment for the piano forte. T. Preston. [ca. 1800]. Pp.2-4. Additional accompts. for guitar and German flute.
With Verdure Clad the Fields appear [.] A favorite air sung by Miss Martyr in the Oratorio of the Creation. G. Walker. [ca. 1809]. Pp.[l]-3.
HAYES, (Philip)
Love at first sight. Sung by Master Kutlow [.] Set by Dr. Hayes. [When first I saw thee graceful move]. Longman & Broderip. [ca. 1790]. Pp.2-4. Scored for flute, two violins, voice, harpsichord and basses. Additional accompts. for guitar and German flute.
HOLCOMBE, (Henry)
Arno’s Vale. [When here, Lucinda, first we came]. N. i. [ca. 1745]. S. sh. 1p. Additional accompt. for flute.
The Happy Man. [Happy Hours, all Hours excelling]. N. i. [ca. 1720]. S. sh. 1p. Additional accompt. for flute.
HOLMES, (William H.)
Here in cool grot. Lord Mornington’s celebrated Glee. Arranged for two voices, with an accompaniment for the piano forte. Goulding D’Almaine, Potter & Co. [ca. 1814]. Pp. l-4.
HOOK, (James)
Allen Brooke of Wyndermeer [,] A Favorite Song Sung by Mrs. Kennedy at Vauxhall Gardens. [Say, have you in the village seen]. S. A. & P. Thompson. [ca. 1785]. Pp.1-3. Additional accompt. for guitar.
Alone by the light of the Moon [.] Sung by Mr. Darley. [The day is departed, and round from the Cloud]. S. A. & P. Thompson. [ca. 1790]. Pp.8-9. Additional accompt. for German flute.
The Favorite Song Sung by Miss Brown in The Scheming Lieutenant. [Beneath a green shade a lovely young Swain]. C. S. T[hompson]. [ca.1775]. S sh. 1p.
Down in the Valley the Sun setting clearly [.] A favorite rondeau sung by Mrs Eland in the comic opera of The Soldiers Return as performed with great applause at the Theatre Royal, Drury Lane. Goulding, Phipps, D’Almaine & Co. [ca. 1805]. Pp.44-47 [i.e. 1-4].
He pip’d so sweete [.] Sung by Mrs. Iliff at Vauxhall Gardens. [When rural Lads and Lasses gay]. Preston. [ca. 1789]. Pp.6-7. Additional accompt. for German flute.
How Sweet the Love that meets Return [.] A favorite song sung by Mrs. Kennedy, at Vauxhall Gardens. [When first I ken’d young Sandy’s Face]. Preston. [ca. 1785]. Pp.1-3.
I’d think on thee my love[.] A favorite sea song sung by Mr. Incledon at Vauxhall Gardens. [ In Storms when clouds obscure the Sky]. S. A. & P. Thompson. [ca. 1789]. Pp. 2-4. Additional accompt. for German flute.
The Lord’s Prayer. Set to music with an accompt. for the harp or piano forte. [Our Father, which art in Heaven]. Engraved, printed and published for the author by J. Fentum. [ca. 1808]. Pp.[i] + 2-.3. Initialed by the composer.
Once, Twice, Thrice. Sung with great applause by Mrs. Bland at Vauxhall Gardens [.] J. Dale. [ca. 1807]. Pp.4-5.
The Royal Soldier. Sung by Mrs. Franklin with universal applause at Vauxhall Gardens [.] Written by William Upton. [Tho’ Pallas clad in shining Arms]. Longman & Broderip. [ca. 1793]. Pp.1-3.
So wou’d not I. Sung by Miss Milne at Vauxhall. [If your Lovers maids forsake you]. Preston & Son. [ca. 1794]. Pp.14-15. Additional accompt. for guitar.
Sweet Lillies of the Valley [,] A favorite song, sung with universal applause at Vauxhall Gardens, by Master Shepherd; composed by Mr. Hook [,] The words by Richardson Esqr. [O’er barren Hills and Flow’ry Dales]. Longman & Broderip. [1792]. Pp.1-3. Additional accompt. for guitar.
Within a Mile of Edinburgh [.] A favorite Scotch song. [Twas within a mile of Edingburgh (sic) Town]. N. i. [ca. 1805]. Pp.[2-3]. Additional accompt. for German flute.
HOWARD, (Samuel)
Amanda. A song. [By the dewbesprinkled rose]. Lady’s Magazine, May, 1796. Typeset oblong 4to. S. sh. 2pp.
The Faithful Shepherdess. Set for the German flute. [At setting Day, and rising Korn]. N. i. [ca. 1740]. S. sh. 1p.
The Inamoured Swain. [Tell me dear Charmer tell me why]. G. Bickham. [ca. 1735]. S. sh. p.57 [i.e. 1p.]. Additional accompt. for flute.
Myra. [Say Myra, why is gentle Love]. N. i. [ca. 1745]. S. sh. 1p. Additional accompt. for flute. With “Flute” printed above first bar of accompaniment.
(Another edition). [ca. 1750]. With “Flute” over third bar of accompaniment.
The Resolution. [Cease, Cupid, cease thy fond alarms]. Lady’s Magazine, April, 1796. Typeset oblong 4to. S. sh. 2pp.
Rural Life. [How happy is the Maid]. N. i. [ca. 1750]. S. sh. 1p. Additional accompt. for flute.
Stella and Flavia. N. i. [ca. 1753]. S. sh. 1p. Additional accompt. for flute.
HUDSON, (John)
The Unkind Fair. The words by P. W. Esqr. [As Granville’s soft Numbers tune Myra’s Praise]. N. i. [ca. 1745]. S. sh. 1p. Additional accompt. for flute.
HUDSON, (Robert)
The Complain. [Ye woods and ye mountains unknown]. Lady’s Magazine, December, 1796. Typeset oblong 4to. S. sh. 2pp.
The Invocation. [God of sleep, for whom I languish]. Lady’s Magazine, January, 1796. Typeset oblong 4to. S. sh. 2pp.
Jessey. A song. [Thou radiant sun, triumphant rise]. Lady’s Magazine, July, 1796. Typeset oblong 4to. S. sh. 2pp.
Love’s a vain deluding Joy. S. A. P. T[hompson]. [ca. 1780]. S. sh. 1p.
Rosalind. A song. [When Rosalind, that blooming nymph]. Lady’s Magazine, June, 1796. Typeset oblong 4to. S. sh. 2pp.
Song. Words by Matthew Prior. [Say, curious painter, can thy I art]. Lady’s Magazine, November, 1796. Typeset oblong 4to. S. sh. 1p.
A new song. The words by a correspondent. [Sophia! name forever dear]. [Lady’s Magazine, October, 1780]. Typeset oblong 4to. S. sh. 2p.
Tit for Tat. For the Lady’s Magazine. [Young Colin t’other I day]. Lady’s Magazine, March, 1796. Typeset oblong 4to. S. sh. 2pp.
A Song. Words by a correspondent. [When fair Serena first I knew]. Lady’s Magazine, August, 1796. Typeset oblong 4to. S. sh. 2pp .
HUSSEY, (Matthew)
The happy Pair. [Oh! Love how pleasing is thy Yoke]. N. i. [ca. 1750]. S. sh. 1p. (2).
ISAAC, (Elias)
The Black-Birds [.] A cantata. [The Sun has chas’d the Mountain Snow]. The Author by J. Johnston. [ca. 1765]. Pp.1-9.
J., (L. M.).
Three Swedish Airs. Adapted to English words with accompaniments for the piano forte. [Three songs: (Cupid once upon a bed) &c.]. Printed for the author by Goulding, D’Almaine & Co. [ca. 1825]. Pp.[i-ii] + 1-7. Initialled by the composer.
JACKSON, (William)
The all of life is love [.] Sung by Rashly in The Lord of the Manor. [When first this humble Roof I knew]. Anne Lee, [Dublin]. [ca. 1782]. S. sh. 1p. Additional accompt. for guitar.
(Another edition). When first this humble Roof I knew [.] A favorite song sung by Mr. Bannister in The Lord of the Manor. J. Preston. [ca. 1785]. Pp.2-4. Additional accompts. for guitar and German flute.
Anna’s Urn. [Encompass’d in an Angels frame]. Printed for J. Sibbald, [Edinburgh]. [ca. 1785]. S. sh. 1p.
Love in thine eyes. A favorite canzonet. Lavenu & Mitchell. [ca. 1804]. Pp.1-3.
Time has not thinn’d my flowing hair [.] A favorite canzonet. N. i. [ca. 1795]. Pp.2-3.
JANSEN, (Louis)
The Moon’s on the Lake or the Macgregor’s Gathering. The poetry by Sir Walter Scott. Composed for the piano forte. G. Walker. [ca. 1820]. Pp.[ i-ii] + 1-6.
KELLY, (Michael)
Fatima. A favorite duet as sung by Mr. Kelly and Mrs. Crouch in The Romance of Blue Beard. [Twilight glimmers o’er the steep]. Lavenu & Mitchell (pasted over unidentified imprint). [ca. 1803]. Pp.[ 1]-4.
The Harp Song. Sung by Mrs. Atkins in the comic opera of Love Laughs at Lock Smiths [,] accompanied by Mr. Dizi. [Hard is my lot when youth is mine]. Mitchell’s (pasted over imprint of M. Kelly). [ca. 1816] .Pp.13-15.
KENT, (James)
Hear, hear my Prayer. A favorite anthem for two voices. Goulding, Phipps & D’Almaine. [ca. 1811]. Pp.[i-ii] + 8-12 [i.e. 1- 5].
(Another edition). Hear my Prayer, O God. A Solemn anthem. W. Boag. [ca. 1814]. Pp.1-5.
My Song shall be of Mercy [.] A favorite solo anthem. Longman & Broderip. [ca. 1790]. Pp.[i-ii] + 1-7.
(Another edition) Muzio Clementio & Co. [ca. 1805]. Pp.[i- ii] + 1-7.
KIALLMARK, (George)
The Cypress Wreath. From the poem of Rokeby, written by Walter Scott Esqr. No.3. [O Lady, weave no wreath for me]. Mitchell’s Musical Library. [ca. 1815]. Pp.1-7.
KILBURN, (James)
Collin. [Collin, One Day in angry Mood]. N. i. [ca. 1730]. S. sh. 1p.
KING, (Matthew Peter)
I was the boy for bewitching ‘em! Sung by Mr. Johnstone in matrimony with universal applause at the Theatre Royal, Drury Lane. The author. [ca. 1805]. Pp.29-31. Signed by the composer.
KNAPTON, (Philip)
“There be none of Beauty’s daughters.” Sung by, & Dedicated to Mrs. Salmon. The Words by Lord Byron. Chappell & Co. .[1818] .Pp.[ i] + 2-7.
[LAMPE, (Johann Friedrich)]. The Modest Concealment. [Dear Collin prevent my warm Blushes]. N.i. , [ca. 1733]. So sh. 1p. Additional accompt. for flute.
LAYLAND, (Thomas)
A pastoral Elegy. [Ah! Damon, dear Shepherd adieu]. N. i. [ca. 1770]. S. sh. p.12 [i.e. 1p.]. (1).
LE CAMUS, (J.P.)
The Muse of Grief At the Tomb of George the Fourth, King of England. A grand lyric scene, for one, two, or three voices (ad-libitum.) With an accompaniment for the piano forte or harp. [O! Muse of Grief! my verse inspire]. J .B. Cramer, Addison & Beale. [1830]. Pp.[i-ii] + 1-8 + [9-10 (blank)].
LEE, (Alexander)
Blue Bonnets over the Border, or March, March Et trick, & Teviot-dale. Sung with the most Enthusiastic approbation by Mr. Braham at the Theatres Royal London, Edinburgh and Dublin; the words by Sir W. Scott, Bart. The music partly composed and arranged from the original celebrated National Air. [March! March! Ettrick and Teviotdale!]. Willis & Co. [ca. 1829]. Third edition. Pp.[i-ii] + 1-5 + [6 (cat. )].
Hurrah for the Bonnets of Blue. A ballad sung with the most enthusiastic applause by Madame Vestris in Mr. Peake’s farce of The £100 Note and by Mrs. Waylett at the Theatres Royal, London and Dublin. [Here’s a health to them that’s awa]. Willis & Co. [ca. 1826]. Second edition. Pp.[i-ii] + 1-5 + [6 (cat. )].
[LEEVES, (William)]
Auld Robin Gray. A celebrated Scotch song as sung by Miss Stephens at the Ancient Nobility’s Concerts [.] With an accompaniment for the piano forte. [When the sheep are in the fauld]. Goulding D’Almaine Potter & Co. [ca. 1815]. Pp.1-3.
(Another edition). Auld Robin Gray [.] A favorite Scotch song set to the original favorite air. [When the Sheep are in the fauld]. R. Birchall. [ca. 1818]. Pp.[2-4]. Additional accompt. for one or two guitars.
LEFFLER, (James Henry)
O do not think because I smile [,] Canzonet, the words by Mr. F. L. Printed for the author by J. Balls. [ca.1818]. Pp.[ 1]-5. Initialed by the composer and by the author.
[ LEVERIDGE, (Richard) ]
Advice. [ Maidens beware ye]. N. i. [ ca. 1730]. S. sh. 1p. Additional accompt. for flute.
LING, (William)
The Rising of the Lark. A favorite Welsh song, with an accompaniment for the piano forte or harp also arranged with variations for the piano forte. [Come let us join yon festive throng]. C. Wheatstone. [ca. 1810]. Pp.[1]-4.
[LINLEY, (Thomas, the elder)]
Ah sure a Pair was never seen. Sung by Mr. Incledon in The Duenna.
Together with:
O had my Love ne’er smil’d on me. Sung by Mr. Incledon in The Duenna. Goulding & Co. [ ca. 1821]. Pp.14-15.
In my pleasant native plains [.] A favorite song sung by Mrs. Cargyll in The Carnival of Venice. S.A. & P. Thompson. [1781]. Pp.[2-4]. Additional accompts. for German flute and guitar.
O bid your faithful Ariel fly. Song in The Tempest, as sung by Miss Wilkinson. Birchall & Co. [ca. 1825]. Pp.1-5.
Oh! Richard Oh! my Love [,] A favorite Song sung by Mrs Jordan in Richard Coeur de Lion. Mitchells (pasted over imprint of J. Dale). [ca. 1815]. Pp.126-127.
Still the Lark finds repose [.] The favorite rondo sung by Miss Phillips in The Spanish Rivals. S. A. & P. Thompson. [1784]. Pp.1-4. Additional accompts. for German flute and guitar.
When first I began Sir to ogle the Ladies [.] A favorite song sung by Mrs. Jordan in The Strangers at Home [.] A comic opera. Longman & Broderip. [ca. 1787]. Pp.2-4. Additional accompt for guitar.
The Woodman [.] Written by Wm. Pearce Esqr. [Stay Traveller tarry here to Night]. Preston & Son. [ca. 1795]. Pp.2-4. Additional accompt. for German flute.
Young Lubin was a Shepherd Boy [.] A favorite song sung by Mrs. Cargil in The Carnival of Venice. S. A. & P. Thompson. [1781]. Pp.2- 4. Additional accompts. for guitar and German flute.
LINLEY, (William)
The Night was dark [.] A much admired song sung by Mrs. Bland in A Trip to the Nore. Longman & Broderip. [1797]. Pp.2-[4] .Additional accompt. for German flute or guitar.
LUTHER, (Martin)
Martin Luther’s Hymn. Sung by Mr. Incledon with the greatest applause in the oratorios at the Theatre Royal, Covent Garden; harmonized by Mr. Baumgarton. [Great God what do I see and hear]. G. Walker. [ 1808]. Pp. [ 1]-4.
Box 9
MALECOT, (J.)
A New Song made on board ye Salamander Privateer. [Come let’s drink a Health to George our King]. H. Waylett. [ca. 1754]. S. sh. 1p.
MAZZINGHI, (Joseph)
The Captive to his Bird. A favorite song sung with universal applause by Mr. Incledon, in his new entertainment of variety. [O! sing sweet Bird]. Goulding, Phipps & D’Almaine. [1802]. Pp.[1]-3. Initialed by the composer.
Happy were the days [.] A favorite new song composed by Mazzinghi in Ramah Droog. Hime, Dublin. [ca. 1801]. Pp.[2-3].
Hope told a Flattering Tale. Introduced by Madame Kara in the opera of Artaxerxes, (written by Peter Pindar) with the celebrated harp accompaniment. Smarts. [ca. 1801]. Pp.1-3. Scored for voice, two flutes, keyboard and bass.
Huntsman rest thy chace is done. Recitative and air, in continuation of the song, Soldier rest, thy warfare o’er [,] from The Lady of the Lake. Written by Walter Scott Esqr, sung by Mrs. Vaughan at the Vocal Concerts. [She paused then blushing, led the lay]. Goulding, D’Almaine, Potter & Co. [ca. 1813]. Pp.1-4.
Let the Song and the Dance. Sung by Miss Wheatley in the opera of Ramah Droog. Goulding & Co. [ca. 1800]. Pp.2-4. Additional accompt. for flute. Initialled by the composer.
Never ‘till now I felt Loves dart [.] A favorite song sung by Mrs. Esten in A Day in Turkey or The Russian Slaves. J Dale. [ca. 1797]. Pp.[2-3]. Scored for voice, violin and piano or harp. Additional accompts. for one or two German flutes and guitar.
Roderigh vich Alpine. From The Lady of the Lake, written by Walter Scott Esqr. Composed as a glee for three voices. [Hail to the Chief who in triumph advances]. Goulding, D’Almaine, Potter & Co. [ca. 1811]. Pp.[i] + 2-8. Initialed.
Sweetly in Life’s Jocund Morning [,] Sung by Miss Murray at the Theatre Royal, Covent Garden, in the comedy called Life, written by F. Reynolds Esqr. Goulding & Co. 45 Pall Mall. [ca. 1802]. Pp.1-3. Initialed.
(Another edition). Goulding & Co. Music Sellers to their Royal Highness. [ca. 1803]. Pp.1-3. Initialed.
MELLISH, (Miss)
My Phillida adieu love [,] A favorite ariette. Longman & Broderip. [ca. 1795]. Pp.[2]-4. Scored for voice, violin and keyboard. Additional accompt. for guitar.
MILES, (Jane Kary, née GUEST)
The bonnie Wee Wife. The words by Burns. [She’s a winsome wee thing]. I. Willis & Co. [ca. 1826]. Pp.[i] + 2-8.
MILLER, (Edward)
The Constant Fair. [I’ll to some shady cool retreat]. N. i.. [ca. 1765]. S. sh. 1p.
MILLER, (William Edward)
The Queen of France [.] The words and Mmsic by W. E. Miller. [ Hark! Hark!! the Bell of Death with sullen moan]. Longman & Broderip. [1793]. Pp.1-4.
MOORE, (Thomas)
Here’s the Bower. A ballad. J. Powers Music Ware House. [ca. 1814]. Pp.[i-ii] + 3-7.
The Tyrolese Song of Liberty. A national air, arranged with English words. [Merrily ev’ry bosom boundeth]. J. Power. [ca. 1815]. Pp.[i-ii] + 3-7.
When Time, who steals our years away. A ballad. J. & T. Carpenter. [1802]. Pp.[i] + 2-4. Signed by the publisher.
Young Love [.] A ballad. Sung by Mrs. Bland in M. P. or The Blue Stocking [.] A comic opera, performed at the Theatre Royal, Lyceum; written and composed by Thomas Moore Esqr. J. Power. [ca. 1815]. Pp.[i-ii] + 3-6 + [7 (cat. )].
MORLEY, (Thomas, [i.e. John Farmer])
A favorite glee. [Fair Phillis saw sitting all alone]. S. Babb. [ca. 1779]. Pp.[1]-4.
MOULDS, (John)
Fair Kate of the Vale [.] A favorite ballad. [In a far distant Village lived Kate of the Vale]. C. Wheatstone. [ca. 1785]. Pp.[2-3]. Additional accompt. for German flute.
Moulines Maria. A favorite ballad taken from Sterne. [Twas near a Thickets calm Retreat]. H. Andrews. [ca. 1808]. Pp.[2-3] . Additional accompt. for German flute.
Poor Kate [.] The much admired song sung by Mrs. Bland at the Theatre Royal, Haymarket in the entertainment of the Sultan. [Come buy of Poor Kate, Primroses I sell]. R. Wornum. [ca. 1801]. Pp.2-3.
She dropt a Tear & cried be true [,] A favorite sea song. [Ye lingering winds that feebly blow]. G. Goulding. [ca. 1792]. Pp.40- 42. Scored for voice, flute, violins and harpsichord. Additional accompt. for German flute.
MOZART, (Wolfgang Amadeus)
Forget me Not. A favorite Song. Goulding, Phipps & D’Almaine. [ca. 1802]. Pp.1-3.
(Another edition). Forget me not [.] A favorite song with an accompaniment for the piano-forte or harp. J. Dale. [ca. 1804].
The celebrated duett adapted to the beautiful Scotch air Roy’s wife. Sung by Mr. Sinclair and Miss Stephens in the popular opera of Rob Roy Mcgregor, at the Theatre Royal, Covent Garden. [The Manly Heart with Love overflowing]. G. Shade. [ca. 1828]. Pp. [i-ii] + 1-3. Additional accompt. for German flute.
OLIVIER, (Mr.)
Ti Amero [.] A favorite song [.] The words by a young lady. [Ti Amero my dearest youth]. G. Smart. [ca. 1789]. Pp.2-4. Additional accompt. for German flute or guitar.
[PALMA, (Filippo)]
A favorite song by an Eminent Master. [Shepherds would you hope to please us]. N. i. [ca. 1760]. Pp.[2-3]. Additional accompt. for German flute.
PAXTON, (Stephen)
The Answer to Turn Amarillis. [Go Damon Go]. John Bland. [ca. 1780]. Pp.[2-4]. With note at foot of second page reading “ ... so as bind up In Collection...”
(Another edition). [ca. 1781]. Pp.113-115. With note at foot of second page reading “.... so as to bind up in Collections....”
(Another edition). The answer to Turn Amarillis.
Together with:
The Admied [sic] Catch of Poor Thomas Day. Compsed [sic] by Mr. Harrington. [Look Neighbors look!] H. Mountain. [ca. 1792]. S. sh. pp.10-11 [i.e. 2pp.]
[PEPUSCH (Johann Christoph)]. Alexis. A Cantata. [See from the silent Grove Alexis flies]. N.i. [ca. 1740] .Pp.1-4. Scored for voice, harpsichord and cello.
PERCY, (John)
Sweet smells the brier. The words from Spencer, composed with an accompaniment for the harp or piano forte. G. Walker. [ca. 1808]. Pp.1-3.
Select Songs No. 9. Wapping Old Stairs [.] A ballad. [Your Molly has never been false]. Bland & Weller. [ca. 1814]. Pp.1-3.
PERGOLESI, (Giovanni Battista)
Gloria in Excelsis. Composed by Pergolese and performed at the Concert of Ancient Music. Preston. [ca. 1812]. Pp.[1]-8. Scored for five voices and piano.
PIERCY, (H.).
The Beggar Girl. A fashionable ballad for the piano forte or harp, and for two voices. [Over the Mountain and over the Moor]. For the author. [ca. 1802]. Pp.[i (cat. )] + 2-4. Additional arr. for two voices. Initialed by the composer.
(Another edition). Henry Thompson, by authority of the author. [ca. 1803]. Pp.(2)-4. Additional arr. for two voices.
(Another edition). The Beggar Girl [.] A favorite ballad for the piano forte or harp, also as a duet. Lavenu & Mitchell. [ca. 1804]. Pp. 2-4. Additional arr. for two voices.
PILBROW, (T).
Why stays my Love. Ballad. Adapted to a favorite Welsh air with an accompaniment for the piano forte or harp. [Murmur on thou bubbling fountain]. Preston. [ca. 1813]. Pp.(1)-4.
PLEYEL, (Ignace Joseph)
Pleyel’s celebrated German hymn for one, two or three voices to which is added variations for the harpsichord. [Glory be to God on high]. Preston & Son. [ca. 1795]. Pp.(I)-3. BUC (0), CPM (1).
Sweet Love [.] A favorite new ballad. Edmund Lee, Dublin. [ca. 1790]. S. sh. 1p. (1).
PURCELL, (Daniel).
Sung by Mr. Pate in the opera of Alexander the Great set by Mr. D. Purcell. [She walks as She dreams in a Garden of Flowers]. N. i. [ca. 1701]. S. sh. 1p. Scored for two flutes and bass. BUC (0), CPM (1).
[PURCELL (Henry)].
Bess of Bedlam. [From silent shades and the Elizium Groves]. C. Mitchell (pasted over unidentified imprint), [ca.1818] .Pp.2-4. Additional accompt. for flute.
Come if you Dare [,] A favorite war song. C. Mitchell (pasted over imprint of Goulding, Phipps & D’Almaine). [ca. 1808]. Pp. 1-3.
A Song for 2 Voices set to Musik by Mr H. Purcell. [Come, come, come, come let us leave let us, leave the Town]. N. i. [ca. 1700]. S. sh. 1 p.
A Song with a Trumpet. [Genius of England, from thy pleasant Bow’ r]. N. i. [ca. 1780]. Pp. [2-3].
A Catch. [Four catches for three and four voices: (Jack thou’rt a Toper) &c.]. N. i. [ca. 1740]. S. sh. p.18 [i.e. 1p.].
An Ode, On the King’s happy return from a Broad. The words by Mr. D’urfey. To a Sebell of Mr. Henry Purcell. [Crown your Bowles, Loyall Soul’s]. N. i. [ca. 1700]. S. sh. 1p. Additional accompt. for flute.
Old Chiron. N. i. [ca. 1760]. S. sh. 1p.
RAMONDON, (Lewis)
A Hymn upon the Execution of two Criminals. [All you that must take a leap in the dark]. N. i. [ca. 1710]. S. sh. 1p. Additional accompt. for flute.
RAVENSCROFT, (Thomas)
The Mariners. A favorite glee. Music by Mr. Ravenscroft in the year 1614. [We be three poor mariners]. Lady’s Magazine, September, 1790. Typeset oblong 4to. S. sh. 2pp.
REEVE, (William)
The favorite Fishing Duet. Sung by Mrs. Martyr & Mrs. Mountain at Covent Garden Theatre in The Pantomime of Don Juan. [Thus for Men the Women fair]. G. Goulding. [ca. 1790]. Pp.70-[72]. Additional accompt. for guitar or flute.
(Another edition). The Fishing Duet Sung in Don Juan. W. Sibley. [1821]. Pp.[2-3].
Robin Adair. The much admired ballad, sung with enthusiastic applause by Mr. Braham, at the Lyceum Theatre, the symphony and accompaniments composed and arranged for the harp or piano forte. [What’s this dull Town to me]. Button & Whitaker. [1812]. Pp. 1-3.
RELFE, (John)
Mary’s Dream or Sandy’s Ghost [.] Sung by Miss Chanu at Hanover Square Concerts, and at the Pantheon. [The Moon had climb’d the highest hill]. Longman & Broderip. [ca. 1794]. Pp. [i] + 2-5. Additional accompts. for guitar and German flute.
REYNOLDS, (Mr.)
The Disappointment. Words by Mr. Shenstone. [Ye shepherds give ear to my lay]. Lady’s Magazine, July, 1797. S. sh. 2pp.
[RIZZIO (D.)]
The Lass of Paties Mill. N. i. [ca. 1733]. S. sh. 1p. Additional accompt. for flute.
ROCK, (William)
Glee for 5 Voices, honor’d with the Prize Medal given by the Hibernian Catch Club 1788. [Three songs: (Alone thro’ unfrequented wilds) &c.]. H. Mountain, [Dublin]. [ca. 1790]. Pp.4-9 [i.e.1-6].
ROSS, (John).
Why lean’d is thy Breast. The poetry by Rannie. Preston. [ca. 1800]. Pp.2-3. Scored for violin, voice and keyboard.
ROSSELLI, (Agrippino)
Beware the fond delusion. A celebrated air as sung by Mrs. Bland with rapturous applause at the Theatre Royal, Drury Lane, in the New Traditionary Play called The Mysterious Bride, the words written by Lumley St. George Skeffington Esqr. The melody selected by the author from the Neapolitan with an Accompaniment. Rt. Birchall. [ca 1807]. Pp.2-3. Initialed by the composer.
ROVEDINO, (Tommaso)
County Guy. A ballad, the words from “Quentin Durward” by the author of Waverly, the Warble inscribed and recommended to Miss Stephens, (The Lady of the Lute) by Lark, whose Song has been collected by Tommaso Rovedino, by whom has been added an accompaniment for the harp and flute. [Ah! County Guy the hour is nigh]. Published for Mr. T. Rovedino, by Birchall & Co. [ca. 1826]. Pp.[i-ii] + 1-5. Signed and inscribed by the composer.
RUSSEL, (Davidson)
The Modest Question. Set by Mr. Russel. [Can Love be controul’d by Advice]. N. i. [ca. 1745]. S. sh. 1p. Additional accompt. for flute. With “3” of time signature touching the top line of staves in the first system.
(Another edition). N. i. [ca. 1750]. S. sh. 1p. Additional accompt. for flute. With “3” of time signature below the top line in the first system.
The Shepherds Complaint. [Sweet were once the joys I tasted]. N. i. [ca. 1750]. S. sh. 1p. Additional accompt. for flute.
SAINT GERMAIN (Comte de).
A New Song. Set to music by Comte de St. Germain. [Gentle Love this Hour befriend me]. N. i. [ca. 1740]. S. sh. 1p.
A New Song. Set by Comte de St. Germain. [O wouldst thou know what Sacred Charms]. N. i. [ca. 1745). S. sh. 1p.
SALE, (John Bernard)
The Butterfly. A much admired duett as sung by Mr. Nield & Mr. Sale Junr. at Dr. Smith’s Concert, at Richmond Surry. [Gay being born to flutter thro’ the day]. Printed for the author by Lavenu & Mitchell. [ca. 1807]. Pp.1-6.
SANDERSON, (James)
While Fortune gilds the prosperous Day [.] A duet sung by Mr. Hill and Mr. Gibbons, with great applause at the Surry Theatre, in the Right of Common or How to get a Freehold. Composed by J. Sanderson, written by T. Dibdin, Esqr. Pearce & Co. [ca. 1814]. Pp.1-4.
SANDFORD, (John)
A Birth Day Song. [By Drinking drive dull care away]. N. i. [ca. 1740]. S. sh. 1p. Additional accompt. for flute.
SCOTLAND, (John, pseud. of George Berg).
Lightly tread [.] A favorite glee. [Seven songs: (Lightly tread ‘tis Hallowed ground) &c.]. H. Mountain. [ca.1787]. Pp.12-17 [i.e. 1-6].
[SHIELD, (William)].
Ah! Ma chere! mine pretty dear [.] The favorite song of Bagatelle sung by Mr. Marshall at the Theatre Royal, Dublin in the comic opera of the Poor Soldier. Longman & Broderip. [ca. 1785]. Pp.2-3. Additional accompt. for guitar.
Bonny Bet [,] Sung by Mr. Johnstone in The Farmer [.] Written by J. O’Keefe Esqr. [No more I’ll court the Town bred fair]. Longman & Broderip. [ca. 1788]. Pp.2-4. Additional accompt. for guitar.
The Bud of the Rose. Sung by Mr. Bannister in Rosina. [Her mouth, which a smile devoid of all guile]. J. Dale. [ca. 1783]. Pp.[2]-4. Additional accompts. for German flute and guitar.
Dear sir this brown Jug. A favorite song in the Poor Soldier. N. i. [ca. 1808]. Pp. [2-3]. Additional accompt. for German flute.
The Death of Tom Moody. The noted Whipper-in Well known to the Sportsmen of Shropshire. Written by the author of Harford Bridge ... & sung by Mr. Incledon in his new entertainment called The Wandering Melodist, also at the T. R. C. Garden. [You all knew Tom Moody the whipper in well]. Goulding, D’Almaine, Potter & Co. [ca. 1815]. Pp.1-4.
The Girl of my Heart. A favorite ballad sung by Mr. Incledon, at the Theatre Royal, Covent Garden. The words by J. Rannie. [I have Parks I have Grounds I have Deer I have Hounds]. Goulding, Phipps, D’Almaine. [ca. 1804]. Pp.1-4. Signed by the composer.
Great Britain still her Charter boasts [,] Sung by Mr. Incledon at the Theatre Royal, Covent Garden in the interlude of the Relief of Williamstadt. The words by T. Goodwin. Longman and Broderip. [1793]. Pp.1-3.
The Heaving of the Lead [.] A favorite song sung by Mr. Incledon in Hertford Bridge. [For England, when with fav’ring gale]. Longman & Broderip. [ca. 1795]. Pp.2-4. Additional accompt. for German flute. Exclamation marks at foot of p.4 within inverted commas, and with colon after “W” of Shield’s initial.
(Another issue). Period after “W”.
(Another issue). Period after “W” and exclamation marks outside inverted commas.
(Another edition). ... A favorite song sung by Mr. Incledon in Hartford Bridge [.] .... With an additional [i.e. fourth] stanza. Longman & Broderip. [ca. 1796]. Pp.2-4. Additional accompt. for German flute.
Old Towler [.] A favorite hunting song sung with universal applause by Mr. Incledon at the New Theatre Royal, Covent Garden &c. &c. .... Written by J. O’ Keefe Esqr. [Bright Chanticleer proclaims the dawn]. Longman & Broderip. [ca. 1795]. Pp.1-4. Additional
accompt. for guitar.
(Another edition). With “Written by J: O’ Keef Esqr.”
Patty Clover. A favorite ballad sung by Mr. Blanchard at the Theatre Royal, Covent Garden, in the opera of Marian. [When little on the Village green we play’d]. Longman & Broderip. [1788]. Pp.2-4. Additional accompt. for guitar or flute.
The Rosary [.] A favorite ballad sung by Mrs. Martyr in The Midnight Wanderers. [Tho’ oft we meet severe distress]. Longman & Broderip. [ca. 1793]. Pp.2-4. Additional accompt. for guitar.
A smile from the Girl of my heart [.] A favorite song sung by Mr. Blanchard in The Woodman. [In the World’s in the world’s crooked path where I’ve been]. Longman & Broderip. [ca. 1791]. Pp.2-4. Additional accompt. for guitar or flute.
Tell her I’ II love her. A ballad sung by Mr. Incledon in his new entertainment of the Songsters Jubilee. Goulding, D’Almaine, Potter & Co. [ca. 1811]. Pp.1-4. Additional arr. for mezzo soprano, and accompt. for German flute. Signed by the composer.
The Thorn. Sung by Mr. Incledon at the Theatre Royal, Covent Garden and in his new Entertainment of Variety. The words by Robt. Burns. [From the white blossom’d Sloe]. Goulding, D’Almaine & Co. [ca. 1814]. Pp.1-4. Additional arr. in original key. Initialed by the composer.
The Trump of Fame [.] A celebrated song sung by Mrs. Martyr in the new opera of Robin Hood. I: Bland. [ca. 1784]. Pp.[2-3].
SMART, (Thomas)
The Happy Fellow. A favorite glee for 3 Voices & the piano forte. [With my Jug in one hand and my Pipe in the other]. N. i. [ca. 1805]. Pp.[2-3] .
SMITH, (Robert Archibald)
Jessie the flow’r o’ Dumblane. A favorite Scottish song. Written by R. Tannahill. [The Sun has gane down o’er the lofty Benlomond]. James Steven, Glasgow. [ca. 1820]. Fourth edition. Pp. [1]-3. Additional accompt. for German flute.
SMITH, (Theodore)
For Mary’s Love alone [.] A new song sung by Mr. Dignum at Vauxhall Gardens. [Farewell to England! Dearest love]. Goulding, Phipps & D’Almaine. [ca. 1805]. Pp.1-3.
A Favorite Rondo. [Tho’ the winds are whistling round me]. L[ongman] & B[roderip]. [ca. 1780]. Pp.[1-2].
The Welch Harper [.] Dedicated to Miss E. Stewart by James Sheridan Knowles. [Over the sunny hills I stray]. Goulding & Co. [ca. 1800]. Pp.1-3..
SOUTHWELL, (F.W.).
Ah! why my Fair, what Pearly Tear: A favorite rondo. J. Bland. [ca. 1790]. Pp.[1-2]. Additional accompt. for German flute or guitar.
SPOFFORTH, (Reginald)
The Death of Crazy Jane. A favorite song composed with an accompaniment for the piano forte. [O’er the gloomy woods resounding]. Bland & Wellers. [ca. 1799]. Pp.1-3.
STANLEY, (John)
A Song. [Leave me Shephard leave me]. N. i. [ca. 1745]. S. sh. 1p. Additional accompt. for flute.
[STEVENS, (George Alexander)]
Vicar and Moses. With the original words. Composed by G. A. S. Esqr. [There was once it was said]. N. i. [ca.1775]. S. sh. 1p.
STEVENS, (Richard John Samuel)
Glee for 5 voices [.] The Poetry from Ossian, (vide Darthula). [Some of my Heroes are low]. Printed for the Author, Lambeth Walk. [ca. 1790]. Pp.1-9. Signed by the composer.
(Another issue). Printed for the Author, Charter-house. [ca.1798]. Pp.1-9. Signed.
STEVENS, (William Seaman)
Mary or the Beauty of Buttermere. A ballad written by Lady. [Of Nature’s choicest Gifts possest]. Longman & Co. [ca. 1803]. Pp.[2-3].
STEVENSON, (Sir John Andrew)
The Boat Song. From The Lady of the Lake by Walter Scott Esqr. Composed and arranged as a glee for three voices with an accompaniment for two performers on one piano forte. [The war pipes ceas’d; but lake and hill]. Goulding, D’Almaine, Potter. & Co. [ca. 1811]. Pp.[ i-ii] + 1-26.
Faithless Emma. Sung with great applause by Mr. Spray at the Music Hall, Liverpool ... the words by G.A. Esqr. of Dublin. [I wander’d once at break of day]. H. Hime & Son, Liverpool. [ca. 1802]. Pp.1-3.
“How slowly move the hours.” A Favorite Ballad, Sung by Mr. Braham at Dublin Bath & Nobilitys Concerts [.] Composed & Arranged with an Accompaniment for the Harp or Piano forte. Goulding & Co. [ca. 1811]. Pp.1-3.
Oh stay sweet Fair! An answer to Moore’s favorite ballad, of Oh Lady Fair! The words by G.A. Esqr. Clementi, Banger, Hyde, Collard & Davis. [ca. 1806]. Pp. [i-ii] + [ (1 cat. ) ] + 2-7.
O leave me to my Sorrow, Ballad, sung by Mr. Manners at the Bath Concerts, from the Second Volume of The Melodies of Various Nations, the poetry by Thomas H. Bayly Esqr. Goulding, D’Almaine & Co. [ca. 1824]. Pp.(i-ii) + 1-4.
Raise the Song and Strike the Harp [.] The chartered [...] and Chorus of the Irish Harmonic Club, the Words selected and composed by J.W.C. Esqr. F. Rhames, Dublin. [ca. 1800]. Pp [1]-4.
Sweet is the Woodbine’s fragrant twine [.] A favorite song. Goulding, Phipps & D’Almaine. [ca. 1807]. Pp.1-4.
Tell me where is Fancy Bred. A Duett for two voices, With an Accompaniment for the Piano Forte or Harp, the Words from Shakespeare. Hime & Son’s Music Warehouses, Liverpool. [ca. 1809]. Pp. l-6.
Why does my Love her Linnet mourn. A favorite song composed and arranged with an accompaniment for the piano forte. Goulding, Phipps, D’ Almalne & Co. [ca. 1808]. Pp.1-4.
STONE, (J )
Anacreontic. [If gold could bribe the stroke of Fate]. Lady’s Magazine, October, 1796. Typeset oblong 4to. S. sh. 2pp.
The British Diamonds: or The Brilliants of Love. [Tho’ the mines of Indostan abound]. Lady’s Magazine, September, 1796. Typeset oblong 4to. S. sh. 2pp.
STORACE, (Stephen)
Across the downs this morning [.] Sung by Sigra. Storace in No Song No Supper. Longman & Broderip. [ca. 1790]. Pp. 2-4. Additional accompts. for guitar and two German flutes.
A new Recitative and Rondo Sung by Mr. Tenducci at Mr. Abel’s Concert, Hanover Square. May the 8th, 1782. [Ah se porro mai vedi]. Longman & Broderip. [1782]. Pp.[1]-5. Scored for violins, voice and keyboard.
The Carpet Weaver [.] A Favorite Song Sung by Sigra. Storace in Mahmoud. [Don’t you remember a Carpet weaver]. J. Dale. [ 1796]. Pp.[1 (cat. numbered 15)]-3. Additional accompt. for German flute.
Canzonet. [The Curfew tolls, the Knell of parting Day]. Longman & Broderip. [ca. 1785]. Pp.8-9. Additional accompts. for German flute and guitar.
Edi Matti questo Mondo [,] A favorite Air Sung by Sigra. Storace at the Kings Theatre in the Hay-market in the Opera La Cameriera Astuta. Printed for S. Storace & Sold by Birchall & Andrews. [1788]. Pp.[1]-9. Scored for voice, violins, viola, flute, horn and harpsichord. Signed by the composer.
Canzonet. [How sweet the Calm of this sequester’d Shore]. Longman & Broderip. [ca. 1785]. Pp.6-8. Additional accompt. for guitar.
The Lullaby. A favorite Song Sung by Sigra. Storace in The Pirates. [Peaceful slumbering on the ocean]. J. Dale. [ca. 1796]. Pp.[2-4]. Additional accompts. for German flute and guitar.
Initialed by the publisher.
My native Land I bade adieu [.] A favorite Song, Sung by Mr. Sedgewick in the Haunted Tower. Longman & Broderip. [ca. 1790]. Pp.2-4. Additional accompts. for guitar and flute.
Now all in preparation [.] A favorite Song Sung by Mr. Bannister Junr. in the Haunted Tower. Longman & Broderip. [ca. 1790]. Pp.2- 3. Additional accompts. for guitar and German flute.
There, the Silver’d Waters roam. A Favorite Song, as Sung by Mr. Sedgwick in the Pirates. J. Dale. [1792]. Pp.1-4. Additional accompt. for German flute. (2).
With lowly suit and plaintive ditty [,] Sung by Sigra. Storace in No Song no Supper. Longman and Broderip. [ca. 1790]. Pp.2-4. Additional accompt. for German flute or guitar.
Ye streams that round my Prison Creep. A favorite song sung by Mrs. Crouch in the musical romance of Lodoiska. J. Dale. [1794]. Pp.2-4. Additional accompt. for two flutes. “Entered at Stationers Hall” above imprint.
(Another edition). J. Dale. [ca. 1797]. Pp.[l (cat. )] + 2-4. Additional accompt. for two flutes. “Entered at Stationers Hall” above imprint.
SUETT, (Richard)
Soft music let my humble lay. Sung by Miss Farren, in the new comedy of False Colours. Preston & Son. [ca. 1793]. Pp.[l]-4. Additional accompts. for guitar and flute.
SULLIVAN, (Mr.)
Gentle Parthenissa. [When gentle Parthenissa walks]. N. i. [ca. 1740]. S. sh. 1p. Additional accompt. for German flute.
[TALLIS, (Thomas)]
A favorite evening hymn. Sung at the Magdalen Chapel. [Glory to thee my God this Night]. Longman & Broderip. [ca. 1785]. S. sh. p.2 [i.e. 1p.]. Additional accompt. for guitar. BUC and
TAYLOR, (Raynor)
Tomorrow. A favorite song, written and sung by Mr. Jefferys. [Young Damon to Chloe was telling his Tale]. L[ongman]. L[ukey]. [ca. 1770]. Pp.[2-3].
TRAVERS, (John)
Haste my Nanette [.] Canzonette for two voices. G. Walker. [ca. 1809]. Pp.1-4.
A favorite song. Set to musick by Mr. Travers and sung by Miss Formantel. [When Vernal Airs perfumed the Fields]. N. i. [ca. 1760]. Pp. [2-3].
URBANI, (Pietro)
From thee eliza. A favorite new song [,] Words by Burns [,] sett to music by Mr. Urbani. Urbani and Liston, Edinr. [ca. 1795]. Pp.1-2 [i.e. 2-3]. Additional accompt. for German flute.
VOGLER, (Gerard)
The Request. A favorite song with an accompaniment for a piano forte or harp. [Tell me babbling Echo why]. J. Preston. [ca. 1785]. Pp.2-4. Additional accompt. for guitar and German flute.
WEBBE, (Samuel, the elder)
All Day I wander through the Groves [,] Duetto. Broderip & Wilkinson. [ ca. 1800]. Pp.2-4. Additional accompt. for two flutes or two guitars.
From Glaring Shew. A favorite song, as sung by Miss Harrop in the Dilettanti Concerts. J. Bland. [ca. 1780]. Pp.[1]-4.
The Mansion of Peace [.] Sung by Mr. Harrison. The Words by a Lady. [Soft Zephyr on thy balmy Wing]. J. Bland. [ca. 1790]. Pp. l-4. Scored for voice, flute, horns, two violins, viola and bass.
(Another Edition). John Bland. [ca.1790]. Pp. 1-4.
(Another Edition). Goulding, D’Almaine, Potter & Co. [ca. 1813]. Pp. 1-4.
[WEBBE, (Samuel, the younger)]
Pray Goody. The favorite air sung by Mr. Sinclair, in Midas. Mitchells Musical Library. [ca. 1817]. Pp.2- 3.
WEBBER, (John)
A Song. [Tell me, tell me charming creature]. N. i. [ca. 1730]. S. sh. 1p. Additional accompt. for flute.
WESLEY, (Charles)
Regret. A ballad, the Words by a Lady. [When I forc’d to part from those we love]. G. Shade. [ca. 1818]. Pp.[i] + [2]-3.
WHICHELLO, (Abiell)
A new Song Set by Mr. Abiell Whichello. [Ye Virgin pow’rs defend my heart]. N. i. [ca. 1710]. S. sh. 1p.
WHITAKER, (John)
Oh! rest thee Babe, rest thee Babe. The Celebrated Ballad Sung by Miss Stephens, at the Theatre Royal, Covent Garden, in Guy Mannering, To which is added the Stanza Sung by Miss Carew, in the Scene of the Gypsies’ Haunt, in the Same Play, Composed with an Accompaniment for the Piano Forte .... Written by D. Terry Esqr. [Oh! slumber my darling, Thy Sire is a Knight]. Button, Whitaker, & Compy. [ca. 1813]. Pp.1-4.
Oh! say not ‘Woman’s Heart is Bought. A Favorite Ballad, Sung with the Most Rapturous Applause by Miss Stephens, at the Theatre Royal, Covent Garden in the Operatick Piece Entitled the Heir of Vironi. Written by Isaac Pocock, Esqr. Composed , & Arranged for the Piano Forte with Accompaniments for an Orchestra. Button, Whitaker & Co. [ca. 1817]. Pp.1-5. Scored for flute, clarinets, basoons, horns, violins, viola, cello, bass, voice and piano.
Young Lochinvar, Lady Heron’s Song [.] From the celebrated poem entitled Marmion [.] Written by Walter Scott Esqr: Composed with an accompaniment for the piano forte. [O young Lochinvar is come out of the west]. G. Shade. [ca. 1829]. Pp.[1]-3. Additional accompt. for
German flute.
WILBYE, (John)
Madrigal [.] Composed by Jno. Willye [sic]. 1609. [Flora gave me fairest Flowers]. S. Babb. [1780]. Pp.[1]-3.
WILLIS, (Thomas)
A New Song Sett by Mr. Willis. [Now let Bellona Albion’s minds Inspire]. N. i. [ca. 1707]. Pp.[2-3]. Additional accompt. for flute.
WORGAN, (John)
A Song. The Lover and the Friend. [O Thou for whom my Lyre I String]. N. i. [ca. 1760]. S. sh. 1p.
Neptune’s Resignation. Written on the Naval Victory obtained by Sr. Edward Hawke Nov. 20th 1[7]59 Off Bellisle. Sung by Mr. Lowe. The words by Mr. Wignel. Set by Mr. Worgan. [The Wat’ry God great Neptune lay]. N. i. [ca. 1760]. S. sh. 1p.
YATES, (William)
A New Dialogue Sung by Master Adams and Miss Carli at Finch’s Grotto Gardens. The words by Mr. Boyce. [Lads and Lasses blithe & Gay]. N .i. [ca. 1755]. S. sh. 1p. Additional accompt. for guitar.
