Second accrual. -- 1954-2013. – 1.98 m
of textual records, printed materials, graphic materials, objects and realia
-- Title based on contents of the fonds.
Note: Box numbering is sequential from
the first accrual. Finding aid based upon list supplied by Locks’ Press.
Locks’ Press books. – 2010-2012. -- 2 cm
of printed material. – Title based on contents of the series.
F.1 Deor’s Lament, by anon poet,
translated by Fred Lock, 2012. Copy 21/75.
F.2 Ulisses and the Syren, by Samuel Daniel, 2010. Copy 8/ 10.
Letterpress Items and Flyers from Other
Presses. -- 1987-2013. – 46 cm of printed and graphic materials. – Title
based on contents of the series.
F.3 Alcuin Society, Vancouver:
Citation for Locks’ Press, Poem about Nothing;
Third prize for Deor’s Lament, 2012.
F.4 Anon American private press:
Janet Kauffman, The Bath;
Invitation for Arundel Antiquarian Books, Los Angeles.
F.5 Hugh W. Barclay, Thee Hellbox Press:
Henry David Thoreau, The Statement from Walden, 1987 (Wayzgoose
F.6 Wesley W. Bates, West Meadow Press,
Hamilton (Later Clifford):
Wood engraving, bouquet & cog wheels, 1996.
Gerard Brender à
4 Christmas cards:
2008; 2009; 2010; 2012.
F.8 Tara Bryan, Walking Bird Press, Flatrock/St
Brochure advertising To Stretch the Night;
Flyer, price list for ARLIS conference table (ARLIS conference 30 March - 1
April 2012, Toronto; bookmark.
F.9 Wendy Cain, Rogues’ Hollow Press, Newburg:
Journey, 2010 [silkscreen, shell, fish, sled, Ionic capital];
4 Christmas cards (featuring watermarked paper);15 small sheets of her handmade
F.10 Derek Cowan, Cumberland, British Columbia:
A Prospectus for One Hundred Views, 2010.
F.11 Sue Globensky, Titania’s Press, Cranky
Press, Orleans (Ottawa):
Tales for our times, 2008; Love Poems, 2004; 3 bookmarks; Christmas
F.12 Glenn Goluska, imprimerie dromadaire,
Franz Kafka, If the book we are reading…
F.13 Mike Hudson, Wayzgoose Press, Katoomba, New
South Wales, Australia:
Will Rogers, Democracy; 4 wood engravings: Waratahs, 1991;
Katoomba Morning, 1992; Henry [Henry Lawson], 1992;
Invitation for exhibition opening, Contemporary Designer Bookbindings Europe
& Australia, Nov 1984, with ML’s wood engraving of Pepys on cover; Brochure
for National Library of Australia, the Rare Book Collection.
F.14 Japanese Paper Place:
Catalogue and invitation for The Power of Two, 2006; Brochure for JPP,
F.15 Denise Lapointe, La Papeterie Saint-Armand,
Blank book for writing yes and no promises.
F.16 Jeff Macklin, Jackson Creek Pres, Petersborough:
3 Christmas cards.
F.17 Gina Marin, Ottawa:
F.18 Lise Melhorn-Boe, Transformer Press,
formerly North Bay, now Kingston:
Breast Cancer Journal, 2010 (copy 16/50, photocopied);
Examples of letterpress which she had accumulated and donated to ML (as examples
for ML’s letterpress workshop), including 2 biofolia of Pauline Melhorn, Light
F.1 Rick Miller, Peppermint Press, Cavan:
Why We Oppose Votes for Men.
F.2 Paul W. Nash & Alison Felstead,
Strawberry Press, Moreton-in-Marsh, England:
5 booklets (paper covers):
Paul W. Nash, The Woodcut, 2008;
Paul W. Nash & Alison Felstead, The Ghosts of Liberty Hall, 2009;
Guido Morris, A Little Journey into the History of a Craft, 2010;
“Reg Wordsworth” [Paul W. Nash], Fools and Knaves, 2011;
Adfaxinus, The Cat, The Mouse and the Weasel, 2013.
F.3 Ottawa Press Gang:
Fables: A Collaborative Project, 2009;
2012 Letterpress Calendar, 2011 (copy 17/60);
CD of their work produced by Steve Quick, Weathervane Press.
F.4 Marnie Parsons, Running the Goat, St
Brochure describing publications, 2000-2010;
Business card; Bookmark; Card; Price list for ARLIS conference table.
F.5 Plantin Press, San Marino/Los Angeles:
Robert Louis Stevenson, Requiem, 1958.
F.6 Steve & Gayle Quick, Weathervane Press, Orleans/Ottawa:
Aesop, A Little book of Fables, 2008 (copy 6/100), (linocuts copied from
Brothers Grimm, Rumpelstiltskin, 2009 (copy 7/100);
Dylan Thomas, A Child’s Christmas in Wales, 2010 (Christmas keepsake,
+ same title published by Dent with woodcuts by Ellen Raskin, first published
reprint of 1971: unacknowledged source of illustrations;
Stephen Leacock, Two Stories and a Letter for Christmas, 2011 (Christmas
keepsake, copy 82);
Aesop, Twelve Fables, 2012, (Christmas keepsake, copy 58);
Christmas cards 2008, 2009, 2010;
Invitation to St Bartholomew-Fest lunch, 2013;
Letterpress Gazette, No 1 (Jan 2010), 2 (April), 3 (July), 4 (Oct); 4
issues 2011, 4 issues 2012; 2 issues 2013, with ephemera.
F.7 Ted Rettig, Toronto. 3 laser printed text:
Ten Short Texts, 2012 [10 sheets of paper in envelope];
Loving Sign of Love, 2012 [3 sheets of paper in envelope];
Our Song of Deepest Graciousness, 2012 [1 sheet of paper in envelope].
[see Oversize Box 59 for 2
F.8 Will Rueter, The Aliquando Press, Toronto,
Maurice Ravel, The Toys’ Christmas, 1991;
Look to this day…, Christmas 1990;
Louis MacNeice, Snow, Christmas 1993;
Then I was standing…, Christmas 1994;
Kierkegaard, Life must be lived…, 1996;
Edward Gibbon, A Taste for books…, 2005;
Marriage announcement, 2007;
William Morris, A fine book…, 2009;
Oliver Wendell Holmes, Old books…, 2009;
J.H. Mason, Type is like music…, n.d;
Terentius, The fate of books…, 2013;
Wood engraving of a face, 1996;
Price list for The Aliquando Press.
F.1 Gordon Sisler, Emmet Press, St Catharines:
Works in olive/grey box:
Liberty, Equality, c. 2011 (origami, sardine tin);
Project 109: Gender, Chemistry, Mathematics, 2012 (origami),
[description of this work in folder].
F.2 Alan Stein, Church Street Press, Parry Sound:
4 New Year’s cards: 2009; 2010; 2011; 2013;
Flyer for ARLIS conference table.
F.3 Don Taylor, bookbinder & Pointy Head
Invitation, catalogue, and post card for And Still the Binder, 2008;
Postcards for ARLIS conference table.
F.4 Larry Thompson, Greyweathers Press,
Vaulted Heights (Salisbury Cathedral) linocut;
Christmas card, 2011; Flyer.
F.5 George Walker, Toronto:
Flyer for Graphic Witness.
Books and publications by other presses and
realia. – 1954-2013. – 16 cm of printed and graphic materials and realia. –
Title based on contents of series.
A. Kent & Patricia Kennedy (editors), Hugh Anson-Cartwright, Bookseller.
Toronto: St. Thomas Poetry, Series, 2000.
F.2 Erasmus, translated by Thomas Berthelet, Dicta Sapientum. Oxford:
(student printers at the New Bodleian ( Library print shop), 1961.
Eliot, The Cultivation of Christmas Trees, illustrated by David Jones.
An Ariel Poem [in its original envelope]. London: Faber & Faber, 1954.
F.4 Academic and private press books:
Andrew Marvell, The Garden. Hunton Bridge: The Kit-Cat Press, 1978 (2nd
ed, copy 127);
The Last Will & Testament of the Rev. Dr. Jonathan Swift, preface by
Vincent Kinane. Dublin: Trinity Closet Press for the Ussher Press, 1984 (copy
Samuel Johnson: Sixteen Latin Poems, various translators. Florence, Kentucky:
Robert L. Barth, 1987;
Samuel Johnson, Five Latin Poems, translated and with notes by Thomas
Kaminski. Chicago: Loyola U, 1991. (Keepsake for the Samuel Johnson Society);
Alexander Pope, A Letter to Lord Bathurst, introduction by Howard
Erskine-Hill. Turnbrudge Wells: The Foundling Press, 1996 (copy 116).
F.5 The Nature of Words exhibition
catalogue. Toronto, 2010.
Cotton t-shirt from 1988 Wayzgoose;
Exhibitor tag from 2013 Wayzgoose;
Laura Arsenau & Rhona Weneger, Thirty Goose Salute: the Story of
Wayzgoose 35th anniversary pamphlet.
Canadian Bookbinders and Book Artists Guild;
Western New York Book Arts Collaboration;
Ink Paper Lead, Board Leather Thread Exhibition.
Mailings from other artists.
F.8 Susan E. King:
27 “Support Living Artists!” cards + 2 information sheets;
4 small portfolio envelopes, some containing duplicate “Support Living
2 cards from Paradise Press, Santa Monica, about Susan E. King.
Locks’ Press roughs/mock-ups. – 1983-2013. -- 16
cm of textual, printed and graphic material. – Title based on content of
F.1 Ulisses and the Syren, 2010.
F.2 Deor’s Lament, 2012.
F.3 Seven Ages of Man, 2002.
F.4 For the Baptiste, 2005.
F.5 Amien’s Song/Under the Greenwood Tree, 2008.
F.6 Juno and Ceres’s Song, 2009.
F.7 Blow, Blow, Thou Winter Winde, 2009.
F.8 Who is Sylvia? 2010.
F.9 Take, Oh Take Those Lips Away, 2011.
F.10 “We work in the dark”, 2012.
F.11 Spring (When daisies pied), 2013.
Legend of St Laura (book).
Balade de bon conseyl, 1989 (Wayzgoose pamphlet).
F.18 Example notebook c. 1983:Research for
illustrations for The Fountains;
Notes on various illustrators (mostly British wood engravers).
F.19 Book abandoned because the illustrator, Mona
Ryder, moved to Perth, and ML to Kingston:
Hesiod’s Works and Days, to be illustrated with etchings by MR
(photocopies of drawings).
records, biographical and other. – 1979-2013. – 16 cm of textual records and
printed material. – Title based on contents of the series.
F. 1 Locks’
Press financial information – books sold, income, purchase of art materials,
F.2 Account books: expenses 1982-1989, 1990-2010;
Press price lists, 2005-2013
Press publication info/flyers, 1979-2013.
re CBBAG publication, Bookbinding Materials and Techniques, 2003.
F.6 Talk on
Ink Paper Lead exhibition, 2003.
on Locks’ Press, 1979-2001.
F.8 Talk on
the illustration of Shakespeare broadsides (for Organization of Kingston Women
F.9 Talk on
F.10 Talk on
woodcuts by Gweneth Travers (local Kingston artist), 2011.
draft of article on French Paper bookbindings (comments by Nicholas Pickwoad),
for letterpress workshop, 2012.
Student handouts; List of students; Examples of broadsides produced by students;
Responses by several students.
for woodcut workshop, 1995.
Lock CV. .
Catalogues of suppliers.
of handmade paper by Reg Lissel.
Samples of handmade paper by St Armand Papeterie (David Caruthers).
with Joe Spratt re wood blocks, n.d.
and Book Arts Fairs. – 1987-2013. – 16 cm of textual records, printed and
graphic materials. – Title based on contents of series.
Words, Carnegie Gallery, 2010.
F.2 CBBAG (Canadian
Bookbinders & Book Artists Guild), Ottawa. 2008-2011.
(Ontario College of Art & Design) Printmaking, 1987-2010.
(Art Libraries Society of North America), 2012.
of some exhibitors at the 2013 Wayzgoose.
of Two Centuries of Bookbinding: Materials and Techniques 1700-1900 at
the Metro Toronto Reference Library gallery. .
labels for Leather & Vellum Bookbindings at the W.D. Jordan Library,
Queen’s University, Jan 2003.
labels and talk for Nineteenth Century Bookbindings in Cloth and Paper,
Queen’s University, 2004.
Aliquando Century, at Queen’s University, 2009.
for The Nature of Words (with exhibitors re various venues, 2008-2010.
Nature of Words, text for labels, 2010.
on The Nature of Words for the CBBAG Journal, and for Amphora,
Nature of Words: Newspaper clippings showing other examples of lettering by
[see oversize Box 59
for The Nature of Words photo album]
Correspondence. – 1990-2013.
– 16 cm of textual records and printed material.—Title based on contents of the
Note: Correspondence is
addressed to/from Margaret Lock and Fred Lock.
F.1 Correspondence re Contemporary Book Arts
in Eastern Ontario,- general correspondence, 2011-2013.
F.2 Correspondence re Contemporary Book Arts
in Eastern Ontario – Larry Thompson, 2012-2013.
F.3 Correspondence re Contemporary Book Arts
in Eastern Ontario – Jeff Macklin, 2012-2013.
re selling the press and type, 2012-2013.
F.7 Sidney E.
Brender à Brandis, 2009-2011.
F.12 Sue Globensky,
Jacobi, includes World Washi Summit brochures, 2008.
Warner Keene. 2012.
and Archives Canada, 2002-2013.
MacLaren re bookbinding review, 2010.
Poole (Wayzgoose), 2013.
F.25 Will Rueter,
F.30 Jill Yu,
Locks’ Press blocks and plates. – 1979-2013. --
22 cm of graphic records and objects. – Title based on contents of series.
1. 5 lexan plates for Ulisses and the Syren, 2010.
2. Endpaper (Baltic/Russian birch plywood) for Deor’s
3. 14 vignette woodcuts (Baltic/Russian birch plywood) for Deor’s
4. 1 copper plate for The Pobble who has no toes,
Oversize Box 59 for Charles XII of Sweden and Heavenward
5. 1 endgrain (wood engraved) block for Amien’s Song/Under
the Greenwood Tree, 2008.
6. 1 woocut (pearwood block) for Juno and Ceres’s Song, 2009.
7. 1 woodcut (plywood block) for Blow, Blow, Thou Winter
8. 1 woodcut (plywood block) for Who’s Sylvia? 2010.
9. 1 woodcut (pearwood block + pearwood initial “T”) for Take,
Oh Take Those Lips Away, 2001.
10. 1 woodcut (plywood block + plywood initial “F”) for Farewell,
Ungrateful Traytor, 2012.
1. 1 woodcut (plywood block) for “We work in the dark”, 2012.
2. 1 woodcut (2 plywood blocks) for Spring (When dasies
Oversize Box 59 for Sigh No More, Ladies plate].
3. 3 plywood blocks (2 triangles + 1 rectangle) for Wayzgoose
pamphlet Allaphbed Meandertale.
4. 1 woodcut (thin plywood) for OCAD book arts fair (used as
5. 1 small pearwood square.
Oversize. – 58 cm of graphic records, printed material and
objects. – Title based on contents of series.
1. Ted Rettig, Toronto
2 letterpress items:
Kindness and Graciousness, 2008 (1 sheet of paper in envelope);
Ever Constant Graciousness, 2009 (3 sheets of paper in envelope).
[see Oversize Box 59]
album made by Will Rueter for photos at the various The Nature of Words
venues and visitors’ comments.
[see Oversize Box 59]
3. 1 thin plywood for endpaper pattern, Charles
XII of Sweden, 1983 and later used as background for Heavenward
[see Oversize Box 59]
4. 1 copper late for Sigh No More, Ladies, 2011.
[see Oversize Box 59]
Locks’ Press broadsides and keepsakes,
5. Juno and Ceres’s Song, by William Shakespeare, 2009
(copies not numbered).
1 plain (as given out as a keepsake at Wayzgoose);
6. Blow, Blow, Thou Winter Winde, by William Shakespeare,
2009 (copy 5)
7. Take, Oh Take Those Lips Away, by William Shakespeare,
2011 (copy 22)
8. “We work in the dark”, by Henry James, 2012 (copies not
9. Spring (When daisies pied), by William Shakespeare,
2013 (copy 20)
10. Who is Sylvia? by William Shakespeare, 2010 (copy
11. Sigh No More, Ladies, by William Shakespeare,
1 plain (copy 20)
1 hand-coloured (copy 9)
12. Farwell, Ungratefull Traytor, by John Dryden, 2012
(copy 12) $40.
Calligraphic work for broadside.
13. William Wordsworth, Written in London, September 1802
(sonnet: O friend, I know not which way I must look), 2010 (watercolour, pen
& ink on hand-made paper, 17 5/8 x 9 7/8”).
Roughs for broadsides
14. Sigh No More, Ladies, 2011.
15. Farwell, Ungratefull Traytor, 2012.
16. William Wordsworth, London, 1802 (sonnet: Milton!
thou should’st be living at this hour), 2010 (calligraphy, to go with London,
17. Eric Gill, “The Hog and Wheatsheaf” (Device for Hampshire
House Bakery), wood engraving,
1915 (reprinted in London, December 1971, on thin off-white paper, 13.6 cm
diameter, circular [block] and 30 x
24 cm [paper], matted, not signed),
From a portfolio of 80 copies, printed by Douglas Cleverdon, Bristol, this is
34/80, (see limited edition certificate). Purchased by George Wallace from
Louise King, Greenwich, 1971, given to ML in 1999; Photocopy of letter from George
Wallace, describing how he purchased the print.
18. Anonymous fifteenth-century woodcut from a religious text
printed in German (matted).
19. A.T. Boulton, Officina Brindabella, Canberra:
Rainforest, poem by Judith Wright, wood engraving by Rosalind Harris (copy
20. Wendy Cain, Rogues’ Hollow Press, Newburg:
Watermark, 2008 [handmade paper], in folder.
21. Wendy Cain, Rogues’ Hollow Press, Newburg:
Contribution for 10th Wayzgoose portfolio, 1988 [2 handmade sheets
22. Crispin & Jan Elsted, Barbarian Press, Mission, BC:
Francis Bacon, Of Studies [showing Krimpen’s Cancelleresca Bastarda].
23. David Esselmont, Gwasg Gregynog, Wales:
William Morris quote, 1996.
24. Mike Hudson, Wayzgoose Press, Katoomba, New South Wales,
Broadside #7 [banned books, quote from Voltaire].
25. Ink Petals Press (Nadia), Woodbridge:
Skid-a-marink a dink a dink, c.2013.
26. Kitty Maryatt, Horn Press, Los Angeles:
Li Tai-Pao, 3 translations of Of Youth, c. 1980?
27. Glenna Munro, Munro Press, Toronto:
[List of cities mentioned in the CBC radio weather broadcast for Ontario],
28. Paul W. Nash & Alison Felstead, Strawberry Press,
Paul W. Nash, The Black Eros, wood engraving by the printer, 2010.
29. Plantin-Moretus Printing Museum, Antwerp:
Christopher Plantin, translated by Frances Lobb, The Joys of this World.
30. Steve & Gayle Quick, Weathervane Press,
Radio Free Vestibule, The Ballad of Marshall McLuhan, 2011.
31. Will Rueter, The Aliquando Press, Toronto, now Dundas:
Christopher Plantin, translated by Jan Schreiber, Le Bonheur de ce
Monde/Wordly Happiness, 1984.
32. Will Rueter, The Aliquando Press, Toronto, now Dundas:
Friedrich Rückert, Ich
din der Welt…, 1992.
33. Will Rueter, The Aliquando Press, Toronto, now Dundas:
Osip Mandelstam, What shall I do…, 1995.
34. Will Rueter, The Aliquando Press, Toronto, now Dundas:
Rainer Maria Rilke, Sonnet 14 (Stehe die Blumen…), wood engraving by Wesley W.
35. Will Rueter, The Aliquando Press, Toronto, now Dundas:
Piet Esser, Rembrandt, wood engraving by Will Rueter, 2006.
36. Will Rueter, The Aliquando Press, Toronto, now Dundas:
Joseph Conrad, Of all intimate objects..., wood engraving by Will Rueter
after David Milne, 2006.
37. Alan Stein, Church Street Press, Parry Sound:
Parry Sound Books: Twenty Years of Author Readings, 1988-2008.
38. Trip Press, Toronto:
David Kotin, The Original Tongues, printed by Will Rueter (keepsake for
35th Wayzgoose), 2013.
39. Trip Press, Toronto:
The Practice of Presswork: Watching Work ABC, 2013.
40. Ross Roxburgh, Oakhill Pond Press:
Other (miscellaneous) publications.
41. Monotype Ornament broadsides:
42. New York Public Library, Old Fashioned Type Specimens
(designed by Liam Dunne).
43. OCAD book arts fair posters: 2008; 2011; 2012.
44. Wayzgoose Posters for:
2006 (Thomas Dannenberg, Richmond Hill);
2008 (Hugh Barclay) + table labels & pamphlet;
2011 (Pomegranate Press);
2012 (WNY Book Arts Centre) + table label.
45. Reproductions of 3 leaves of Kelmscott Press Boethius (De
consolation Philosophie), and Chaucer.
46. Poster for the CBBAG Book Arts Fair, 2004, Ottawa.
47. Poster for Margaret Locks’ talk, Queensland College of
48. 2 pp photographs of Locks’ Press exhibition, W.D. Jordan
Special Collections & Music Library, Queen’s U, 2000.
49. Poster for “Contemporary Book Arts in Eastern Ontario”,
50. Mona Ryder, Untitled [Portrait of Fred Lock], 1980:
38.7 x 32.3 cm (plate), 56.3 x 48.8 cm (paper), etching and aquatint on Arches
mould-made paper (2/5).
Ryder, Untitled [Portrait of Fred Lock], 1980:
43.2 x 40 cm; conté,
ink wash on Arches mould-made paper.
52. Mona Ryder, Untitled [Portrait of Fred Lock in a dark T-shirt], 1980:
50 x 39.7 cm; pencil, conté, ink wash on Arches mould-made paper.
Ryder, Untitled [Portrait of Margaret Lock], 1991:
42.5 x 37.5 cm, watercolour on Arches BFK Rives mould-made paper
Inscribed in pencil on verso, lower edge: To Margaret with love Mona Ryder
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54. Mona Ryder, Untitled [Portrait of Fred & Margaret Lock], 1984:
58 x 79.5 cm; pencil and watercolour on mould-made paper. (In folder to be put
in map cabinet)