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To Collection Description
Georgian Songs collection. –
1700-1830. – Second accrual.
This listing has been arranged on the following principles: anonymous
songs are listed first; thereafter the order is alphabetical by composer.
Under each composer songs are listed alphabetically by title, or, where
there is no given title, under the first word of the first line: the definite
and indefinite articles do not signify. Generic or unspecific titles such
as “A new Song,” “The Favorite Air,” “Glee,
“ etc have been disregarded, and the first significant word of the
sub-title (or first line) taken as a guide.
Titles have been transcribed as accurately as the exigencies of type allow:
peculiarities of spelling, punctuation, capitals, and all other orthographical
oddities have been faithfully reproduced. Punctuation has been inserted
within square brackets only where strictly necessary and constant reiteration
of [sic] has been eschewed except in cases where a genuine confusion might
arise. The first lines of all songs have been similarly transcribed within
square brackets after the titles, except where they are adequately reproduced
in the titles. In the cases of items containing three or more songs, the
total number of songs is stated, but the title and/or incipit of the first
song only is given, all within square brackets.
The publisher’s name is recorded precisely as printed, all typographical
eccentricities being as far as possible transcribed; thus “A. Bland
& Wellers” may appear in one item, “Bland and Weller’s”
in another, and “A. Bland & Weller” in a third. “N.
i.” means “No imprint”. Place of publication is London,
unless otherwise stated. Dates are those printed on the item concerned.
Those within square brackets have been ascertained from other sources.
Dates given as “circa” are necessarily conjectural, but great
care has been taken to fix upon as accurate a date as possible. Statement
of edition has only been given when actually printed on the item concerned.
All items are folio in size except where stated.
The page numbers given refer only to printed pages. Thus a bifolium of
four pages with p.1 blank is described as pp.2-4. Page numbers within
square brackets do not appear in print on the pages concerned. Where page
numbers are printed but are misleading, as in the case of, say a bifolium
bearing page numbers 26-29 (i.e. with a recto bearing an even number)
the situation is clarified by an additional set of nominal page numbers
within square brackets. Additional leaves (separate title-pages, catalogues
etc.) are separated from the music itself by a plus sign. Where such leaves
are not reckoned in the printed pagination they are given Roman numerals.
Songs printed on single leaves are designated “S. sh.” with
the addition of “lp.” if printed on one side only, or 2pp.
if printed on both.
All items are printed from engraved plates unless described as typeset.
Most songs are scored for voice and keyboard, but those with more than
this range of instrumentation are noted and specific instruments are listed
where they are named. Songs with accompaniments for more than two unspecified
instruments are designated simply “score.” The additional
accompaniments (“accompt.”) or arrangements (“arr.”)
sometimes given at the end are listed in full.
Box 7A
ANONYMOUS
The Address. A New Song. [Tell me my lovely, charming Fair]. N.i.
[ca. 1740]. S sh. 1p.
The Address with the Lady’s Answer. [Ah lovely Nymph give
over those cruel frowns to me]. N.i. [ca. 1725]. S. sh. p.7. [i.e. 1p.].
Additional accompt. far flute.
Advice to the Ladies [ .] The words by a Gentn. of Exeter. [Let
an empty flattering Spirit]. L[ongman] & B[roderip]. [ca. 1780]. Pp.
[2-3].
Ally Croaker. [There lived a Man in Baleno Crazy]. N.i.. [ca.1745].
S. sh. 1p.
And ye shall walk in silk attire [. ] Rutter & McCarthy, [ca.1820].
Pp.1-4.
Arcas and Rosetta [.] A favorite dialogue, sung at Finch’s
Grotto Gardens. [Be hushed ye rude Tempests]. N. i. , [ca. 1770]. Pp.
[2-3].
A New Song. [Ask me not how calmly I]. N..i., [ca. 1745].
S. sh. 1p.
The Banks of Alan Water, A ballad, sung by Miss Stephens in The
Antiquary, the words by M.G. Lewis Esqr. , composed by Lady —
and arranged for the piano forte by C. E. Horn. [On the banks of Allan
water] J. Power [ ca. 1820]. Pp. 1-3.
Begone dull Care. A favorite duet as sung at Harrison and Knyvett’s
Concerts. J. Dale, [ca. 1795]. Pp.[1]-3.
(Another edition). Be gone dull Care. A favorite duet. H. Andrews.
[ca. 1808] .Pp. [2-3]. Additional accompt. for German flute.
Bellisle March, or the Review [.] As sung at Marybone Gardens,
set for the German flute. [All Hail to the King]. N.i., [ca. 1763]. S.
sh. lp. Additional accompt. for guitar.
(Another Edition). Bellisle March or The Review. As sung at Marybone
Gardens. Set for the German flute. [All hail to the King]. N.i.. [ca.
1763]. S. sh. 1p. Additional accompt. For guitar.
The Bold Dragoon. A comic song sung by Mr. Johnson. [There was
an Ancient Fair]. G. Walker. [ca. 1807]. Pp. 2-3.
Braes of Ballandine. [Beneath a Green Shade a Lovely Young Swain].
Dale’s, [ca. 1799]. S. sh. 1p.
The Broom of Cowdenknows. [When Summer comes the Swains on Tweed].
N..i. [ca. 1780]. S. sh. 1p.
The Camp Medley [ , ]. With the Original Tunes [.] Within compass
of the German flute. [The Lark was up to the Morning Grey]. C. & S.
Thompson. [ca. 1770]. Pp.1 - 4.
(Another Edition) S. A. & P. Thompson [ca. 1785]. Pp. 1-4.
The Much Admired Catch of Care thou Canker of our Joys [.]. Adapted
for the harpsichord and voice; also for the German flute and guitar. G.
Smart. [ca. 1780]. Pp. 2-4.
The Chimney Sweeper [.] Sung by Mr. Atkins. The words by Mr. Mozeen.
[In various shapes I’ve oft been known]. N.i. [ca. 1770]. S. sh.
1p.
Sung in the Livery Rake. Ste for ye German Flute. [Come, be free,
my lovely Lasses]. N.i. [ca 1734]. S. sh. 1p.
The Comparison. The words by a Young Lady. [See Myra, See the Lilly
Fair]. N.i. [ca. 1734]. S. sh. 1p.
The Contended Shepherd. [The Sun being Set, and my work being done].
N.i., [ca. 1780]. S. sh. 1p.
Corn Riggs are bonny. [My Patie is a Lovey gay] Together with The
Birks of Endermay. [The Smiling Morn, the Breathing Spring]. N.i.. [ca.
1750]. Additional accompt. for flute. S. sh. 1p.
Daffodil. Or the Shepherds Complaint. Sung by Mrs. Smith. [Spring
returns, the Fawns advance]. N.i. [ca. 1755]. S. sh. 1p. Additional accompt.
for flute.
Damon’s Wish. A song set for the German flute. (If Flattering
Love is Wild]. N.i., [ca. 1740]. S. sh. 1p.
The Favorite Song, Date Obolum Bellisario, as sung with great applause
by Mr. Collins at his Brush. [O, Fortune, how strangely thy Gifts are
awarded]. S. A. & P. Thompson. [ca. 1785]. Pp.2-3. Additional accompt.
for German flute.
Disconsolate Lover’s Request. [The Silver Rain the Pearly
Dew]. I. R[utherford]. (ca. 1775]. S. sh. 1p. Additional accompt. for
German flute.
Donald, A Favorite Scots Song, with an accompaniment for the piano
forte. [When first you courted me]. Preston & Son. [ca. 1795]. Pp.[2-3].
Additional accompt. for guitar.
[Another edition]. Donald, The Popular Scotch Ballad sung by Miss
Stephens, in the opera of Guy Mannering, G. Shade [ca. 1818]. Pp.(2-30).
Additional accompt. for flute.
The Don Cossack War Song. Written by R. Elly Esqr. J. Adapted to a
National Russian Melody, with an accompaniment for the harp, or piano
forte. [Huzza to the battle! the Tartars are near]. Preston, [ca. 1816].
Pp.1-3.
The Dream. [Come gentle God of soft repose]. N.i. [ca. 1740]. S.
sh. 1p. Scored for voice, violin and keyboard.
Drink to me only with thine eyes. A favorite glee for three voices.
Adapted for a single voice and piano forte. H. Andrews. [ca. 1797]. Pp.(2-3).
Additional accompt. for two German flutes. B. U. C. and CPM.
The Fairy Queen. A Song. [Come follow follow me]. N.i. [ca. 1730]
.S. sh. 1p. Additional accompt. for flute.
The Flirtation. [Ye dear pretty Ladies]. N.i. [ca. 1760]. S. sh.
1p.
A New Song. Within compass of the German flute. (Fool that is I
wealthy is sure of a Bride] .N. i. I (ca. 1760] .S. sh. 1p.
Forc’d from Home and all it’s Pleasures [,] For one
or two voices, the words from Mr. Cowper’s Negro’s Complaint.
N.i. [ca. 1795]. Pp.[2-3].
The gentle Dew distill’d from heav’n [.] A favorite
duett for two voices with an accompaniment for the piano forte or harp.
Longman and Broderip. [ca. 1790]. Pp.1-4. (1).
A Scotch Song. Set for the German flute. [Gin thou wert mine ene
thing]. N.i., [ca. 1730]. S. sh. 1p. (2).
A new Song. Sung by Mr. Beard. [Give Us Glasses My Wench]. N.i.,
[ca. 1760]. S.sh. 1p. (1).
The Golden Days of Queen Bess [,] Sung by Mr. Collins in his Evening
Brush. (To my Muse give attention]. John Lee, Dublin. (ca. 1790]. S. sh.
1p.
The Golden Days we now Posses. A sequel to the favorite song of
Queen Bess, as sung with great applause by Mr. Collins, at his Brush.
[In the Praise of Queen Bess]. S. A. & P. Thompson. [ca. 1785]. Pp.2-3.
(1).
(Another edition). The Golden Days we now Possess [,] Written and
sung by Mr. Collins in his Brush. [ In the Praise of Queen Bess]. John
Lee, Dublin. (ca. 1790]. S. sh. 1p. BUC and CPM (0).
The Good fellow. Set for the German flute. [Let’s drink and
be merry] .N.i. I (ca. 1720]. S. sh. 1p. (2).
Gramachree Molly [.] A Favorite Irish Air. N. i. , (ca. 1780].
S. sh. 1p. Additional accompt. for guitar. (0).
(Another edition). Gramachree Molly, A favorite Irish Air. N.i.,
[ca. 1780]. Additional accompt. for guitar. With “Gramachree Molly”
in italics.
The Happy Couple. [At Upton on the Hill]. N.i. [ca. 1740]. S. sh.
1p. Additional accompt. for flute. (2).
Hellvellyn, A favorite song, written by Walter Scott Esqr. Adapted
to the favorite Air of Erin go Bragh, with an accompaniment for the harp
or piano forte. [ I climbed the dark brow of the mighty Hellvellynl].
Goulding, D’Almaine, Potter & Co. [ca. 18121. Pp.1-4. Additional
accompt. for flute.
The Highland Queen. [No more my song shall be ye swains]. R. Falkner.
[ca. 1773]. Typeset. S. sh. 1p. Additional accompt. for guitar.
The Honey-Moon. [As May in all her youthful Dress]. N.i. [ca. 1740].
S. sh. 1p. Additional accompt. for flute.
The Hounds are all out. A Favorite Hunting Song. N.i. [ca.1775].
S. sh. lp. Additional accompt. for guitar.
If doughty deeds my Ladye please, A Favorite Ballad [.] The poetry
selected from the Minstrelsy of the Scottish Border. By Walter Scott Esqr.
Hime & Son, Liverpool. [ca. 1813]. Pp.1-4. Additional accompt. for
flute.
In Airy Dreams. P. H[odgson]. [ca. 17801. S. sh. 1p. Additional
accompt. for German flute or guitar. With “Affettuoso” beginning
under C# of the first stave.
(Another edition). In Airy Dreams [.] P. H[odgson], [ca.1780].
S. sh. 1p. Additional accompt. for German flute or guitar. With “Affettuoso”
beginning under the first note of the stave.
(Another edition). A favorite song. Adapted for the harpsichord, German
flute, violin and guitar. J. Preston. [ca. 1785]. Pp. l[-3].
The Inconstant Fair One. The words by Mr. Lockman. [How can you
love Nancy]. N.i. [ca. 1740]. S. sh. 1p. Additional accompt. for flute.
Songs and Duetts. Composed by a Lady. [Eight songs: (In vain I’ve
wooed the balmy pow’r) &c.] Rt. Birchall, [ca. 1808]. Pp.[i-
ii] + 2 [i.e. 1] + [2 (blank)] + 3-27.
Jamie Gay. [As Jamie Gay gang’d blyth his way]. N.i. [ca.
1770]. S. sh. 1p. Additional accompt. for guitar.
Jenny’s Complaint [.] Set for the German flute. (Twa bonny
lads were Sawney and Jockey] N. i. [ca. 1740]. S. sh. 1p.
The Jolley brisk Tarr. In composs for ye German flute. [Early one
morn a Jolly brisk tarr]. N.i. [ca. 1730]. S. sh. 1p..
The Kiss. A favorite song as sung by Miss Brown and Mrs. Farrel.
[One kind Kiss before we part]. S. B[abb]. (ca. 1770]. S. sh. 1p. Additional
accompt. for guitar.
(Another edition). The Kiss. John Lee [Dublin, ca. 1791]. S. sh.
1p. Additional accompt. for guitar.
Lango Lee. A favorite Irish song. [There lives a sweet lovely dear
sir]. N. i. I [ca. 1775] .S. sh. 1p. Additional accompt. for guitar.
The Larks shrill Notes. Sung by Mrs. Vincent at Vauxhall. N. i.
[ca. 1765]. Pp.2-3.
Linco’s Advice to Damon. [Linco found Damon lying]. N. i.
[ca.1735]. S. sh. 1p. Additional accompt. for guitar.
The Little Man and Maid. [There was a little, Man and he wooed
a little maid] .N. i. [ca. 1770] S. sh. 1p. Additional accompt. for flute.
A Favorite Hymn [.] Sung at the Magdalen Chapel. [The Lord my Pasture
shall prepare] N. i. [ca. 1770] .S. sh. p.3 [i.e. 1p.]. Additional accompt.
for the guitar.
Sung by Mr. Lowe. [Love never more shall give me pain]. N. i. [ca.
1755] S. sh. 1p..
A Loyal Song. Sung at both theaters, for two voices. [God save
Great George our King]. N. i. [ca. 1745]. S. sh. 1p. Additional accompt.
for the flute.
The Maidens Desire. [As Celia was walking one day in a grove] N.
i. [ca. 1720]. S. sh. 1p. Additional accompt. for unspecified instrument.
The Man to My Kind. [While fashion prevails with the Youth of the
Age]. Babb [ca. 1775]. S. sh. 1p..
Mary Scot [.] [Happy’s the Love that meets return]. N. i.
[ca. 1735]. S. sh. 1p. Additional accompt. for flute.
Moderation and Alteration. [With an old Song made by an ancient
Pate].C. S. T[hompson] [ca. 1775]. S. sh. 1p.
The Modest Lover. [In silent ecstacy I gaze]. N. i. [ca.1750].
S. sh. 1p.
My Lodging. A favourite mad song. [My Lodgings is on the cold Ground].
I. F[entumJ. [ca. 1775]. S. sh. 1p. Additional accompt. for German flute
or guitar.
(Another edition). N. i. I [ca. 1785]. S. sh. 1p. Additional accompt.
for German flute or guitar.
My Nanny O [.] Sung by Mr. Lowe. [Whilst some for pleasure waste
their health]. N. i. [ca. 1750]. S. sh. 1p. Additional accompt. for unspecified
instrument.
Nobody. [I’ll Sing you a Song Sirs]. C. S. T[hompson]. [ca.
1770]. S. sh. 1p.
O! Dear What Can the Matter Be[.] For one, two, three, four or
five voices. Engraved from the original manuscript and entered at Stationers
Hall. J. Dale. [ca. 1792]. Pp.[1] 4. Additional arr. for German flute,
guitar or two voices.
An Ode to Solitude. [Sweet Companion of the Muse]. N. i. [ca.1750].
S. sh. 1p.
A New Song. [Oh how could I venture to love one like thee]. N.
i. [ca. 1745]. S. sh. 1p.
A Pastoral Ode [in] Praise of Peace [,] the words by F. Forrest.
[Ye Nymphs and Swains, come join with m]. N. i. [ca. 1760]. S. sh. lp.
Additional accompt. for flute.
Peace, Or Old England triumphant. A song written on the Preliminaries
of Peace being signed between Great Britain and France. 1801[.] The words
by a Gentleman of Salisbury and set to music by an eminent master. J.&
H. Banks. [1801]. Pp.2-4. Additional accompts. for flute and guitar.
The Pensive Swain. [Sweet day so cool, so calm, so bright]. N.
i. [ca. 1760]. S. sh. 1p. Additional accompt. for flute.
The Pilgrim [,] For the Ger: fluet (sic). [In Pennance for past
folly]. N. i. [ca. 1770]. S. sh. 1p.
Pinky House. [As Sylvia in a Forest lay]. N. i. [ca. 1770]. Pp.
6-7. ( 1) .
Plato’s Advice. [Says Plato why should Man be vain]. N. i.
[ca. 1770]. S. sh. 1p. Additional accompt. for guitar.
The Poor Shepherd [.] The words by Mr. Gay. [The Sun was sunk I
beneath the Hill]. N. i. [ca. 1725]. S. sh. 1p. Additional accompt. for
flute.
Poor Walleys Complaint. [Oh who’ is me poor Walley Cryd].
N. i. [ca. 1750]. S. sh. 1p. Additional accompt. for flute.
The Request [.] A favorite song and duet with an accompaniment
for a piano forte or harp. [Tell me babbling Echo why]. J. Dale. [ca.1795].
Pp.2-4. Additional accompts. for guitar, German flute and arr. for two
voices.
Robinhood’s Hill. A favorite song. [Ye Bards who extol the
gay Valleys and glades]. Sk[illern] [ca. 1780]. S. sh. 1p. Additional
accompt. for German flute.
Together
with on reverse:
HARRIBGTON, (Henry). How Sweet in the Woodlands [.] A favorite
duet. N. i. [ca. 1775]. S. sh. lp.
Rosa and Henry. The much admired song in the new comedy of The
Secret, as sung by Mrs. Jordan, properly disposed of for the harp
or piano forte, the music by a Lady of Fashion. Longman, Clementi &
Co. [ca. 1799]. Pp. l-4. Additional accompts. for flute and
guitar.
Rosline Castle [,] A very favorite old Scotch song. [‘Twas
in that Season of the year]. John Lee, [Dublin]. [ca. 1790]. S. sh. 1p.
Additional accompt. for guitar.
The Rover [.] A new song. [Tell me You Rover, what you discover].
N. i. [ca. 1720]. S. sh. 1p. Additional accompt. for flute.
St. Osyth at the Hill. Set for the German flute. [At St. Osyth
by the Hill]. N. i. [ca. 1740]. S. sh. 1p.
Scots what have we Wallace bled, or Bruce’s Address. Words
by Burns, sung by Mr. Incledon and Mr. Broadhurst, with an accompaniment
for the piano forte. R. Major [ca. 1816]. Pp.2-3. Additional accompt.
for flute.
Silenus and Cupid. The words by Geo. Alex Stevens. [Cupid sent
on a message one evening]. P[eter] H[odgson]. [ca. 1779]. S. sh. 1p. Additional
accompt. for guitar.
New Song. Within compass of the German flute. [Silvia bright Nymph
who long had found]. N.i. [ca. 1750]. S. sh. 1p.
Sung by Mrs Jordan in the Spoiled Child. [Since then I’m
doomed this sad reverse to prove].
Together
with:
Act 2d. Sung by Mrs. Jordan in the Spoil’d Child. [I am brisk a
sprightly Lad] . N. i. [ca. 1790]. Pp.[2-3], Additional accompt. for German
flute.
Six Glees [.] Composed by an amateur. [Six songs: (Altho soft Sleep
Death’s near resemblance wears) &c.]. Willm Napier, [ca.1785].
Pp.[i-ii] +[l]-7.
The Slighted Lover [.] [Believe my Sighs my Tears my Dear]. N.
i. [ca. 1740]. S. sh. 1p. Additional accompt. for flute.
Social Pow’rs [,] A favorite song. [Come now all ye Social
Pow’rs]. J. Bland. [ca. 1785). S. sh. 1p.
A Soldiers Song for two Voices. [How stands the Glass a round].
C. S. T[hompson] [ca. 1765]. S. sh. 1p. Additional accompt. for two German
flutes.
Stanco di pascolar le Pecorelle. A catalogue of the music arranged,
harmonized or composed by Mr. Biggs; the original copies of which are
printed and sold by Rt. Birchall at his musical Circulating Library N.
133 New Bond Street, London.
The Storm [.] Sung by Mr. Dodd. [Cease rude Boreas blistering Railer].
W. N [apier]. [ca.1780]. S. sh. 1p..
(Another edition). The Storm. An admired ballad as sung by Mr.
Incledon, at the Theatre Royal, Covent Garden. [Cease rude Boreas, blistering
Railer]. C. Wheatstone. [ca. 1810]. Pp.2-3. Additional accompt. for German
flute.
The Stormy Ocean roving [.] Recitative and song. The words by Miss
Seward. N. i. [ca. 1815]. Pp.73-75.
The Swain’s Request. [Why Chloe with so grave a face]. L[ongman],
L[ukey] & B[roderip] [ca. 1780]. S. sh. 1p. Additional accompt. far
German flute or guitar.
Sweet Robin. A popular ballad, sung with the greatest applause
at The Lyceum Theatre by Mrs. Cooke. [Oh! where are you going sweet Robin].
W. Andrews. [ca. 1811]. Pp.[2-3]. Additional accompt. for German flute
or flageolet.
Sylvania by Mr. Costeker. [Where beauteous Flora, Where beauteous
Flora cloaths the Fields]. N. i. (ca. 1730]. S. sh. 1p. Additional accompt.
for flute.
Tarry Woo [.] A favorite Scotch song. [Tarry Woo, its Tarry Woo].
N. i. [ca. 1730]. S. sh. 1p. Additional accompt. for German flute.
The Tell Tale. A new song. Set for the German flute. [Blab not
what you ought to smother]. N. i. [ca. 1740]. S. sh. 1p. Additional accompt.
for flute.
There’s nae luck about the house. A favorite Scotch song. [And
I are ye sure the news is true] R[ober] T. B[remne]r. [ ca. 1770]. S.
sh. 1p.
There was a little Woman. The favorite comic song, introduced and
sung by Mr. Fawcett in Crotchet Lodge. Preston & Son. [1795].
Pp.2- 3.
Tho’ Prudence may press. Sung by Mrs. Smith in The Deserter.
N. i. [ca. 1773]. S. sh. 1p. Additional accompt. far guitar.
Thy Fatal Shafts Unerring Move. With an accompaniment for the harpsichord
or piano forte. L[ongman] & B[roderip]. [ca. 1785]. Pp.(2-3).
The Tobacco Box or Soldier’s Pledge of Love [.] A favorite
dialogue. [Tho’ the fate of Battle on tomorrow wait]. J. Dale. [ca.1800].
Pp.(2-3). Additional accompts. for guitar and German flute.
Tom of Bedlam. Sung by Mr. Incledon in the Wandering Melodist.
Sold by C. Mitchell at his Musical Circulating Library and instrument
ware-rooms. 51 Southampton Row, Russell Square.
Town & Country A celebrated song, sung by Mr. Dignum, at the Theatre
Royal, Drury Lane and at the Nobility’s Concerts, with unbounded
applause, written by Captn. Korris. [In London I never know what to be
at]. Longman and Broderip. [ca. 1795]. Pp.2-4.
Tyburn Tree. [Since Laws were made for every degree]. Str[aight]
& Sk[illern]. [ca. 1760]. S. sh. 1p.
The valiant Mariner. [Come and listen to my Ditty]. N. i. [ca.
1740]. S. sh. 1p. Additional accompt. for flute..
Variety is Charming. [I’m in Love with twenty]. Str[aight]
& Sk[illern]. [ca. 1775]. S. sh. 1p. Additional accompt. for guitar.
The Humourous Song of The Vicar of Bray. Set for the German flute[.]
[In good King Charles’s golden Days]. N. i. [ca. 1735]. S. sh. 1p.
Additional accompt. for flute.
Weep, Britons, weep, a tribute to the Memory of Her Royal Highness
the Princess Charlotte Augusta [.] Written & composed by an amateur.
Published and sold for the author by Robt. Purdie, Edinburgh. [ca. 1818].
Pp.[i-ii] 2-5.
When you tell your Heart is anothers [.] A favorite song, with
an accompaniment for the harp or piano forte. J. Dale. [ca. 1796]. Pp.2-4.
Additional accompt. for German flute or guitar.
Whilst Happy in my Native Land [.] A favorite song sung by Mr.Bannister.
Longman and Broderip. [ca. 1787]. Pp.2-4. Additional accompt. for one
or two German flutes or guitars. Whistle and I’ll come to you
my Lad. [O! whistle an I’ll come to you my lad].
Together
with:
O! Merry may the Maid be. G. Walker. [ca. 1805]. S. sh. pp.5-6
[i.e. 2pp.]. Additional accompts. for German flutes.
Woe’s my heart that we should sunder [.] A favorite Scotch
song. [With broken words and down cast eyes]. N. i. [ca. 1780]. S. sh.
1p. Additional accompt. for flute.
Woo’d and Married and A’. [The bride came out of the
byre].
Together
with:
The White Cockade. [My Love was born in Aberdeen]. G. Walker. [ca.
1805]. S. sh. pp.7-8 [i.e. 2pp]. Additional accompts. for German flute.
The Yellow Hair’d Laddy [.] A favorite Scotch song. [In April
when Primroses paint the sweet plain]. H. Andrews. [ca. 1797]. Pp.2-3.
Additional accompt. for German flute.
Sung by Kiss Stevenson. [Ye Swain’s that are courting a Maid]. N.
i. [ca. 1760]. S. sh. 1p.
ABINGTON, (Leonard).
Damon and Celia [.] A dialogue. [Behold the Bird, in Love combin’d].
N. i. [ca. 1750]. S. sh. 1p. (2).
ABRAMS, (Harriett).
Crazy Jane. A favorite song, the words by M. Lewis, Esqr. and set
to music with an accompaniment for the harp or piano forte. [Why fair
Maid in every feature]. L. Lavenu. [ca. 1800]. Pp.1-4. Signed by the publisher.
The Orphans Prayer. A pathetic ballad, the words by M.G. Lewis,
Esqr. and set to music with an accompaniment for the harp or piano forte.
[The frozen streets in Moonshine glitter]. L. Lavenu. [ca.1800]. Pp.[i]
+ 2-6. Signed by the publisher.
ALDRICH, (Henry).
The Bonny Christ Church Bells. A favorite Catch. Composed by Dr.
Aldrich, for three voices, piano forte or flutes. [Hark the Bonny Christ
Church Bells]. N. i. [ca. 1810]. Pp.[2]-3. Additional accompt. for one
or three flutes.
AMBROSE, (John).
The Sympathizing Sigh. [Say what is Friendship but a Name]. E.
Riley. [ca. 1800]. Pp.1-4. Additional accompt for flute.
ANGLOSINI, (Sigr.).
New Cantata [.] [Whilst Strephon on fair Cloe hung]. N. i. [ca.
1740]. S. sh. 1p. Additional accompt. for flute.
ARNE, (Michael).
Homeward Bound. Sung by Mr .Arrowsmith at Vauxhall . .. . The words
by Capt. Thompson. [Loose every sail to the breeze]. Harrison & Co.
[ca. 1795]. Pp.[1]-3.
The Celebrated Linnet Song, in Cymon. Sung by Mr. Duruset at the
Theatre Royal, Covent Garden. [You gave me last week a young Linnet].
T. C. Bates and sold at J. Konro’s. [ca. 1815]. Pp.1-3.
Sweet Passion of Love [.] A favorite song in Cymon. [This
cold flinty Heart it is you who have warmed]. Longman and Broderip. [ca.1783]
.Pp.2-3.
The Topsails shiver in the Wind. Sung by Mr. Arrowsmith at Vauxhall.
Longman & Broderip. [ca. 1783]. Pp.2-4. Additional accompts. for guitar
and German flute.
[ARNE, (Thomas Augustine)].
Affectation, A Cure for Love. [Long at thy Altar. God of Love].
Printed (by assignment from Dr. Arne) for G. Kearsly. [1760]. S. sh. p.28
[i.e. 1p].
The Caution. [Philira’s charms poor Damon took]. Printed
(by Assignment from Dr. Arne) for G. Kearsly. [1760]. S. sh. p.34 [i.e.
1p.].
Colin and Phillis. A pastoral dialogue. Sung by Mr. Beard and Miss
Hallam. [Hark! hark! o’er the Plains what glad Tumults we hear].
N. i. [ca. 1775]. Pp.[2-3].
Colinet [,] Sung by Mr. Lowe and Mrs. Lampe. [Now the happy Knot
is tyd]. N. i. [ca. 1760]. S. sh. 1p.
Come Live with me & be my Love [.] Sung at Vauxhall, the words
by Marlow. A. Bland. [ca. 1788]. Pp.[2-4].
The Cuckow. Sung by Mrs. Baddely in As You Like It. [When
Daisies pied & Violets blew]. N.i. [ca. 1780]. S. sh. 1p. Additional
accompt. for guitar or German flute.
The Dirge in Cymbaline. Harmonized by Mr. Rauzzini & performed
at the Bath Concerts, with Universal Applause. [To fair Fideles grassy
Tomb soft Maids and Village hinds shall bring]. N.i. [ In ms. ‘Entered
at Stationers hall’] [ca. 1795]. Pp.[2-3]. Scored for three voices
and piano.
Hebe a pastoral. [When forced from dear Hebe to go]. N. i. [ca.
1764]. S. sh. 1p. Additional accompt. for guitar.
The Lover’s Petition. [Fairer than the op’ning Lillies].
Printed (by Assignment from Dr. Arne) for G. Kearsly. [1760]. Pp.32- 33.
Scored for horns, violins, voice and bass.
My Banks. [My Banks they are furnished]. N .i. [ca. 1775]. S. sh.
1p. Additional accompt. for guitar.
My fond Shepherds [,] Sung by Sigra Frasi[.] W. Forster. [ca.1770].
S. sh. 1p.
Nymphs and Shepherds. Sung by Miss Brent, at Ranelagh, and by Mrs.
Vincent, at Vauxhall Gardens. N. i. [ca. 1770]. Pp.1-2 [i.e. 2-3].
Peggy, or the fickle Fair. [Ye Shepherds, who blessed in your I
Loves]. Printed (by Assignment from Dr. Arne) for G. Kearsly. [1760].
Pp.36-37. Scored for two violins, voice and bass.
Rule Britannia [.] A favorite song. [When Britain first, at Heavens
command]. Preston & Son. [ca. 1795]. Pp.[2-3]. Additional accompt.
for guitar.
(Another edition). Rule Britannia [.] A favorite song. [When Britain
first at Heav’ns command]. H. Andrews. [ca. 1795]. Pp.[2-3].
(Another edition). The Grand National Air Rule Britannia. Verse
and chorus. [When Britain first at Heav’ns command]. Printed and
sold at No.1 Clare Court, Drury Lane. [ca. 1805]. Pp.[2-3]. Additional
accompt. for German flute.
The Soldier Tir’d. Sung by Miss Brent in Artaxerxes [.] N.
i. [ca.1785]. Pp.50-51 [i.e. 2-3].
(Another edition). The Soldier Tir’d. Sung by Mrs. Billington.
Major’s Music Warehouse. [ca. 1809]. Pp.[2-3].
Spring an Ode. [Decripit Winter limpt away]. Printed (by assignment
from Dr. Arne) for G. Kearsly. [1760]. S. sh. p.8 [i.e. 1p.] .
The Scotch Air in the Overture to Thomas and Sally. Composed by
Dr. Arne [,] Sung by Mr. Tenducci and Miss Brent at Vauxhall and Ranelagh.
[To ease his Heart and own his Flame]. N.i. [ca. 1765]. Pp.[2-3]. Additional
accompt. for German flute.
Water parted from the Sea. Sung by Mr Tenducci in Artaxerxes.
N. i. [ca. 1765]. S. sh. p.4 [deleted], 58 [i.e. 1p.] Additional accompt.
for German flute.
The way to keep him. [Ye Fair possessed of every charm]. Printed
(by Assignment from Dr. Arne) for G. Kearsly. [1760]. S. sh. p.11 [i.e.
1p.].
Mrs. Scott’s Song in the Desert Island. [What tho’
his Guilt my Heart hath torn]. Printed (by assignment from Dr. Arne) for
G. Kearsly. [1760]. Pp.26-27. Scored for two flutes, voice and bass.
Sung by Mrs. Vernon. [When all the Attick Fire was fled]. N. i.
[ca. 1765]. S. sh. 1p.
(Another edition). Sung by Mrs. Vernon. [When all the Attic Fire
was fled]. N. i. [ca. 1785] .S. sh. 1p. (1)
Where the Bee sucks [.] A favorite song in The Tempest.
Longman & Broderip. [ca. 1790]. Pp.2-4. Scored for two violins, flute,
bass and voice. Additional accompt. for guitar.
(Another edition). The favorite song of “Where the bee sucks”,
sung by Miss Meadows with Universal Applause in The Tempest. Arranged
by J. Davy. Mitchell’s (pasted over imprint of Rt.Birchall). [ca.
1816]. Pp.56-58.
[ARNOLD, (Samuel)].
Amo Amas &c. As sung by Mr. Cornelys in the “Agreeable
Surprize”. John Lee, Dublin. [ca. 1781]. S. sh. 1p. (1).
Bustle and stir in my shop. As sung by Mrs. Heaphy in the Agreeable
Surprize. [In choice of a husband we Widows are nice]. John Lee, Dublin.
[ca. 1781]. S. sh. 1p. Additional accompt. for guitar. (2).
The Charming Fellow [.] Sung by Mrs. Hitchcock in the Agreeable
Surprize. [Lord what care I for Mam or Dad]. John Lee, Dublin, [ca.
1781]. S. sh. 1p. Additional accompt. for guitar. (1).
Corporal Casey, A Favorite Song Sung by Mr. Johnstone in the Surrender
of Calais. [When I was at home I was merry and frisky]. Preston &
Son, [ca. 1792]. Pp.2-3.
Fresh and Strong the Breeze is blowing. A much admired and justly
favorite song, in Inkle and Yarico, composed by Doctor Arnold,
adapted e [sic] Trois Mains, and published at the particular request of
several Ladies. Longman & Broderip. [ca. 1790] .Pp.2-4. Additional
accompts. for guitar and German flute.
From Night till Morn I take my Glass. A favorite duett as sung
at the Theatre Royal, Covent Garden and Hay Market and at the Je ne sais
quoi Club. Adapted & printed by J. Dale. [ca. 1791]. Pp.(2-4). Additional
arrs. for piano, one or two German flutes, and guitar.
(Another edition). From Night till Morn [.] A favorite duett with
an accompaniment for the Piano Forte. N. i. [ca. 1810]. Pp.[2- 3]. Additional
accompt. for one or two German flutes.
The Hardy Sailor. A favorite song sung by Mrs. Kennedy in The
Castle of Andalusia. J. Bland. [ca. 1785]. Pp.(2-4). Additional accompt.
for guitar.
Jackey Bull [,] A favorite song from the Agreeable Surprize
as sung by Mr Moss. [In Jackey Bull, when bound for France]. John
Lee, Dublin. [ca. 1781]. S. sh. 1p. Additional accompt. for guitar.
Lira Lira [,] A favorite song, sung by Mrs. Bland, in the Surrender
of Calais. [Little think the Townsmans Wife]. Preston & Son. [ca.
1792]. Pp.2-4. Additional accompt. for German flute.
(Another edition ) Little think the townsmans wife [.] A favorite
song, sung by Miss Brett in The Surrender of Calais. Hime, Dublin.
[ca. 1800]. S. sh. 1p. (1).
Oh the moment was sad [.] A favorite song, sung by Mr. Johnstone
in the Surrender of Calais. Preston & Son. [ca. 1795]. Pp.2-4.
Additional accompt. for guitar.
The Prince of Arcadia. A pastoral elegy. Occasioned by the King’s
Melancholy Indisposition. The words by Kr. Harrison. [In the realms of
Arcadia, the dwelling of Peace]. Harrison and Co. [1788]. Pp.2-4. Additional
accompt. for German flute and guitar.
The Rush-Light. An additional song, introduced and sung by Mr.
Bannister, Junr. in Peeping Tom, the words by G. Colman, Junr.
Esqr. [Sir Solomons Simons when he did wed]. Printed for B. Wood and sold
by T. Skillern. [ca. 1789]. Pp.[2]-4. Additional accompt. for German flute.
To be sure I would [.] Sung by Mr. Cornelys in The Agreeable
Surprise. [Of all the pretty flowers a Cowslip’s my delight].
John Lee, Dublin. [ca. 17811. S. sh. 1p. Additional accompt. for guitar.
ATFIELD, (John)
Comus’s Court. Set to music by Mr. Atfield. The words by
Harry Howard ballad master General to the choice Spirits. [Come hither,
come hither ye languishing Swains]. N. i. [ca. 1740]. S. sh. 1p.
ATTWOOD, (Thomas)
Ah! welcome merry Hour of Dawn. Song, as sung by Miss Tyrer, at
the Theatre Royal, Covent Garden in Adrian and Orrilla, written
by Wm. Dimond, Esqr. Monzani & Co. [ca. 1807]. Pp.1-5. Initialed by
the composer.
Box 7B
[BAILDON, (Joseph)]
Adieu to the village delights [.] A favourite pastoral elegy by
the late Lord Littleton. Adapted for the harp, harpsichord or piano forte.
N. i. [ca. 1785]. Pp.1-3. Additional accompt. for two German flutes.
Set by Mr. Baildon. [How pleasing is Beauty, how sweet are the Charms].
N. i. [ca. 1755]. S. sh. 1p.
(Another edition). Set by Mr Baildon. [How pleasing is Beauty how sweet
are the Charms]. N. i. [ca. 1765]. S. sh. 1p.
Sung by Mr. Lowe at Marybon Gardens. [If Love’s a sweet, Passion
how can it torment]. N. i. [ca. 1760]. S. sh. 1p.
BAKER, (Dr. G.)
See, see my Fair. A favorite song. Published for the author by
Messs. (sic) Phipps & Co. [ca. 1812]. Pp.[i] + 2-3.
BALL, (William).
The farewell of The Portuguese Maiden. To her brother on his joining
the National Army, the words written to a foreign melody by William Ball.
[Dost thau depart, my Brother!]. S. Chappell, [ca. 1828]. Pp.1-4.
BARKER, (Mr.)
A Song. The words by a Gentleman. Set for the German flute. [At
last my Dear Chloe reveal]. N. i. [ca. 1760]. S. sh. 1p.
BARNET, (James).
Duncan Grey, Old Scottish Ballad. Written by Robert Burns. Arranged
expressly for Miss Stephens, by James Barnet. W. Wybrow. [ca. 1828]. Pp.2-3.
BARNETT, (John)
Not a Drum was heard. The celebrated poem written on the Death
of General Sir John Moore. Sung with the most distinguished approbation,
by Mr. Sapio. at the Argyll Rooms. Mayhew & Co. [ca.1825]. Pp [i-ii]
+ 1-6.
Rise Gentle Moon. Sung by Miss Love, in the Historical Drama, Charles
the Twelfth, or the Siege of Stralsund, performed at the Theatre Royal,
Drury Lane. Written by J. R. Planché Esqr. [Day has gone down on
the Baltic’s broad billow]. Mayhew & Co. [ca. 1828]. Pp.[i-ii]
+ 1-5.
This Rose I pluck’d at Morn, Air Sung by Miss Taylor, in
the popular musical play of The Carnival at Naples, now performing
with unbounded applause at the Theatre Royal, Covent Garden. John Barnett
& Co. [ca. 1830] .Pp.[i]+1-3.
BARRETT, (John).
A new song set by Mr. Barrett. [Whilst I Fondly view the Charmer]. N.
i. [ca. 1707]. S. sh. 1p.
BARTHELEMON, (François Hippolyte)
Durandarte and Belerma [.] A Pathetic Scotch ballad with an accompaniment
for the harp. [Sad and fearful is the Story]. Lavenu & Mitchell. [ca.
1809]. Pp.1-4. Additional accompts. for German flute and guitar.
BEALE, (William)
Madrigal for four voices. [This pleasaunt Monthe of Maie]. Printed for
the author. [ca. 1815]. Pp.[i] + 2-8. Signed and inscribed by the composer.
BIGGS, (Edward Smith)
Ah! me! with that false one. A favorite Irish air harmonized as
a glee for four voices. The words by Mrs. Opie. Rt. Birchall. [ca. 1803].
Pp.1-3. Initialed and numbered by the composer.
Come my bonny love [.] A duett with an accompaniment for the piano
forte. Rt. Birchall. [1794]. Pp.1-3. Initialed and numbered.
The Evening Call Of the Swiss Pastors. Harmonized and arranged
as a glee, for three voices. The words written and adapted to the music
by Mrs. Opie. [Now Evening’s come!]. Rt. Birchall, [ca. 1802]. Pp.I-3.
Initialed and numbered.
Here’s a Health to those far away. A song with an accompaniment
for the piano forte, the words by the author of ‘”My Love
to War is Going.’” N.B. The melody taken from a Scotch air.
Rt. Birchall. [ca. 1796]. Pp.I-3. Initialed and numbered.
(Another edition). Here’s a Health to those far away. A Scots
air harmonized for four voices by Mr. Biggs, the words by Mrs. Opie. Rt.
Birchall. [ca. 1803]. Pp.1-3. Initialled and numbered.
A Hindustani Girl’s Song, ‘Tis thy will, and I must
leave thee. Rt. Birchall. [ca. 1795] .Pp.
[7 (cat.)] + 8-9. Initialled and numbered.
My Love to War is Going. A song with an accompaniment for the piano
forte. Rt. Birchall. [ca. 1795]. Pp.2-4. Additional arr. for three voices.
Initialed and numbered.
BILLINGTON, (Thomas)
The Consolation, to sooth the Royal Parents, an (sic) Illustrious Consort,
and a Nations Loss. Composed and arranged for the piano forte, or
organ, with voice and flute. [Ascend bright Orb and take your flight].
Printed for the author at Preston’s Wholesale Warehouses, [1817].
Pp.[i-ii] + 1-5. Signed by the composer.
BISHOP, (Henry R.).
And has she then fail’d in her truth. Rondo Sung by Mr. Sinclair,
in the revived Persian Tale of Selima and Azor. Also Introduced in Love
in a Village, and the Theatre Royal Covent Garden. Goulding D’Almaine
Poter & Co., [ca. 1814]. Pp.1-3.
(Another edition). Goulding & Co., [ca. 1814]. Pp. 1-3.
As it fell upon a Day. Duetto, sung by Miss Stephens & Miss
M. Tree, In Shakespeare’s Comedy of Errors, at the Theatre Royal,
Covent Garden, The Words from Shakespeare’s Sonnets. Goulding, D’Almaine,
Potter & Co., [ca. 1820]. Second edition. Pp. 1-6.
Bid me discourse, Song by Miss M. Tree, In Shakspeare’s Comedy
call’d “Twelfth Night,” Performed at the Theatre R oyal,
Covent Garden, The Poetry from Shakspeare’s Sonnets. Goulding, D’Almaine,
Potter, & Co., [ca. 1824]. P. [I] + 2-7.
By the simplicity of Venus Doves, Sung by Miss Stephens in A Midsummer
Nights Dream, Theatre Royal, Covent Garden, The Words by Shakespeare.
Goulding D’Almaine, Potter & Co., [ca. 1818]. Pp. 38-42 [i.e.
1-5].
Come shining forth my dearest, Serenade. Sung by Mr. Sinclair in
Don Juan or the Libertine at the Theatre Royal, Covent Garden, Composed
by Mozart. Adapted to the English Stage, & arranged by Henry R. Bishop.
Goulding D’Almaine Potter & Co., [ca. 1817]. Pp. 9-12.
He is all the World to me, A Favourite Air, as sung with great
applause by Miss Bolton at the Theatre Royal Covent Garden. [O’er
the brake or o’er the Mountain]. For the Author, by L. Lavenu, [ca.
1807]. P. 1-3.
The last Token or “Remember me [,]” Written on the
Princess Amelia’s Mornful Present to his Majesty. Born the 7th
Day of August 1783. Died the 2nd Day of November, 1810. The
Words by Peter Pindar Esqr. Set to Music with a Recitative & Piano
Forte Accompaniment. [With all the Virtues blest, And ev’ry grace].
Goulding, D’Almaine, Poeert & Co., [1810]. Pp [i] + 2-4.
List and I’ll find love! Sung by Miss Stephens in the opera
of Don Juan or The Libertine, at the Theatre Royal, Covent
Garden. Composed by Mozart, adapted to the English Stage and arranged
from the score. Goulding, D’Almaine Potter & Co. [ca. 1817].
Pp.48-50 (i.e. 1-3].
Love has Eyes. A ballad sung by Mr. Sinclair in the comic opera
of “The Farmer’s Wife”, at the Theatre Royal, Covent
Garden, the words by C. Dibdin Junr. Esqr. [Love’s blind they say].
Goulding, D’Almaine, Potter & Co. [ca. 1814]. Pp.38-41 [i.e.
1-4].
Love in Idleness. Ballad, the words from the Life of The Right
Honorable Richard Brinsley Sheridan, by Thomas Moore Esqr. [In Gardens
oft a beauteous flower there grows]. J. Power. [1826]. Pp.[i-ii] + 3-7.
Sons of Freedom hear my story. The highly popular ballad, as sung
with rapturous applause by Miss Stephens, at the Theatre Royal, Covent
Garden in the opera of The Slave. The poetry by T. Morton Esqr.
Goulding, D’Almaine, Potter & Co. [ca. 1817]. Pp.[i] + 84-86.
Sweet Maid. A favorite song, sung by Mrs. Bland (with an accompaniment
for the harp) at the late Theatre Royal Drury Lane, in the opera of The
Circassian Bride. [Wherefore Sweet Maid sigh you so]. L. Lavenu. [ca.
1810] .Pp.35-38.
Sweet Rose of England! Fare thee well! A tribute of respect to
the memory of Her Royal Highness the Princess Charlotte of Wales, the
poetry by J. Pocock Esqr. Goulding, D’Almaine, Potter & Co.
[1817]. Pp.[i] + 2-7. Scored for four voices.
BLAND, (John)
Bland’s Collection of Divine Music, Consisting of Psalms, Hymns
& Anthems, For One, Two, Three, and Four Voices [.] The Basses
Figured, and proper Harmonies annexed, for the Organ or Harpsichord[.]
The Words chiefly from Dr. Watts. No.14. [Four songs: (Anthem, Unto Thee,
O Lord) &c.]. J. Bland, [ca. 1795]. Pp.[i-ii] + 133-141 + [142 (numbered
3 [cat.])].
Linley’s Continuation of Bland’s Collection [.] Divine Music
[&c.]. No.18. [Three songs: (Ode to Spring) &c.]. F. Linley. [ca.
1797]. Pp.[i] + 172-181 + [182(cat. )].
The Ladies Collection, of Catches, Glees, Canons, Canzonets, Madrigals,
&c. Selected from the Works of the Most Eminent Composers. [Nos.
1-12, 14-24, 30, 35-36, 40-41, 46: ca. 350 songs; (Down in the Valley)
&c.]. J. Bland. [ca. 1787-96]. Pp.[1]-121 + [122 cat.)] &c.
Box 8A
BOYCE, (William)
A song in Solomon set by Mr. Boyce. [Balmy sweetness ever flowing from
her dropping Lip distills]. N. i. [ca.1744]. Pp.[2-3]. Additional accompt.
for flute.
The Constant Lover. A new song set by Mr. Boyce. [If you my wandering
Heart would find]. N. i. [ca. 1740]. S. sh. 1p. Additional accompt. for
flute.
Softly rise O Southern breeze [ .] Arranged with an Accompaniment
for the Piano Forte. Preston & Son [ca. 1794]. Pp.1-4.
Together let us range the Fields, A Favorite Duet. Muzio Clementi
& Co. [ca. 1803]. Pp.1-4.
BRAHAM, (John)
Ah what a Pity [.] A favorite air sung by Sigra. Storace at the
Theatre Royal, Covent Garden, in the comic opera of The Cabinet.
The words by T. Dibdin. [My love the gayest of the throng]. J. Dale. [ca.
1802]. Pp.1-3.
All’s Well. The favorite duett, sung by Mr. Incledon and
Mr.Braham in the comic opera of The English Fleet. The words by
T. Dibdin, arranged for the piano forte by D. Corri. [Deserted by the
waning moon]. Corri, Pearce & Co. [ca. 1806]. Pp l-6.
(Another edition). All’s Well. The favorite duett sung by
Mr. Incledon and Mr. Braham, in the comic opera of The English Fleet.
The words by T Dibdin, arranged for the piano forte, by D. Corri. Preston’s
Music Warehouses. [ca. 1812]. Pp.1-6.
(Another edition). All’s Well. The Favorite duet, sung by
Mr. Incledon and Mr. Braham in the comic opera of The English Fleet.
The words by T. Dibdin, arranged for the piano forte by D. Corri. Corri,
Pearce & Co. [ca. 1814] . Pp.[1]-6.
The Beautiful Maid [,] A favorite ballad as sung by Mr. Braham
at the Theatre Royal, Covent Garden in the comic opera of The Cabinet,
the words by T. Dibdin. [When absent from her]. J. Dale, No.19, Cornhill.
[ca. 1804]. Pp.1-4.
(Another edition). J. Dale at his Warehouse. [ca. 1810]. Pp.1- 4.
The Bewildered Maid. A ballad, sung by Mr. Braham, in the favorite
opera of Kais or Love in the Deserts, as performed at the
Theatre Royal, Drury Lane. [Slow broke the light and sweet breathed the
morn]. Goulding, D’Almaine, Potter & Co. [ca. 1812]. pp.111-
114.
(Another edition). Goulding & Co. [ca. 1814]. Pp.111-114.
The favorite Bird. Duet as sung by Sigra. Storace and Mr. Braham,
at the Theatre Royal, Covent Garden in the comic opera of The Cabinet,
the words by T. Dibdin. [Ah could I hope my Fair to see]. J. Dale. [ca.
1803]. Pp.1-8..
Dulce Domum. Composed and sung by Kr. Braham in Out of Place
or The Lake of Lausanne. [Deep in a Vale a Cottage stood]. Printed
for the [authors] by [Clementi & Co.] [ca. 1813]. Pp.35-38..
Fair Ellen [.] A favorite ballad as sung by Mr. Braham at the Theatre
Royal, Covent Garden in The Cabinet, the words by T. Dibdin. J.
Dale. [ca. 1803] .Pp.2-3.
Love and Glory [.] Composed and sung by Mr. Braham, in the comic
opera of The English Fleet [.] The words by T. Dibdin. [Young Henry
was as brave a Youth]. K. P. Corri & Co. [ ca. 1804]. Pp. 62-65.
The Love Letter [.] A favorite song composed and sung by Mr. Braham
in the new comic opera called Family Quarrels. The words by T.
Dibdin. Arranged for the piano forte by D. Corri. [Hark the martial Music
sounding]. Printed and sold No.28, Haymarket [i.e. D. Corri]. [ca. 1803].
Pp.54-58, also paginated 1-5.
(Another edition). The Love Letter. Composed and sung by Mr. Braham,
with great applause in the comic opera of Family Quarrels, the
words by T. Dibdin. Arranged for the Piano Forte by D. Corri. Corri, Pearce
& Co. , [ca. 1806]. Pp.[54]-58, also paginated [1]-5.
No more by Sorrow. Pollacca as sung by Mr. Braham, at the Theatre
Royal, Covent Garden, in the comic opera of The Cabinet, the words
by T. Dibdin. J. Dale. [ca. 1803]. p.1-7.
On this Cold flinty Rock I will lay down my head [.] Sung by Mr.
Phillips at the Theatre Royal, Dublin and Mr. Braham, in the favorite
opera of Kais or Love in the Deserts, as performed at the
Theatre Royal, Drury Lane. C. Mitchell. [ca. 1814]. Pp. 87-89.
Said a Smile to Tear. Braham’s celebrated piano forte song
sung and accompanied by the author in the opera False Alarms, at
the Theatre Royal, Drury Lane. Goulding, Phipps, D’Almaine &
Co. [ca. 1808]. Pp.[i] + 22-27.
Tis but fancy’s Sketch. The celebrated picture song, sung
by Mr. Braham, with universal applause in the favorite operatic romance
of The Devil’s Bridge. The words by S. J. Arnold Esqr. now
performing at the Theatre Royal, Lyceum. [Here mark the poor desolate
maid]. Goulding D’Almaine Potter & Co. [ca. 1813]. Pp.62-65
[i.e. 1-4].
The Victory and Death of Lord Viscount Nelson. Received with unbounded
applause at the Theatre Royal, Drury Lane, in the Melo Dramatic piece
commemorative of that ever Memorable event. Written by Cumberland Esqr.
Composed and sung by Mr. Braham. Arranged for the piano forte by D. Corri.
[ In death’s dark house]. Printed and sold at No.28, Hay Market
[i.e. D. Corri] [1805]. Pp.7-10. Additional arr. for tenor voice.
When thy bosom heaves the sigh. Duett, sung by Mrs. Dickons and
Mr. Braham, in the comic opera call’d Narensky at the Theatre
Royal, Drury Lane. Also by Miss Stephens and Mr. Braham, in The Siege
of Belgrade, at the Theatre Royal, Covent Garden. Goulding, D’Almaine.
Potter & Co. [ca. 1821]. Pp.21-28.
BREWER, (Thomas).
Turn Amarills to thy Swain [.] A celebrated glee for three voices.
N. I. [ca. 1765]. S. sh. p.17 [i.e. 1p.].
BRODERIP, (Robert).
Hail bounteous May! A favorite duet with an accompaniment for the
piano forte or harp[.] The words from Milton. Broderip and Wilkinson.
[ca. 1800]. Pp.1-3.
BROWN, (Thomas).
The Words by a Gentleman. Set by Mr. Brown. [Return, return my
lovely Nymph]. N. i. [ca. 1740]. S. sh. 1p. Additional accompt. for flute.
[BURGESS, (Henry, the elder)].
The Rose. Taken from the ninth fable of The Fables for the Female
Sex. Set by an Eminent Kaster. [Sweet are the Flowers that deck the
Field]. N. i. [ca. 1740]. S. sh. p.3 [i.e.1p.]. Additional accompt. for
flute.
BURGHERSH, (Lord John Fane).
Six Canons, for Three Voices. With an accompaniment for the piano
forte. Book 1. [Six songs: (Come dal Mar l’Arene) &c.]. Chappell
& Co. [1816]. Pp.[i-iv] + 1-32.
BUTLER, (Thomas Hamley).
Through ev’ry varied scene thy Love. A new song written by
R. P. Ogilvy Esqr. Broderip & Wilkinson. [ca. 1806]. Pp.[2-3].
CALLCOTT, (John Wall)
Ah How Sophia or A House on Fire. The favorite catch sung at the
Noblemen and Gentlemen’s Catch Club, at the Thatch’d House
St. James’s. R. Major. [ca. 1818]. Pp.[2]-3.
Angels of Life. The words from Campbell’s Pleasure of Hopes[.]
Sung by Mr. Bartleman at the vocal concerts, at Willis’s Rooms.
March 1802. Printed for the author, May 3, 1802. [watermark 1812]. Pp.1-8.
Initialled by the composer.
Peace to the souls [.] A much admired serious glee composed by
I.W. Calloct. (sic) M.B. B. Cooke, Dublin. [ca. 1796] .Pp.[1]-3.
When Arthur First in Court Began. A celebrated glee for three voices.
N. i. [ca. 1800]. Pp.2-4.
[CAREY, (Henry)]
And canst thou leave. N. i. [ca. 1740]. S. sh. 1p. Additional accompt.
for guitar and German flute.
The Gregorian Constitution Song. [Let Poets and Historians, Record
the brave Gregorians].
N. i. [ca. 1735]. S. sh. 1p. Additional accompt. for flute.
Happy Myrtillo. Set for the German flute. [On a Grassy Pillow].
N. i. [ca. 1720]. S. sh. 1p. Additional accompt. for flute.
The Life of a Beau. Sung by Mrs. Clive. [How brimfull of nothing’s
the Life of a Beau]. N. i. [ca. 1740]. S. sh. 1p. Additional accompt.
for unspecified instrument.
CARNABY, (William)
Song on Peace. [Tell me, on what holy ground]. Rt. Birchall. [ca.
1799]. Pp.2-3.
CARTER, (Charles Thomas)
Neptune and Britannia [.] A favorite cantata composed by T. Carter[.]
NB. This cantata was wrote on seeing the French Fleet in the British Channel
in the year 1779. [As on the Sea beat Cliff Britannia stood]. G. Smart.
[ca. 1780]. Pp. 1-3. Additional accompt. for German flute.
O Nanny wilt thou gang with me. A celebrated ballad, written and
composed by T. Carter. G. Walker. [ca. 1824]. Pp.1-3. Scored for violin
and keyboard, additional accompt. for flute.
The Sea Fight [.] Sung by Mr. Bannister in The Milesian.
[Stand to your Guns my hearts of Oak]. S. A & P. Thompson. [ca. 1777].
Pp.1-3.
When you tell me your Heart is another’s [.] A favorite song
with an accompaniment for the harp or piano forte. Rt. Birchall. [ca.1815].
Pp.[1-3]. Additional accompt. for German flute or guitar.
CASSON, (Margaret)
The Cuckoo [.] A favorite song with an accompaniment for the piano
forte or pedal harp. Written and composed by Miss Margaret Casson. [How
the Sun is in the West]. G. Goulding & Co. [ca. 1797]. Pp.1-4. Additional
accompts. for guitar and German
flute.
CAVENDISH, (Georgiana, Duchess of Devonshire)
The Favorite Song. Sung bv Mrs. Bland in The Stranger, the
words by R. B. Sheridan Esqr. [ I have a silent Sorrow here]. Longman
& Broderip. [ca. 1798]. Pp. l-4. Scored for horns, flutes, oboes,
two violins, viola and piano.
(Another edition). I have a silent sorrow here [.] The favorite
song in The Stranger, sung by Mrs. Bland, the words by R. B. Sheridan
Esqr. G. Walker. [ca. 1802]. Pp.2-3. Additional accompt. for German flute.
CHEESE, (Dinah)
Go let me fondle with my Dove. A favorite ballad, sung by Mrs.
Mountain and Miss Shepley. Dedicated to the Committee of the Gentlemen’s
Concert Manchester, the words by Dr. Wolcot. Written expressly for and
given to the composer. [Forbear to tease me for my heart]. Goulding, Phipps
& D’Almaine. [1804]. Pp.[i] + 2-3.
CHEESE, (Griffith James).
Johnny was a Piper’s Son. A comic song sung by Mr. Hollingsworth
at the Theatre Royal, Manchester. W. Cope. [ca. 1797]. Pp.[2-3].
CHILCOT, (Thomas)
Composed by Mr. Chilcot. [Come live with me & be my Love].
N. i. [ca. 1750]. S. sh. 1p. Additional accompt. for flute.
CLARKE, (John)
Blanche of Devan’s song “They bid me sleep, they bid me Pray
[.]” The poetry from the popular poem of The Lady of The Lake,
written by Walter Scott Esqr. Published for the author by Messrs. Phipps
& Co. [ca, 1811]. Pp.[i-iii] + 2-5.
Borne in yon blaze of orient Sky. A favorite duett, as sung by
Mr.& Mrs. Vaughan at Mr. Harrison’s Annual Concert, with an
accompaniment for the piano forte. The poetry by the late Dr. Darwyn.
Rt. Birchall. [ca. 1807]. Pp.1-9.
The Coronach or Funeral Song. (“He’s gone on the Mountain”,)
The poetry from The Lady of The Lake, written by Walter Scott,
Esqr. Published for the author, by Messrs. Phipps & Co. [ca. 1812].
Pp.[i] + 2-7.
The Cypress Wreath. The poetry from Rokeby, written by Walter Scott
Esqr. [O Lady, twine no wreath for me]. Rt. Birchall. [ca. 1814] .Pp.[i]
+ 2-9.
The Song of Fitz-Eustace. The poetry from Marmion, A
Tale of Flodden Field, as sung by Mrs. Ashe at the Bath Concerts.
[Where shall the lover rest]. Wilkinson & Co (Late Broderip &
Wilkinson). [ca. 1809]. Pp.1-8.
(Another edition). The Song of Fitz Eustace [,] The poetry from
Marmion, A Tale of Flodden Field as sung by Mrs. Ashe at
the Bath Concerts. Preston. [ca. 1812]. Pp.1-8.
Gondibert to Zulima. A Spanish song, the poetry by John Stewart
Esqr. [Beneath the west tower is thy love]. Rt. Birchall. [ca. 1810] .Pp.1-4.
Lay of the Imprisoned Huntsman. From The Lady of the Lake,
sung by Mrs. Ashe at the Bath Concerts, written by Walter Scott Esqr.
[My hawk is tir’d of perch and hood]. Printed for the author by
Messrs. Phipps & Co. [ca. 1811]. Pp.[i-ii (cat. )] + 1-4.
The Minstrel’s Harp. From The Lay of Last Kinstrel,
written by Walter Scott Esqr. [And said I that my limbs were old]. Mitchell’s
Musical Library [pasted over imprint of Clement & Co.] [ca. 1812].
Pp.[i]-7.
CLARKE, (William)
Young Lochinvar. Written by Walter Scott Esqr. [O Young Lochinvar
is come out of the west]. J. Hamilton. Edinburgh. [ca. 1809]. Pp.1-2 [i.e.
2-3].
COBHAX, (Charles)
The Violet Girl [.] A favorite ballad sung with the greatest applause
by Mrs Liston at the Theatre Royal, Drury Lane, the words by I. Smith
Esqr. [Come buy my pretty Violets blue]. Preston. [ca. 1815]. Pp.[i] +
2-3.
COGGINS, (Joseph)
Anagram. P. C. Her August Race is Lost! O! Fatal News. The Tears of
Britain. Written by a Nobleman, on the melancholy death of Her Royal
Highness the Princess Charlotte Augusta, born. Jan. 7. 1796, married May
2nd. 1816, died 6th of November 1817.
[While sad remembrance paints the scene]. Phillips & Co. [1817]. Pp.[i]
+ 2-3.
COOKE, (Benjamin)
The celebrated Amen. Sung at Westminster Abbey after Dr. Blows
service in A majore at the Commemoration of the Composer. N. i. [ca. 1814].
8vo. pp.[2-3].
Hark the Lark at Heav’n’s gate sings [.] A favorite
Glee for four voices sung at Vauxhall Gardens [.] Adapted to a single
voice and harpsichord with an accompaniment for a violin to be added at
pleasure, or it may be played an octave higher (with very little omission
or variation) by another hand on the same harpsichord. Longman and Broderip.
[ca. 1795]. Pp.1-6.
[COOKE, (Robert)]
Can Joy that wretched bosom cheer. An admired song with an accompaniment
for the piano forte or harp, composed by the author of The Farewell.
Preston. [ca. 1800]. Pp.1-4. Additional accompt. for German flute.
COOKE, (Thomas)
Anthem for one Voice with an Accompaniment for the Organ or Piano Forte,
Composed and Respectfully Dedicated to the London Society for promoting
Christianity among the Jews. [Oh! pray for the peace of Jerusalem!].
Published at T. Cooke & Cos., for the Benefit of Said Society, Dublin.
[ca. 1815]. Pp.[i-ii] + 1-7.
Great Britains Tribute, A National Effusion. Written by a lady.
[To Glory’s shrine three Maidens came]. Cooke & Co. Music Warehouse.
[ca. 1816]. [i-ii] + 1-7.
COURTEVILLE, (Raphael)
The Charms of Bright Beauty. A song set by Mr. Courtivill. N. i.
[ca. 1718]. Pp.[2-3]. Additional accompt. for flute.
A Lass there Lives upon the Green [,] A song set by Mr. Courteville.
N. i. [ca.1720]. Pp.[2-3]. Additional accompt. for flute.
DAVIS, (Thomas)
On Content [,] Set to music by T. Davis [,] The words by Mr. Holdsworth.
[Without content what’s Man!]. N. i. [ca. 1740]. S. sh. 1p. Additional
accompt. for flute.
DAVY, (John)
The Bay of Biscay O! Sung by Mr. Incledon in Spanish Dollars,
or the Priest of the Parish. [Loud roar’d the dreadful thunder].
Clementi, Banger, Hyde, Collard & Davis. [ca. 1806]. Pp.24-26.
Crazy Jane [,] A Favorite Song with an accompaniment for the Harp
or Piano Forte. [Why fair Maid in ev’ry feature]. Hime, Dublin.
[ca. 1800].
Just Like Love is Yonder Rose. The favorite rondo sung by Mr. Braham,
at the Theatre Royal, Covent Garden and by Mr. Mountain in Life’s
Masquerade or Fortune’s Wheel in Motion. Preston. [ca.
1804]. Pp.[1]-4.
(Another edition). Just Like Love is yonder Rose. The favorite
rondo. Sung by Mr. Braham with the utmost applause at the Theatre Royal,
Covent Garden. Preston. [ca. 1805]. Pp.[1]-4.
Kate Kearney, The favorite Irish air sung by Mr. Incledon with
great applause in his new entertainment of The Songsters Jubilee,
the words by Miss Owenson. [Oh did you not hear of Kate Kearney]. Goulding,
Phipps, D’Almaine & Co. [ca. 1806]. Pp.1-3.
[DEFESCH, (Willlem)]
Monsieur Tantin [.] Sung by Miss Falkner [,] Set for the German
flute. [I sing not of Battles that now are to Cease]. N. I. [1748]. S.
sh. 1p.
A new Song set by Mr. Defesch. [Stretch’d on the Turf in Sylvan
Shades]. N. i. [ca. 1750]. S. sh. 1p.
DIBDIN, (Charles)
The Advantage of Toping. Written and composed by Mr. Dibdin and sung by
him in his new entertainment called The Sphinx. [Some says topers
should never get mellow]. Printed and sold by the author. [1797]. Pp.[1]-4.
Additional accompt. for two flutes. Signed by the composer.
Bachelor’s Hall [.] Written and composed By Mr. Dibdin for
his entertainment called The Oddities. [To Bachelor’s hall
we good fellow’s invite]. The author. [1790]. Pp.[2]-4. Additional
accompt. for two flutes. Signed.
Ben Backstay. Written and composed by Mr. Dibdin, for his entertainment
called The Oddities. The author. [1789]. Pp.[2]-4. Additional accompts.
for two flutes and guitar. Signed.
The Blind Sailor. Written and compos’d by Mr. Dibdin for
his entertainment called The Quizes, or A Trip to Elysium.
[Come never seem to mind it]. The author. [1793]. Pp[2]-4. Additional
accompt. for two flutes. Signed.
Blow high blow low. The words and music by C. Dibdin. As sung by
Mr. Rheinhold in the Seraglio and Mr. Bannister in Thos and
Sally. Longman & Broderip. [ca. 1778]. Pp.2-4. Additional accompt.
for guitar or German flute.
Captain Wattle and Miss Roe. Written & composed by Mr. Dibdin
and sung by him in his new entertainment called The Sphinx. [Did
you ever hear of Captain Wattle]. The author. [1797]. Pp.[1]-4. Additional
accompt. for two flutes. Signed.
The Country Club. Written & composed by Mr. Dibdin and sung
by him in his new entertainment called The Sphinx. [Now we’re
all met here together]. The author. [1797]. Pp.[1]-4.
The Flowing Can [,] Written and composed by Mr. Dibdin for his
entertainment called The Oddities. [A Sailor’s life’s
a life of woe]. The author. [1790]. Pp.[21-4]. Additional accompt. for
guitar. Signed.
The Greenwich Pensioner [,] Written and composed y Mr. Dibdin for
his entertainment called The Oddities. [‘Twas in the good
Ship Rover]. The author. [1789]. Pp.[2]-4. Additional accompt. for guitar.
Signed.
(Another issue). Without price, and with “Andantino” at beginning.
Signed.
Jack at the Windlass. Written & composed by Mr. Dibdin for
his entertainment The Quizes, or A Trip to Elysium. [Come
all hand ahoy to the anchor]. The author. [1793]. Pp.[1]-4. Additional
accompt. for flute. Signed.
The Jolly Young Waterman. Sung by Mr. Bannister. [And did you not
hear of a jolly young Waterman]. J. J[ohnston]. [1774]. S. sh. 1p.
The Lady’s Diary. Written and composed by Mr. Dibdin and
sung by him in his new entertainment called A Tour to the Land’s
End. [Lectured by Pa and Ma o’er night]. The author. [1800].
Pp.[2]-4. Additional accompt. for two flutes. Signed.
The Lamplighter [.] Written and composed by Mr. Dibdin for his
entertainment called The Oddities. [I’m jolly Dick the Lamplighter].
The author. [ca. 1789]. Pp.[2]-4. Additional accompts. for guitar and
flute. Signed.
(Another issue). Without “Allegretto” at the beginning. Signed.
Lovely Nan. Written & composed by Mr. Dibdin in his new entertainment
called Great News or A Trip to the Antipodes. [Sweet is the Ship
that under sail]. The author. [ 1794]. Pp.[2]-4. Additional accompt. for
two flutes. Signed.
The Lucky Escape. Written and composed by Mr. Dibdin for his entertainment
called Private Theatricals or Nature in Nubibus. [I that once was
a Ploughman]. The Author. [ca.1791]. Pp. [2]-4. Additional accompt. for
flute. Signed.
The Margate Hoy. Written and composed by Mr. Dibdin and sung by
him in his new entertainment called Christmas Gambols. [Standing
one summer’s day]. The author. [1795]. Pp.1-3. Signed. (3).
Mounseer Nong Tong Paw. Written & composed by Mr. Dibdin and
sung by him in his new entertainment called The General Election.
[John Bull for pastime took a prance]. The author. [1796]. Pp.[1]-3. Additional
accompt. for two flutes. Signed.
The Old Cloaths Man [,] Written and composed by Mr.Dibdin and sung
by him in his new entertainment called Tom Wilkins. [Shoes hats
and old cloaths]. The author. [1800]. Pp.[2]-4. Signed.
Poor Jack. A favorite song in The Whim of the Moment, written,
composed, and sung by Mr. Dibdin. [Go patter to lubbers and swabs]. Preston
& Son. [1789]. Pp.[1]-4. Additional accompt. for German flute. With
the “A” of “Allegretto” immediately beneath the
time signature.
(Another issue). With the “A” of “Allegretto”
printed just before the time signature.
Poor Tom, or the Sailor’s Epitaph [.] Written and composed
by Mr. Dibdin for his entertainment called The Oddities. [Here,
a sheer hulk]. The author at his Music Warehouse, No.411 Strand, opposite
the Adelphi. [ca. 1790]. Pp.[2]-4. Additional accompts. for flute and
two guitars. Signed.
(Another edition). [Here a sheer hulk]. The author, at his Music
Warehouse No.411 Strand and Leicester Place, Leicester Square. [ca. 1797].
Pp. [1] -4. Additional accompts. for flute and two guitars. Signed.
(Another edition). The author at his Music Warehouse, Leicester Place,
Leicester Square. [ca. 1801].
The Sailors Consolation. Written and composed by Mr. Dibdin for his
entertainment called Private Theatricals or Nature in Nubibus.
[Spanking Jack was so comely so pleasant]. The Author, [1791]. Pp.2- 4.
Additional accompt. for flute. Signed.
The Sailors Journal. Written and composed by Mr. Dibdin and sung
by him in his new entertainment called Will of the Wisp. [Twas
post meridian half past four]. The Author, at his Music Warehouse 411,
Strand opposite the Adelphi. [1795]. Pp.[1]-3. Additional accompt.
for two flutes. Signed.
(Another edition). The Author, at his Music Warehouse Leicester Place,
Leicester Square. [ca. 1800]. Signed.
Shakespear’s Garland or the Warwickshire Jubilee. Being a
collection of ballads as performed at the Theatre Royal, Drury Lane. [Part
I only. Three songs: (Sweet Willy O) &c.] John Johnston. [1769]. Pp.[i-ii]
+ 1-6. Additional accomps. for German flute and or guitar.
The Soldier’s Adieu. Written and composed by Mr. Dibdin for
his entertainment called The Wags or the Camp of Pleasure. [Adieu
Adieu my only Life]. The Author. [1790]. Pp.[2]-4. Additional accompt.
for two flutes. Signed.
(Another edition). Additional accompt. for two unspecified Instruments.
Signed.
The Tea Table. Written and composed by Mr. Dibdin and sung by him
in his new entertainment called A Tour to the Land’s End.
[The inquest is set for the tea things]. The Author. [1800]. Pp.[1]-4.
Signed (3).
The Tear of Sensibility. Written & composed by Mr. Dibdin and
sung by him in his new entertainment called Castles in the Air.
[When the man the distinguishing form]. The Author. [1793]. Pp.[2]-4.
Additional accompt. for two flutes. Signed.
True Courage. Written & composed by Mr. Dibdin and sung by
him in his new entertainment called A Tour to Land’s End.
[Why what’s that to you if my eyes I’m a wiping]. The Author.
[1800]. Pp [1]-4. Additional accompt. for two flutes. Signed.
True glory. Written & composed by Mr. Dibdin and sung by him
in his new entertainment called The Sphinx. [What is glory what
is fame]. The author. [1797]. Pp.[2]-4. Additional accompt. for two flutes.
Signed.
Water Cresses. Written and composed by Mr. Dibdin and sung by him
in his new entertainment called Most Votes. [Jack come home]. The
Author. [ca. 1802]. Pp.[1]-3. Additional accompts for two flutes. Signed.
Yo heave Ho. Written & composed by Mr. Dibdin, and Sung by
him in his new entertainment called A Tour to the Land’s End.
[My name d’ye see’s Tom Tough]. The Author. [ca. 1798]. Pp.2-4.
Additional accompt. for two flutes. Signed.
(Another edition). Yo heave Ho. Written & composed by Mr. Dibdin
and sung by him in his new entertainment called A Tour to the Land’s
End. The author. [ca. 1800] Pp.2-4. Additional accompt. for two flutes.
Signed.
DIGNUM, (Charles)
Fair Rosale. A favorite song, sung by Mrs. Crouch at Liverpool
and Master Walsh at the Theatre Royal in the Hay-Market. [On that lone
Bank where Lubin dyed]. Messrs. Thompson. [ca. 1795]. Pp.[1]-3. Scored
for flute, two violins, keyboard and voice; additional accompt. for German
flute or guitar.
The Fight off Camperdown [,] A celebrated song [,] the melody composed
& sung by Mr. Dignum. [Enrolled in our bright Annals]. Longman &
Broderip. [ca. 1798]. Pp.1-3. Scored for violin, voice and harpsichord.
The Fight off the Nile [,] Written, composed & sung, by Mr.
Dignum of Dury Lane Theatre. [Twas off the mouth of Nile]. Longman &
Co. [1798]. Pp.1-3. Scored for keyboard and one other unspecified instrument.
Initialed by the composer.
Kate of the Dale. A celebrated song, the melody composed and sung
by Mr. Dignum at the nobility’s concerts, the accompaniments by
W. Calcott MB. [The matchless attractions of Kate of the Dale]. S. A.
& P. Thompson. [ca. 1788]. Pp.1-3.
DOYLE, (John Colston)
Love among the roses. As sung with greatest applause by Mr. Sinclair
at the Theatre Royal, Covent Garden, in the revived opera of The Lord
of the Manor. [Young Love flew to the Paphian Bow’r]. C. Mitchell.
[ca. 1819]. Pp.1-4.
[DUNN, (John)].
The words by Mr. Waller. [Phillis, why shou’d We delay].
N. i. [ca. 1760]. S. sh. 1p. (1).
Together with, on verso.
The Shepherds Resolution [.] The words by Mr. Boyce. [Young Collin.
the blithest upon the gay Green]. N. i. [ca. 1760]. S. sh. 1p.
DUSSEK, (Jan Ladislav)
The Favorite Song of The Willow [.] Sung by Mrs. Bland in The
Captive of Spilburg. Performed at the Theatre Royal, Drury Lane. [When
the Shepherd asks my hand]. Corri, Dussek & Co. [ca. 1798] .Pp.1-3.
Box 8B
EAST, (Michael)
A Favorite Glee. [O come again my love]. S. Babb. [ca. 1780]. Pp.
[1]-3.
EASTCOTT, (Richard)
Fly far the Circles of the Great [.] The words and music by the
Revd. Richd. Eascott. L[ongman] & B[roderip]. [ca. 1780]. Pp.[1]-2
[i.e. 2-3]. Additional accompt. for guitar.
ESSEX, (Timothy)
The Sea-Side Sonnet. From Mr. Pratt’s Gleanings Vol. l. [On
the brink of the beach, as I silently roam’d]. Printed for the composer.
[1796]. Pp.1-3. Initialed by the composer.
FESTIIG, (Michael Christian)
The Lass of the Kill. Set by Mr. Festing, sung by Mr. Beard. [Who
has e’er been at Badlock must needs know the Kill]. Publish’d
under his Majesty’s Royal Licence. [ca.1750]. S. sh. 1p.
On tree top’d hill. A favorite song sung at Ranelagh. N.
i. [ca. 1750]. S. sh. 1p. Additional accompt. for guitar or German flute.
[FISCHER, (Johann Christian?)]
How welcome my Shepherd [.] A favorite song, for one or two voices.
N. i. [ca. 1760]. Pp.[2-3]. Additional arr. for two guitars or German
flutes.
FORD, (Thomas)
A Favorite Glee. [Fair sweet cruel]. S. Babb. [ca. 1780]. Pp.[1]-3.
FRITH, (Edward)
The Contented Cottager [,] A favorite song composed by Edward Frith
[.] The words by Mrs. Rowson. [My Collin is the kindest Lad]. Engraved
and printed by E. Riley. Sold by Messrs. Culliford, Rolfe & Barrow.
[ca. 1797]. Pp.[1]-4. Additional accompt. for guitar.
[GALUPPI, (Baldassare)].
Love in a Village. Sung by Miss Brent. [Young I am, and sore
afraid]. N. i. [ca. 1770]. S. sh. 1p.
GANTHONY, (Joseph)
The Absent Lover [.] The words and music by Joseph Ganthony Junr.
[Ye Zephirs that do Fan the Air]. N. i. [ca. 1760]. S. sh. 1p.
GARDIIER, (P.)
The Shepherd’s in Clusters. Str[aight]: & Sk[illern]:
[ca. 1775]. S. sh. 1p. Additional accompt. for guitar.
[GATES, (John)]
An Ode to Echo [.] [Daughter sweet of Voice and Air]. N. i. [ca.
1745]. S. sh. 1p.
[GEMINANI, (Francesco)]
The Warbling Lyre. Burlesqued by Sir W. Y. [Gently stir and blow
the Fire]. Straight. [ca. 1780]. S. sh. 1p. Additional accompt. for German
flute.
GERARD, (John)
On Friendship. [The World, my dear Myra, is full of deceit]. N .i. [ca.
1765]. Pp.[2-3]. Additional accompt. for German flute.
GIORDANI, (Tommaso)
The Favourite Additional Rondo. Sung by Sigra. Sestini in The Castle
of Andalusia. Adapted for the Harpsichord, Piano-Forte or Harp. [
If I my heart surrender]. J. Preston. [ca.1796] .Pp. [1]-4.
Queen Mary’s Lamentation. Sung by Sig. Tenducci at the Pantheon,
Mr. Abel’s Concert. [I sigh and lament me in vain]. J. Preston.
[1782]. Pp [i] + 2-4. Scored for voice, two violins, viola and bass.
Tell me, thou Soul of her I love! A favorite ballad. Longman &
Broderip. [ca. 1785]. Pp.2-4. Additional accompt. for flute or guitar.
[GOODWIN, (Starling)]
A favorite Duet for two voices. [Cou’d a Man be secure].
A. Bland. [ca. 1790]. Pp.[2-3].
(Another edition). Could a Man be secure [.] A favorite duett sung
at all the Concerts. G. Walker. [ca. 1795]. Pp.2-3.
[GOUGE, (?)].
The Despairing Shepherd [.] A new song. [Alexis shun’ed his
Fellow swains]. N. i. [ca. 1720]. S. sh. 1p. Additional accompt. for flute.
GREEN, [Maurice]
Charming Silvia. [The Nymph that undoes me, is fair and unkind].
N. i. [ca. 1735]. S. sh. 1p. Additional accompt. for flute.
H., (B.R.)
“Hopt She” [.] A convivial glee sung with the most rapturous
applause at all Pleasant Parties. I. Willis, Dublin. [ca. 1819]. Pp.[i]
+ 2-4. CPM (1).
[(H., (S.M )].
An Antient Ballad. New set to Musick. [Despairing beside a clear
Stream]. N. i. [1760]. S. sh. p.3 [i.e. 1p.].
Reflection [.] A favorite Ariette, With an Accompaniment for the
Piano Forte [,] Harp, Guitar and Flute. Wm. Rolfe. [ca. 1800]. Pp. l-
4. Additional accompt. for guitar or German flute.
HAIGH, (L.)
Fate gave the Word. A Ballad, the Words by R Burns. Phipps &
Co. [ca. 1811]. Pp.1-3.
HANDEL, (George Frederic)
And the glory of the Lord. G. Walker. [ca. 1808]. Pp.2-3.
Angels ever bright and fair [.] A favorite song by Mr. Handel,
in Theodore sung by Miss Harrop. [O worse than Death indeed!].
N. i. [ca. 1775]. Pp.[2-3]. Scored for voice, two violins, viola and bass.
(Another edition). Angels ever bright and fair. As sung by Master
Welsh, in Theodora. [O worse than death indeed!]. Clementi &
Campy. [ca. 1814]. Pp.15-17. Scored for voice, two violins, viola and
piano.
Ask if yon damask rose. N. i. [ca. 1760]. S. sh. 1p. Additional
accompt. for German flute.
Song from the Oratorio of Joshua. [Awful pleasing being say]. N.
i. [1778]. Typeset 4to. S. sh. 2pp.
A song. [Come, come, live with pleasure].
Together with:
A Catch. Set by Mr. Purcel. [Prithee, ben’t so sad and ser’ous].
N. i. [ca. 1775]. S. sh. 1p..
Come ever Smiling Liberty. Judas Maccabeus. J. Bland. [ca. 1790].
Pp.2-3.
[Comfort ye my people]. W[illiam] R[andall]. [ca. 1773]. Pp.4-5.
Scored for voice and four unspecified instruments.
Coronation Anthem. For the Voice, Harpsichord or Piano Forte. [Zadock
the Priest]. Clementi and Co. [ca. 1803]. Pp.1-4.
“Deeper and deeper still” as Sung by Mr. Harrison, Mr. Braham
and Mr. Incledon in the Oratorio’s, at the Theatre Royal, Covent
Garden. Goulding & Co. [ca. 1810]. Pp.2-3.
The Flocks shall leave the Mountain. A Bland & Weller’s.
[ca.1800]. Pp.1-3. Scored for three voices.
(Another edition). The flocks shall leave the mountain. Trio in
Acis and Galatea. G. Walker. [ca. 1809]. Pp.45-48.
For Unto Us [.] A grand chorus in The Messiah. G. Walker.
[ca. 1808]. Pp.1-4.
From this dread scene. A. Bland & Weller. [ca. 1803]. Pp.2-3.
Glory to God in the Highest.
Together with:
Behold the Lamb of God. G. Walker. [ca. 1808]. Pp.2-3.
Hallelujah Chorus [.] Messiah. John McCalley, Dublin. [ca.1795].
Pp.1-4.
Holy, Holy Lord God Almighty. Sung by Madam Mara. Goulding &
Go. [1814]. Pp.[2-3].
I know that my Redeemer Liveth. J. Dale. [ca. 1797]. Pp. [2-3].
Jehova is my Shield my Glory. Sung by Mr. Braham in the Oratorios
at the Theatre Royal Covent Garden. Bland & Weller’s [ca. 1805].
Pp.1-4.
Let me wander not Unseen.
Together with:
Or the Merry Bells. H. Andrews. [ ca. 1808]. Pp.2-3. Additional
accompt. for German flute.
Love Sounds th’ alarm. H. Andrews. [ca. 1808. Pp.(2-3].
Song in the oratorio of Saul. [O godlike youth by all confest].
Lady’s Magazine, Jan 1798. Typeset oblong 4to. S. sh. 2pp.
Oh! had I Jubal’s Lyre. Sung by Mrs. Billington at the Theatre
Royal, Covent Garden. A. Blands. [ca. 1788]. Pp.1-3.
(Another edition). O had I jubal’s lyre. H. Andrews. [ca.
1808]. Pp.1-3.
O thou that tellest of Good [,] A favorite song. Goulding &
Co. [ca. 1814] .Pp.15-17.
Composed by Handel. New Edition, arranged by Saffery. [O worse than death
indeed!]. Goulding & Co. [ca. 1814]. Pp.23-24.
Pleasure my former ways resigning. As sung by Mr. Nield in Time
and Truth. Rt. Birchall. [ca. 1795]. Pp.18-19. Scored for voice, two
violins, viola, keyboard and bass.
Handel’s Celebrated Pastoral Symphony, in The Messiah. Arranged
as a hymn, for three voices, by J. Mazzinghi. [Rise O Rise my Soul the
Hour Review]. Goulding, Phipps, D’Almaine & Co. [ca. 1806].
Pp.1- 6. Initialed by Mazzinghi..
So shall the Lute [.] Judas Maccabeus. F. Linley. [ca. 1796]. Pp.1-3.
Sound an alarm. Judas Maccabeus. A. Bland & Weller’s.
[ca. 1800]. Pp.[2-3].
Deborah. [Tears such as tender Fathers shed]. Sung by Miss Harrop
[.] W[illiam] R[andell]. [ca. 1775]. Pp.42-43. Scored for voice, two flutes,
two violins and bass. BUC and CPM (0).
The trumpet shall sound [.] Walker. [ca. 1808]. Pp.2-4.
The Trumpet’s loud Clangor [.] Dryden’s Ode [.] G.
Walker. [ca. 1808]. Pp.2-3.
Waft her Angels. Sung by Mr. Harrison in Jephtha. [Deeper and deeper
still]. Rt. Birchall. [ca. 1800]. Pp.1-125 [i.e. 5]. Scored for voice,
three unspecified instruments and bass.
What tho’ I trace [.] Solomon. A. Bland & Weller’s.
[ca. 1800]. Pp.[2-3].
(Another edition). What tho’ I trace each herb and flow’r.
As sung by Miss Parke in Solomon. Goulding & Co. [ca. 1802].
Pp.41- 43. Scored for voice, two violins and keyboard.
What’s Sweeter than the New Blown Rose. A favorite duet.
H. Wright. [ca. 1793]. Pp.1-5. Scored for two voices, three unspecified
instruments and bass.
When the Ear heard him. Performd at Westminster Abbey in Commemoration
of Mr. Handel. Taken out of his Anthem Composed for the Funeral of Her
most Sacred Majesty Queen Caroline. Bland & Weller’s. [ca. 1805].
Pp.1-4. Scored for four voices.
Where e’er you walk. (Semeli). Goulding & Co. [ca. 1804].
Pp.[2]-3.
Worthy is the Lamb [.] Messiah. G. Walker. [ca. 1808]. Pp.1-4.
Ye Men of Gaza. Samson. N. i. [ca 1805]. Pp.[2-3].
Ye sacred Priests. As sung by Madame Mara in Jeptha. Clementi &
Co. [ca. 1804]. Pp.7-11. Scored for voice, two violins. viola and piano.
HARINGTON, (Henry)
Air. [Gentle Airs sweet Joys impart]. N. i. [ca. 1780]. S. sh. 1p.
Duetto. [How sweet in the Woodlands]. R. Br[emner]. [ca. 1715]. S. sh.
1p.
(Another edition). How sweet in the Woodlands. N. i. [ca.1780].
Pp.[2-3]. Additional arr. for voice and harpsichord.
(Another edition). How sweet in the Woodlands. A favorite duetto
to by Mr. Harington. N. i. [ca. 1785]. Pp.[2-3]. Additional accompt. for
guitar or German flute, and arr. for voice and
harpsichord.
Retirement. [Beneath the silent rural Cell]. L[ongman] L[ukey]
& B[roderip]. [ca. 1775]. S. sh. 1p. Scored for three voices.
HAWDON, ( Matthias)
Beauty’s Power[.] Set by Mr. Hawdon. [Born with the Vices
of my kind]. N. i. [ca. 1760]. S. sh. 1p. Additional accompt. for German
flute.
Love and Beauty [.] Set by Mr. Hawdon. [Nature when she framed
a Man]. N. i. [ca. 1760]. S. sh. 1p.
HAYDEN, (George)
New Mad Tom. [In my triumphant Chariot hurled]. N. i. [ca. 1750].
Pp.[1-3] Additional accompt. for guitar.
HAYDN, (Franz Joseph).
A Prey to tender Anguish. A favorite ballad with an accompaniment
for the piano forte. T. Preston. [ca. 1800]. Pp.2-4. Additional accompts.
for guitar and German flute.
With Verdure Clad the Fields appear [.] A favorite air sung by
Miss Martyr in the Oratorio of the Creation. G. Walker. [ca. 1809]. Pp.[l]-3.
HAYES, (Philip)
Love at first sight. Sung by Master Kutlow [.] Set by Dr. Hayes.
[When first I saw thee graceful move]. Longman & Broderip. [ca. 1790].
Pp.2-4. Scored for flute, two violins, voice, harpsichord and basses.
Additional accompts. for guitar and German flute.
HOLCOMBE, (Henry)
Arno’s Vale. [When here, Lucinda, first we came]. N. i. [ca.
1745]. S. sh. 1p. Additional accompt. for flute.
The Happy Man. [Happy Hours, all Hours excelling]. N. i. [ca. 1720].
S. sh. 1p. Additional accompt. for flute.
HOLMES, (William H.)
Here in cool grot. Lord Mornington’s celebrated Glee. Arranged
for two voices, with an accompaniment for the piano forte. Goulding D’Almaine,
Potter & Co. [ca. 1814]. Pp. l-4.
HOOK, (James)
Allen Brooke of Wyndermeer [,] A Favorite Song Sung by Mrs. Kennedy
at Vauxhall Gardens. [Say, have you in the village seen]. S. A. &
P. Thompson. [ca. 1785]. Pp.1-3. Additional accompt. for guitar.
Alone by the light of the Moon [.] Sung by Mr. Darley. [The day
is departed, and round from the Cloud]. S. A. & P. Thompson. [ca.
1790]. Pp.8-9. Additional accompt. for German flute.
The Favorite Song Sung by Miss Brown in The Scheming Lieutenant.
[Beneath a green shade a lovely young Swain]. C. S. T[hompson]. [ca.1775].
S sh. 1p.
Down in the Valley the Sun setting clearly [.] A favorite rondeau
sung by Mrs Eland in the comic opera of The Soldiers Return as
performed with great applause at the Theatre Royal, Drury Lane. Goulding,
Phipps, D’Almaine & Co. [ca. 1805]. Pp.44-47 [i.e. 1-4].
He pip’d so sweete [.] Sung by Mrs. Iliff at Vauxhall Gardens.
[When rural Lads and Lasses gay]. Preston. [ca. 1789]. Pp.6-7. Additional
accompt. for German flute.
How Sweet the Love that meets Return [.] A favorite song sung by
Mrs. Kennedy, at Vauxhall Gardens. [When first I ken’d young Sandy’s
Face]. Preston. [ca. 1785]. Pp.1-3.
I’d think on thee my love[.] A favorite sea song sung by
Mr. Incledon at Vauxhall Gardens. [ In Storms when clouds obscure the
Sky]. S. A. & P. Thompson. [ca. 1789]. Pp. 2-4. Additional accompt.
for German flute.
The Lord’s Prayer. Set to music with an accompt. for the
harp or piano forte. [Our Father, which art in Heaven]. Engraved, printed
and published for the author by J. Fentum. [ca. 1808]. Pp.[i] + 2-.3.
Initialed by the composer.
Once, Twice, Thrice. Sung with great applause by Mrs. Bland at
Vauxhall Gardens [.] J. Dale. [ca. 1807]. Pp.4-5.
The Royal Soldier. Sung by Mrs. Franklin with universal applause
at Vauxhall Gardens [.] Written by William Upton. [Tho’ Pallas clad
in shining Arms]. Longman & Broderip. [ca. 1793]. Pp.1-3.
So wou’d not I. Sung by Miss Milne at Vauxhall. [If your
Lovers maids forsake you]. Preston & Son. [ca. 1794]. Pp.14-15. Additional
accompt. for guitar.
Sweet Lillies of the Valley [,] A favorite song, sung with universal
applause at Vauxhall Gardens, by Master Shepherd; composed by Mr. Hook
[,] The words by Richardson Esqr. [O’er barren Hills and Flow’ry
Dales]. Longman & Broderip. [1792]. Pp.1-3. Additional accompt. for
guitar.
Within a Mile of Edinburgh [.] A favorite Scotch song. [Twas within
a mile of Edingburgh (sic) Town]. N. i. [ca. 1805]. Pp.[2-3]. Additional
accompt. for German flute.
HOWARD, (Samuel)
Amanda. A song. [By the dewbesprinkled rose]. Lady’s Magazine,
May, 1796. Typeset oblong 4to. S. sh. 2pp.
The Faithful Shepherdess. Set for the German flute. [At setting
Day, and rising Korn]. N. i. [ca. 1740]. S. sh. 1p.
The Inamoured Swain. [Tell me dear Charmer tell me why]. G. Bickham.
[ca. 1735]. S. sh. p.57 [i.e. 1p.]. Additional accompt. for flute.
Myra. [Say Myra, why is gentle Love]. N. i. [ca. 1745]. S. sh.
1p. Additional accompt. for flute. With “Flute” printed above
first bar of accompaniment.
(Another edition). [ca. 1750]. With “Flute” over third bar
of accompaniment.
The Resolution. [Cease, Cupid, cease thy fond alarms]. Lady’s
Magazine, April, 1796. Typeset oblong 4to. S. sh. 2pp.
Rural Life. [How happy is the Maid]. N. i. [ca. 1750]. S. sh. 1p.
Additional accompt. for flute.
Stella and Flavia. N. i. [ca. 1753]. S. sh. 1p. Additional accompt.
for flute.
HUDSON, (John)
The Unkind Fair. The words by P. W. Esqr. [As Granville’s
soft Numbers tune Myra’s Praise]. N. i. [ca. 1745]. S. sh. 1p. Additional
accompt. for flute.
HUDSON, (Robert)
The Complain. [Ye woods and ye mountains unknown]. Lady’s
Magazine, December, 1796. Typeset oblong 4to. S. sh. 2pp.
The Invocation. [God of sleep, for whom I languish]. Lady’s
Magazine, January, 1796. Typeset oblong 4to. S. sh. 2pp.
Jessey. A song. [Thou radiant sun, triumphant rise]. Lady’s
Magazine, July, 1796. Typeset oblong 4to. S. sh. 2pp.
Love’s a vain deluding Joy. S. A. P. T[hompson]. [ca. 1780].
S. sh. 1p.
Rosalind. A song. [When Rosalind, that blooming nymph]. Lady’s
Magazine, June, 1796. Typeset oblong 4to. S. sh. 2pp.
Song. Words by Matthew Prior. [Say, curious painter, can thy I art]. Lady’s
Magazine, November, 1796. Typeset oblong 4to. S. sh. 1p.
A new song. The words by a correspondent. [Sophia! name forever dear].
[Lady’s Magazine, October, 1780]. Typeset oblong 4to. S. sh. 2p.
Tit for Tat. For the Lady’s Magazine. [Young Colin t’other
I day]. Lady’s Magazine, March, 1796. Typeset oblong 4to. S. sh.
2pp.
A Song. Words by a correspondent. [When fair Serena first I knew].
Lady’s Magazine, August, 1796. Typeset oblong 4to. S. sh. 2pp .
HUSSEY, (Matthew)
The happy Pair. [Oh! Love how pleasing is thy Yoke]. N. i. [ca.
1750]. S. sh. 1p. (2).
ISAAC, (Elias)
The Black-Birds [.] A cantata. [The Sun has chas’d the Mountain
Snow]. The Author by J. Johnston. [ca. 1765]. Pp.1-9.
J., (L. M.).
Three Swedish Airs. Adapted to English words with accompaniments
for the piano forte. [Three songs: (Cupid once upon a bed) &c.]. Printed
for the author by Goulding, D’Almaine & Co. [ca. 1825]. Pp.[i-ii]
+ 1-7. Initialled by the composer.
JACKSON, (William)
The all of life is love [.] Sung by Rashly in The Lord of the
Manor. [When first this humble Roof I knew]. Anne Lee, [Dublin]. [ca.
1782]. S. sh. 1p. Additional accompt. for guitar.
(Another edition). When first this humble Roof I knew [.] A favorite
song sung by Mr. Bannister in The Lord of the Manor. J. Preston.
[ca. 1785]. Pp.2-4. Additional accompts. for guitar and German flute.
Anna’s Urn. [Encompass’d in an Angels frame]. Printed
for J. Sibbald, [Edinburgh]. [ca. 1785]. S. sh. 1p.
Love in thine eyes. A favorite canzonet. Lavenu & Mitchell.
[ca. 1804]. Pp.1-3.
Time has not thinn’d my flowing hair [.] A favorite canzonet.
N. i. [ca. 1795]. Pp.2-3.
JANSEN, (Louis)
The Moon’s on the Lake or the Macgregor’s Gathering.
The poetry by Sir Walter Scott. Composed for the piano forte. G. Walker.
[ca. 1820]. Pp.[ i-ii] + 1-6.
KELLY, (Michael)
Fatima. A favorite duet as sung by Mr. Kelly and Mrs. Crouch in
The Romance of Blue Beard. [Twilight glimmers o’er the
steep]. Lavenu & Mitchell (pasted over unidentified imprint).
[ca. 1803]. Pp.[ 1]-4.
The Harp Song. Sung by Mrs. Atkins in the comic opera of Love
Laughs at Lock Smiths [,] accompanied by Mr. Dizi. [Hard is my lot
when youth is mine]. Mitchell’s (pasted over imprint of M. Kelly).
[ca. 1816] .Pp.13-15.
KENT, (James)
Hear, hear my Prayer. A favorite anthem for two voices. Goulding,
Phipps & D’Almaine. [ca. 1811]. Pp.[i-ii] + 8-12 [i.e. 1- 5].
(Another edition). Hear my Prayer, O God. A Solemn anthem. W. Boag.
[ca. 1814]. Pp.1-5.
My Song shall be of Mercy [.] A favorite solo anthem. Longman &
Broderip. [ca. 1790]. Pp.[i-ii] + 1-7.
(Another edition) Muzio Clementio & Co. [ca. 1805]. Pp.[i- ii] + 1-7.
KIALLMARK, (George)
The Cypress Wreath. From the poem of Rokeby, written by Walter
Scott Esqr. No.3. [O Lady, weave no wreath for me]. Mitchell’s Musical
Library. [ca. 1815]. Pp.1-7.
KILBURN, (James)
Collin. [Collin, One Day in angry Mood]. N. i. [ca. 1730]. S. sh.
1p.
KING, (Matthew Peter)
I was the boy for bewitching ‘em! Sung by Mr. Johnstone in
matrimony with universal applause at the Theatre Royal, Drury Lane. The
author. [ca. 1805]. Pp.29-31. Signed by the composer.
KNAPTON, (Philip)
“There be none of Beauty’s daughters.” Sung by, &
Dedicated to Mrs. Salmon. The Words by Lord Byron. Chappell & Co.
.[1818] .Pp.[ i] + 2-7.
[LAMPE, (Johann Friedrich)]. The Modest Concealment. [Dear Collin
prevent my warm Blushes]. N.i. , [ca. 1733]. So sh. 1p. Additional accompt.
for flute.
LAYLAND, (Thomas)
A pastoral Elegy. [Ah! Damon, dear Shepherd adieu]. N. i. [ca.
1770]. S. sh. p.12 [i.e. 1p.]. (1).
LE CAMUS, (J.P.)
The Muse of Grief At the Tomb of George the Fourth, King of England.
A grand lyric scene, for one, two, or three voices (ad-libitum.) With
an accompaniment for the piano forte or harp. [O! Muse of Grief! my verse
inspire]. J .B. Cramer, Addison & Beale. [1830]. Pp.[i-ii] + 1-8 +
[9-10 (blank)].
LEE, (Alexander)
Blue Bonnets over the Border, or March, March Et trick, & Teviot-dale.
Sung with the most Enthusiastic approbation by Mr. Braham at the Theatres
Royal London, Edinburgh and Dublin; the words by Sir W. Scott, Bart. The
music partly composed and arranged from the original celebrated National
Air. [March! March! Ettrick and Teviotdale!]. Willis & Co. [ca. 1829].
Third edition. Pp.[i-ii] + 1-5 + [6 (cat. )].
Hurrah for the Bonnets of Blue. A ballad sung with the most enthusiastic
applause by Madame Vestris in Mr. Peake’s farce of The £100
Note and by Mrs. Waylett at the Theatres Royal, London and Dublin.
[Here’s a health to them that’s awa]. Willis & Co. [ca.
1826]. Second edition. Pp.[i-ii] + 1-5 + [6 (cat. )].
[LEEVES, (William)]
Auld Robin Gray. A celebrated Scotch song as sung by Miss Stephens
at the Ancient Nobility’s Concerts [.] With an accompaniment for
the piano forte. [When the sheep are in the fauld]. Goulding D’Almaine
Potter & Co. [ca. 1815]. Pp.1-3.
(Another edition). Auld Robin Gray [.] A favorite Scotch song set
to the original favorite air. [When the Sheep are in the fauld]. R. Birchall.
[ca. 1818]. Pp.[2-4]. Additional accompt. for one or two guitars.
LEFFLER, (James Henry)
O do not think because I smile [,] Canzonet, the words by Mr. F.
L. Printed for the author by J. Balls. [ca.1818]. Pp.[ 1]-5. Initialed
by the composer and by the author.
[ LEVERIDGE, (Richard) ]
Advice. [ Maidens beware ye]. N. i. [ ca. 1730]. S. sh. 1p. Additional
accompt. for flute.
LING, (William)
The Rising of the Lark. A favorite Welsh song, with an accompaniment
for the piano forte or harp also arranged with variations for the piano
forte. [Come let us join yon festive throng]. C. Wheatstone. [ca. 1810].
Pp.[1]-4.
[LINLEY, (Thomas, the elder)]
Ah sure a Pair was never seen. Sung by Mr. Incledon in The Duenna.
Together with:
O had my Love ne’er smil’d on me. Sung by Mr. Incledon
in The Duenna. Goulding & Co. [ ca. 1821]. Pp.14-15.
In my pleasant native plains [.] A favorite song sung by Mrs. Cargyll
in The Carnival of Venice. S.A. & P. Thompson. [1781]. Pp.[2-4].
Additional accompts. for German flute and guitar.
O bid your faithful Ariel fly. Song in The Tempest, as sung
by Miss Wilkinson. Birchall & Co. [ca. 1825]. Pp.1-5.
Oh! Richard Oh! my Love [,] A favorite Song sung by Mrs Jordan
in Richard Coeur de Lion. Mitchells (pasted over imprint of J.
Dale). [ca. 1815]. Pp.126-127.
Still the Lark finds repose [.] The favorite rondo sung by Miss
Phillips in The Spanish Rivals. S. A. & P. Thompson. [1784].
Pp.1-4. Additional accompts. for German flute and guitar.
When first I began Sir to ogle the Ladies [.] A favorite song sung
by Mrs. Jordan in The Strangers at Home [.] A comic opera. Longman
& Broderip. [ca. 1787]. Pp.2-4. Additional accompt for guitar.
The Woodman [.] Written by Wm. Pearce Esqr. [Stay Traveller tarry
here to Night]. Preston & Son. [ca. 1795]. Pp.2-4. Additional accompt.
for German flute.
Young Lubin was a Shepherd Boy [.] A favorite song sung by Mrs.
Cargil in The Carnival of Venice. S. A. & P. Thompson. [1781].
Pp.2- 4. Additional accompts. for guitar and German flute.
LINLEY, (William)
The Night was dark [.] A much admired song sung by Mrs. Bland in
A Trip to the Nore. Longman & Broderip. [1797]. Pp.2-[4] .Additional
accompt. for German flute or guitar.
LUTHER, (Martin)
Martin Luther’s Hymn. Sung by Mr. Incledon with the greatest
applause in the oratorios at the Theatre Royal, Covent Garden; harmonized
by Mr. Baumgarton. [Great God what do I see and hear]. G. Walker. [ 1808].
Pp. [ 1]-4.
Box 9
MALECOT, (J.)
A New Song made on board ye Salamander Privateer. [Come let’s drink
a Health to George our King]. H. Waylett. [ca. 1754]. S. sh. 1p.
MAZZINGHI, (Joseph)
The Captive to his Bird. A favorite song sung with universal applause
by Mr. Incledon, in his new entertainment of variety. [O! sing sweet Bird].
Goulding, Phipps & D’Almaine. [1802]. Pp.[1]-3. Initialed by
the composer.
Happy were the days [.] A favorite new song composed by Mazzinghi
in Ramah Droog. Hime, Dublin. [ca. 1801]. Pp.[2-3].
Hope told a Flattering Tale. Introduced by Madame Kara in the opera
of Artaxerxes, (written by Peter Pindar) with the celebrated harp
accompaniment. Smarts. [ca. 1801]. Pp.1-3. Scored for voice, two flutes,
keyboard and bass.
Huntsman rest thy chace is done. Recitative and air, in continuation
of the song, Soldier rest, thy warfare o’er [,] from The Lady
of the Lake. Written by Walter Scott Esqr, sung by Mrs. Vaughan at
the Vocal Concerts. [She paused then blushing, led the lay]. Goulding,
D’Almaine, Potter & Co. [ca. 1813]. Pp.1-4.
Let the Song and the Dance. Sung by Miss Wheatley in the opera
of Ramah Droog. Goulding & Co. [ca. 1800]. Pp.2-4. Additional
accompt. for flute. Initialled by the composer.
Never ‘till now I felt Loves dart [.] A favorite song sung
by Mrs. Esten in A Day in Turkey or The Russian Slaves.
J Dale. [ca. 1797]. Pp.[2-3]. Scored for voice, violin and piano or harp.
Additional accompts. for one or two German flutes and guitar.
Roderigh vich Alpine. From The Lady of the Lake, written
by Walter Scott Esqr. Composed as a glee for three voices. [Hail to the
Chief who in triumph advances]. Goulding, D’Almaine, Potter &
Co. [ca. 1811]. Pp.[i] + 2-8. Initialed.
Sweetly in Life’s Jocund Morning [,] Sung by Miss Murray
at the Theatre Royal, Covent Garden, in the comedy called Life,
written by F. Reynolds Esqr. Goulding & Co. 45 Pall Mall. [ca. 1802].
Pp.1-3. Initialed.
(Another edition). Goulding & Co. Music Sellers to their Royal Highness.
[ca. 1803]. Pp.1-3. Initialed.
MELLISH, (Miss)
My Phillida adieu love [,] A favorite ariette. Longman & Broderip.
[ca. 1795]. Pp.[2]-4. Scored for voice, violin and keyboard. Additional
accompt. for guitar.
MILES, (Jane Kary, née GUEST)
The bonnie Wee Wife. The words by Burns. [She’s a winsome
wee thing]. I. Willis & Co. [ca. 1826]. Pp.[i] + 2-8.
MILLER, (Edward)
The Constant Fair. [I’ll to some shady cool retreat]. N.
i.. [ca. 1765]. S. sh. 1p.
MILLER, (William Edward)
The Queen of France [.] The words and Mmsic by W. E. Miller. [
Hark! Hark!! the Bell of Death with sullen moan]. Longman & Broderip.
[1793]. Pp.1-4.
MOORE, (Thomas)
Here’s the Bower. A ballad. J. Powers Music Ware House. [ca.
1814]. Pp.[i-ii] + 3-7.
The Tyrolese Song of Liberty. A national air, arranged with English
words. [Merrily ev’ry bosom boundeth]. J. Power. [ca. 1815]. Pp.[i-ii]
+ 3-7.
When Time, who steals our years away. A ballad. J. & T. Carpenter.
[1802]. Pp.[i] + 2-4. Signed by the publisher.
Young Love [.] A ballad. Sung by Mrs. Bland in M. P. or The Blue
Stocking [.] A comic opera, performed at the Theatre Royal, Lyceum; written
and composed by Thomas Moore Esqr. J. Power. [ca. 1815]. Pp.[i-ii] + 3-6
+ [7 (cat. )].
MORLEY, (Thomas, [i.e. John Farmer])
A favorite glee. [Fair Phillis saw sitting all alone]. S. Babb.
[ca. 1779]. Pp.[1]-4.
MOULDS, (John)
Fair Kate of the Vale [.] A favorite ballad. [In a far distant
Village lived Kate of the Vale]. C. Wheatstone. [ca. 1785]. Pp.[2-3].
Additional accompt. for German flute.
Moulines Maria. A favorite ballad taken from Sterne. [Twas
near a Thickets calm Retreat]. H. Andrews. [ca. 1808]. Pp.[2-3] . Additional
accompt. for German flute.
Poor Kate [.] The much admired song sung by Mrs. Bland at the Theatre
Royal, Haymarket in the entertainment of the Sultan. [Come buy of Poor
Kate, Primroses I sell]. R. Wornum. [ca. 1801]. Pp.2-3.
She dropt a Tear & cried be true [,] A favorite sea song. [Ye
lingering winds that feebly blow]. G. Goulding. [ca. 1792]. Pp.40- 42.
Scored for voice, flute, violins and harpsichord. Additional accompt.
for German flute.
MOZART, (Wolfgang Amadeus)
Forget me Not. A favorite Song. Goulding, Phipps & D’Almaine.
[ca. 1802]. Pp.1-3.
(Another edition). Forget me not [.] A favorite song with an accompaniment
for the piano-forte or harp. J. Dale. [ca. 1804].
The celebrated duett adapted to the beautiful Scotch air Roy’s wife.
Sung by Mr. Sinclair and Miss Stephens in the popular opera of Rob
Roy Mcgregor, at the Theatre Royal, Covent Garden. [The Manly Heart
with Love overflowing]. G. Shade. [ca. 1828]. Pp. [i-ii] + 1-3. Additional
accompt. for German flute.
OLIVIER, (Mr.)
Ti Amero [.] A favorite song [.] The words by a young lady. [Ti
Amero my dearest youth]. G. Smart. [ca. 1789]. Pp.2-4. Additional accompt.
for German flute or guitar.
[PALMA, (Filippo)]
A favorite song by an Eminent Master. [Shepherds would you hope to
please us]. N. i. [ca. 1760]. Pp.[2-3]. Additional accompt. for German
flute.
PAXTON, (Stephen)
The Answer to Turn Amarillis. [Go Damon Go]. John Bland. [ca. 1780].
Pp.[2-4]. With note at foot of second page reading “ ... so as bind
up In Collection...”
(Another edition). [ca. 1781]. Pp.113-115. With note at foot of second
page reading “.... so as to bind up in Collections....”
(Another edition). The answer to Turn Amarillis.
Together with:
The Admied [sic] Catch of Poor Thomas Day. Compsed [sic]
by Mr. Harrington. [Look Neighbors look!] H. Mountain. [ca. 1792]. S.
sh. pp.10-11 [i.e. 2pp.]
[PEPUSCH (Johann Christoph)]. Alexis. A Cantata. [See from the
silent Grove Alexis flies]. N.i. [ca. 1740] .Pp.1-4. Scored for voice,
harpsichord and cello.
PERCY, (John)
Sweet smells the brier. The words from Spencer, composed with an
accompaniment for the harp or piano forte. G. Walker. [ca. 1808]. Pp.1-3.
Select Songs No. 9. Wapping Old Stairs [.] A ballad. [Your Molly
has never been false]. Bland & Weller. [ca. 1814]. Pp.1-3.
PERGOLESI, (Giovanni Battista)
Gloria in Excelsis. Composed by Pergolese and performed at the
Concert of Ancient Music. Preston. [ca. 1812]. Pp.[1]-8. Scored for five
voices and piano.
PIERCY, (H.).
The Beggar Girl. A fashionable ballad for the piano forte or harp,
and for two voices. [Over the Mountain and over the Moor]. For the author.
[ca. 1802]. Pp.[i (cat. )] + 2-4. Additional arr. for two voices. Initialed
by the composer.
(Another edition). Henry Thompson, by authority of the author. [ca. 1803].
Pp.(2)-4. Additional arr. for two voices.
(Another edition). The Beggar Girl [.] A favorite ballad for the
piano forte or harp, also as a duet. Lavenu & Mitchell. [ca. 1804].
Pp. 2-4. Additional arr. for two voices.
PILBROW, (T).
Why stays my Love. Ballad. Adapted to a favorite Welsh air with
an accompaniment for the piano forte or harp. [Murmur on thou bubbling
fountain]. Preston. [ca. 1813]. Pp.(1)-4.
PLEYEL, (Ignace Joseph)
Pleyel’s celebrated German hymn for one, two or three voices to
which is added variations for the harpsichord. [Glory be to God on
high]. Preston & Son. [ca. 1795]. Pp.(I)-3. BUC (0), CPM (1).
Sweet Love [.] A favorite new ballad. Edmund Lee, Dublin. [ca.
1790]. S. sh. 1p. (1).
PURCELL, (Daniel).
Sung by Mr. Pate in the opera of Alexander the Great set by Mr.
D. Purcell. [She walks as She dreams in a Garden of Flowers]. N. i. [ca.
1701]. S. sh. 1p. Scored for two flutes and bass. BUC (0), CPM (1).
[PURCELL (Henry)].
Bess of Bedlam. [From silent shades and the Elizium Groves]. C.
Mitchell (pasted over unidentified imprint), [ca.1818] .Pp.2-4. Additional
accompt. for flute.
Come if you Dare [,] A favorite war song. C. Mitchell (pasted over
imprint of Goulding, Phipps & D’Almaine). [ca. 1808]. Pp. 1-3.
A Song for 2 Voices set to Musik by Mr H. Purcell. [Come, come, come,
come let us leave let us, leave the Town]. N. i. [ca. 1700]. S. sh. 1
p.
A Song with a Trumpet. [Genius of England, from thy pleasant Bow’
r]. N. i. [ca. 1780]. Pp. [2-3].
A Catch. [Four catches for three and four voices: (Jack thou’rt
a Toper) &c.]. N. i. [ca. 1740]. S. sh. p.18 [i.e. 1p.].
An Ode, On the King’s happy return from a Broad. The words
by Mr. D’urfey. To a Sebell of Mr. Henry Purcell. [Crown your Bowles,
Loyall Soul’s]. N. i. [ca. 1700]. S. sh. 1p. Additional accompt.
for flute.
Old Chiron. N. i. [ca. 1760]. S. sh. 1p.
RAMONDON, (Lewis)
A Hymn upon the Execution of two Criminals. [All you that must
take a leap in the dark]. N. i. [ca. 1710]. S. sh. 1p. Additional accompt.
for flute.
RAVENSCROFT, (Thomas)
The Mariners. A favorite glee. Music by Mr. Ravenscroft in the
year 1614. [We be three poor mariners]. Lady’s Magazine, September,
1790. Typeset oblong 4to. S. sh. 2pp.
REEVE, (William)
The favorite Fishing Duet. Sung by Mrs. Martyr & Mrs. Mountain
at Covent Garden Theatre in The Pantomime of Don Juan. [Thus for
Men the Women fair]. G. Goulding. [ca. 1790]. Pp.70-[72]. Additional accompt.
for guitar or flute.
(Another edition). The Fishing Duet Sung in Don Juan. W. Sibley.
[1821]. Pp.[2-3].
Robin Adair. The much admired ballad, sung with enthusiastic applause
by Mr. Braham, at the Lyceum Theatre, the symphony and accompaniments
composed and arranged for the harp or piano forte. [What’s this
dull Town to me]. Button & Whitaker. [1812]. Pp. 1-3.
RELFE, (John)
Mary’s Dream or Sandy’s Ghost [.] Sung by Miss Chanu
at Hanover Square Concerts, and at the Pantheon. [The Moon had climb’d
the highest hill]. Longman & Broderip. [ca. 1794]. Pp. [i] + 2-5.
Additional accompts. for guitar and German flute.
REYNOLDS, (Mr.)
The Disappointment. Words by Mr. Shenstone. [Ye shepherds give
ear to my lay]. Lady’s Magazine, July, 1797. S. sh. 2pp.
[RIZZIO (D.)]
The Lass of Paties Mill. N. i. [ca. 1733]. S. sh. 1p. Additional
accompt. for flute.
ROCK, (William)
Glee for 5 Voices, honor’d with the Prize Medal given by the Hibernian
Catch Club 1788. [Three songs: (Alone thro’ unfrequented wilds)
&c.]. H. Mountain, [Dublin]. [ca. 1790]. Pp.4-9 [i.e.1-6].
ROSS, (John).
Why lean’d is thy Breast. The poetry by Rannie. Preston.
[ca. 1800]. Pp.2-3. Scored for violin, voice and keyboard.
ROSSELLI, (Agrippino)
Beware the fond delusion. A celebrated air as sung by Mrs. Bland
with rapturous applause at the Theatre Royal, Drury Lane, in the New Traditionary
Play called The Mysterious Bride, the words written by Lumley St.
George Skeffington Esqr. The melody selected by the author from the Neapolitan
with an Accompaniment. Rt. Birchall. [ca 1807]. Pp.2-3. Initialed by the
composer.
ROVEDINO, (Tommaso)
County Guy. A ballad, the words from “Quentin Durward”
by the author of Waverly, the Warble inscribed and recommended
to Miss Stephens, (The Lady of the Lute) by Lark, whose Song has been
collected by Tommaso Rovedino, by whom has been added an accompaniment
for the harp and flute. [Ah! County Guy the hour is nigh]. Published for
Mr. T. Rovedino, by Birchall & Co. [ca. 1826]. Pp.[i-ii] + 1-5. Signed
and inscribed by the composer.
RUSSEL, (Davidson)
The Modest Question. Set by Mr. Russel. [Can Love be controul’d
by Advice]. N. i. [ca. 1745]. S. sh. 1p. Additional accompt. for flute.
With “3” of time signature touching the top line of staves
in the first system.
(Another edition). N. i. [ca. 1750]. S. sh. 1p. Additional accompt. for
flute. With “3” of time signature below the top line in the
first system.
The Shepherds Complaint. [Sweet were once the joys I tasted]. N.
i. [ca. 1750]. S. sh. 1p. Additional accompt. for flute.
SAINT GERMAIN (Comte de).
A New Song. Set to music by Comte de St. Germain. [Gentle Love
this Hour befriend me]. N. i. [ca. 1740]. S. sh. 1p.
A New Song. Set by Comte de St. Germain. [O wouldst thou know
what Sacred Charms]. N. i. [ca. 1745). S. sh. 1p.
SALE, (John Bernard)
The Butterfly. A much admired duett as sung by Mr. Nield &
Mr. Sale Junr. at Dr. Smith’s Concert, at Richmond Surry. [Gay being
born to flutter thro’ the day]. Printed for the author by Lavenu
& Mitchell. [ca. 1807]. Pp.1-6.
SANDERSON, (James)
While Fortune gilds the prosperous Day [.] A duet sung by Mr. Hill
and Mr. Gibbons, with great applause at the Surry Theatre, in the Right
of Common or How to get a Freehold. Composed by J. Sanderson, written
by T. Dibdin, Esqr. Pearce & Co. [ca. 1814]. Pp.1-4.
SANDFORD, (John)
A Birth Day Song. [By Drinking drive dull care away]. N. i. [ca.
1740]. S. sh. 1p. Additional accompt. for flute.
SCOTLAND, (John, pseud. of George Berg).
Lightly tread [.] A favorite glee. [Seven songs: (Lightly tread
‘tis Hallowed ground) &c.]. H. Mountain. [ca.1787]. Pp.12-17
[i.e. 1-6].
[SHIELD, (William)].
Ah! Ma chere! mine pretty dear [.] The favorite song of Bagatelle
sung by Mr. Marshall at the Theatre Royal, Dublin in the comic opera of
the Poor Soldier. Longman & Broderip. [ca. 1785]. Pp.2-3. Additional
accompt. for guitar.
Bonny Bet [,] Sung by Mr. Johnstone in The Farmer [.] Written
by J. O’Keefe Esqr. [No more I’ll court the Town bred fair].
Longman & Broderip. [ca. 1788]. Pp.2-4. Additional accompt. for guitar.
The Bud of the Rose. Sung by Mr. Bannister in Rosina. [Her
mouth, which a smile devoid of all guile]. J. Dale. [ca. 1783]. Pp.[2]-4.
Additional accompts. for German flute and guitar.
Dear sir this brown Jug. A favorite song in the Poor Soldier. N.
i. [ca. 1808]. Pp. [2-3]. Additional accompt. for German flute.
The Death of Tom Moody. The noted Whipper-in Well known to the
Sportsmen of Shropshire. Written by the author of Harford Bridge ... &
sung by Mr. Incledon in his new entertainment called The Wandering
Melodist, also at the T. R. C. Garden. [You all knew Tom Moody the
whipper in well]. Goulding, D’Almaine, Potter & Co. [ca. 1815].
Pp.1-4.
The Girl of my Heart. A favorite ballad sung by Mr. Incledon, at
the Theatre Royal, Covent Garden. The words by J. Rannie. [I have Parks
I have Grounds I have Deer I have Hounds]. Goulding, Phipps, D’Almaine.
[ca. 1804]. Pp.1-4. Signed by the composer.
Great Britain still her Charter boasts [,] Sung by Mr. Incledon
at the Theatre Royal, Covent Garden in the interlude of the Relief
of Williamstadt. The words by T. Goodwin. Longman and Broderip. [1793].
Pp.1-3.
The Heaving of the Lead [.] A favorite song sung by Mr. Incledon
in Hertford Bridge. [For England, when with fav’ring gale]. Longman
& Broderip. [ca. 1795]. Pp.2-4. Additional accompt. for German flute.
Exclamation marks at foot of p.4 within inverted commas, and with colon
after “W” of Shield’s initial.
(Another issue). Period after “W”.
(Another issue). Period after “W” and exclamation marks outside
inverted commas.
(Another edition). ... A favorite song sung by Mr. Incledon in Hartford
Bridge [.] .... With an additional [i.e. fourth] stanza. Longman &
Broderip. [ca. 1796]. Pp.2-4. Additional accompt. for German flute.
Old Towler [.] A favorite hunting song sung with universal applause
by Mr. Incledon at the New Theatre Royal, Covent Garden &c. &c.
.... Written by J. O’ Keefe Esqr. [Bright Chanticleer proclaims
the dawn]. Longman & Broderip. [ca. 1795]. Pp.1-4. Additional
accompt. for guitar.
(Another edition). With “Written by J: O’ Keef Esqr.”
Patty Clover. A favorite ballad sung by Mr. Blanchard at the Theatre
Royal, Covent Garden, in the opera of Marian. [When little on the
Village green we play’d]. Longman & Broderip. [1788]. Pp.2-4.
Additional accompt. for guitar or flute.
The Rosary [.] A favorite ballad sung by Mrs. Martyr in The
Midnight Wanderers. [Tho’ oft we meet severe distress]. Longman
& Broderip. [ca. 1793]. Pp.2-4. Additional accompt. for guitar.
A smile from the Girl of my heart [.] A favorite song sung by Mr.
Blanchard in The Woodman. [In the World’s in the world’s
crooked path where I’ve been]. Longman & Broderip. [ca. 1791].
Pp.2-4. Additional accompt. for guitar or flute.
Tell her I’ II love her. A ballad sung by Mr. Incledon in
his new entertainment of the Songsters Jubilee. Goulding, D’Almaine,
Potter & Co. [ca. 1811]. Pp.1-4. Additional arr. for mezzo soprano,
and accompt. for German flute. Signed by the composer.
The Thorn. Sung by Mr. Incledon at the Theatre Royal, Covent Garden
and in his new Entertainment of Variety. The words by Robt. Burns. [From
the white blossom’d Sloe]. Goulding, D’Almaine & Co. [ca.
1814]. Pp.1-4. Additional arr. in original key. Initialed by the composer.
The Trump of Fame [.] A celebrated song sung by Mrs. Martyr in
the new opera of Robin Hood. I: Bland. [ca. 1784]. Pp.[2-3].
SMART, (Thomas)
The Happy Fellow. A favorite glee for 3 Voices & the piano
forte. [With my Jug in one hand and my Pipe in the other]. N. i. [ca.
1805]. Pp.[2-3] .
SMITH, (Robert Archibald)
Jessie the flow’r o’ Dumblane. A favorite Scottish
song. Written by R. Tannahill. [The Sun has gane down o’er the lofty
Benlomond]. James Steven, Glasgow. [ca. 1820]. Fourth edition. Pp. [1]-3.
Additional accompt. for German flute.
SMITH, (Theodore)
For Mary’s Love alone [.] A new song sung by Mr. Dignum at
Vauxhall Gardens. [Farewell to England! Dearest love]. Goulding, Phipps
& D’Almaine. [ca. 1805]. Pp.1-3.
A Favorite Rondo. [Tho’ the winds are whistling round me].
L[ongman] & B[roderip]. [ca. 1780]. Pp.[1-2].
The Welch Harper [.] Dedicated to Miss E. Stewart by James Sheridan
Knowles. [Over the sunny hills I stray]. Goulding & Co. [ca. 1800].
Pp.1-3..
SOUTHWELL, (F.W.).
Ah! why my Fair, what Pearly Tear: A favorite rondo. J. Bland.
[ca. 1790]. Pp.[1-2]. Additional accompt. for German flute or guitar.
SPOFFORTH, (Reginald)
The Death of Crazy Jane. A favorite song composed with an accompaniment
for the piano forte. [O’er the gloomy woods resounding]. Bland &
Wellers. [ca. 1799]. Pp.1-3.
STANLEY, (John)
A Song. [Leave me Shephard leave me]. N. i. [ca. 1745].
S. sh. 1p. Additional accompt. for flute.
[STEVENS, (George Alexander)]
Vicar and Moses. With the original words. Composed by G. A. S.
Esqr. [There was once it was said]. N. i. [ca.1775]. S. sh. 1p.
STEVENS, (Richard John Samuel)
Glee for 5 voices [.] The Poetry from Ossian, (vide Darthula).
[Some of my Heroes are low]. Printed for the Author, Lambeth Walk. [ca.
1790]. Pp.1-9. Signed by the composer.
(Another issue). Printed for the Author, Charter-house. [ca.1798]. Pp.1-9.
Signed.
STEVENS, (William Seaman)
Mary or the Beauty of Buttermere. A ballad written by Lady. [Of
Nature’s choicest Gifts possest]. Longman & Co. [ca. 1803].
Pp.[2-3].
STEVENSON, (Sir John Andrew)
The Boat Song. From The Lady of the Lake by Walter Scott
Esqr. Composed and arranged as a glee for three voices with an accompaniment
for two performers on one piano forte. [The war pipes ceas’d; but
lake and hill]. Goulding, D’Almaine, Potter. & Co. [ca. 1811].
Pp.[ i-ii] + 1-26.
Faithless Emma. Sung with great applause by Mr. Spray at the Music
Hall, Liverpool ... the words by G.A. Esqr. of Dublin. [I wander’d
once at break of day]. H. Hime & Son, Liverpool. [ca. 1802]. Pp.1-3.
“How slowly move the hours.” A Favorite Ballad, Sung by Mr.
Braham at Dublin Bath & Nobilitys Concerts [.] Composed & Arranged
with an Accompaniment for the Harp or Piano forte. Goulding & Co.
[ca. 1811]. Pp.1-3.
Oh stay sweet Fair! An answer to Moore’s favorite ballad,
of Oh Lady Fair! The words by G.A. Esqr. Clementi, Banger, Hyde, Collard
& Davis. [ca. 1806]. Pp. [i-ii] + [ (1 cat. ) ] + 2-7.
O leave me to my Sorrow, Ballad, sung by Mr. Manners at the Bath
Concerts, from the Second Volume of The Melodies of Various Nations,
the poetry by Thomas H. Bayly Esqr. Goulding, D’Almaine & Co.
[ca. 1824]. Pp.(i-ii) + 1-4.
Raise the Song and Strike the Harp [.] The chartered [...] and
Chorus of the Irish Harmonic Club, the Words selected and composed by
J.W.C. Esqr. F. Rhames, Dublin. [ca. 1800]. Pp [1]-4.
Sweet is the Woodbine’s fragrant twine [.] A favorite song.
Goulding, Phipps & D’Almaine. [ca. 1807]. Pp.1-4.
Tell me where is Fancy Bred. A Duett for two voices, With an Accompaniment
for the Piano Forte or Harp, the Words from Shakespeare. Hime & Son’s
Music Warehouses, Liverpool. [ca. 1809]. Pp. l-6.
Why does my Love her Linnet mourn. A favorite song composed and
arranged with an accompaniment for the piano forte. Goulding, Phipps,
D’ Almalne & Co. [ca. 1808]. Pp.1-4.
STONE, (J )
Anacreontic. [If gold could bribe the stroke of Fate]. Lady’s
Magazine, October, 1796. Typeset oblong 4to. S. sh. 2pp.
The British Diamonds: or The Brilliants of Love. [Tho’ the
mines of Indostan abound]. Lady’s Magazine, September, 1796. Typeset
oblong 4to. S. sh. 2pp.
STORACE, (Stephen)
Across the downs this morning [.] Sung by Sigra. Storace in No
Song No Supper. Longman & Broderip. [ca. 1790]. Pp. 2-4. Additional
accompts. for guitar and two German flutes.
A new Recitative and Rondo Sung by Mr. Tenducci at Mr. Abel’s Concert,
Hanover Square. May the 8th, 1782. [Ah se porro mai vedi]. Longman &
Broderip. [1782]. Pp.[1]-5. Scored for violins, voice and keyboard.
The Carpet Weaver [.] A Favorite Song Sung by Sigra. Storace in
Mahmoud. [Don’t you remember a Carpet weaver]. J. Dale. [ 1796].
Pp.[1 (cat. numbered 15)]-3. Additional accompt. for German flute.
Canzonet. [The Curfew tolls, the Knell of parting Day]. Longman
& Broderip. [ca. 1785]. Pp.8-9. Additional accompts. for German flute
and guitar.
Edi Matti questo Mondo [,] A favorite Air Sung by Sigra. Storace
at the Kings Theatre in the Hay-market in the Opera La Cameriera Astuta.
Printed for S. Storace & Sold by Birchall & Andrews. [1788]. Pp.[1]-9.
Scored for voice, violins, viola, flute, horn and harpsichord. Signed
by the composer.
Canzonet. [How sweet the Calm of this sequester’d Shore].
Longman & Broderip. [ca. 1785]. Pp.6-8. Additional accompt. for guitar.
The Lullaby. A favorite Song Sung by Sigra. Storace in The Pirates.
[Peaceful slumbering on the ocean]. J. Dale. [ca. 1796]. Pp.[2-4]. Additional
accompts. for German flute and guitar.
Initialed by the publisher.
My native Land I bade adieu [.] A favorite Song, Sung by Mr. Sedgewick
in the Haunted Tower. Longman & Broderip. [ca. 1790]. Pp.2-4. Additional
accompts. for guitar and flute.
Now all in preparation [.] A favorite Song Sung by Mr. Bannister
Junr. in the Haunted Tower. Longman & Broderip. [ca. 1790]. Pp.2-
3. Additional accompts. for guitar and German flute.
There, the Silver’d Waters roam. A Favorite Song, as Sung
by Mr. Sedgwick in the Pirates. J. Dale. [1792]. Pp.1-4. Additional accompt.
for German flute. (2).
With lowly suit and plaintive ditty [,] Sung by Sigra. Storace
in No Song no Supper. Longman and Broderip. [ca. 1790]. Pp.2-4.
Additional accompt. for German flute or guitar.
Ye streams that round my Prison Creep. A favorite song sung by
Mrs. Crouch in the musical romance of Lodoiska. J. Dale. [1794]. Pp.2-4.
Additional accompt. for two flutes. “Entered at Stationers Hall”
above imprint.
(Another edition). J. Dale. [ca. 1797]. Pp.[l (cat. )] + 2-4. Additional
accompt. for two flutes. “Entered at Stationers Hall” above
imprint.
SUETT, (Richard)
Soft music let my humble lay. Sung by Miss Farren, in the new comedy
of False Colours. Preston & Son. [ca. 1793]. Pp.[l]-4. Additional
accompts. for guitar and flute.
SULLIVAN, (Mr.)
Gentle Parthenissa. [When gentle Parthenissa walks]. N. i. [ca.
1740]. S. sh. 1p. Additional accompt. for German flute.
[TALLIS, (Thomas)]
A favorite evening hymn. Sung at the Magdalen Chapel. [Glory to
thee my God this Night]. Longman & Broderip. [ca. 1785]. S. sh. p.2
[i.e. 1p.]. Additional accompt. for guitar. BUC and
TAYLOR, (Raynor)
Tomorrow. A favorite song, written and sung by Mr. Jefferys. [Young
Damon to Chloe was telling his Tale]. L[ongman]. L[ukey]. [ca. 1770].
Pp.[2-3].
TRAVERS, (John)
Haste my Nanette [.] Canzonette for two voices. G. Walker. [ca.
1809]. Pp.1-4.
A favorite song. Set to musick by Mr. Travers and sung by Miss
Formantel. [When Vernal Airs perfumed the Fields]. N. i. [ca. 1760]. Pp.
[2-3].
URBANI, (Pietro)
From thee eliza. A favorite new song [,] Words by Burns [,] sett
to music by Mr. Urbani. Urbani and Liston, Edinr. [ca. 1795]. Pp.1-2 [i.e.
2-3]. Additional accompt. for German flute.
VOGLER, (Gerard)
The Request. A favorite song with an accompaniment for a piano
forte or harp. [Tell me babbling Echo why]. J. Preston. [ca. 1785]. Pp.2-4.
Additional accompt. for guitar and German flute.
WEBBE, (Samuel, the elder)
All Day I wander through the Groves [,] Duetto. Broderip &
Wilkinson. [ ca. 1800]. Pp.2-4. Additional accompt. for two flutes or
two guitars.
From Glaring Shew. A favorite song, as sung by Miss Harrop in the
Dilettanti Concerts. J. Bland. [ca. 1780]. Pp.[1]-4.
The Mansion of Peace [.] Sung by Mr. Harrison. The Words by a Lady.
[Soft Zephyr on thy balmy Wing]. J. Bland. [ca. 1790]. Pp. l-4. Scored
for voice, flute, horns, two violins, viola and bass.
(Another Edition). John Bland. [ca.1790]. Pp. 1-4.
(Another Edition). Goulding, D’Almaine, Potter & Co. [ca. 1813].
Pp. 1-4.
[WEBBE, (Samuel, the younger)]
Pray Goody. The favorite air sung by Mr. Sinclair, in Midas.
Mitchells Musical Library. [ca. 1817]. Pp.2- 3.
WEBBER, (John)
A Song. [Tell me, tell me charming creature]. N. i. [ca. 1730]. S. sh.
1p. Additional accompt. for flute.
WESLEY, (Charles)
Regret. A ballad, the Words by a Lady. [When I forc’d to
part from those we love]. G. Shade. [ca. 1818]. Pp.[i] + [2]-3.
WHICHELLO, (Abiell)
A new Song Set by Mr. Abiell Whichello. [Ye Virgin pow’rs defend
my heart]. N. i. [ca. 1710]. S. sh. 1p.
WHITAKER, (John)
Oh! rest thee Babe, rest thee Babe. The Celebrated Ballad Sung
by Miss Stephens, at the Theatre Royal, Covent Garden, in Guy Mannering,
To which is added the Stanza Sung by Miss Carew, in the Scene of the Gypsies’
Haunt, in the Same Play, Composed with an Accompaniment for the Piano
Forte .... Written by D. Terry Esqr. [Oh! slumber my darling, Thy Sire
is a Knight]. Button, Whitaker, & Compy. [ca. 1813]. Pp.1-4.
Oh! say not ‘Woman’s Heart is Bought. A Favorite Ballad,
Sung with the Most Rapturous Applause by Miss Stephens, at the Theatre
Royal, Covent Garden in the Operatick Piece Entitled the Heir of Vironi.
Written by Isaac Pocock, Esqr. Composed , & Arranged for the Piano
Forte with Accompaniments for an Orchestra. Button, Whitaker & Co.
[ca. 1817]. Pp.1-5. Scored for flute, clarinets, basoons, horns, violins,
viola, cello, bass, voice and piano.
Young Lochinvar, Lady Heron’s Song [.] From the celebrated
poem entitled Marmion [.] Written by Walter Scott Esqr: Composed with
an accompaniment for the piano forte. [O young Lochinvar is come out of
the west]. G. Shade. [ca. 1829]. Pp.[1]-3. Additional accompt. for
German flute.
WILBYE, (John)
Madrigal [.] Composed by Jno. Willye [sic]. 1609. [Flora gave me
fairest Flowers]. S. Babb. [1780]. Pp.[1]-3.
WILLIS, (Thomas)
A New Song Sett by Mr. Willis. [Now let Bellona Albion’s minds Inspire].
N. i. [ca. 1707]. Pp.[2-3]. Additional accompt. for flute.
WORGAN, (John)
A Song. The Lover and the Friend. [O Thou for whom my Lyre I String].
N. i. [ca. 1760]. S. sh. 1p.
Neptune’s Resignation. Written on the Naval Victory obtained
by Sr. Edward Hawke Nov. 20th 1[7]59 Off Bellisle. Sung by Mr. Lowe. The
words by Mr. Wignel. Set by Mr. Worgan. [The Wat’ry God great Neptune
lay]. N. i. [ca. 1760]. S. sh. 1p.
YATES, (William)
A New Dialogue Sung by Master Adams and Miss Carli at Finch’s Grotto
Gardens. The words by Mr. Boyce. [Lads and Lasses blithe & Gay]. N
.i. [ca. 1755]. S. sh. 1p. Additional accompt. for guitar.
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