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To Collection Description
Georgian Songs collection. –
1714-1830. – First accrual.
The listing has been arranged on the following principles: order is alphabetical
by composer if known; if not known, by title. Songs are listed alphabetically
by title under each composer, or, where there is no given title, under
the first word of the first line. The definite and indefinite articles
do not signify. Generic or unspecific titles, such as “A new Song”;
“The Favourite Air”; “Glee”; etc., have been disregarded,
and the first significant word of the sub-title (or first line) taken
as the guide.
Titles have been transcribed as accurately as the exigencies of type allow,
employing the shortest possible meaning title, ended by a period, whatever
the punctuation on the title; peculiarities of spelling, punctuation,
capitals, and all other orthographical oddities within the short-title
have been faithfully reproduced. The first phrases of all songs have been
similarly transcribed within square brackets after the titles, except
where they are adequately reproduced within the titles. In the cases of
items containing three or more songs, the total number of songs is stated,
but the individual title and /or incipit of the first song only is given,
all within square brackets.
The place of publication, when given, is recorded precisely as printed.
The publisher’s name is recorded precisely as printed, all typographical
eccentricities being as far as possible transcribed, thus “A. Bland.
and Wellers” may appear in one item, “Bland and Weller’s”
in another, and “A Bland & Weller” in a third. The word
“printed” in “printed for”, “printed by”,
etc. is omitted unless the phrase is “Printed in the year ...”
or “Printed and sold by”. In cases where “printed”
is omitted, the first word following “printed” is capitalized.
If the location of the publisher/seller differs from the place of publication,
this is noted. “N.i.” means “No Imprint.”
Dates are those printed on the item concerned. Those within square brackets
have been ascertained from other sources. Dates given as “circa”
are necessarily conjectural, but great care has been taken to fix upon
as accurate a date as possible. Statement of edition has only been given
when actually printed on the item concerned. All items are folio in size
unless otherwise stated. The format follows the one established by the
E.S.T.C.: numbered pages are recorded; unnumbered pages are indicated
in square brackets, including blank pages. Page numbers within square
brackets do not appear in print on the pages concerned. Where page numbers
are printed but are misleading, the situation is clarified by an additional
set of nominal page numbers within square brackets. Songs printed on single
leaves are designated “s. sh.”, without pagination if printed
on one side only, or “2p.” if printed on both. All items are
printed from engraved plates unless described as typeset.
Most songs consist of keyboard scores only, with the vocal part either
following the top line or given an independent stave to itself; this in
turn was often doubled by a violin or flute. Scores with more than this
range of orchestration are noted, and instruments are listed where they
are named. Songs with accompaniments for more than two unspecified instruments
are designated simply “score.” The additional accompaniments
(“accompt.”) or arrangements (“arr.”) sometimes
given at the end are listed in full.
Box 1A
1. Ah! Çà Ira. Dictum Populaire ou Carrillon National
Chanté a Paris a La Fédération, le 14 Juillet, 1790.
London: for H. Andrews [ca. 1791]. [4] p.
[AKEROYDE, Samuel]
2. Russell’s Triumph. [Thursday in the Morn]. N.i. [ca. 1765].
S. sh.
3. (Another ed.). Russell’s Triumph. N.i. [ca. 1770]. S.
sh.
AMBROSE, J.
4. The Death of Maria. [The Voice of Maria No Longer is Heard].
London: engraved and printed by E. Riley [ca. 1797]. 4 p. Additional
accompt. for guitar or German flute.
5. Their Groves of Sweet Myrtles. Written by the Late Robt. Burn.
London: engraved, printed and published by E. Riley [ca. 1798]. 3[1]p.
6. William’s Return. [Since fortune Polly has been kind].
London: engraved and printed by E. Riley [ca. 1798]. 4p. Additional accompt.
for 2 flutes.
7. And they’re a nodding. A favorite Scots ballad, for two
voices. London: printed and sold by Rt. Birchall [ca. 1800]. [1]530-531[1]p.
8. And ye shall walk in silk attire. A celebrated Scotch song,
written by R. Burns. London: published by Geo. Walker [ca. 1823].
3[1]p.
ANDRE, John
9. Return Enraptured Hours. Composed by Major Andre during his
confinement. London: by Longman & Broderip [ca. 1785]. 4p. Additional
accompt. for guitar.
[ARNE, Michael]
10. Sweet Passion of Love. Sung by Mrs. Arne in Cymon. [This
cold flinty Heart]. London: printed and sold by R. Falkener [ca. 1772].
S. sh. Typeset.
11. The Topsails shiver in the Wind. Sung by Mr Arrowsmith.
[London] by Longman & Broderip [ca. 1783]. 4p. Additional accompts.
for guitar and German flute. (Penultimate line of advert. reads: “within
six months,” first bar marked “for”).
12. (Another ed.). 4p. (Penultimate line of advert. reads: “within
six months, the”, first bar marked “f”).
ARNE, Thomas Augustine
13. The new Song in the Foundling. Sung by Mrs. Cibber . [For a
Shape, and a Bloom]. [London] by J. Oswald [ca. 1750]. S. sh. Additional
accompt. for German flute.
14. Let not Rage. Sung by Mrs. Billington in Artaxerxes.
London: printed and sold by Preston [ca. 1783]. 3[1]p.
15. The favorite trio in Comus. Adapted for three guitars. [Live
and love enjoy the fair]. N.i. [ca. 1770]. [4]p.
16. My Banks They Are Furnished. The words by W. Shenstone.
London: printed and sold by R. Falkener [ca. 1775]. S. sh. Typeset.
Additional accompt. for guitar.
17. Punch an emblem of the medium of life. Glee [for three voices].
[You Ask Me Dear Jack]. [London] for S. Babb [ca. 1778]. 3 [1]p.
18. Rule Britannia. [When Britain first at Heavens Command]. N.i.
[ca. 1755]. S. sh.
19. Sally. [Sure Sally is the loveliest lass]. N.i. [ca. 1760].
S. sh. Additional accompts. for guitar and German flute.
20. Thomas and Sally. [When late I wandered over the Plain]. N.i.
[ca. 1763]. S. sh. Additional treble accompt.
21. Under the Greenwood Tree. A song in Shakespeare’s comedy
of As You Like It. London: for G. Walker [ca. 1812]. 3[1]p.
22. (Another ed.). Under the Green-wood Tree. Song in the comedy
of As You Like It. Arranged by Dr. John Clarke. London: printed
and sold by Birchall & Co. [ca. 1823]. 5[1]p.
23. (Another ed.). Under the Greenwood Tree. Sung by Mr. Pearman
in the play of As You Like It. Arranged for the voice and piano
forte by Henry R. Bishop. London: by Goulding D. Almaine & Co. and
to be had of all music and booksellers in the United Kingdom [ca. 1828].
4p.
24. Where the Bee Sucks There Lurk I. Sung by Miss Romanzini in
the character of Ariel in The Tempest. London: for S. A. &
P. Thompson [ca. 1785]. S. sh.
25. (Another ed.). Where the Bee Sucks. Song of Ariel in The
Tempest. London: by G. Walker [ca. 1799]. 3[1]p. Additional accompt.
for guitar.
26. (Another ed.). The favourite song of “Where the bee sucks”.
Sung by Miss Meadows ... in The Tempest .... Arranged by J. Davy.
London: printed and sold by Rt. Birchall [ca. 1824]. 56-58[1]p. (Apparently
a reissue from earlier plates, the address and price re-engraved. Wm.1823).
27. (Another ed.). Where the Bee Sucks. Air in Shakespear’s
play The Tempest. Arranged by William Hutchins Callcott. London:
printed and sold by C. Lonsdale (late Birchall & Co.) [ca. 1835].
4p.
ARNOLD, Samuel.
28. Faint and Wearily the way-worn Traveller. Sung by Mrs. Bland
and Mr. Bannister Junr. in the Mountaineers. London: printed and
sold by Preston & Son [ca. 1795]. 3[1]p. Additional accompt.
for German flute.
29. (Another ed.). [ca. 1800]. 4p.
30. Flow thou regal purple stream. Selected from The Castle
of Andalusia. N.i. [ca. 1802]. [1]58-59[1]p.
31. (Another ed.). Flow thou regal purple stream. A favorite song
sung by Mr. Reinhold in The Castle of Andalusia. London: for G.
Goulding [ca. 1809]. [1] 64-66p. (Apparently a reissue from earlier plates,
the address re-engraved. Wm. 1809).
32. The Hardy Sailor. A favorite song, sung by Mrs. Kennedy in
The Castle of Andalusia. London: by J. Bland [ca. 1785]. [4]p. Additional
accompt. for guitar.
33. Oh Happy Tawny Moor. Sung by Mrs. Bland and Mr. Bannister Junr.
in The Mountaineers. London: by Preston & Son [ca. 1795]. 4p.
Additional accompt. for guitar.
34. The Prince of Arcadia. Occasioned by the King’s Melancholly
Indisposition .... Words by Mr. Harrison. [In the realms of Arcadia].
London: for Harrison & Co. Sold likewise, at their shop [1788]. 4p.
Score for voice, two violins and bass, additional accompt. for German
flute and guitar.
35. The Wandering Sailor. A favourite song sung by Mr. Bannister.
London: for S. A. & P. Thompson [ca. 1793]. 4p. Additional accompt.
for German flute.
36. When The Hollow Drum. Sung by Mrs. Bland in the Mountaineers.
London: by Preston & Son [ca. 1795]. 4p. Additional accompt. for German
flute.
37. (Another ed.). When the Hollow Drum. Sung by Mrs. Bland in
the Mountaineers. London: by Wm. Walker from Corri Dussek & Co. [ca.
1807]. 4p. Additional accompt. for German flute.
38. As Steals The Morn. Sung by Mr. Harrison and Mrs. Billington.
London: printed and sold by J. Bland [ca. 1786]. 3[1]p.
ATTWOOD, Thomas
39. In Peace Love tunes the Shepherd’s Reed. Glee for three
voices, the words from the Lay of The Last Minstrel by Walter Scott
Esqr. London: published by Monzani & Co. [ca. 1810]. [2]9[1]p. Score
for three voices and two pianos (or harp and piano). Initialled.
40. The Land in the Ocean. A favorite song sung by Mr. Fawcett
... in The Mouth of the Nile, written by T. Dibdin. [In the
midst of the Sea]. [London] by Goulding & Co. [ca. 1800]. 4p. Additional
accompt. for flute.
41. A Masonic Glee. Sung at The Union of the Grand Lodges of Ancient
Freemasons of England on The Festival of St. John, 27th December,
1813. [For 3 voices]. London: printed and sold for the author by Preston
[ca. 1814]. 7[1]p.
BAKER, George, or John.
42. Oh how Slowly time does Move. Canzonet for two voices, with
an accompaniment for the piano forte. London: printed and sold by Preston
[ca. 1810]. 3[1]p.
BALL, S.
43. Nelson’s Tomb. The words by a young gentleman. [Nelson
the Brave, is now no more]. London: for the author by Broderip & Wilkinson
[ca. 1806]. [2]4p. Signed.
44. Begone Dull Care. A favorite Duett, sung ... at Harrison and
Knyvetts vocal concerts. London: printed and sold by Preston & Son
[ca. 1794]. 4p. Additional accompts. for two guitars or German flutes.
BIGGS, Edward Smith
45. The Morning Call Of the Swiss Pastors. Harmonized and arranged
as a Glee; for three voices .... Words written and adapted to the music
by Mrs. Opie. [Where feeds your flock?]. London: for Rt. Birchall [ca.
1803]. 3[1]p. Initialled and numbered.
46. My Love to War is going. A song with an accompaniment for the
piano forte. [London] printed and sold by Rt. Birchall [ca. 1795]. 4p.
Additional arr. for three voices. Initialled and numbered.
BISHOP, Henry Rowley
47. As It Fell Upon a Day. Duet. Sung by Miss Stephens and Miss
M. Tree in Shakespeare’s Comedy of Errors .... Words from
Shakespeare’s sonnets. London: published by Goulding, D’Almaine,
Potter & Co. and to be had at Dublin [ca. 1821]. 6p. (also numbered
67-72).
48. (Another ed.). 2d.ed. As It Fell Upon a Day... [ca. 1823].
6p. (also numbered 67-72).
49. Bid me discourse. Sung by Miss M. Tree, in Shakespeare’s
comedy called Twelfth Night ... Poetry from Shakespeare’s
Sonnets. London: published by Goulding, D’Almaine, Potter &
Co., and to be had at Dublin [ca. 1821]. 7[1]p. (Imprint on title set
in two lines, no imprint at foot of p.7).
50. (Another ed.). Bid me discourse. Sung by Miss M. Tree in Shakespeare’s
comedy called Twelfth Night ...[&c.]. [ca. 1822]. 7[1]p.
51. (Another ed.). Bid me discourse. Sung by Miss M. Tree ... [&c.].
[ca. 1824]. 7[1]p. (Imprint on title set in one line, printer’s
imprint at foot of p.7.
52. (Another ed.). Bid me discourse. Sung by Miss M. Tree ... [&c.].
[ca. 1824]. 7[1]p. (Heading on p.2 reads: “at the Nobility’s
& Public Concerts.” Tempo marked: “Allegro Moderato”).
53. (Another ed.). Bid me discourse ... [&c.]. London: by Goulding,
D’Almaine & Co., and to be had at Dublin [ca.1824]. 7[1]p. (P.4-7
also numbered 74-77. Heading on p.2 reads: “at the Nobility’s
and Private Concerts.” Tempo marked: “Allegro Modto”).
54. By the simplicity of Venus’ Doves. Sung by Miss Stephens
in A Midsummer Night’s Dream .... Words by Shakespeare. London:
by Goulding, D’Almaine, Potter & Co., and to be had at Dublin
[ca. 1816]. 8-10[1]p. (Imprint on title set in two lines, ending: “Dublin.”
No metronome marking).
55. (Another ed.). [ca. 1816]. 8-10 [1]p. (Imprint on title set in one
line, ending: “Dun.” With metronome marking).
56. (Another ed.). [ca. 1816]. 8-10[1]p. (Imprint on title set in one
line, ending: “Dublin.” With metronome marking).
57. The Dashing White Sargent. The Favorite Military Song, Sung
by Miss Stephens, Madame Vestris and Miss Paton in the opera of the
Lord of the Manor. [If I had a Beau]. London: by Goulding, D’Almaine
& Co., and to be had at Dublin [ca. 1825]. 4p.
58. Lo! Here the Gentle Lark. Sung by Miss Stephens (accompanied
on the flute by Mr. Birch) in Shakespeare’s Comedy of Errors.
London: published by Goulding D’Almaine, Potter & Co., and to
be had at Dublin [ca. 1820]. 7[1]p. (also numbered 88-94). Score for voice,
piano and flute.
59. “Should he upbraid”. Sung by Miss M. Tree, in Shakespeare’s
play The Two Gentlemen of Verona ... Poetry by Shakespeare. London:
published by Goulding, D’Almaine, Potter & Co., and to be had
at Dublin [ca. 1822]. [2]75-80p.
60. (Another ed.). [ca. 1823]. [1]75-80[1]p.
61. (Another ed.). London: by Goulding, D’Almaine & Co., and
to be had at Dublin [ca. 1824]. [1]75-80[1]p.
62. (Another ed.). London: by Goulding & D’Almaine, and to be
had of all music sellers in the United Kingdom [ca. 1828]. [1]75-80[1]p.
63. Black Eyed Susan. Sung by Mr. Incledon. [All in the Downs].
N.i. [ca. 1790]. [4]p. Additional accompts. for guitar and German flute.
64. The Blessings of Union. [How justly alarmed is each Dublin
Cit]. Dublin: published by Hime [ca. 1800]. [4]p. Additional accompt.
for German flute.
65. The Bold Dragoon. As sung by Mr. Johnstone. [There was an ancient
Fair]. London: by Goulding & Co., and Dublin [ca. 1808]. 3[1]p.
66. (Another ed.). The Bold Dragoon. A comic song sung by Mr. Johnson.
London: for G. Walker [ca. 1811]. 3[1]p.
[BONONCINI, Giovanni Battista]
67. A Favourite Song in the Opera of Astartus. (in English and
Italian). [Transported with Pleasure I gaze on my Treasure]. N.i. [ca.
1725]. S. sh. 1[1]p. Additional accompt. for flute.
BONWICK, Miss ---
68. The Nightingale. [In a sweet shady Arbour]. [London] printed
and sold for the author by Longman & Broderip [ca. 1792]. [4]p.
69. The Boy and the Flag’let. An admired ballad for the harp
and piano forte. Written by Mr. F. Bryan, the music by the composer of
the Maid of Wooburn. [A Village Boy in lowly state]. London: printed
and sold by F. Bryan [ca. 1805]. 4p.
BRAHAM, John
70. Ah! thee will I follow. Sung by Sigra. Storace, in the favorite
opera of Kais or Love in the Deserts. London: by Goulding &
Co., and Dublin [ca. 1808]. [1]53-54[1]p.
71. Ah what a Pity. A favorite air as sung by Sigra. Storace ...
in the comic opera of the Cabinet, the words by T. Dibdin. [My
love the gayest of the throng]. London: published and sold by J. Dale
[ca. 1802]. 3[1]p.
72. The Beautiful Maid. A favorite ballad as sung by Mr. Braham
... in the comic opera of the Cabinet, the words by T. Dibdin.
[When absent from her my soul]. London: for J. Dale [ca. 1802]. 4p. (“Entd.
at Stats. Hall.” “Price 1/6", tempo in capitals, “p”
in first bar).
73. (Another ed.). 4p. “Entered at Stats. Hall.” “Price
1s.6", tempo in lower case, “pia” in first bar.
74. (Another ed.). [ca. 1804]. 4p. “Entd. at Stats. Hall.”
“Price 1s/6", tempo in lower case, “p” in first
bar.
75. (Another ed.). 47-50p.
76. (Another ed.). London: for Dale & Son [ca. 1807]. 47-50p. “Price
1/6".
77. (Another ed.). 47-50p. “Pr.1/6".
78. Beneath the Willow Tree. Sung by Mr. Braham ... in the comic
opera of the Thirty Thousand or Who’s the Richest? The words
by T. Dibdin. [Oh take me to your arms my love]. London: by Joseph Dale
& Son [ca. 1805]. [1]34-35[1]p.
79. (Another ed.). Dublin: published by Hime [ca. 1806]. [4]p.
Box 1B
80. The Bewildered Maid. A ballad, sung by Mr. Braham, in the favorite
opera of Kais or Love in the Deserts. [Slow broke the light]. London:
by Goulding Phipps, D’Almaine & Co., and Dublin [ca.1809]. 111-114p.
81. The Favorite Bird. Duet as sung by Sigra. Storace and Mr. Braham
... in the comic opera of the Cabinet. The words by T. Dibdin.
[Ah could I hope my Fair to see]. London: for J. Dale [ca. 1802]. 55-62p.
82. (Another ed.). [ca. 1803]. 8p.
83. The Death of General Sir Ralph Abercrombie. Sung by Mr. Braham
... in the comic opera of the Thirty Thousand or Who’s the Richest?
The words by T. Dibdin. [‘Twas on the spot in ancient Lore]. London:
by Joseph Dale [ca. 1804]. [1]56-58p.
84. Dulce Domum. Composed & sung by Mr. Braham in Out of
Place or the Lake of Lausanne. [Deep in a Vale a Cottage stood].
[London] for the authors by Clementi & Co. [ca. 1805]. 35-38p.
Initialled.
85. (Another ed.). Dulce Domum. Composed and sung by Mr. Braham.
London: by Clementi & Co. [ca. 1805]. 4p.
86. Dunque non senti O Barbaro. The favorite duet, sung by Mr.
Braham and Made. Grassini, in the grand serious opera of gli Orazi
e i Curazi ... . Arranged by M. C. Mortellari. [London] printed and
sold by M. Kelly [ca. 1807]. 5[1]p.
87. The Celebrated Echo Duett. Sung by Mr. Braham and Mrs. Salmon.
[Now hope now fear my bosom rending]. London: by Goulding & D’Almaine
[ca. 1828]. 1,119-122[1]p.
88. Fair Ellen. A favorite ballad as sung by Mr. Braham ... in
the Cabinet. The words by T. Dibdin. London: published and sold
by J. Dale [ca. 1803]. 3[1]p.
89. (Another ed.). [1]66-67[1]p.
90. Braham’s music in the favorite opera. False Alarms or My
Cousin. Sung by him Signora Storace and Mrs. Mountain .... Arranged
for the piano forte by the author. [Six songs]. London: printed and sold
by Preston for Mr. Braham [ca. 1807]. 32p. Signed.
91. From thee my Fair One I must Go. A favorite song, sung by Mr.
Braham. London: for J. Dale [ca. 1804]. 4p. Additional accompts. for guitar
and flute.
92. Is there a heart that never Loved. Ballad, sung by Mr Braham
in the operatic romance of The Devils Bridge. London: By Goulding,
D’Almaine, Potter & Co., and to be had at Dublin [ca. 1818].
39-41[1]p.
93. Just as Sweet to Teaze’em. Sung by Signora Storace. in
the opera False Alarms. [To hear a tender Lover sigh]. London:
by Goulding & Co., and Dublin [ca. 1808]. [1]4-5[1]p.
94. Little Jane of the [Mill]. A favorite ballad, sung by Sigr.
Storace in ... Family Quarrels .... Written by T. Dibdin.
Junr. Arranged for the piano forte by D. Corri. London: printed and sold
[by Domenico Corri] [ca. 1803]. 35-39[1]p.
95. The Celebrated Song of Love and Glory. From the comic opera
of The English Fleet. The words by T. Dibdin. Arranged for the
piano forte by D. Corri as composed and sung by Mr. Braham. [Young Henry
was as brave a Youth]. [London] by M. P. Corri & Co. [ca. 1804]. 10th.
ed. 4p.
96. Mild as the Moonbeam! The favorite quartetto introduced by
Miss Stephens, Mrs. Bishop, Mr. Durusett and Mr. Braham in the opera
of Artaxerxes. [To death ‘mid burning sands]. London: by
Goulding, D’Almaine, Potter & Co., and to be had at Dublin [ca.
1818]. 37-43[1]p.
97. No more by Sorrow. Pollacca as sung by Mr. Braham ... in the
comic opera of the Cabinet, the words by T. Dibdin. London: printed
and sold by J. Dale [ca. 1803]. 85-91[1]p. (“Page 92 Blank.”
at foot of p.91, publisher’s name in lower case).
98. (Another ed.). 85-91[1]p. Without “Page 92 Blank.” on
p. 91, publisher’s name in capitals.
99. (Another ed.). 7[1]p. With reading “Entd. at Stationers Hall.
Price 2s.”
100. (Another ed.). 7[1]p. With reading “Entered at Stationers Hall.
Price 2/o”.
101. (Another ed.). Dublin: published by Hime [ca. 1804]. 4p.
102. On this Cold flinty Rock I will lay down my head. Sung by
Mr. Philipps ... and Mr. Braham, in the favorite opera of Kais or Love
in the Deserts. London: by Goulding, D’Almaine, Potter &
Co., and Dublin [ca. 1815]. 87-89[1]p.
103. Poor little Sailor Boy. Sung by Sigra. Storace ... in the
comic opera of The Thirty Thousand or Who’s the Richest?
The words by T. Dibdin. [One Morning I walked]. London: by Joseph Dale
& Son [ca. 1805]. [1]32-33[1]p.
104. Rest Weary Traveller. A favorite duet sung by Mr. Braham
and Mr. T. Rovedino ... in the favorite operatic romance of The Devil’s
Bridge. London: by Goulding & Co., and to be had at Dublin [ca.
1813]. 76-80[1]p.
105. Said a Smile to a Tear. Braham’s celebrated piano forte
song, sung and accompanied by the author in the opera False Alarms.
London: printed and sold by Preston for Mr. Braham [ca. 1807]. [3]22-27[1]p.
Signed. (“Price.3s.” printed centrally, above “London.”)
106. (Another ed.). [3]22-27[1]p. Signed. (“Price 3s/.” printed
to r. above “Mr. Braham.”)
107. (Another ed.). London: by Goulding, Phipps, D’Almaine &
Co. and Dublin [ca. 1808]. [1]22-27[1]p.
108. (Another ed.). London: by Goulding, D’Almaine, Potter &
Co., and Dublin [ca. 1815]. [1]22-27[1]p.
109. Mr. Braham’s Edition. Scots wha hae wi’ Wallace bled.
The celebrated Scottish air sung ... by Mr. Braham ... in the opera Guy
Mannering. London: by Button, Whitaker & Co. [ca. 1816]. 3[1]p.
Additional accompt. for flute.
110. Should e’er I brave. Sung by Mr. Braham in the opera
False Alarms. London: by Goulding & Co., and Dublin [ca. 1809].
6-8[1]p.
111. Tu l’ami e ancor per lui. The favorite duet sung by
Mr. Braham and Mrs. Billington in the grand serious opera of Argenide
e Serse. [London] printed and published by Ml. Kelly [ca. 1807]. 7[1]p.
112. The Victory and Death of Lord Viscount Nelson. Written by
R. Cumberland .... Arranged for the piano forte by D. Corri. [In death’s
dark house]. [London] printed and sold [by Domenico Corri, 1805]. 7-10p.
Additional arr. for tenor voice.
113. Vive le Roi. The favorite duet sung ... by Mr. Braham and
Sigra. Storace in the comic opera of the English Fleet .... Words
by T. Dibdin. [For whom do you sigh]. London: printed and sold at Preston’s
[ca. 1812]. 73-79[1]p. (Wm. 1811).
114. (Another ed.). 73-79[1]p. (Wm. 1815).
115. When thy bosom heaves a sigh. Duet sung by Mr. Braham
and Miss Wilson in the comic opera called Love in a Village. London:
by Goulding, D’Almaine, Potter & Co., and to be had at Dublin
[ca. 1814]. 21-28[2]p.
116. (Another ed.). When thy Bosom heaves the Sigh! The admired
duet sung by Miss Stephens and Mr. Braham. London: by Goulding & D’Almaine,
and to be had of all music sellers in the United Kingdom [ca. 1828]. 21-27[1]p.
117. (Another ed.). London: D’Almaine & Co. [ca. 1835]. 21-27[1]p.
118. With a Friend and a Wife. A favorite duet as sung by Mr. Braham
and Mr. Incledon ... in The Cabinet, the words by T. Dibdin.
London: published and sold by J. Dale [ca. 1804]. 4p.
BREMNER, Robert
119. Thirty Scots Songs. Adapted for a voice and harpsichord ....
Words by Allen Ramsey. London: printed and sold by R. Bremner [ca. 1770].
[2]32[2]p. Alternate leaves typeset. Additional flute accompts. to 10
songs.
BREWSTER, Henry
120. Female Liberty Regain’d. Sung by Mr. Vernon. [Tho’
Man has long boasted]. London: printed and sold by R. Falkener [ca. 1773].
S. sh. Typeset.
121. A Two Part Song. [Britons where is your great Magnanimity].
N.i. [ca. 1730]. S. sh. Additional accompt. for flute.
122. The Brittish Toper Made in Honour of a Bowle of Punch. Occasioned
by the Intolerable Price of Bad Clarrett, the words by Mr. Durfey. [Come
Aid me ye Muses]. N.i. [ca. 1710]. S. sh. Vocal line with accompts. for
bass and flute.
123. The Busy Crew. Sung by Mr. Bannister. [London] Straight [ca.
1780]. S. sh. Additional accompt. for German flute or guitar.
BUTLER, Thomas Hamley
124. No fragrant Flower that scents the air. A favorite ballad
written by John Carnegie Esqr. Edinburgh: published by Mr. Butler. - August
1809. [1]2[1]p. Signed.
125. No more does the song give delight. A favorite ballad written
by John Carnegie Esqr. Edinburgh: published by Mr. Butler. - August 1809.
[1]2[1]p. Signed.
Box 2A
CALLCOTT, John Wall
126. Address to the Sun. From the poems of Ossian Vide Carthon
Vol. I Page 95 last Ed. [O thou that rollest above]. London: for the
author and sold by Catherine Fentum [ca. 1783]. 3[1]p. Initialled.
127. Chief Of The Windy Morven. A glee from Ossian, for
two trebles and a bass with an accompaniment for two performers on one
piano forte. London: for the author by Rt. Birchall [ca. 1808]. 14p. (From
1799 plates).
128. A Collection of Four Songs. I Farewell thou fair day, II Tho’
cold are our hills, III The tomb of the brave [Shall a tyrant usurper
unanswered proclaim], IV The Maid of Marlivale [Where is the nymph whose
azure eye]. [London] for the author. March 1804. [2]11[1]p. Signed and
numbered.
129. Lochaber. A favorite Glee, for Three Voices In imitation of the
Scotch stile .... To which is added an accompaniment for the harpsichord
or piano forte, and the melody adapted for a single voice. [Farewell to
Lochaber]. [London] for the author and sold by T. Skillern [ca. 1786].
3[1]p. Initialled and numbered.
130. The Red Cross Knight. [For 3 voices]. [Blow Warder blow thy
sounding horn]. [London: for the author] May 12.1797. 4p. Initialled and
numbered.
131. Thyrsis. A glee for four voices. Also adapted as a duet. [Thyrsis
when he left me swore]. London: for the author and sold at the music shops,
engraved by T. Skillern [ca. 1790]. 7[1]p.
132. The Weeping Willow. Written by Mr. Rannie. [Oh I have heard
the plaint of woe]. [London] for the author. August 23, 1797. [4]p.
CAMIDGE, John
133. As oer her white forehead. A favorite song sung by Madame
Mara ... composed by M. Camidge. London: printed and sold by Preston &
Son [ca. 1790]. 3[1]p. Additional accompt. for guitar.
CAMIDGE, Matthew
134. Occasional Hymn. Sung by Miss Shepley .... Words by Mr. Watson.
[Eternal King to thee we bow]. London: printed and sold by Thos. Preston
[ca. 1800]. 3[1]p. Additional accompt. for German flute or guitar.
135. The Camp Medley. With the original tunes within compass of
the German Flute. [The Lark was up the Morning Grey]. [London] for C.
& S. Thompsons [ca. 1770]. 4p.
136. Canzonetta Con Coro. [Quattro e quattrotto]. London: by Longman
& Broderip [ca. 1795]. 4p.
[CAREY, Henry]
137. And canst thou leave thy Nancy. Sung by Mr. and Mrs. Mattocks
in True Blue. [With] The Jolly Waterman sung by Mr. Bannister in
the ... Water-man [by C. Dibdin]. [And did you not hear of a Jolly
young Waterman]. N.i. [ca. 1775]. [4]p.
138. The Apotheosis of the most Noble Edmund Sheffield Duke of Buckingham
Who Died at Rome ye 30th. Day of October 1735. [For 2 voices]. [Immortal
Powers who rule above]. [London] published according to Act of Parliament
1740. [1]26-27[1]p. Additional accompt. for flute.
139. Generous Love. [Love’s a gentle generous Passion]. [London]
G. Bickham junr. [ca.1740]. S. sh. numbered 88. Additional accompt. for
flute.
140. The Maid’s Husband. [Genteel in Personage, Conduct &
Equipage]. [London] G. Bickham [ca. 1740]. S. sh. numbered 80. Additional
accompt. for flute.
141. A New Year’s Ode. For 1736. Composed in a Dream. The
author imagining himself to be the Poet Laureat. Sung by Mr. Salway. N.i.
[ca. 1737]. [1]50-51[2]52-53[1]54[1]p. Additional accompt. for “ye
Common Flute.”
CARNABY, William
142. Milton’s Poem, on the Morning of Christ’s Nativity.
[This is the month]. London: for the author and sold by Rt. Birchall [ca.
1800]. 3[1]p. Initialled and numbered.
143. See what delights in sylvan scenes appear! A favorite duet,
“From Pope’s Pastorals”. [London] printed and sold by
Robt. Birchall for the author [ca. 1801]. 4p. Initialled and numbered.
144. Song on Peace. [Tell me, on what holy ground]. London: printed
and sold by Rt. Birchall [ca. 1799]. 3[1]p.
CARTER, Charles Thomas
145. Glee for Two Voices. The words by Her Grace the Dutchess of
Devonshire. Op. XI. [Bring me flowers and bring me wine]. London: for
Harrison & Co. December. 8th. 1785. [2]5[1]p. Oblong fol.
146. The Sea Fight. Sung by Mr. Bannister in the Milesian. [Stand
to your Guns my hearts of Oak]. London: for S. A & P. Thompson [ca.
1779]. 3[1]p.
147. The tint on the cheek of my love. Written by the Honble. C.
J. Cary. [No hue of the Rose can compare]. London: by J. Buckinger [ca.
1800]. 4p. Additional accompt. for flute.
[CHAPMAN, Richard]
148. Sung by Mr. Lowe in the Naval Review. [Free from each care
and strife]. London: for Hugh Andrews [ca. 1790]. [1]18-19[1]p.
CHARD, George William
149. An English Version of Domum. [Sing a sweet melodious measure].
Winchester: for Jas. Robbins and sold in London at Bland & Wellers
[ca. 1811]. 3[1]p.
CHILCOT, Thomas.
150. Composed by Mr. Chilcot. [Come live with me & be my Love].
N.i. [ca. 1750]. S.sh. Additional accompt. for flute.
[CIMAROSA, Domenico]
151. Parto Ti Lascio Addio. The much admired duet, as sung by Sigra.
Grassini and Sigr. Viganoni ... in the opera of La Vergine del Sole.
[London] published by M. Kelly [ca. 1809]. 5[1]p.
[CLARKE, Jeremiah]
152. Could a Man be Secure. Sung by Mr. Dignum and Mr. Sedgwick.
London: for G. Goulding [ca. 1802]. [4]p.
CLARKE, John
153. The Song of Fitz - Eustace. The poetry from Marmion, A
Tale of Flodden Field as sung by Mrs. Ashe. [Where shall the lover
rest]. London: by Wilkinson & Co. (Late Broderip & Wilkinson)
[ca. 1809]. 8p.
154. Lochinvar. Lady Heron’s song, in Marmion, A Tale
of Flodden Field for two trebles and a bass, (Interspersed with Solos)
with an accompaniment for the piano forte. [O, Young Lochinvar is come
out of the west]. London: for the author by Wilkinson & Co. Late Broderip
& Wilkinson [ca. 1809]. [2]14p.
155. “Weep no more.” Duo, for a soprano (or tenor)
and bass, as sung by Messrs. Harrison and Bartleman. London: by Broderip
& Wilkinson [ca. 1801]. 7[1]p. Oblong fol.
CLARKE, William
156. Now Spring has clad the Grove in green. Written by Robert
Burns. Edinburgh: sold by J. Hamilton [ca. 1803]. [2]9[1][i.e.4]p.
157. Where shall the lover rest. With an accompaniment for the
piano forte. Written by Walter Scott. Edinburgh: printed and sold at J.
Hamilton’s Music Library [ca. 1809]. [1]2[1]p.
158. Young Lochinvar. Written by Walter Scott. [O Young Lochinvar
is come out of the west]. Edinburgh: printed and sold by J. Hamilton [ca.
1809]. [1]2[1]p.
CLIFTON, J. C.
159. If Music be the food of Love play On. A canzonet, with an
accompaniment for the harp or piano forte. London: by Clementi, Banger,
Hyde, Collard and Davis [ca. 1814]. 3[1]p.
COMBE, T.
160. He’ll never march again. [The tired Soldier Bold and
Brave]. Leicester: for the author and sold by Longman & Broderip,
London. [ca. 1798]. 3[1]p.
COOKE, Benjamin
161. Hark the Lark at Heav’n’s gate dings. A favorite
glee for four voices .... Adapted to a single voice and harpsichord. With
an accompaniment for a violin to be added at pleasure, or it may be played
an octave higher (with very little omission or variation) by another hand
on the same harpsichord. [London] by Longman & Broderip [ca. 1795].
6p.
COOKE, Robert
162. The Maltese Mariners Hymn. [Queen of the Sea ordained to prove].
London: for the author by Rt. Birchall [ca. 1811]. 4p.
COOKE, T.
163. The celebrated Serenade of “Lilla come down to me”.
As introduced in ... the Siege of Belgrade by Mr. Braham. [Come dearest
Lilla thy faithful Lover counts]. London: published at J. Powers Music
Warehouse and at W. Powers, Dublin [ca. 1818]. [2]3[i.e.5][1]p.
164. (Another ed.). Dublin: published at W. Powers [ca. 1819]. 7[1]p.
CORRI, Domenico
165. The Glad Trumpet Sounds a Victory. Sung by Mr. Braham ...
in the opera of The Travellers or Music’s Fascination .... Written
by Mr. Cherry. [He was famed for Deeds of Arms]. [London] printed and
sold at [Domenico Corri, ca. 1807]. 4p.
166. The Patriot Soldier, (Wherein God Save the King is Introduced).
Sung by Mr. Braham ... The words by T. Dibdin. [When glory deckt in martial
charms]. London: printed and sold at [Domenico Corri] [ca. 1803]. 7[1]p.
CORRI, Montague P.
167. Vivant Rex Et Regina. A melody on the words of command of
the manual exercise of the British Army, sung by Mr. Woodham. [Order Arms
Fix Bayonets]. London: sold at [Domenico Corri] [ca. 1805]. [4]p.
CORRI, Natale
168. Ave Maria. Hymn to the Virgin from the popular poem of the
Lady of the Lake, written by Walter Scott. [Ave Maria! Maiden mild]. Edinburgh:
printed and sold by N. Corri. and at Birchall’s, London. [ca. 1815].
5[1]p.
COSTELLOW, Thomas
169. The Great Gun in the Park. A popular song written by R. Houlton.
[Tho’ my song as ‘twill show]. London: printed and sold by
Preston. [ca. 1803]. [4]p.
COUSSER, [i.e. Kusser] Johann Sigismund.
170. An Ode Elegiecal on the Death of Mrs Arabella Hunt. The words
by Wm. Meres. [Long have I feared, that you my Sable Muse]. N.i. [ca.
1706]. [4]p.
CROSFEILD, R.T.
171. I’m the Dandy O! He would be a soldier. [Tho’
late as a waiter I run up & down]. [n.p.] Kay fecit 1787. S. sh.
[CROSS, Thomas]
172. A Two Part Song. [Bury delights my roving Eye]. [With] The
Fly. Set by Dr. Green. [Busy curious thirsty Fly]. N.i. [ca. 1740]. S.
sh. numbered 5-6. Additional accompt. for flute to 2d. song only.
CROTCH, William
173. Glee Go Tuneful Bird. [For 4 voices]. London: for the author
by Rt. Birchall [ca. 1805]. 3[1]p.
CROUCH, Mrs. ---
174. “Go, you may call it Madness, Folly”. The words
by the author of The Pleasures of Memory, the melody by Mrs. Crouch,
adapted for the harp or piano forte. [London] printed and published by
M. Kelly. [ca. 1803]. 3[1]p.
CUTLER, W. H.
175. The Rose and the Myrtle. A ballad, with an accompaniment for
the piano forte. [Go, little blooming fragrant Rose]. London: for Wm.
Dale [ca. 1814]. 4p.
176. D. T. The Captive’s Hymn. Sung by The British Prisoners
in France, the words and music by T. D. during his confinement in Sedan
Castle. [For three voices]. [O thou to whom all nations bend the knee!].
London: printed and sold at Bland & Weller’s. [ca. 1814]. 4p.
DANBY, John
177. Stay Silver Moon. A favorite rondo sung ... by Mr. Harrison.
London: by J. Bland. [ca. 1788]. 4p. Score for voice, flutes, violins,
violas and harpsichord.
178. The Favourite Song, Date Obolum Bellisario. As sung ... by
Mr. Collins at his Brush. [O, Fortune, how strangely thy Gifts are awarded].
London: for S. A. & P. Thompson [ca. 1786]. 3[1]p.
DAVY, John
179. Crazy Jane. A ballad sung by Mrs. Mountain .... The words
by G. M. Lewis. [Why fair Maid in every feature]. London: by Muzio Clementi
& Co. [ca. 1802]. 4p.
180. The Fox, Stag and Hare. A hunting song written by T. Dibden,
sung ... by Miss Daniels ... and Mr. Incledon. [While Politic Numpskulls
bepuzzle their brains]. London: printed and sold by Preston [ca. 1805].
3[1]p.
181. Hope is now no more. Sung by Mr. Incledon in the comic Opera
of The Cabinet .... The words by T. Dibdin. [How blest was I when
late you smiled]. [London] England: printed by T. Jones [ca. 1803]. 13-16p.
182. In Britain The Soil. The favorite hunting song sung by Mr.
Incledon in the popular opera of The Cabinet. London: by T. Jones
& Co. [ca. 1803]. 37-40p.
183. Just Like Love is Yonder Rose. The favorite rondo sung by
Mr. Braham ... and by Mrs. Mountain in Life’s Masquerade
or Fortune’s Wheel in Motion. London: printed and sold by
Preston. [ca. 1803]. 4p.
184. (Another ed.). Just Like Love is yonder Rose. The favorite
rondo. Sung by Mr. Braham. London: printed and sold by Preston. [ca. 1805].
4p. (“Andantino” beginning under “& S” of
imprint).
185. (Another ed.). 4p. (“Andantino” beginning under “&”
of imprint).
186. May we Nn’er want a Friend nor a Bottle to give him.
As sung by Mr. Incledon in Family Quarrels, written by Mr. T.
Dibdin. [Since the first dawn of reason]. London: by Clementi, Banger,
Hyde, Collard & Davis. [ca. 1803]. 6p.
187. The Strangers at Home. A favorite song, written by Mr. G.
S. Carey and sung by him. [Now we’ve drank to the King]. London:
printed and sold by Preston & Son. [ca. 1798]. 3[1]p. Additional
accompt. for German flute.
DE G., Mr. ---
188. Air Du Major André. Avec accompagnement de harpe, ou
de piano forte. [Ciel ô Ciel quel supplice infame]. London: for
R. Birchall. [ca. 1810]. [1]40-41[1]p.
DELAMAIN, Henry
189. Did you see ere a Shepherd. London: printed and sold by J.
Bland. [ca. 1780]. S. sh.
190. When I think on your Truth. London: printed and sold by J.
Bland. [ca. 1780]. S. sh. Additional accompt. for flute or guitar.
DIBDIN, Charles
191. Abraham Newland. A celebrated comic song ... sung by Mr. Johannot.
[Ne’er yet was a name so bandied by fame]. Liverpool: printed and
sold by H. Hime [ca. 1798]. [4]p.
192. The Advantage of Toping. Written and composed by Mr. Dibdin,
and sung by him in ... The Sphinx. [Some says topers should never
get mellow]. London: printed and sold by the author [1797]. 4p. Additional
accompt. for two flutes. Signed.
193. All’s one to Jack. Written and composed by Mr. Dibdin
and sung by him in ... The Sphinx. [Though mountains high the billows
roll]. London: printed and sold by the author [1797]. 4p. Additional accompt.
for two flutes. Signed.
194. Bachelor’s Hall. Written and composed By Mr. Dibdin
for ... The Oddities. [To Bachelor’s hall we good fellow’s
invite]. London: printed and sold by the author [1790]. 4p. Additional
accompt. for two flutes.
195. The Beggar. Written and composed by Mr. Dibdin for ... Private
Theatricals, or Nature in Nubibus. [Why good people all at what do you
pry]. London: for the author [1791]. 3[1]p. Additional accompts. for flute
and guitar.
196. Ben Backstay. Written and composed By Mr. Dibdin, for ...
The Oddities. London: printed and sold by the author [1789]. 4p. Additional
accompts. for two flutes and guitar. Signed.
197. The Blind Sailor. Written and composed by Mr. Dibdin for ...
The Quizzes, or A Trip to Elysium. [Come never seem to mind it]. London:
printed and sold by the author [1793]. 4p. Additional accompt. for two
flutes. Signed.
198. Blow high blow low. The words and music by C. Dibdin. As sung
by Mr. Rheinhold in the Seraglio and Mr. Bannister in Thos and Sally.
[London] J. J[ohnston]. [1776]. [4]p.
199. (Another ed.). ... As sung by Mr. Rheinhold in the Seraglio and Mr.
Bannister in Thos and Sally. [London] J. J.[ohnston] [ca. 1777].
[4]p.
200. (Another ed.). Blow High Blow Low. The words and music by
C. Dibdin. As sung by Mr. Rheinhold in the Seraglio and Mr. Bannister
in Thos and Sally. [London] J. J.[ohnston] [ca. 1778]. [4]p.
201. (Another ed.). London: by Longman & Broderip [ca. 1779]. 4p.
Additional accompt. for guitar or German flute.
202. The Bumpkin No Fool. A favorite song in the Whim of the Moment.
Written, composed, sung and accompanied by Mr. Dibdin. [What thof
I be a country clown]. [London] the author, for and sold by Mess. Preston
& Son, and all the music sellers in the Kingdom. [ca. 1789]. 3[1]p.
Signed.
203. Captain Wattle and Miss Roe. Written and composed By Mr. Dibdin,
and sung by him in ... The Sphinx. [Did you ever hear of Captain Wattle].
London: printed and sold by the author [1797]. 4p. Additional accompt.
for two flutes. Signed.
204. (Another ed.). London: for G. Walker. [ca. 1808]. 3[1]p.
205. Colin and Chloe. A favorite song in the Whim of the Moment.
Written, composed, sung and accompanied by Mr. Dibdin. [What a plague
cried young Colin]. London: for the author and sold by him, Messrs. Preston
& Son, and all the music sellers in the Kingdom [1789]. 3[1]p. Signed.
206. Every Inch a Sailor. Written and composed by Mr. Dibdin, and
sung by Mr. Incledon. [The wind blew hard]. London: for the author [ca.
1790]. 4p. Additional accompt. for guitar. Signed.
207. The Flowing Bowl. Written and composed by Mr. Dibdin, and
sung by him in ... King and Queen. [Of all heaven gave to comfort man].
London: printed and sold by the author [1799]. 4p. Additional accompt.
for two flutes. Signed.
208. The Flowing Can. Written and composed by Mr. Dibdin for ...
The Oddities. [A Sailor’s life’s a life of woe]. London: printed
and sold by the author [1790]. 4p. Additional accompt. for guitar. Signed.
209. The Greenwich Pensioner. Written and composed by Mr. Dibdin
for ... The Oddities. [‘Twas in the good Ship Rover]. London: printed
and sold by the author [1789]. 4p. Additional accompt. for guitar. Signed.
210. (Another ed.). The Greenwich Pensioner. Written and composed
by Mr. Dibdin for ... The Oddities. London: printed and sold by the author
[ca. 1790]. 4p. Additional accompt. for guitar. Signed “J. W. for
C. Dibdin”.
211. Grizzle. Written and composed by Mr. Dibdin, and sung by him
in ... King and Queen. [‘Twas one morning in May]. London: printed
and sold by the author [1798]. 4p. Signed.
212. An Irish Drinking Song. Written and composed by Mr. Dibdin
for ... The Oddities. [Of the ancients it’s speaking]. London: by
the author [ca. 1790]. 4p. Additional accompt. for flute. Signed.
Box 2B
213. Jack at the Windlass. Written and composed by Mr. Dibdin
for ... The Quizzes, or A Trip to Elysium. [Come all hands ahoy to the
anchor]. London: printed and sold by the author [1793]. 4p. Additional
accompt. for flute. Signed.
214. Jack’s Fidelity. Written and composed by Mr. Dibdin
and sung by him, in ... Castles in the Air. [If ever a Sailor was
fond of good sport]. London: printed and sold by the author [1793]. 4p.
Additional accompt. for two flutes. Signed.
215. The Lady’s Diary. Written and composed by Mr. Dibdin,
and sung by him in ... A Tour to the Land’s End. [Lectured by Pa
and Ma o’er night]. London: printed and sold by the author [1800].
4p. Additional accompt. for two flutes. Signed.
216. The Lamplighter. Written and composed by Mr. Dibdin for ...
The Oddities. [I’m jolly Dick the Lamplighter]. London: printed
and sold by the author [1789]. 4p. Additional accompts. for guitar and
flute. Signed.
217. The Last Shilling. Written and composed by Mr. Dibdin, and
sung by him in ... Tom Wilkins. [As pensive one night in my garret I sate].
London: printed and sold by the author [1800]. 4p. Additional accompt.
for two flutes. Signed.
218. (Another ed.). London: for G. Walker [ca. 1820]. 4p.
219. A Little. Written and composed by Mr. Dibdin, and sung by
him in ... the Cake House. [Wid my lor Anglois I come over un valet].
London: printed and sold by the author [1800]. 4p. Additional accompt.
for two flutes. Signed.
220. The Lottery of Wedlock. Written and composed by Mr. Dibdin
and sung by him in ... the Cake House. [This life is a Lottery]. London:
printed sold by the author [1800]. 4p. Additional accompt. for two flutes.
Signed.
221. Lovely Nan. Written and composed by Mr. Dibdin, and sung by
him in ... Great News or A Trip to the Antipodes. [Sweet is the Ship that
under sail]. London: printed and sold by the author [1794]. 4p. Additional
accompt. for two flutes. Signed. (Address in imprint 411, Strand).
222. (Another ed.). [ca. 1796]. 4p. (Address in imprint Leicester Place
,Leicester Square).
223. The Lucky Escape. Written and composed by Mr. Dibdin, for
... Private Theatricals, or Nature in Nubibus. [I that once was a Ploughman
a Sailor am now]. London: for the author [1791]. 4p. Additional accompt.
for flute. Signed. (Single-tone hatching in letters of “Mr. Dibdin”).
224. (Another ed.). 4p. (Double-shade hatching in Dibdin’s name).
225. The Lyric Test. Written and composed By Mr. Dibdin, and sung
by him in ... The Sphinx. [Come Poet come thy song rehearse]. London:
printed and sold by the author [1797]. 4p. Additional accompt. for two
flutes. Signed.
226. Meg of Wapping. Written, composed and sung by Mr. Dibdin in
... The General Election. [‘Twas Landlady Meg that made such rare
flip]. London: printed and sold by the author [1796]. 4p. Additional accompt.
for two flutes. Signed.
227. A Miss is as good as a Mile. Sung ... by Mr. Gibbons,
written and composed by Mr. Dibdin. [The ship was rocking in the offing].
London: published and sold by the author [1808]. 4p. Additional accompt.
for two flutes. Signed.
228. Mock Italian Song. Written and composed by Mr. Dibdin for
... The Oddities. [First chuse a pretty melody]. London: printed and sold
by the author [1789]. 4p. Signed “for C. Dibdin.”
229. Mounseer Nongtongpaw. Written, composed and sung by Mr. Dibdin,
in ... The General Election. [John Bull for pastime took a prance]. London:
printed and sold by the author [1796]. 4p. Additional accompt. for two
flutes. Signed.
230. (Another ed.). [ca. 1797]. 3[1]p. Additional accompt. for two flutes.
Signed.
231. (Another ed.). N.i. [ca. 1798]. S. sh. Additional accompt. for German
flute.
232. (Another ed.). London: printed and sold at Bland & Weller’s
Music Warehouse [ca. 1815]. 4p. Additional accompt. for two flutes.
233. (Another ed.). London: for G. Walker [ca. 1820]. 3[1]p.
234. The Nancy. Written, composed and sung by Mr. Dibdin in ...
The Sphinx. [Mayhap you have heard]. London: printed and sold by the author
[1797]. 4p. Additional accompt. for two flutes. Signed.
235. The Negroes Complaint. Sung by Mr. Incledon. [Wide over the
tremulous sea]. London: printed and sold by Preston [ca. 1807]. 4p. Score
for voice, two violins and bass, with additional accompts. for guitar
and German flute.
236. Nelson and the Navy. Written, composed and sung by Mr. Dibdin
in ... A Tour to the Lands End. [I say my heart]. London: printed and
sold by the Author [1800]. 4p. Additional accompt. for two flutes. Signed.
237. None so Pretty. Written and composed by Mr. Dibdin for ...
The Quizzes, or A Trip to Elysium. [This life is like a country dance].
London: printed and sold by the author [1793]. 4p. Additional arr. as
dance. Signed.
238. Poor Jack. A favorite song in the Whim of the Moment. Written,
composed and sung, by Mr. Dibdin. [Go patter to lubbers and swabs]. London:
printed and sold by Preston & Son [1789]. 4p. Additional accompt.
for German flute. (Last line of advert. begins “NB. The above....”,
penultimate word on p.[1] “Though”, heading on p.4 begins
above first bar line).
239. (Another ed.). 4p. (Heading on p.4 beginning above 3d. note of bar
2).
240. (Another ed.). 4p. (Last line of advert. beginning “The above
...”, penultimate word on p.[1] “Though”, heading on
p.4 beginning above treble clef).
241. (Another ed.). 4p. (Penultimate word on p. [1] “though”,
heading on p.4 beginning above 3d. note of bar 2).
242. Poor Tom, or the Sailor’s Epitaph. Written and composed
by Mr. Dibdin for ... The Oddities. [Here, a sheer hulk]. London: printed
and sold by the author [1789]. 4p. Additional accompts. for flute or guitar
and guitar in F. Signed. (Address in imprint 411 Strand).
243. (Another ed.). [ca. 1796]. 4p. (Address in imprint Leicester Place,
Leicester Square)
244. Pope Joan. Written, composed and sung by Mr. Dibdin in ...
The General Election. [The board is dressed come deal away]. London: printed
and sold by the author [1796]. 4p. Signed.
245. The Race Horse. A celebrated song sung by Mr. Bannister
... and Mr. Dignum. [See the Course thronged with gazers]. London: printed
and sold by Preston & Son [ca. 1790]. 4p. Additional accompt. for
German flute.
246. The Recompence of Constancy. Written and composed by Mr. Dibdin
for ... The Quizzes or A Trip to Elysium. [The surge hoarsely murmuring].
London: printed and sold by the author [1793]. 4p. Additional accompt.
for two flutes. Signed.
247. The Sailor’s Journal. Written, composed and sung by
Mr. Dibdin in ... Will of the Wisp. [‘Twas post meridian half
past four]. London: printed and sold by the author [1795]. 3[1]p. Additional
accompt for two flutes. Signed. (Period after “Journal”, no
comma after “Strand” in imprint).
248. (Another ed.). 3[1]p. (Commas after “Journal” and “Strand”).
249. (Another ed.). [ca. 1796]. 3[1]p. (Address in imprint “Leicester
Place, Leicester Square” set on one line).
250. (Another ed.). 3[1]p. (Address in imprint “Leicester Place,
Leicester Square” set on two lines).
251. Second Thoughts are best. Written, composed and sung by Mr. Dibdin
in ... Will of the Wisp. [I never shall survive it]. London: printed and
sold by the author [1795]. 4p. Additional accompt. for two flutes. Signed.
252. Shakespear’s Garland or the Warwickshire Jubilee. Being
a collection of ballads. [Pt.I] - Pt.II. [7 songs]. London: printed and
sold by John Johnston, August 30th. 1769. [2]7[3]8p. Additional accompts.
for guitar, or guitar and German flute.
253. Smithfield Bargains. Written, composed and sung by Mr. Dibdin
in ... The Sphinx. [Come round me ye husbands]. London: printed and sold
by the author [1797]. 4p. Additional accompt. for two flutes. Signed.
254. The Soldier’s Adieu. Written and composed By Mr. Dibdin
for ... The Wags or the Camp of Pleasure. [Adieu, Adieu my only life].
London: printed and sold by the author [1790]. 4p. Additional accompt.
for two flutes. Signed. (Address in imprint 411 Strand, without “For
two Flutes” at head of additional accompt. on p.4).
255. (Another ed.). 4p. (With “For two Flutes” on p.4).
256. (Another ed.). [ca. 1796]. 4p. (Address in imprint 411 Strand “and
Leicester Place”).
257. (Another ed.). 4p. (Address in imprint 411 Strand and “Leicester
Place. Leicester Square”).
258. (Another ed.). 4p. (Without 411 Strand address in imprint).
259. The Soldier’s Funeral. Written, composed and sung by
Mr. Dibdin in ... Castles in the Air. [The martial pomp the mournful
train]. London: printed and sold by the author [1793]. 4p. Additional
accompt. for two flutes. Signed.
260. The Spectre. Written, composed and sung by Mr. Dibdin in ...
The Cake House. [Cosmelia the fair]. London: printed and sold by the author
[1800]. 4p. Additional accompt. for two flutes. Signed.
261. Tack and half tack. Written, composed and sung by Mr. Dibdin
in ... Castles in the Air. [The Yarmouth roads are right ahead]. London:
printed and sold by the author [1793]. 4p. Signed.
262. Taffy and Griddy. Written and composed by Mr. Dibdin for ...
The Oddities. [Abergav’ney is fine Aberistwith also]. London: printed
and sold by the author [1789]. 4p. Additional accompts. for two German
flutes and guitar. Signed. (Address in imprint 411 Strand).
263. (Another ed.). [ca. 1796]. 4p. (Address in imprint 411 Strand and
Leicester Place, Leicester Square).
264. Tarry Here With Me and Love. Sung by Mrs. Kennedy in the Comedy
of Errors. [London] S. A.[&]P. T[hompson] [1780]. S. sh. Additional
accompt. for guitar.
265. The Tear of Sensibility. Written, composed and sung by Mr.Dibdin
in ... Castles in the Air. [When to man the distinguishing form]. London:
printed and sold by the author [1793]. 4p. Additional accompt. for two
flutes. Signed.
266. The Token. Written, composed and sung by Mr. Dibdin in ...
Castles in the Air. [The breeze was fresh]. London: printed and sold by
the author [1793]. 4p. Additional accompt. for two flutes. Signed.
267. Tom Tackle. Written, composed and sung by Mr. Dibdin in ...
Castles in the Air. London: printed and sold by the author [1793]. 4p.
Additional accompt. for two flutes. Signed.
268. (Another ed.). Tom Tackle. Written and composed by C. Dibdin.
N.i. [ca. 1800]. [4]p.
269. True Courage. Written, composed and sung by Mr. Dibdin in
... A Tour to the Land’s End. [Why what’s that to you]. London:
printed and sold by the author [1800]. 4p. Additional accompt. for two
flutes. Signed.
270. True Glory. Written, composed and sung by Mr. Dibdin in ...
The Sphinx. [What is glory what is fame]. London: printed and sold by
the author [1797]. 4p. Additional accompt. for two flutes. Signed.
271. The Veterans. Written, composed and sung by Mr. Dibdin in
... Great News, or a Trip to the Antipodes. [Dick Dock a tar at Greenwich].
London: printed and sold by the author [1794]. 4p. Additional accompt.
for two flutes. Signed.
272. The Warwickshire Lad. As performed ... in the Entertainment
of the Jubilee. [Ye Warwickshire Lads and ye Lasses]. [London] J. J[ohnston
1769]. S. sh. numbered 7. Additional accompt. for guitar.
273. The Wife. A new song written, composed and sung by Mr. Dibdin
in ... New Years Gifts. [As a Sailor’s all one]. [London] printed
and sold by the author [ca.1804]. 3[1]p. Additional accompt. for two flutes.
Signed.
274. Wives and Sweethearts or Saturday Night. A favorite song,
written, composed and sung, by Mr. Dibdin. [Tis said we venturous die-hards].
London: printed and sold by Preston & Son [ca. 1795]. 4p. Additional
accompt. for guitar.
275. Yo heave Ho. Written, composed and sung by Mr. Dibdin in ...
A Tour to the Land’s End. [My name d’ye see’s Tom Tough].
London: printed and sold by the author [1800]. 4p. Additional accompt.
for two flutes. Signed.
276. (Another ed.). [ca. 1806]. 4p. Initialled.
DIGARD, David
277. The Amour. [Whilst I gaze on Cloe trembling]. [London] G.
Bickham junr. 1737. S. sh. numbered 45. Additional accompt. for flute.
[DIGNUM, Charles]
278. Fair Rosale. A Favorite Song sung by Mrs. Crouch ... and by
Master Welsh. [On that lone Bank where Lubin, died]. London: by Lewis,
Houston & Hyde, (Successors to Mr. Bland) [ca. 1795]. 3[1]p. Score
for voice, transverse flute, two violins and bass, with additional accompt.
for flute or guitar.
279. Now the Ottoman Porte declares War against France. Written,
composed and sung by Mr. Dignum. London: for the author by Longman &
Co. [ca. 1808]. 3[1]p. Initialled.
DITTERS, Carl, von Dittersdorf
280. Two Maidens sat complaining. A favorite duet sung by Mrs.
Crouch and Mrs. Bland in The Doctor and the Apothecary. [London]
By Longman and Broderip [ca. 1790]. 4p. Additional accompt. for two German
flutes.
281. Donald. A favorite Scots song with an accompaniment for the piano
forte. [When first you corted me]. London: by Goulding & Co.
[ca. 1802]. 3[1]p. Additional accompt. for guitar.
282. A new song. Donald’s Return From Egypt. A private in
the 42 Regt. Tune Cameron’s got his Wife again. [When Abercromby
gallant Scot]. Edinburgh: printed and sold by Muir Wood & Coy [ca.
1803]. [1]2[1]p.
283. Drink To Me Only. A favorite glee for three voices with the
original words by Ben Johnson. [London] by T. Straight [ca. 1780].
4p. Additional accompts. for two German flutes and two guitars.
284. (Another ed.). Drink to me only. [London] engraved, printed
and sold by H. Andrews [ca. 1808]. [4]p. Additional accompt. for two German
flutes.
285. The Duke’s Defeat of ye Rebels. [Come, my boys, let’s
drink and sing]. N.i. [1745]. S. sh.
286. The Favourite Song of Dulce Domum. Performed annually at Winchester
College ... adapted for the harpsichord, piano forte, guitar and flute.
[Concinamus, O sodales]. London: for the editor by Rt. Birchall [ca. 1790].
4p.
D’URFEY, Thomas
287. The Kings Health. Set to Farinels Grounds ... within the compass
of the flute. [Joy to Great Caesar]. [London] sold at Cluer’s printing-office
[ca. 1715]. S. sh. Additional bass accompt.
Box 3A
ECKLEY, J.
288. Mary’s True. As sung by Mr. Simmons ... Adapted for
the harpsichord. [Ye lingering winds that feebly blow]. Oxford: for the
author by H. Hardy [ca. 1795]. [4]p. Additional accompt. for German flute
or guitar.
ESSEX, Timothy
289. Hope. Selected from Essex’s Op.8. [In hope which softens
want and woe]. London: published by the composer, to be had at Broderip’s,
Birchall’s, Smart’s, Ryley’s, & Campbell’s
[ca. 1805]. 4p. Additional accompt. for two flutes or violins. Initialled
and numbered.
FERRARI, Giacomo Gotifredo
290. La Semplice. A favorite arietta with an accompaniment for
the piano forte. [Un diavolino nel seno mi sento]. London: printed and
sold by Rt. Birchall [ca. 1808]. 4p.
FESTING, Michael Christian
291. Reason for Loving. [If Beauty’s lure alone invite].
[London] G. Bickham [ca. 1740]. S. sh. numbered 74. Additional accompt.
for flute.
FISH, William
292. How sweet were the days that are gone. A favorite ballad written
and composed by Wm. Fish. London: by Goulding Phipps & D’Almaine,
likewise may be had of Goulding Knevett & Co., Dublin and James Stevens,
Glasgow [ca. 1804]. 3[1]p.
FLORIO, C. H.
293. All I wish in her obtaining. A favorite duet as sung by Madame
Mara and Mr. Incledon in Love in a Village and The Beggars Opera.
[London] by Muzio Clementi and Co. [ca. 1805]. 4p.
294. Far, Far at Sea. A favorite ballad sung by Mr. Incledon in
... Variety and by Mrs. Bland. [‘Twas at Night when the Bell had
tolled Twelve]. [London] sold by C. Mitchell [pasted over former imprint,
ca. 1808]. 3[1]p. Score for voice, piano, horns, two violins and viola,
with options for flutes and bass.
295. (Another ed.). London: by Goulding, D’Almaine, Potter &
Co., and to be had at Dublin [ca. 1815]. 3[1]p. Score as previous edition.
296. The Forsaken Swain. [How pleasingly glided the day]. [London]
L[ongman] L[ukey] and B[roderip]. [ca. 1775]. S. sh. Additional accompt.
for guitar.
297. From Night Till Morn. A favorite duett, sung by Mr. Incledon
and Mr. Johnstone. London: printed and sold by Preston & Son [ca.
1793]. 4p. Additional accompts. for guitar and German flute.
298. The gentle Dew distill’d from heaven. A favorite duet
for two voices, with an accompaniment for the piano forte or harp. London:
by Longman and Broderip [ca. 1790]. 4p.
299. Gin a Body Meet a Body. A favorite Scotch song, The Old and
Modern Words. London: printed and sold by W. Boag [ca. 1798]. [4]p.
Additional accompt. for German flute.
GIORDANI, Giuseppe, or Tommaso
300. Canzonett My Morn of Life. Sung by Madame Mara in the Opera
of the “Cottage Festival”. London: by Clementi, Banger, Hyde,
Collard & Davis [ca. 1805]. 4p.
301. Queen Mary’s Lamentation. Sung by Sigr: Tenducci. [I
sigh and lament me in vain]. London: printed and sold by J. Preston [1782].
4p. Score for voice, two violins, viola and bass.
302. God save the King. As sung by Sigra. Banti... 1st. June 1794...with
her Graces and Ornaments. [God save Great George our King]. London and
Edinburgh: by Corri, Dussek & Co. [ca. 1795]. [4]p.
303. The Golden Days of Good Queen Bess. A favourite Song, written
by Mr. Collins, author of The Evening Brush, with the alterations
and additional verses since it was sung at the Royalty Theatre. [To my
muse give Attention]. London: for S. A. & P. Thompson [ca. 1786].
[4]p. Additional accompt. for German flute.
304. (Another ed.). [4]p. (With “Muse” for “muse”
in line 1 of text).
305. The Golden Days we now Possess. A Sequel to the Favourite
Song of Queen Bess, as sung ... by Mr. Collins, at his Brush. [In the
Praise of Queen Bess]. London: for S. A. & P. Thompson [ca. 1787].
3[1]p.
GRAEFF, Johann Georg
306. Adieu to Delight. A favorite Song Sung by Mr. Braham. The
words by Mrs. F. Plowden. London: for Rt. Birchall [ca. 1804]. [4]p.
GREENE, Maurice.
307. Charming Silvia. [The Nymph yt undoe’s me]. [London]
Bickham [ca. 1735]. S. sh. numbered 22. Additional accompt. for flute.
308. Cloe’s Resolves. [As Cloe on Flowers reclined]. N.i.
[ca. 1740]. S. sh. Additional accompt. for German flute.
309. The Fly. [Busy Curious thirsty Fly]. [London] G. Bickham
jun. [ca. 1740]. S. sh. numbered 60. Additional accompt. for flute.
310. Go Rose. N.i. [ca. 1760]. [4]p. Additional accompt. for guitar
or German flute.
GUEST, George
311. The Afflicted African. A favorite Cantata ... words by Cowper.
[Forc’d from Home and all its pleasure]. London: for the author
and sold by Preston & Son [ca. 1794]. [2]11[1]p. Score for voice,
two violins, viola and bass. Signed.
GUGLIELMI, Pietro
312. Ah spiegar potessi a lei. Duett, sung by Sigra. Calderini
and Sigra. Collini in the opera of Romeo e Giulietta. London: printed
and sold by Rt. Birchall [ca. 1826]. 5[1]p.
Box 4A
313. Had I a Cave on Some Wild Distant Shore. Written by Robert
Burns. Glasgow: printed and sold by J. McFadyen [ca. 1795]. S. sh. Additional
accompt. for German flute.
HAGUE, Harriot
314. The Flower Girl’s Cry. Written by Miss Caroline Symmons.
[Come buy my wood Hare bells]. London: for the proprietor by Preston [1801].
3[1]p. Initialled.
HAMMOND, John
315. When once I with Phillida stray’d. [London] by Longman
& Broderip [ca. 1790]. 3[1]p. Additional accompt. for flute or guitar.
[HANDEL, George Frideric]
316. Angels Ever Bright & Fair. Sung by Madame Mara and Mrs.
Billington. London: by J. Dale [ca. 1795]. [4]p.
317. (Another ed.). Angels ever bright and fair. A favorite Song
... in Theodora Sung by Miss Harrop. [London] by Longman, Clementi &
Co. [ca. 1799]. 3[1]p.
318. As steals the Morn. Sung by Mr. Harrison and Mrs. Billington.
London: printed and sold at Bland & Weller’s [ca. 1805].
4p.
319. As When The Dove. [And when the Dove Laments her Love]. [London]
for A. Bland & Weller’s [ca. 1804]. [4]p.
320. Song in the Oratorio of Susannah. [Ask if yon damask rose].
[London] Lady’s Magazine for January, 1793. Oblong 4to, s.
sh. 2p. Typeset.
321. (Another ed.). Ask if Yon Damask Rose. [London] for J. Bland [ca.
1804]. S. sh.
322. (Another ed.). [With:] May Balmy Peace. [London] for J. Bland [ca.
1804]. [4]p.
323. But Thou Didst Not. [With:] How Beautiful Are The Feet. London:
for A. Bland & Weller’s [ca. 1800]. [4]p.
324. Call Forth Thy Pow’rs. [London] for A. Bland & Weller’s
[ca. 1809]. [4]p.
325. Cease thy Anguish Smile. London: printed and sold at Bland
& Weller’s [ca. 1805]. 3[1]p.
326. Come Ever Smiling Liberty. London: printed and sold at A.
Bland & Weller’s [ca. 1805]. 3[1]p.
327. [Comfort ye my people]. [London] W[illiam] R[andall]. [ca.
1809]. [1]4-10p. (Reissue from plates of ca. 1773).
328. Consider Fond Shepherd. [London] A. Bland & Weller’s
[ca. 1804]. [4]p.
329. “Deeper and Deeper still”. As sung by Mr. Harrison,
Mr. Braham, and Mr. Incledon. London: printed and sold at Bland &
Weller’s [ca. 1805]. [4]p.
330. Dimmi Cara. [London] G. Bickham Jun. [ca. 1740]. S. sh. numbered
23. Additional accompt. for flute.
331. The favourite song from the opera of Rodelinda. .... Sung by Miss
Harrop. [Dove sei amato bene]. [With:] The favourite song from
the opera of Alcina .... Sung by Miss Harrop. [Verdi prati e selve
amene]. [London] For J. Bland [ca. 1790]. [4]p.
332. Every day will I give thanks. As sung by Mr. Incledon.
London: printed and sold at Bland & Weller’s [ca. 1805]. 3[1]p.
333. Ev’ry Valley Shall be Exalted. A favorite song ... in
the Oratorio of Messiah. N.i. [ca. 1800]. 6p. Score.
334. Farewell ye limpid springs. N.i. [ca. 1800]. [4]p.
335. Father Of Heaven. [London] for A. Bland & Weller’s
[ca.1800]. [4]p.
336. The Flocks shall leave the Mountains. London: printed and
sold at A. Bland & Weller’s [ca. 1800]. 3[1]p. Score for 3 voices
with bass accompt.
337. From Mighty Kings. [London] for A. Bland & Weller’s
[ca. 1801]. [4]p.
338. From This Dread Scene. [London] for A. Bland & Weller’s
[ca. 1800]. [4]p.
339. Gentle Airs. [With:] Musick Spread Thy Voice Around. London:
printed and sold at Bland & Weller’s [and] [London] for J. Bland
[ca. 1801]. [4]p.
340. (Another ed.). Gentle Airs. [With:] Total Eclipse. N.i. [ca.
1805]. [4]p.
341. (Another ed.). Gentle Airs, melodious Strains. A favorite
song in the Oratorio of Athalia. N.i. [ca. 1805]. 3[1]p. Additional accompt.
for guitar or flute.
342. Song in the Oratorio of Deborah. [The glorious sun shall
cease to shed]. [London] Lady’s Magazine, for March, 1787. Oblong
4to, s. sh. 2p.
343. Hail Judea. [With] Ah wretched Israel. London: printed and
sold at Bland & Weller’s [ca. 1805]. [4]p.
344. Happy, Happy Pair. [London] for G. Walker [ca. 1800].
3[1]p.
345. Hark Tis The Linnet. London: printed and sold at A. Bland
& Weller’s [ca. 1802]. 3[1]p.
346. He Layeth the Beams. London: printed and sold at Bland &
Weller’s [ca. 1804]. 4p.
347. He Shall Feed His Flock. London: printed and sold at A. Bland
& Weller’s [ca. 1795]. [4]p.
348. He was brought as a Lamb to the slaughter. For the piano forte,
as Sung by Mr. Bartleman and Mr. Denman. London: printed and sold at Bland
& Weller’s [ca. 1805]. 4p.
349. He Was Despised. [London] for A. Bland & Weller’s
[ca. 1805]. [4]p.
350. He was Eyes unto the Blind. Sung by Mrs. Billington. London:
printed and sold at Bland & Weller’s [ca. 1804]. [4]p.
351. Heart The Seat. [London] printed and sold at A. Bland
and Weller’s [ca.1801]. [4]p.
352. The Favorite Air of Holy, Holy Lord as sung ... by Mrs.
Billington and Madam Mara. London: printed and sold at A. Bland &
Weller’s [ca. 1805]. 4p. Score.
353. How Vain is Man. [London] for J. Bland [ca. 1790]. 3[1]p.
354. Hush ye pretty Warbling Quire. London: printed and sold at
A. Bland & Weller’s [ca. 1800]. 3[1]p.
355. I know that my Redeemer liveth. [London] by Muzio Clementi
& Co. [ca. 1805]. 3[1]p.
356. In sweetest harmony. As sung by Mrs. Harrison in Saul. London:
printed and sold at Bland & Weller’s [ca. 1805]. 4p. Score
for voice, keyboard, two violins and viola.
357. Jehovah is my Shield my Glory. Sung by Mr. Braham. London:
printed and sold at Bland & Weller’s [ca. 1805]. 4p.
358. Let me wander. Sung by Mr. Beard in L’Allegro’e
Penseroso. [With:] Or let the merry bells A favorite song in L’Allegro
Il Penseroso. London: printed and sold at A. Bland and Weller’s
[ca. 1800]. 3[1]p.
359. (Another ed.). Let me wander not unseen. [London] for G. Walker
[ca. 1803]. 3[1]p.
360. Let the Bright Seraphims. London: for A. Bland & Weller’s
[ca. 1802]. 3[1]p.
361. (Another ed.). London: engraved, printed and sold by E Riley
[ca. 1803]. 3[1]p.
362. The favorite Air of Lord Remember David. As sung ... by Mr.
Harrison. London: printed and sold at A. Bland & Weller’s [ca.
1805]. 4p. Score for voice, two violins and keyboard, with additional
accompt. for German flute.
363. Lord to thee, each night and day. A favorite song in Theodora.
London: by H. Wright [ca. 1800]. 4p.
364. Love in Her Eyes. London: printed and sold at A. Bland &
Weller’s [ca. 1804]. 3[1]p.
365. Love sounds th’ alarm. [London] printed and sold at
A. Bland and Weller’s [ca. 1805]. [4]p.
366. O Liberty Thou Choicest Blessing. [With:] Who Calls My Parting
Soul. [London] for A. Bland. and Weller’s [ca. 1803]. [4]p.
367. O Lovely Peace. A Duet, as sung by Miss Parke and Miss Poole,
in Judas Maccabeus. London: by Goulding & Co. [ca. 1804]. [1]84-88p.
Score for two voices, two violins or flutes, viola and keyboard.
368. (Another ed.). O Lovely Peace with Plenty Crown’d. Duet.
London: printed and sold at A. Bland & Weller’s [ca. 1805].
4p.
369. O Magnify the Lord. As sung by Mrs. Harrison. London: printed
and sold at Bland & Weller’s [ca. 1805]. 4p. Score for voice,
two violins and keyboard.
370. O ruddier than the cherry. [London] for A. Bland & Weller’s
[ca. 1804]. [4]p.
371. O thou that tellest good. London: printed and sold at A. Bland
& Weller’s [ca. 1803]. [4]p.
372. Oft on a plat. London: printed and sold at A. Bland &
Weller’s [ca. 1805]. [4]p. Score.
373. Oh had I Jubal’s Lyre. [London] for J. Bland [ca. 1795].
[4]p.
374. (Another ed.). Oh! Had I Jubal’s Lyre. Sung by Mrs.
Billington. London: printed and sold at A. Blands [ca. 1801]. 3[1]p. Score.
375. Oh never bow we down. [London] for Bland & Weller’s
[ca. 1805]. [4]p.
376. Our Limpid Streams with Freedom Flows. A favorite Duett, sung
by Miss Munday and Miss Tyrer. London: by Bland & Weller’s [ca.
1805]. 3[1]p.
377. Pious orgies. [With:] Haste thee nymph. [London] for A. Bland
& Weller’s [ca. 1804]. [4]p.
378. Sung by Mr. Harrison in Time and Truth. [Pleasure my former ways
resigning]. London: for F. Linley [ca. 1798]. [4]p. Score.
379. The Prince Unable. N.i. [ca. 1805]. 4p.
380. Prophetick Raptures. [London] for Bland [ca. 1800]. 4p.
381. Rejoice greatly. [London] for A. Bland & Weller’s
[ca. 1804]. [4]p.
382. Sung by Mr. Harrison in Sosarmes. [Rendi’l sereno al Ciglio].
London: for J. Bland [ca. 1795]. [4]p. Score for voice, two violins and
bass.
383. Return O God Of Hosts. [London] by Bland & Weller’s
[ca. 1805]. [4]p.
384. Shall I in Mamres fertile Plain. Sung by Mr. Denman. London:
printed and sold at Bland & Weller’s [ca. 1805]. 3[1]p. Score
for voice, two violins, viola and keyboard.
385. Shepherd what art. [London] for A. Bland & Weller’s
[ca. 1801]. 4p.
386. The Smiling Dawn. [With] O Sleep. [London] for J. Bland [ca.
1803]. [4]p.
387. So shall the lute. [London] for A. Bland & Weller’s
[ca. 1805]. [4]p.
388. Sound an alarm. London: printed and sold at A. Bland &
Weller’s [ca. 1800]. [4]p.
389. Song in the Oratorio of Jephtha. [Take the heart you fondly
gave]. [London] Lady’s Magazine for, June, 1793. Oblong 4to,
s. sh. 2p. Typeset.
390. Tears such as tender Fathers shed. As sung by Mr. Sale in
Deborah. London: printed and sold at Bland & Weller’s [ca. 1805].
3[1]p. Score for voice, two flutes, two violins, harpsichord and bass.
391. Thais Led the Way. [With] Softly Sweet. [London] for J. Bland
[ca. 1804]. [4]p.
392. Thou didst Blow. [London] for J. Bland [ca. 1800]. [4]p.
393. Thou Shalt Bring them in. Sung by Miss Tyrer. London: printed
and sold at Bland & Weller’s [ca. 1801]. 4p. Score.
394. ‘Tis Liberty. London: printed and sold at A. Bland &
Weller’s [ca. 1800]. 3[1]p.
395. To fleeting Pleasures. London: printed and sold at Bland &
Weller’s [ca. 1805]. 3[1]p.
396. To song and dance. [London] printed and sold at A. Bland
and Weller’s [ca. 1805]. [4]p.
397. Total eclipse. [With:] Softly sweet. [London] for A. Bland.
and Weller’s [ca. 1805]. [4]p.
398. What’s Sweeter than. [London] for J. Bland [ca. 1800].
3[1]p.
399. (Another ed.). London: printed and sold at A. Bland & Weller’s
[ca. 1805]. 3[1]p.
400. What tho’ I trace. London: printed and sold at A. Bland
& Weller’s [ca. 1800]. [4]p.
401. Where e’er you Walk. Sung by Mr. Harrison. London: printed
and sold at A. Bland & Weller’s [ca. 1804]. [4]p. Score.
402. (Another ed.). Where e’er you Walk cool Gales shall fan
the Glade. A favorite song, sung by Mr. Harrison, in the Oratorio
of Semele. N.i. [ca. 1805]. 4p. Score for voice, two violins, viola and
bass, with additional accompts. for guitar and German flute.
403. Why does the God of Israel sleep. London: printed and sold
at Bland & Weller’s [ca. 1801]. 4p.
404. Wise men flatt’ring. [London] for A. Bland & Weller’s
[ca. 1805]. [4]p.
405. Ye limpid streams. [Farewell, ye limpid springs & floods].
London: printed and sold at A. Bland and Weller’s [ca. 1803]. [4]p.
406. Ye Men of Gaza. N.i. [ca. 1805]. [4]p.
HARINGTON, Henry
407. How sweet in the Woodlands. A favorite duet. N.i. [ca. 1775].
S. sh. numbered 17. Additional accompt. for guitar or German flute.
408. (Another ed.). Duetto. [How sweet in the Woodlands]. [London]
R. B[remne]r [ca. 1775]. S. sh.
409. (Another ed.). How sweet in the Woodlands. A favorite Duetto.
[London] L[ongman] & [Broderip (?)] [ca. 1780]. [4]p. Additional
accompt. for guitar or German flute, additional arr. for solo voice and
harpsichord.
Box 4B
HAWES, William
410. Robin Adair. An original Scotch air, harmonized for three
voices with an accompaniment for the harp or piano forte. London: printed
and sold by Rt. Birchall [ca. 1810]. 5[1]p.
HAYDN, Franz Joseph
411. The Marv’lous work behold amaz’d. A favorite Air,
Sung by Madm. Mara in the Oratorio of the Creation. London: printed and
sold at Bland & Weller’s [ca. 1801]. 3[1]p.
412. Dr. Haydn’s, VI Original Canzonettas, for the voice
with an accompaniment for the piano forte ... First Sett. [The Mermaids
Song, &c. &c.]. London: printed and sold for Messrs. Corri, Dussek
& Co., and Edinburgh [1796]. 31[1]p.
413. To sing of love’s Passion I’m call’d by my Fair.
London: engraved by E. Riley, and published by G. Goulding & Co.,
and sold by all Music Sellers [ca. 1799]. 4p. Additional accompts. for
guitar and flute.
[HAYES, Philip]
414. Thy Fatal Shafts Unerring Move. With an accompaniment for
the harpsichord or piano forte. [London] L[ongman] & B[roderip] [ca.
1785]. [4]p. Additional accompt. for guitar.
415. The Hero’s Grave. A new song composed on the death of
General Sir Ralph Abercromby. The music by a young officer. [Mirth, a
while thy crew restrain]. Edinburgh: printed and sold by Muir Wood &
Co. [ca. 1802]. [4]p. Additional accompt. for German flute.
416. Highland Mary. Written by Robt. Burns. [Ye banks, and braes,
and streams around]. Edinburgh: printed and sold by J. Brysson [ca. 1812].
S. sh. Additional accompt. for German flute.
417. Histoire de Malbrouk, ou le Petit Page. A celebrated french
song with a new accompaniment for the harp, piano forte, violin, German
flute and guitar. By an Eminent Master, as sung by Miss George. [Venez
savoir l’histoire Mironton]. London: printed and sold for the proprietor
by S. Babb, and to be had at all the Music Shops [ca. 1785]. 4p.
HODSON, G.A.
418. Soft in the East. Sung with unbounded applause by Miss Forde,
in Shakespeare’s play of The Merry Wives of Windsor. Dublin: published
by I. Willis & Co. and at the Royal Musical Repository London [ca.
1824]. 8p.
HOLDER, Joseph William
419. A Collection of Songs, Duetts and Glees. For three and four
voices with an accompaniment for the piano forte or harp ... Op.14. [17
songs]. London: by Goulding, Phipps & D’Almaine [ca. 1802].
[4]43[1]p. Signed and numbered.
HOOK, James
420. All on Board of a Man of War. A favorite sea song, sung by
Mr. Dignum. [Wou’d you know pretty Nan]. London: published by G.
W. Bown [ca. 1828]. 3[1]p.
421. Alone by the Light of the Moon. Sung by Mr. Darley. [The
day is departed]. London: for S. A. & P. Thompson [ca. 1780].
[1]8-9[1]p. Additional accompt. for German flute.
422. (Another ed.). Alone by the Light of the Moon. Sung by Mr.
Darley. London: for S. A. & P. Thompson [ca. 1785]. [4]p. Additional
accompt. for German flute.
423. (Another ed.). Dublin: published by Hime [ca. 1800]. S. sh. Additional
accompt. for flute or guitar.
424. The Aviary. A collection of sonnets, consisting of The
Thrush ... and The Sky Lark .... Properly adapted for the voice
and harpsichord, or harp, violin or German flute. [Sweet warbling Thrush,
&c. &c.]. London: for S. A. & P. Thompson [ca. 1790].
Oblong fol. [2]14p.
425. The British Heroe’s. A new song, sung by Mrs. Franklin
... Written by Mr. T. Dibdin. London: printed and sold at Bland &
Weller’s [ca. 1801]. 4p.
426. A Canzonett. The words in imitation of Burns, composed for
No.83 of La Belle Assemblee ... Arranged with an accompaniment
for the harp or piano forte. [Could I but fly]. [London] La Belle Assemblee
[ca. 1816]. 8vo, s. sh.
427. The Cautious Maid. Sung by Mrs. Ward. [The Lass that wou’d
know how to manage a Man]. [London] S. A.[&] P. T[hompson] [ca. 1786].
[1]4-5[1]p. Additional accompt. for German flute.
428. Chanson de Malbrouk. A celebrated French song, to which is
added variations for the harpsichord or piano forte. [Malbroug s’en
va en guerre]. London: printed and sold by J Preston [ca. 1783]. 5[1]p.
429. Content and Plenty Shepherds Fare. A favorite song sung ...
by Mrs. Second. [Beneath a spreading willow shade]. London: printed and
sold at Bland & Weller’s [ca. 1805]. 3[1]p.
430. The Days of Delight. A collection of Canzonetts, for one and
two voices, with an accompaniment for the harp or piano forte, consisting
of infancy, youth, love and marriage, The Poetry and Music entirely New.
Opera 98. [Fair memory, celestial Maid, &c. &c.]. London: printed
and sold at Bland & Weller’s [ca. 1803]. 11[1]p.
431. The Disconsolate Sailor. A favorite ballad, written by Mr.
George Saville Carey. [When my money was gone]. London: printed and sold
by J. Preston [ca. 1784]. 4p. Additional accompts. for guitar and German
flute.
432. Donna Della. The much admired song, sung by Mrs. Bland in
the Opera of Jack of Newbury. [When Cupid first his trade began].
London: printed and sold at A. Bland & Weller’s [1795]. 3[1]p.
Additional accompt. for guitar.
433. Down in the Valley the Sun setting clearly. A favorite rondeau
sung by Mrs. Bland, in the Comic Opera of “The Soldiers Return”.
London: printed and published by Goulding, Phipps, D’Almaine &
Co., and Dublin. Likewise may be had of James Stevens, Glasgow [ca. 1806].
44-47p.
434. Down the Burn Davy Love. [When Trees did bud and Fields were
green]. N.i. [ca. 1770]. [4]p. Additional accompt. for guitar.
435. Hail Innocence Celestial Maid. Ode to Innocence, with an accompaniment
for the harp or piano forte. London: printed and sold at Bland & Weller’s
[ca. 1805]. 4p. Vocal score and separate arr. Numbered and signed.
436. The Hermit. Written by the late celebrated Dr. Goldsmith
... Adapted for two violins, voice and harpsichord. Opera XXIV. [Turn
gentle Hermit of the Dale]. London: for S. A. & P. Thompson [ca. 1782].
[2]19[1]p.
437. The Hours of Love. A collection of sonnets, containing morning,
noon, evening, and night ... Adapted for the voice, harpsichord, violin,
or German flute. [Come, come my fair one let us stray, &c. &c.].
London: printed and sold by S. A. & P. Thompson [ca. 1780]. Oblong
fol. [2]9[1]p.
438. (Another ed.). [ca. 1781]. new ed. Oblong fol. [2]9[1]p.
439. Hush Ev’ry Breeze. Noon Sonnet II. N.i. [ca. 1790].
[1]4-5[1]p. Additional accompt. for guitar.
440. (Another ed.). Hush ev’ry Breeze. A favorite rondo.
[London] engraved, printed and sold by H. Andrews [ca. 1804]. [4]p.
441. I’d think on thee my Love. A favorite sea song sung
by Mr. Incledon. [In Storms when Clouds obscure the Sky]. London: printed
and sold at Bland & Weller’s [ca. 1800]. 4p. Additional accompt.
for German flute.
442. Song sung by Mr. Dubellamy. [In the dead of the Night when with
Labour oppress’d]. N.i. [ca. 1785]. [4]p. Additional accompt.
for guitar and German flute.
443. Jem of Aberdeen. [The tuneful Lavrocks cheer the grove]. Glasgow:
printed and sold by J. McFadyen [ca. 1800]. S. sh.
444. The Judicious Choice. Composed for No.87 of La Belle Assemblee
... with an accompaniment for the harp or piano forte. [London] La Belle
Assemblee [ca. 1817]. 8vo, s. sh.
445. The Kiss Stolen. [How can you refuse me a bliss]. [n.p. ?
Henry Fougt] [ca. 1769]. S. sh. Typeset. Additional accompt. for German
flute or guitar.
446. Lash’d to the Helm. [In storms when clouds obscure the
Sky]. [London] Engrav’d, printed and sold by H. Andrews [ca. 1808].
[4]p. Additional accompt. for German flute. (Same as “I’d
think on thee my Love,” v. supra).
447. Listen, Listen to the Voice of Love. A favorite new song,
sung ... by Master Welsh. London: printed and sold at A Bland & Weller’s
[1795]. 3[1]p. Score for voice, two violins, horns, viola, bass and keyboard.
448. The New Scots Song Introduc’d by Miss Catley in Love in
a Village. [Down the Bourne and throo’ the mead]. [Dublin] published
by Anne Lee [ca. 1782]. S. Sh. Additional accompt. for German flute.
449. The Lover’s Catechism. [Tell me Damon dost thou languish].
[London] R. Falkener [ca. 1775]. S. sh. Typeset. Imprint cropped.
450. Margarets Ghost. A celebrated ballad, written by D. Mallet.
[`Twas at the fearful midnight hour]. London: printed and sold by Preston
[ca. 1805]. [2]9[1]p.
451. Mary The Beauty of Buttermere Vale. Sung by Miss Parke
... Written by the author of Netley Abbey and Hartford Bridge. [For Mary
who feels not a tender concern]. London: published for the composer by
Henry Thompson [ca. 1803]. 3[1]p.
452. The Merry Muleteer. An admired ballad sung by Mrs. Bland.
[My true loves o’er the mountain gone]. London: printed and sold
by Preston [ca. 1812]. 3[1]p.
453. The Minstrel. A collection of songs selected from the relics
of Ancient Poetry ... Op. XXXI. [Six songs]. London: printed and sold
by J. Preston [1784]. [2]13[1]p.
454. A Monody on the Death of The Right Honble. Spencer Perceval
... The words by The Revd. J. Davies A. M. of St. Mary Hall, Oxford. [Scarce
had he reached the Imperial Senates wall]. London: printed and sold by
Rt. Birchall [1812]. 5[1]p.
455. Music and Mirth. Sung by Mrs. Wrighten. [I sing of the transports
of Music]. N.i. [ca. 1780]. [4]p. Additional accompt. for German flute.
456. Nay well I know. Sung by Mr. Phillips in the opera Safe
and Sound. London: printed and sold by Preston [ca. 1809]. [1]16-17[1]p.
457. The Riddle. A favorite canzonet with an accompaniment for
the piano forte or harp. [The staff of life my Parent was]. London: for
the author, by J. Balls & Co. and to be had at all the Music Shops
in Town and Country [ca. 1810]. 3[1]p. Initialled.
458. So Dearly I Love Johnny O. Dublin: published by Hime [ca.
1801]. S. sh.
459. Strephon of the Hill. Composed for No.88 of La Bell Assemblee
... with an accompaniment for piano forte and flute. [London] La Bell[e]
Assemblee [ca. 1817]. 8vo, s. sh.
460. Sweet Lillies of the Valley. A favorite song sung ... by Master
Shepherd... Words by Richardson. [O’er barren Hills and Flowery
Dales]. [London] By Longman and Broderip [1792]. 3[1]p. Score for voice,
two violins and bass, additional accompt. for guitar.
461. The favorite Tambourine Roundelay sung by Miss De Camp, in
the comic opera of “The Soldiers Return”. [With my Tambourin
I hail the day]. London: printed and published by Goulding, Phipps, D’Almaine
& Co., and Dublin. Likewise may be had of James Stevens, Glasgow [ca.1806].
30-33[i.e.4]p.
462. The Test of Love. Written by Major Topham. [Love that is but
slightly grounded]. London: printed and sold for the author by Preston
[ca. 1806]. 3[1]p. Additional accompt. for flute. Signed.
463. Variety. Sung by Mrs. Sherborne. [Ask you who is singing here].
[London] for Wright & Co. [ca. 1784]. [1]4-5[1]p.
464. The Waves were Hush’d the Sky Serene. A favorite sea
song sung by Mr. Dignum .... The words by Mr. Upton. London: printed and
sold at A. Bland & Weller’s [ca. 1805]. [1]14-15[1]p.
465. While Strephon Thus You Teaze Me. Dublin: published at McDonnell’s
[ca. 1800]. [4]p.
466. Within a mile of Edinburgh. N.i. [ca. 1800]. S. sh.
HORN, Charles Edward
467. Ah flatt’ring man. A favourite ballad sung by Miss Kelly
... in ... the Devil’s Bridge. The words by S. J. Arnold. London:
by Goulding, D’Almaine, Potter & Co., and Dublin [ca. 1815].
36-38[i.e.3][1]p.
468. Cherry Ripe. A cavatina, sung... by Madame Vestris, in Mr.
Poole’s popular comedy Paul Pry. London: published by I. Willis
& Co., and Dublin [ca. 1826]. 2d. ed. [2]5[1]p.
469. (Another ed.). 3d. ed. [2]5[1]p.
470. (Another ed.). 4th. ed. [2]5[1]p.
471. (Another ed.). [ca. 1827]. 5th. ed. [2]5[1]p.
472. Hark! Italy’s Music! A gondola serenade, for three voices.
London: published by T. Williams [ca. 1820]. 9[1]p.
473. He loves and rides away. A favorite ballad as sung ... by
Mrs. Liston and Mrs. Cooke. [At the Baron of Mowbray’s gate]. London:
by Goulding & Co. and Dublin [ca. 1807]. 3[1]p.
474. “I know a bank whereon the wild thyme blows”.
A popular duet sung by Madame Vestris and Miss Povey, in Shakespeare’s
revived play of The Merry Wives of Windsor. London: published by T. Welsh
[ca. 1830]. 7[1]p.
475. I’ve been Roaming. A cavatina sung by Madame Vestris.
London: published at the Royal Harmonic Institution, by Welsh and Hawes,
and to be had at all the Music Warehouses in the United Kingdom [ca. 1827].
[2]5[1]p. (Words attributed to George Darley).
476. (Another ed.). London: published at the Royal Harmonic Institution,
by Welsh and Hawes [ca. 1828]. [2]5[1]p. (Words unattributed).
477. Kathleen O’More. As sung by Miss Byrne ... with the
original words by Geo N. Reynolds. [My love still I think that I see her
once more]. Dublin: published by William Power [ca. 1819]. 3d. ed. 6[2]p.
478. Love in the Heart. Sung by Mr. Horn in The Election ... also
by Miss Carew. [What is it that drives the red rose from the cheek]. London:
published by T. Williams [ca. 1820]. 2d. ed. 4p.
479. Remember your Vows. A cavatina, written by Mr. Rannie.
London: sold by J. Hannam [pasted over imprint of Goulding, Phipps, D’Almaine
& Co.] [ca. 1807]. 4p. Provenance: Emma, Lady Hamilton, with her signature
dated July 19th 180[7].
480. Six Canzonets. With an accompaniment for the piano forte.
[Friendship, &c. &c.]. London: for the author by Goulding, Phipps,
D’Almaine & Co., and Dublin [ca. 1807]. [4]29[1]p. Signed. Provenance:
Emma, Lady Hamilton, with her signature dated July 19th 1807.
481. How Imperfect Is Expression. Sung by Mrs. Abington in the
Twelfth Night. London: printed and sold by R. Falkener [ca. 1773]. S.
sh. Typeset.
HOWARD, Samuel
482. Cupid Deceiv’d. [Young Cupid thought from Cloe’s
Eyes]. [London? G. Bickham Jr.] [ca. 1740]. S. sh. numbered 72. Additional
accompt. for flute.
483. The ‘Inamourd’ Swain. [Tell me dear Charmer tell
me why]. [London] G. Bickham Junr. [ca. 1735]. S. sh. numbered 57. Additional
accompt. for flute.
484. Summer. Never before published. [The earth is cloathed in
cheerful green]. [London] Lady’s Magazine, for October, 1793. Oblong
4to, s. sh. 2p. Typeset.
HUDSON, John
485. The Power of Music. The words by Mr. Smith. [Music! How powerful
is thy Charm]. [London] G. Bickham Junr. [ca. 1740]. S. sh. numbered 68.
Additional accompt. for flute.
HUDSON, Robert
486. Beauty’s Shrine. From the novel of Emily de Varmont.
[In youth’s gay morn, fair Sylvia came]. [London] Lady’s Magazine,
for February 1798. Oblong 4to, s. sh. 2p. Typeset.
487. The Dreaming Lover. The words by a Correspondent ... for a
contra-tenor voice as by request, and agreeable to the compass given,
from F to C. [When raised by hope, and awed by fear]. [London: Lady’s
Magazine, for November, 1780]. 4to, s. sh. 2p. Typeset.
488. Song for the Lady’s Magazine. [Since ev’ry charm on
earth combine]. [London] Lady’s Magazine for April, 1787. Oblong
4to, s. sh. 2p. Typeset.
489. A new song. The words by a correspondent. [When e’er the
dear damsel appears]. [London Lady’s Magazine, for December,
1780]. 4to, s. sh. 2p. Typeset. Additional accompt. for guitar.
HUNTER, J.
490. Norman’s Song. Selected from Walter Scott’s poem,
of the Lady of the Lake. [The heath this night must be my bed]. London:
for the author by Clementi & Co. [ca. 1810]. [2]5[1]p. Signed.
Box 3A
491. In Airy Dreams. A favorite duet. [London] P. H[odgson]. [ca.
1779]. [4]p. Additional accompts. for two German flutes or guitars.
492. (Another ed.). In Airy Dreams. A favorite song and duet. Greenwich:
printed and sold by C. Martin [ca. 1795]. [4]p. Additional accompt. for
two German flutes.
JACKSON, William
493. O Waft Me Zephyr. London: printed and sold by J. Bland [ca.
1785]. 3[1]p. Score for voice, two violins and bass.
494. Rest beauteous Flow’r. A favourite song sung by Miss Prudom
in the Lord of the Manor. London: printed and sold by J. Preston [ca.
1785]. 4p. Additional accompts. for German flute and guitar.
495. Time has not thin’d my flowing Hair. [London] by Longman
& Broderip [ca. 1780]. 4p. Additional accompt. for German flute or
guitar.
496. When first this humble Roof I knew. A favorite song sung by
Mr. Bannister in the Lord of the Manor. London: printed and sold by Preston
& Son [ca. 1790]. 4p. Additional accompts. for guitar and German flute.
497. Jamie’s Complaint. Or the sequel to Auld Robin Gray
Set to the Original and much admired Air. For the harpsichord, violin,
flute and guitar. [Since Jenny she has married]. N.i. [ca. 1790]. [4]p.
498. The favorite duett of Jess Macpharlane. As sung ... by Mr.
Dignum and Mr. Hindle. [When first she came to town]. N.i. [ca. 1795].
4p. Additional accompt. for two German flutes.
499. Jockey to the Fair. [‘Twas on the Morn of sweet May-Day].
[London] L[ongman] & B[roderip] [ca. 1787]. S. sh.
500. The Judgment of Paris. [When for a Silly glittering Toy].
[London] G. Bickham [ca. 1738]. S. sh. numbered 69. Additional accompt.
for flute.
KEAN, Edmund
501. Sweet Kitty Clover. As sung by Mr. Knight ... in the Revived
Opera of the Lord of the Manor. The words by Mr. Knight. Arranged for
the piano forte by E. Knight Junr. London: published by Goulding,
D’Almaine Potter & Co., and to be had at Dublin [ca. 1821].
4p.
KELLY, Michael
502. The baby’s hush a bye. A favorite Ballad, Sung by Miss
Davis ... in the new comedy of the Blind Bargain or Hear Him Out, written
by H. Siddons. [A Baby wandered from its home]. [London] printed and published
by M. Kelly [ca. 1804]. 3[1]p.
503. Green leaves all turn yellow. A favorite ballad with a harp
and piano forte accompaniment ... Sung by Mrs. Jordan, accompanied by
herself on the lute in ... Matrimony. [A Sage once to a maiden sung].
[London] published by M. Kelly [ca. 1804]. 3[1]p. Additional accompt.
for flute.
504. In the rough blast heaves the Billow. Sung by Mrs. Jordan
... in the Comedy of Fashionable Friends. [London] published by M. Kelly
[ca. 1803]. 4p. Additional accompts. for flute and guitar.
505. Medley song by Miss de Camp. [In Spain I have been where as Travellers
tell us]. [London] for M. Kelly, and to be had at all the Music Shops
[ca. 1801]. 36-39 [i.e. 4]p.
506. Oh no my Love no. Sung by Miss de Champ in the Opera of Age
to Morrow. [While I hang on your bosom distracted]. London: by C. Wheatstone
[ca. 1810]. [4]p.
507. Sailor Boy Sailor Boy. A favorite trio, sung by Mrs. Mountain,
Miss de Camp and Mr. Sedgwick in the Opera of Adelmorn. [London] published
by M. Kelly [ca. 1802]. 70-73 [i.e. 4]p.
508. “Young Colinette”. Sung by Mrs. Jordan, in the new comedy
called the Marriage Promise. [London] published at his Musical Saloon
[ca. 1803]. 4p. Additional accompts. for guitar and flute.
KENT, James
509. Kent’s favorite Anthem. For two voices. Hear, hear my
Prayer. London: printed and sold by J. Dale [ca. 1801]. 6p.
KIALLMARK, George
510. Fare thee well! Written by Lord Byron. London: published by
Goulding, D’Almaine, Potter & Co., and to be had at Dublin [ca.
1816]. [2]5[1]p.
KING, J.
511. When Beauty Sorrows. Cambridge: sold by W. Hague [ca. 1800].
3[1]p.
KING, Matthew Peter
512. The celebrated air of “Oh! Nanny wilt thou fly with me”.
London: printed and sold by Lavenu & Mitchell [ca. 1803]. 4p.
513. “So runs the World away”. A favorite glee for
three voices, the words from Shakespeare. [Why let the strucken deer go
weep]. London: printed and sold by Lavenu & Mitchell [ca. 1807]. 4p.
KNAPTON, Philip
514. “There be none of Beauty’s daughters”. Sung
by and dedicated to Mrs. Salmon, the words by Lord Byron. London: printed
and sold by Chappell & Co., and Goulding & Co. [ca. 1822]. 7[1]p.
KNYVETT, William
515. The Bells of St. Michaels Tow’r. A favorite glee, for
three voices, sung by the Messrs. Knyvetts. [Merrily, Merrily rung the
Bells]. London: printed and sold by Rt. Birchall [ca. 1809]. 4p.
516. The New Gilderoy. [The last the fatal hour is come]. London:
printed and sold by Lavenu & Mitchell [ca. 1803]. 3[1]p.
517. Six Airs. Harmonized for three and four voices. [Robin Adair,
&c. &c.]. London: printed and sold by Chappell & Co. [ca. 1816].
Oblong fol. [2]7[3]33[1]p. Signed.
KRUMPHOLTZ, Johann Baptist
518. The Nuns Complaint. From Mrs. Robinson’s novel
Vancenza. [In this sad and silent gloom]. London: printed and sold by
Preston & Son [ca. 1794]. 4p. Full score.
LACY, James
519. Allan-Bane, The Minstrel’s Song. The words from The
Lady of the Lake by W. Scott. [Not faster yonder rowers might]. London:
published by G. Walker [ca. 1815]. 7[1]p.
LAMPE, Johann Friedrich
520. The Dying Nymph. [Whilst endless Tears and Sighs declare].
[London] G. Bickham Junr. [ca. 1735]. S. sh. numbered 43. Additional
accompt. for flute.
521. The Lass of Peaties Mill. For two voices. N.i. [ca. 1765].
S. sh. Additional accompt. for two German flutes.
522. (Another ed.). The Lass of Patie’s Mill. [For two voices].
London: printed and sold by W. Boag [ca. 1800]. [4]p. Additional accompt.
for two German flutes.
LATOUR, T.
523. Farewell! Hopes and Fear. Fond Lover. A Favorite Rondo ...
The words by C. Smith. [Ah! th’ alternate keen sensations]. London:
printed and sold at J. Lawson’s [ca. 1823]. 3[1]p.
524. In my Cottage near the Wood. A favorite song, the words are
an imitation of the French poetry, by Miss Calcraft. London: printed
and sold at Bland & Weller’s [ca. 1800]. 4p.
525. (Another ed., with imprint of J. Downing pasted over that of Bland
& Weller’s). 4p.
526. Let us haste to Kelvin grove bonnie lassie. A favorite scotch
song sung by Mr. Braham in the Opera of Guy Mannering the poetry by Richard
Ryan. London: published by G. Shade, and Dublin [ca. 1820]. 3[1]p.
[LINLEY, Thomas, and Thomas, the younger].
527. Ah! sure a pair. Sung by Mr. Incledon in the Duenna. [London]
by H. Andrews [ca. 1808]. [4]p. Additional accompts. for guitar and German
flute.
528. Antonio’s favorite Song. Sung by Miss Romanzini in Richard
Coeur de Lion. [The merry Dance I dearly love]. London: for S. A. &
P. Thompson [ca. 1787]. 3[1]p. Additional accompt. for guitar.
529. A favourite song in the new comedy of the Heiress ... Adapted to
an air of Sigr. Paesiello, by Mr. Linley. Sung by Mrs. Crouch. [For
tenderness form’d in Life’s early Day]. London: For S.
A. & P. Thompson [ca. 1786]. 4p. Additional accompts. for guitar and
German flute.
530. The favourite song in the comedy of the New Peerage, sung
by Mrs. Crouch. [From the light Down, that mocks the Gale]. London:
for S. A. & P. Thompson [ca. 1786]. 4p. Additional accompts. for German
flute and guitar.
531. Had I a heart for falsehood fram’d. Sung by Mr. Incledon,
in the Duenna. [London] engraved and printed by H. Andrews [ca. 1808].
3[1]p. Additional accompts. for guitar and German flute.
532. How oft Louisa hast thou said. A favourite song, with the
accompaniments, sung by Mr. Du-Bellamy, in the Duenna. London: for S.
A. & P. Thompson [ca. 1790]. 4p. Additional accompts. for German flute
and guitar.
533. In my pleasant native plains. A favourite song sung by Mrs.
Cargill in the Carnival of Venice. London: for S. A. & P. Thompson
[1781]. [4]p. Additional accompts. for German flute and guitar. “Price
6d.” to right of Linley’s name; imprint set in one line.
534. (Another ed.). [4]p. Price printed centrally under Linley’s
name and directly above “London” of imprint; imprint set in
two lines.
535. Nancy of the Dale. Sung by Mr. Webster in the Camp. [My Nancy
leaves the rural train]. [London] published by authority. S. A. [&]
P. T[hompson] [ca. 1780]. [4]p. Additional accompt. for German flute.
536. Still the Lark finds repose. The favourite rondo sung by Miss
Phillips in the Spanish Rivals. London: for S. A. & P. Thompson
[1784]. 4p. Additional accompts. for German flute and guitar.
537. The Woodman. Written by Wm. Pearce. [Stay Traveller tarry
here to Night]. London: printed and sold by Preston & Son [ca. 1795].
4p. Additional accompt. for German flute. “Sym” over first
bar in Roman.
538. (Another ed.). 4p. With “Sym” in italics.
539. Young Lubin was a Shepherd Boy. A favourite song sung by Mrs.
Cargill in the Carnival of Venice. London: for S. A. & P. Thompson
[1781]. 3[1]p. Additional accompts. for guitar and German flute.
540. (Another ed.). 3[1]p. With “Ger:” for “German”
on p.[4].
LINLEY, William
541. The Night was dark. A much admired song sung by Mrs. Bland
in A Trip to the Nore. [London] by Longman and Broderip [1797]. 2[2]p.
Additional accompts. for German flute or guitar.
542. The Linnets. [As bringing home the other Day]. N.i. [ca. 1760].
S. sh. Additional accompt. for German flute or guitar.
543. The Linnets. [At setting Sun, tho’ half afraid]. [London] for
J. Bland [ca. 1780]. S. sh. Additional accompt. for German flute.
544. Lochinvar. Lady Heron’s song from Marmion of Flodden
Field a poem by Walter Scott. [O Young Lochinvar is come out of the West].
London: by Joseph Dale [ca. 1809]. 4p.
545. Logie of Buchan. [O Logie of Buchan!]. Glasgow: printed and
sold by James Aird [ca. 1785]. S. sh.
546. The Lovely Betrayers. [In vain bright Nymphs ye would disguise].
[London] G. Bickham Jun. 1737. S. sh. numbered 41. Additional accompt.
for flute.
LYON, Samuel Thomas
547. My Mary. Selected from Cowper’s Verses. [The twentieth
Year is well nigh]. London: printed and sold by Rt. Birchall [ca. 1805].
3[1]p. Signed.
Box 3B
MARCELLO, Benedetto
548. Marcello’s Celebrated Psalm. O Lord our Governor. London:
printed and sold by Preston & Son [ca. 1805]. 3[1]p.
MARLBOROUGH, George Spencer, Duke of
549. I love thee dearly. A song, with an accompaniment for the
piano forte. The words by a lady. London: printed and sold by Chappell
& Co. [ca. 1820]. [2]5[1]p.
550. Oh wear for me this blooming Rose. A song with an accompaniment
for the piano forte, the words by T. Lindsay. London: printed and sold
by Chappell & Co. [ca. 1820]. 5[1]p.
551. Mary Queen of Scots Lamentation When Confined in Prison, by Elizabeth
Queen of England. Set for the voice, piano forte, guitar, or clarinet.
[I sigh and lament me in vain]. Edinburgh: printed and sold by Muir Wood
& Co. [ca. 1806]. [1]42-43[1]p.
MAYR, Johannes Simon.
552. Dolce fiamma del mio core. London: printed and sold by S.
Chappell [ca. 1828]. 7[1]p.
553. Era felice un di. Ariettina, In the opera of Ginevra di Scozia. London:
printed and sold by Birchall & Co. [ca. 1823]. 3[1]p.
554. Gia un Dolce Raggio. A favorite polacca, sung by Sigra. Berdinotte
Rudicarti in the opera of La Principessa Filosofa. London: by Goulding,
D’Almaine, Potter, & Co., and Dublin [ca. 1813]. 5[1]p.
555. The favorite Reco. & Duetto, Parto ti lascio, addio! From
the opera of Lodoviska, as introduced and sung by Signra. Grassini and
Sigr. Viganoni, in the opera, La Vergine del Sole. [Lovinski hai cor ne
temi?]. London: printed and sold by Rt. Birchall [ca. 1805]. 11[1]p. Score
for voice, two violins, viola and keyboard.
MAZZINGHI, Joseph
556. The Cypress Wreath. From the celebrated poem Rokeby, written
by Walter Scott Esqr. Composed for three voices. [O Lady, twine no wreath
for me]. London: by Messrs. Goulding, D’Almaine, Potter & Co.,
and Dublin [ca. 1817]. 9[1]p. Initialled.
557. Had I a Heart for Falsehood fram’d. A favorite air arranged
as a glee, for three voices. London: by Goulding, Phipps, D’Almaine
& Co., and Dublin. Likewise may be had of Mr. Jas. Stevens, Glasgow
[ca. 1806]. 3[1]p. Initialled.
558. Huntsman rest thy chace is done. Recitative and air, in continuation
of the song Soldier Rest thy Warfare o’er from the Lady of the Lake,
written by Walter Scott Esqr. Sung by Mrs. Vaughan. [She paused - then
blushing, led the lay]. London: by Goulding, D’Almaine, Potter &
Co., and to be had at Dublin [ca. 1816]. 4p.
559. Lay of the Imprisoned Huntsman. From the Lady of the Lake,
written by Walter Scott Esqr. [My hawk is tired of perch and hood]. London:
by Goulding, D’Almaine, Potter & Co., and Dublin [ca. 1811].
4p. Initialled.
560. Let our Halls & Towers Decay. From the celebrated poem,
Rokeby, written by Walter Scott. London: by Goulding, D’Almaine,
Potter and Wood, and Dublin [ca. 1813]. 4p. Initialled.
561. The Lonely Isle. From the Lady of the Lake, written by W.
Scott. [Not faster yonder rower’s might]. London: by Goulding, D’Almaine,
Potter, & Co., and Dublin [ca. 1811]. 4p. Initialled.
562. The Maid with a Bosom of Snow. A favorite song, sung ... by
Mr. Incledon, in his new entertainment called Variety. [O bright as the
Lilly the maid of the Wold]. London: by Goulding, Phipps & D’Almaine
[ca. 1802]. 4p. Initialled.
563. The celebrated Air, No ‘twas neither Shape nor Feature.
Arranged as a glee, for three voices with an accompaniment for the harp
or piano forte. London: by Goulding, Phipps, D’Almaine & Co.,
and Dublin and may be had of Jas. Stevens, Glasgow [ca. 1806]. 5[1]p.
Initialled.
564. Roderigh vich Alpine. From the Lady of the Lake, written by
Walter Scott, Esqr. Composed as a glee, for three voices. [Hail to the
Chief who in triumph advances]. London: by Goulding D’Almaine Potter
& Co., and Dublin [ca. 1811]. 8p. Initialled.
565. (Another ed.). Sung ... by Mrs. Ashe, Mr. Magrath and Mr. Bellamy,
Roderigh vich Alpine [ ...&c.]. 8p. Initialled.
566. A Soldier to his own Fireside. A favorite song sung by Miss
De Camp ... in The Wife of Two Husbands. London: by Goulding, Phipps &
D’Almaine. Likewise may be had of Goulding Knevett & Co., Dublin
and James Stevens, Glasgow [ca. 1806]. 48-51 [i.e. 4]p. Initialled.
567. Sweet charm of Loveliness. Sung by Mr. Braham ... (with the
Favorite March) in the Opera of Chains of the Heart. London: by Goulding
& Co. [ca. 1802]. [1]20-21, 18[i.e. 4]p. Initialled.
568. The Wreath. A pastoral glee, for three voices. [Ye Shepherds
tell me]. London: by Goulding, Phipps, D’Almaine & Co., and
Dublin [ca. 1810]. [2]7[1]p. Initialled.
MELLISH, Miss.
569. My Phillida adieu love. [London] by Longman and Broderip [ca.
1795]. 4p. Additional accompt. for guitar.
MILLER, Dr. [Edward (?)].
570. The Afflicted African. Written by Mr. Cowper. [Forced from
home and all its pleasures]. London: by Longman and Broderip [ca. 1790].
7[1]p. Scored for voice, two violins, and bass.
MOLINEUX, Jno.
571. Fare thee well thou first & fairest. A ballad, written
by Robt. Burns. London: published by J. Power and W. Power, Dublin [ca.
1815]. 3[1]p.
[MONTLIVAULT, Chevalier de]
572. Six Songs. [The Country Wedding of the young Lord of the Manor.
The words by H. S.]. N.i. [ca. 1795]. [2]17[1]p. Composer`s name in ms.
MOULDS, John
573. The Caledonian Maid. Written by Peter Pindar. [Oh say have
you my Mary seen]. [London] printed and sold by J. Dale [ca. 1796]. [4]p.
Additional accompt. for German flute.
574. Invocation to Oblivion. The words by Miss Maria Vaughn. [Since
hope gentle Cherub is fled]. London: for G. Goulding [ca. 1793].
[4]p.
575. Kate. A favourite ballad taken from Cowper’s Task,
sung by Miss George. [‘Twas near a Sea beat rock reclined]. London:
for S. A. & P. Thompson [ca. 1785]. 4p.
576. Moulines Maria. A favourite ballad taken from Sterne. [‘Twas
near a Thickets calm retreat]. London: for S. A. & P. Thompson
[ca. 1785]. 4p. Additional accompts. for German flute and guitar.
577. Rubens Nutt Brown Maid. An Admir’d ballad ... for the
piano forte. With an accompaniment for a violin. [The breeze was hushed].
London: by C. Wheatstone [ca. 1815]. [4]p. Additional accompt. for German
flute.
MOZART, Wolfgang Amadeus
578. Deh prendi un dolce amplesso. Duett, with the additional verse
as sung by Mr. Braham and Mrs. Billington, in ... La Clemenza di Tito.
[London] printed and published by M. Kelly [ca. 1807]. 4p.
579. Giovinette che fate all’amore. Duetto e Coro, Nell’
Opera, Il Don Giovanni. London: by Goulding, D’Almaine Potter &
Co., and to be had at Dublin [ca. 1815]. 5[1]p.
580. Non so piu cosa son cosa faccio. Aria, in the opera of Le
Nozze di Figaro. London: published at Mitchells Musical Librarys [ca.
1818]. 4p.
581. The Placid Eve. A favorite song with an accompaniment for
the piano forte. London: printed and sold by Preston [ca. 1805]. 3[1]p.
Additional accompt. for flute or guitar.
MURPHY, S.
582. The Smiling Maid. [With mutual Love by Celia bless’d].
London: for A. Bland [ca. 1788]. [4]p. Scored for voice, two violins and
bass. Additional accompt. for German flute or guitar.
MUSGRAVE, W. P.
583. Sweet Mary of the Vale. [Twas far from Fashions Syren voice].
N.i. [ca. 1800]. 3[1]p. Inscribed and corrected by composer.
584. Music charms the ravish’d soul. A favorite duet for
two voices, the music by a gentleman. London: printed and sold by Preston
& Son [ca. 1788]. [4]p.
585. My Heart with Love is Beating [Transported by your Eyes].
A favorite ballad sung by Mr. Braham ... Adapted with an accompaniment
for the harp or piano forte. Edinburgh: printed and sold by N. Corri [ca.
1800]. 3[1]p.
586. (Another ed. and another version). My heart with Love is Beating
[Fond trembler feel it move]. Ballad, the poetry by Mr. Rannie, arranged
to the favorite air of the Maid of Lodi, as sung by Mr. Braham. London:
printed and sold by Preston [ca. 1811]. 3[1]p.
587. My Lodging. A Favorite Mad Song. [London] Ka[therine] F[entu]m
[ca. 1782]. S. sh. Additional accompt. for German flute or guitar.
588. N., I. The Princely Strangers. Humbly dedicated ... to ...
the Duchess of York, the words by the Revd. J. Davies A.M. [Borne on the
Wings of lofty Fame]. [London] to be had at Birchall’s, and all
other Music Sellers [ca. 1814]. 7[1]p.
NASOLINI, Sebastiano
589. Non e questo il sacro alloro. Sung by Mr. Braham ... In the
grand serious opera of La Morte di Cleopatra. [London] printed
and published by Ml. Kelly [ca. 1807]. 4p.
NEILSON, Lawrence Cornelius
590. Sweet Ellen Sorrow’s Child. A favorite ballad with an
accompaniment for the piano forte. [Cold blew the wind]. London: printed
and sold by Preston & Son [ca. 1795]. 4p. Additional accompt. for
German flute.
591. New Black Joak. Sung by Mr. Beard. [The Sun was sleeping in
the Main]. [London] Str[aight] & Sk[illern] [ca. 1772]. S. sh.
Additional guitar accompt.
592. No Union for our dear native island. [May God in whose hand,
is the lot of each land]. Dublin: published by Hime [ca. 1800]. [4]p.
593. Of a’ the airts the Win’ can blaw. A favorite
old Scots tune the words by Robt. Burns. Set for the voice, piano forte,
violin and German flute. Edinburgh: printed and sold by Muir Wood &
Co. [ca. 1805]. [1]132-133[1]p.
OLIVE, Joseph
594. The Favorite Song of Bacchus and Venus. Sung by Mr. Lowe.
The words by Mr. Woty. [Myself between Venus and Bacchus I’ll poize].
[London] C [&] S T[hompson] [ca. 1770]. S. sh. Additional accompt.
for German flute.
595. One day I heard Mary say. An old Scots song supposed to have
been composed about the time Lord Darnley and Queen Mary lived in the
Abbey at Edinburgh. Set for the voice, piano forte, guitar, flute or clarinet.
Edinburgh: by J. Watlen [ca. 1795]. [1]24-25[1]p.
[OSWALD, James]
596. The Dust Cart. A cantata sung ... in manner of the Moderns.
[As Tinkering Tom, the Streets his Trade did cry]. N.i. [ca. 1753]. [4]p.
597. Paddy Bull’s Expedition. Written and sung by Collins
in his Brush to the tune of Lango Lee. [When I took my departure from
Dublin’s sweet Town]. Dublin: published by John Lee [ca. 1795].
S. sh.
PAISIELLO, Giovanni
598. Pandolfetto Graziosetto. A favorite duet, sung by Sigr. Morrelli
and Madm. Bolla, in the comic opera of I Zingari in Fieri. London:
printed and sold by L. Lavenu [ca. 1801]. 8p. Scored for voice, oboe,
two violins and bass.
599. Where is my Love. Sung by Signora Storace in the Haunted
Tower, with new words by Peter Pindar. London: for G. Goulding [ca.
1795]. [4]p. Additional accompt. for guitar.
600. Whither, my Love, ah! whither art thou gone? Sung by Signora
Storace in the Haunted Tower. London: by Longman, Clementi &
Co. [ca. 1799]. 4p. Additional accompt. for guitar, and arr. for two voices
or flutes.
PANORMO, Robert
601. “The Martial note is the Soldiers Knell”. Written
on the death of ... The Duke of York by Leigh Cliffe. London: published
and sold by the author, and may be had of all the principal Music Sellers
in the United Kingdom [ca. 1827]. 5[1]p. Initialled.
PARK, Maria Hester
602. Toll for the Brave. A Tribute to the memory of Lord Nelson,
the words paraphrased from Cowper. London: printed and sold by Rt. Birchall
[ca. 1806]. 3[1]p.
PARKE, William Thomas
603. “Sweet Maid”. An elegy (for four voices,) on the
much lamented death of ... The Princess Amelia, the words and music by
W. T. Parke. London: for the author and sold by Goulding, D’Almaine,
Potter & Co., and Dublin, may be had at all other Music Warehouses
in town and country, and of the author [ca. 1811]. 4p. Initialled.
PARRY, John
604. Beauty in Tears. A ballad sung by Mr. Braham, in the Grand
Romance of Lodoiska. [Oh weep not sweet maid]. London: by Goulding,
D’Almaine, Potter & Co., and Dublin [ca. 1815]. 3[1]p.
605. England & her Brave Allies. A patriotic song, sung by
Mr. Pyne... written and composed ... (in the year 1814) and most humbly
dedicated to H. R. H. The Prince Regent of England. Also sung by Mr. Sinclair.
[In War, the Bard in lofty strains]. London: by Goulding & Co., and
Dublin [1814]. 4p.
606. Oranje Boven. A patriotic song, sung ... by Mr. Braham
... written, composed and most humbly dedicated to His Serene Highness
the Prince of Orange. [Hark! hark the voice of Freedom cries]. London:
By Goulding & Co., and Dublin [ca. 1814]. 3[1]p.
607. The Voice of her I Love. A ballad sung by Mr. Braham, in the
opera of The Castle of Adalusia. [How sweet at close of silent
eve]. London: by Goulding, D’Almaine, Potter & Co., and Dublin
[ca. 1814]. 4p. Additional accompt. for flute or flageolet, and arr. for
soprano voices.
PERCY, John
608. It is Night and I am alone. (The Words from Ossian) ... [Select
Songs] No.1. [London] for the author and to be had at the Music Shops
[ca. 1795]. 6p. Signed.
609. Select Songs No.5. The Shipwreck, (From the Mysteries of Udolpho)
Sung by Mr. Incledon. [Soft came the breath of Spring]. [London] for the
author [ca. 1795]. 21-28p. Signed.
610. Select Songs No.9. Wapping Old Stairs. [Your Molly has never
been false]. [London] for the author [ca. 1795]. 45-47 [1]p. Signed.
611. Select Songs No.11. The Ghost of Carril (From the Works of
Ossian). [The Stars of the night arise]. London: for the author [ca. 1801].
51-58p.
612. The Siege of Gibralter. [For Ever Recorded be that Glorious
day]. London: for the author [1784]. 7[1]p. Scored for voice, two violins
and bass. Signed.
[PIERCY, H.]
613. The Beggar Girl. A favorite ballad for the piano forte or
harp, also as a duett, for two voices. [Over the Mountain and over the
Moor]. London: published by C. Wheatstone [ca. 1804]. [4]p.
PLEYEL, Ignaz Joseph
614. Pleyels German Hymn with variations. Also harmonised for three
voices and adapted for the harpsichord or piano forte. [The spacious Firmament
on high]. London: for G. Goulding [ca. 1796]. 3[1]p.
615. Poll’s Answer to Poor Jack. [Dear Jack my fond Love].
London: printed and sold by Preston & Son [ca. 1795]. [4]p. Additional
accompt. for German flute.
616. Poor Anna’s Heart Lord Henry Won. A ballad written by
M. G. Lewis Esqr. The music composed ... by an amateur. Edinburgh:
printed and sold by John Hamilton. J. Johnson Sculpt. [ca. 1800]. [2]-2[1][i.e.4]p.
617. Poor Mary of Buttermere. Written by a lady, set to music by
an amateur. [Ah poor wretched Mary]. London: by Goulding Phipps &
D’Almaine. Likewise may be had of Goulding Knevett & Co., Dublin
and Stevens & Co., Glasgow [ca. 1803]. 3[1]p.
[PRING, Jacob Cubitt]
618. The Dying Christian to his Soul. A celebrated ode by Mr. Pope.
Set to music for three voices. [Vital spark of heavenly flame]. [London]
by Longman and Broderip [ca.1790]. 3[1]p.
619. (Another ed.). London: printed and sold by J. Bland [ca. 1790]. 3[1]p.
620. (Another ed.). London: by Goulding, D’Almaine, Potter &
Co., and to be had at Dublin [ca. 1812]. 3[1]p.
PUCITTA, Vincenzo
621. Serbami il primo affetto. Change not from me thy love, the
favorite duet, sung by Madame Bianchi and Sigr. Righi, in the opera of
La Ginevra di Scozia. London: printed and sold by Chappell & Co. [ca.
1823]. 3[1]p. additionally numbered 101-103.
PURCELL, Henry
622. Come if you Dare. A favorite air and chorus sung by Mr. Incledon.
London: printed and sold at Bland & Weller’s [ca. 1800]. 4p.
623. Glee for Three Voices. [Fairest isle of isles]. [London]
Lady’s Magazine, for January, 1787. Oblong 4to, typeset. S. sh.
2p.
624. Five favorite catches for three voices. [Fye nay prithee John do
not quarrel (with four others by Purcell, Hayes, Webbe and Needham)].
N.i. [ca. 1780]. [4]p.
625. From Rosy Bow’rs. Sung by Miss Harrop. [London] for
J. Bland [ca. 1785]. 3[1]p.
626. A Two Part Song. [Two Daughters of this Aged Stream are we].
N.i. [ca. 1710]. S. sh. numbered 62.
PUTTI of Cambridge.
627. On Zelinda. [On dear Zelinda’s charms I gaze]. [London]
G. Bickham junr. [ca. 1740]. S. sh. numbered 56. Additional accompt. for
flute.
RAMONDON, Lewis
628. A Hymn upon the Execution of two Criminals. [All you that
must take a leap in the dark]. N.i. [ca. 1710]. S. sh. Additional accompt.
for flute.
RANNIE, John
629. Fair Anna. A Scottish ballad sung by Mrs. Bland, the words
and melody by Mr. John Rannie. [Fair Anna was the brightest maid]. London:
by Goulding Phipps & D’Almaine. Likewise may be had of Goulding
Knevett & Co., Dublin and James Stevens, Glasgow [ca. 1804]. 3[1]p.
RAUZZINI, Venanzio
630. Jervis & Duncan. Or The Year Ninety Seven ... Sung by
Mr. Taylor ... The words by Mr Wm Meyler. [Thy Navy old England has long
been thy Pride]. N.i. [? Bath, 1797]. [4]p.
[REEVE, William]
631. The Chapter of Kings. A celebrated historical song written
and sung ... by Mr. Collins author of the Brush and by Mr. Dignum. [The
Romans in England they once did sway]. [London] by Longman and Broderip
[ca. 1797]. 4p. Additional accompt. for flute or guitar.
632. The Favorite Fishing Duet. Sung by Mrs. Martyr and Mrs. Mountain
... in the Pantomime of Don Juan. [Thus for Men the Women fair]. London:
for G Goulding [ca. 1790]. [1]70-71[1]p. Additional accompt. for guitar
or flute.
633. (Another ed.). The Fishing Duet Sung in Don Juan. N.i. [ca.
1810]. [4]p.
634. The Frolicks of Queen Mab. Paraphrased from Shakspere, written
and sung by Mr. Collins in his celebrated entertainment of the Brush.
[When Fancy roves in a rambling Dream]. [London] by Longman and Broderip
[ca. 1790]. 25-28p. Scored for voice, keyboard and violin. Additional
accompt. for guitar.
635. The Galley Slave. Sung by Mr. Dignum in the Purse, or Benevolent
Tar. [Oh, think on my fate!]. London: printed and sold by Preston &
Son [ca. 1795]. 4p. Additional accompt. for German flute.
636. Never think of meeting Sorrow. A favorite duet, sung by Sigra.
Storace and Mr. Fawcett ... in the comic opera of The Cabinet. The words
by T. Dibdin. London: published and sold by J. Dale [ca. 1803]. 3[1]p.
637. Peter Pull-haul. A favorite song as sung by Mr. Munden
... in the comic opera of The Cabinet, the words by T. Dibdin. [Near Kew
one Morn was Peter born]. London: published and sold by J. Dale [ca. 1803].
4p.
638. Robin Adair. The much admired ballad, sung ... by Mr. Braham
... composed and arranged for the harp, or piano forte. [What’s
this dull Town to me]. London: by Button & Whitaker [ca. 1812]. 4p.
Additional arr. for four voices.
639. The Single Married, & the Married happy. Sung by Mr. Fawcett
... in the comic opera of the Cabinet, the words by T. Dibdin. [A Batchelor
leads an easy life]. London: published and sold by J. Dale [ca. 1803].
3[1]p.
640. The Favorite Glee, Some Yield their Breath. Sung in Raymond
and Agnes. London: printed and sold by Preston & Son [ca. 1798]. [1]6-7[1]p.
RELFE, John
641. Mary’s Dream. [The Moon had climbed the highest hill].
[London] for H. Andrew’s [ca. 1804]. [4]p. Scored for voice, keyboard
and violin. Additional accompt. for unspecified instrument.
RINGWOOD, J.
642. Ye darksome Woods where Echo dwells. A hunting song, the words
by Mr. R. Bloomfield. Dublin: published at Rhames’s Musical Circulating
Library [ca. 1802]. 3[1]p.
643. Robin Adair. Sung ... by Mr. Braham. [What’s this dull
Town to me]. London: by J. & G. Balls [ca. 1818]. [4]p. Additional
arr. as “Duet for two Ladies.”
644. Roderick Vich Alpine. (Boat Song) in the Lady of the Lake,
by Walter Scott. [Hail to the chief who in triumph advances]. [London]
by G. Bown [ca. 1820]. 2[2]p.
ROSS, John
645. The Heath This Night must be My Bed. From the Lady of the
Lake. Set to music, with an accompaniment for the piano forte or harp.
Edinburgh: printed and sold by Muir Wood & Co. [ca. 1812]. 4p.
646. O balmy Zephyr as you fly. A canzonet with an accompaniment
for the piano forte. London: by Goulding, Phipps & D’Almaine,
likewise may be had of Goulding, Knevett & Co., Dublin and James Stevens,
Glasgow [ca. 1806]. 4p.
Box 5A
SAINT GERMAIN, Comte de.
647. A New Song, Set by Count St. G---. [Gentle Love this hour befriend
me]. N.i. [ca. 1745]. S. sh.
648. A new song set by Comte de St. Germain. [O wouldst thou know what
Sacred Charms]. N.i. [ca. 1745]. S. sh.
649. (Another ed.). The Maid that’s made for Love and Me. Set by
Comte de St German. [O wouldst thou know what Sacred Charms]. N.i.
[ca. 1750]. S. sh.
650. (Another ed.). Set by Comte de St. Germain. N.i. [ca. 1750]. S. sh.
SALE, John Bernard
651. The Butterfly. A much admired Duett, as sung by Mr. Nield
and Mr. Sale Junr. [Gay being born to flutter thro’ the day]. London:
for the author, by Lavenu & Mitchell, and may be had of Mr. Sale,
Westminster, and of all the Principal Music Sellers in town and country
[ca. 1808]. 6p.
652. Sally in our Alley. A favorite song sung by Mr. Braham. [Of
all the Girls that are so smart]. [London] for H. Andrews [ca. 1812].
[4]p. Additional accompt. for German flute.
SANDERSON, James
653. The Cottage of Peace. A pastoral ballad, sung by Miss Gray
... in the grand Caledonian spectacle romance, called The Iron Tower or
The Cell of Mystery, the poetry by Mr. Upton. [Fair Lady tho’ low
is our Cot]. London: engraved, printed and published by E. Riley [ca. 1801].
[4]p. Scored for voice, flute or flageolet, violins and keyboard. Additional
accompt. for flute.
654. The Cottage on the Moor. Sung by Mrs. Herbert in the Pantomime
of Niobe, written by Mr. Cross. [My Mam is no more]. London: engraved,
printed and sold by E. Riley [ca. 1802]. 4p. Scored for voice, flute
and oboe, violins, bass and keyboard. Additional accompts. for guitar
and flute.
655. The little Orphan Sailor Boy. Arranged for the harp or piano
forte, written by Mr. Nussey. [A little Orphan Sailor Boy]. London: engraved,
printed and sold by E. Riley [ca. 1801]. 4p. Additional accompts. for
guitar and flute.
656. The Seaman’s Departure. Sung by Mr. Incledon, written
by a gentleman. [When ye quit your native Shore]. [London] engraved, printed
and sold by E. Riley [ca. 1802]. 3[1]p. Scored for voice, keyboard and
another, unspecified.
657. A Scotch Song. [Gin thou wer’t my ene Thing]. N.i. [ca. 1720].
S. sh. Additional accompt. for flute.
SCOTT, John
658. Abraham Newland. As sung by Mr. Davis .... The words by C.
T. Dibdin Junr. [There ne’er was a name so banded by fame]. London:
by Longman Clementi & Co. [ca. 1800]. 4p. Additional accompt.
for German flute.
SEDGWICK.
659. On the Death of General Wolfe. [In a mouldering Cave where
the Wretched retreat]. [London] by J. Fentum [ca. 1776]. [4]p.
660. A sequel to the popular Ballad of the Beautiful Maid. The
words by a Lady of Fashion, composed by an amateur. [There’s no
Lilley on Earth half so fair]. London: for the proprietor by E. Riley
[ca. 1803]. 3[1]p.
SHIELD, William.
661. Ah weladay my poor heart. The favorite song of the page. Sung
by Mrs. Martyr in the new comedy of The Follies of a Day. Written by Mr.
Holcroft. [To the Winds to the Waves]. [London] by Longman and Broderip
[ca. 1784]. 4p. Scored for voice, two violins and keyboard. Additional
accompt. for guitar.
662. A New Song. [Be breathless your reeds]. [London, Lady’s
Magazine, February 1778]. 4to, typeset. S. sh. 2p.
663. Bonny Bet. Sung by Mr. Johnstone in the Farmer. Written by
J. O’Keefe. [No more I’ll court the Town bred fair]. [London]
by Longman and Broderip [1788]. 4p. Additional accompt. for guitar.
664. The Bud of the Rose. Sung by Mr. Bannister in Rosina. [Her
mouth, which a smile devoid of all guile]. London: printed and sold by
J. Dale [1783]. 4p. Additional accompts. for German flute and guitar.
665. (Another ed.). Sung by Mr. Banister in Rosina. London: for G. Goulding
[ca. 1804]. [4]p. Additional accompt. for German flute.
666. (Another ed.). Sung by Mr. Incledon in Rosina. N.i. [ca. 1811].
[4]p. Additional accompt. for German flute.
667. Caleb Quotem. Sung by Mr. Fawcet in the Review or Wags
of Windsor. [I’m Parish Clerk and Sexton here]. London:
printed and sold by Preston [ca. 1809]. [1]30-35[1]p.
668. Charming Village Maid. A favorite song sung by Mr. Johnstone
in the comic opera of The Farmer. London: by Longman and Broderip
[ca. 1788]. 4p. Scored for voice, violins, viola and bass. Additional
accompts. for guitar and German flute.
669. The Conflict of Love and Duty. Ballad sung by Mrs. Mountain
in the Lyric Novelist, the poetry by Mr. Cherry. [My Country’s
voice dear Emma calls]. London: printed and sold by Preston [ca. 1809].
3[1]p.
670. Could I bid the fond Passion to cease. An admired song with
an accompaniment for the piano forte. London: printed and sold by Thos.
Preston [ca. 1816]. 3[1]p. Additional accompt. for guitar.
671. The Death of Tom Moody. Written by the author of Hartford
Bridge ... and sung by Mr. Incledon in ... the Wandering Melodist.
[You all knew Tom Moody the whipper in well]. London: by Goulding Phipps,
D’Almaine & Co. [ca. 1805]. 4p. Signed.
672. ‘Ere around the huge Oak. A favorite song sung by Mr. Darley
in The Farmer, a comic opera. London: by Longman and Broderip [1788].
3[1]p. Additional accompts. for guitar and German flute.
673. (Another ed.). London: by Longman, Clementi & Co. [ca. 1800].
3[1]p. Additional accompts. for guitar and German flute.
674. From Night till Morn. A favorite duet sung by Mr. Incledon
and Mr. Johnstone ... with an accompaniment for the harpsichord. London:
printed and sold by Preston & Son [ca. 1794]. 4p. Additional accompts.
for guitar and German flute.
675. The Girl of my Heart. A favorite ballad sung by Mr. Incledon
.... The words by J. Rannie. [I have Parks I have Grounds]. London: by
Goulding, Phipps & D’Almaine. Likewise may be had of Goulding,
Knevett & Co., Dublin and James Stevens, Glasgow [ca. 1805]. 4p. Signed.
676. The Heart that can feel for another. A ballad sung by Mr.
Incledon .... in his new entertainment called the Traveller, written by
Mr. Upton. [Jack Stedfast and I were both messmates]. London: by Goulding
& Co., and Dublin [ca. 1806]. 4p. Additional accompt. for German
flute. Signed.
677. The Heaving of the Lead. A favorite song, sung by Mr. Incledon
in Hartford Bridge. [For England, when with fav’ring gale]. [London]
by Longman and Broderip [ca. 1795]. 4p. Additional accompt. for German
flute. Exclamation mark at foot of p.4 within inverted commas.
678. (Another ed.). 4p. Exclamation mark at foot of p.4 outside inverted
commas, period after “W” of Shield’s initial.
679. (Another ed.). 4p. Exclamation mark outside inverted commas, colon
after “W” of Shield’s initial.
680. (Another ed.). The Heaving of the Lead. N.i. [ca. 1795]. S.
sh.
681. (Another ed.). Sung by Mr. Incledon in Hartford Bridge. London: for
G. Walker [ca. 1795]. 3[1]p. Additional accompt. for flute.
682. (Another ed.). A favorite song sung by Mr. Incledon in Hartford Bridge
... with an additional [i.e. 4th] Stanza. [London] by Longman and Broderip
[ca. 1796]. 4p. Additional accompt. for German flute.
683. Hey-dance to the Fiddle & Tabor. A favorite dialogue,
sung by Mrs. Martyr and Mr. Fawcet in the Lock and Key. London:
printed and sold by Preston & Son [1796]. 4p. Additional accompt.
for German flute or guitar.
684. How Merrily we Live. The much esteemed glee sung in the opera
of The Flitch of Bacon. [Dublin] published by Anne Lee [ca. 1782]. [1]19-20[1]p.
685. I canno’ laike ye gentle Sir. A favorite ballad sung
by Mrs. Kennedy, in the opera of Marian. London: by Longman and
Broderip [ca. 1790]. 4p. Additional accompts. for guitar and German flute.
686. If you Wou’d Know what Pain it is To Part. Dublin: published
by Edmund Lee [ca. 1790]. S. sh.
687. I’m in love, I’m in debt, I’m in Liquor.
A favorite glee, sung by Mr. Fawcett, Mr. Liston and Mr. King in the comic
opera of Two Faces Under a Hood. [We are three jolly boys as you
ever have met]. London: by Clementi, Banger, Hyde, Collard and Davis [ca.
1803]. 53-55[1]p.
688. The Last Whistle. A favorite song sung ... by Mr. Incledon,
in his new entertainment, called A Voyage to India. [Whether Sailor
or not for a moment avast]. London: by Goulding & Co., and Dublin
[ca. 1811]. 3[1]p. Signed.
689. Lovely Jane. A ballad sung by Mr. Incledon in ... The Songsters
Jubilee, written by Mr. Cherry. [‘Twas where sweet Shannon’s
silver tide]. London: by Goulding, Phipps, D’Almaine & Co. [ca.
1806]. 4p. Signed.
690. The Maid of Lodi. A favorite ballad with an accompaniment
for the harp or piano forte, the music collected by Mr. Shield, when in
Italy. [I sing the Maid of Lodi]. London: by Goulding, Phipps, D’Almaine
& Co., and Dublin [ca. 1809]. 3[1]p.
691. (Another ed.). The Maid of Lodi. A favorite ballad, with an
accompaniment for the piano forte or pedal harp, the music collected by
Mr Shield. [I sing a Maid of Lodi]. N.i. [ca. 1815]. 3[1]p. Additional
accompt. for German flute.
692. Mark’d you her eye. A celebrated song ... the words
by Mr. Sheridan. Dublin: published by [John and (deleted)] Edmd. Lee [ca.
1790]. [4]p. Additional accompt. for German flute or guitar.
693. O why to be Happy. The favorite cheerful glee, sung by Mr.
Incledon, Mr. Bowden and Mr. Linton .... The words by W. Pearce.
London: printed and sold for the author by Preston & Son [ca. 1795].
3[1]p. Signed.
694. Old Towler. A favorite hunting song sung ... by Mr. Incledon
... Written by J. O’Keefe. [Bright Chanticleer proclaims the dawn].
London: by Longman and Broderip [ca. 1795]. 4p. Additional accompt.
for guitar.
695. (Another ed.). 4p. With “Written by J. O’Keef Esqr.”
696. (Another ed.). London: by Broderip and Wilkinson [ca. 1806].
4p.
697. On by the Spur of Valor Goaded. Sung by Mr. Bannister,
in The Castle of Andalusia, written by Mr. O’Keefe. London:
for G. Walker [ca. 1816]. 4p.
698. Patty Clover. A favorite ballad sung by Mr. Blanchard ...
in the opera of Marian. [When little on the Village green we played].
London: by Longman and Broderip [1788]. 4p. Additional accompt. for guitar
or flute.
699. A New Edition of Shakespear’s Poor Barbara. [My mother
had a maid called Barbara]. London: for the author and sold by Preston
& Son [ca. 1795]. 5[1]p. Scored for four voices, with additional arr.
in a higher key for three voices. Signed.
700. (Another ed.). Shakespear’s Poor Barbara. Dublin: by
Hime [ca. 1801]. [4]p. Scored as previous item.
701. The Post Captain. Sung by Mr. Incledon ... in his new entertainment
called Variety .... Words by Mr. Rannie. [When Steerwell heard
me first impart]. London: by Goulding & Co. [ca. 1802]. 4p. Signed.
702. (Another ed.). London: by Goulding & Co., and Dublin [ca. 1809].
4p. Initialled.
703. The Pretty Little Heart. Written by Prince Hoare .... Sung
... since the summer of 1800 when it was first published in Shields introduction
to Harmony. [I’ve a pretty little heart]. London: printed and sold
for the author by Preston [1801]. 3[1]p. Signed.
704. Rise Cynthia Rise. A favorite duet. Glasgow: printed and sold
by J. Steven [ca. 1805]. S. sh.
705. The Rosary. A favorite ballad sung by Mrs. Martyr in The
Midnight Wanderers. [Tho’ oft we meet severe distress]. [London]
by Longman and Broderip [ca. 1793]. 4p. Additional accompt. for guitar.
706. Sally Roy. Sung by Mr. Incledon in ... The Wandering Melodist.
The words by Mr. Rannie. [Fair Sally once the village pride]. London:
by Goulding, Phipps & D’Almaine. Likewise may be had of Goulding
Knevet & Co., Dublin; A. Guthrie, Edinburgh and Stevens, Glasgow
[ca. 1802]. 3[1]p. Signed.
707. Shakespear’s Duel and Loadstars. [It was a Lordling’s
daughter]. London: printed and sold for the author by Preston & Son
[1797]. 5[1]p. Signed.
708. Sleep on my Kathlean Dear. A favorite song, sung by Mr. Johnstone,
in the Poor Soldier. London: printed and sold at Bland & Wellers [ca.
1803]. 3[1]p. Additional accompt. for flute.
709. The favorite Irish ballad Smalilou. As sung... by Mr. Johnstone...
in the Picture of Paris. [There was an Irish Lad]. London: by Longman
and Broderip [ca. 1792]. 4p. Additional accompt. for German flute.
710. A smile from the Girl of my heart. A favorite song sung by
Mr. Blanchard in The Woodman. [In the World’s crooked path].
[London] by Longman and Broderip [ca. 1791]. 4p. Additional accompt.
for guitar or flute.
711. (Another ed.). [London] by Broderip and Wilkinson [ca. 1804]. 4p.
Additional accompt. for guitar or flute.
712. The Streamlet that flow’d round her Cot. A favorite
song sung by Mr. Incledon in the Woodman. [London] by Longman and Broderip
[1791]. 4p. Additional accompt. for flute.
713. (Another ed.). The Streamlet. A favorite song sung by Mr.
Incledon ... In the opera of the Woodman. London: by Broderip and Wilkinson
[ca. 1804]. 4p. Additional accompt. for flute.
714. (Another ed.). The Streamlet. Ballad sung by Mr. Incledon
in the Woodman. London: printed and sold by Preston [ca. 1807]. 4p. Additional
accompt. for flute.
715. (Another ed.). The Streamlet. A favorite song sung by Mr.
Incledon in the Woodman. N.i. [ca. 1810]. [4]p. Additional accompt. for
German flute.
716. Tell Her I’ll Love Her. A ballad sung by Mr. Incledon
in ... The Songsters Jubilie. London: by Goulding, Phipps, D’Almaine
& Co., and Dublin [ca. 1806]. 4p. Additional accompt. for German flute.
Signed “For Wm. Shield.”
717. (Another ed.). London: by Goulding & Co., and Dublin [ca. 1809].
4p. Additional accompt. for German flute.
718. (Another ed.). Tell Her I’ll Love Her. A ballad sung
by Mr. Incledon, in ... The Songsters Jubilee. London: by Goulding &
Co., and to be had at Dublin [ca. 1817]. 4p. Additional accompt. for German
flute.
719. The Thorn. Sung by Mr. Incledon ... in his new entertainment
called Variety .... Words by Robt. Burns. [From the white blossomed Sloe].
London: by Goulding & Co. [ca. 1802]. 4p. Signed.
720. (Another ed.). London: by Goulding, Phipps & D’Almaine.
Likewise may be had of Goulding, Knevett & Co., Dublin [ca. 1802].
4p. Signed.
721. (Another ed.). London: by Goulding, Phipps & D’Almaine.
Likewise may be had of Goulding, Knevett & Co., Dublin; A. Guthrie,
Edinburgh and Steven’s, Glasgow [ca. 1803]. 4p. Signed.
722. (Another ed.). London: by Goulding. Phipps & D’Almaine.
Likewise may be had of Goulding. Knevett & Co., Dublin and James Stevens,
Glasgow [ca. 1806]. 4p. Signed.
723. (Another ed.). London: by Goulding, Phipps, D’Almaine, &
Co., and Dublin [ca. 1806]. 4p. Signed “For Wm Shield.”
724. (Another ed.). London: by Goulding D’Almaine & Co., and
Dubin [ca. 1825]. 4p. Initialled.
725. Those treasures Aladin. A favorite rondeau sung by Mrs. Martyr
in The Pantomime of Aladin. London: for G. Goulding [ca. 1795]. [1]60-61[1]p.
726. The Twins of Latona. Sung by Mr. Bannister in The Poor Soldier,
written by Mr. O’Keefe. London: by J. Bland [ca. 1785]. 4p. Additional
accompt. for guitar or German flute.
727. The Waving Willow. A favorite ballad sung by Mrs. Martyr
in The Midnight Wanderers. [‘Twas at the hour of days decline].
[London] by Longman and Broderip [1793]. 4p. Additional accompt. for flute
or guitar.
728. When bidden to the Wake or Fair. Sung in Rosina. [London]
by G Walker [ca. 1816]. [4]p. Additional accompt. for German flute.
729. When Nicholas first to court began. A favorite trio sung by
Mrs. Martyr, Mrs. Kennedy, Mr. Darley and &c. in the opera of Richard
Coeur de Lion. [London] by Longman and Broderip [ca. 1790]. 4p. Additional
accompt. for flutes or guitars.
730. The favorite song of The Wolf. Sung by Mr. Bannister in The
Castle of Andalusia. Written by Mr. O’Keefe. [At the peaceful midnight
hour]. London: for G. Goulding [ca. 1815]. 4p.
731. (Another ed.). The Wolf. A celebrated song sung by Mr. Bannister,
in The Castle of Andalusia, The words by O’Keefe. [London] published
by J. Lawson [ca. 1820]. 4p.
SMITH, C.
732. When Robin Dressed Out. Sung by Mrs. Bland, in the Musical
Farce Hit or Miss. London: printed and sold by Preston [ca. 1811]. 13-15[1]p.
733. Soldier Rest Thy Warfare O’er. Ellen’s song in
The Lady of the Lake by Walter Scott. [London] by G. Bown [ca. 1820].
[4]p.
734. Soldiers Bride. Written by an officer. [The Village Maid when
first she hears]. [London] printed and sold at Fentum’s [ca. 1795].
[4]p. Additional accompt. for German flute.
735. A soldiers song for two voices. [How stands the Glass around]. [London]
C. S. T[hompson] [ca. 1765]. S. sh. Additional accompt. for two German
flutes.
736. (Another ed.). [London] L[ongman] L[ukey] [ca. 1772]. S. sh
737. Somebody. A favorite song. [Were I oblig’d to beg my
Bread]. London: printed and sold by J. Dale [ca. 1798]. [4]p. Additional
accompts. for German flute and guitar.
738. The Sorrowful Shepherd. The words by Mr. Hawkins. Set to music
by an Eminent Master. (Extracted from) [London] New Lady’s Magazine,
June, 1793. S. sh. 2p. Typeset. Additional accompt. for guitar.
SPOFFORTH, Reginald
739. Julia to the Wood Robin. Sung by Master Elliot. [Stay sweet
enchanter]. [London] by Muzio.Clementi & Co. [ca. 1803]. 4p.
740. Nelson’s Victory. A much admired song written by Mr. G.
Fox. [Again the trump of Fame is heard]. [London] by Longman and Broderip
[1798]. 4p. Additional accompt. for German flute.
741. The Sportsmans Invitation. Sung by Mr. Arrowsmith. [Hark forward
away my brave boys]. N.i. [ca. 1790]. 3[1]p. Indications for horns and
oboes, additional accompt. for German flute.
SPRAY, John
742. The Bid Me Sleep. The maniac song, from the Lady of the Lake
by Walter, Scott. Dublin: published at J. B. Logier’s Music Saloon
[ca. 1811]. [2]5[1]p. Scored for voice, flute and piano or harp.
STANLEY, John
743. Advice to Caelia. [London] G Bickham junr. [ca. 1740].
S. sh. numbered 50. Additional accompt. for flute.
STEVENS, Richard John Samuel
744. Cheerful Glee for Four Voices. The poetry from Shakespear.
[Crabbed Age and Youth, cannot live together]. [London] for the author
[ca. 1808]. Oblong fol. 4p. Signed.
745. Sigh no more Ladies. Cheerful glee for five voices. London:
by Longman and Broderip [ca. 1790]. 5[1]p.
746. (Another ed.). London: by Muzio Clementi & Co. [ca. 1803]. Oblong
fol. [1]20-23[1]p.
747. (Another ed.). London: printed and sold at Bland & Weller’s
[ca. 1805]. 5[1]p.
STEVENSON, Sir John
748. Alas! Poor Lubin. A favorite duet with an accompaniment for the piano
forte, the words by J. Atkinson. [Young Cupid my fond heart beguiles].
London: published by Pearce & Co. [ca. 1808]. 4p. Additional accompt.
for two flutes or guitars.
749. And will he not come again (Shakespear’s Ophelia). A
glee for three voices with an accompaniment for the piano forte or harp.
Dublin: published at Wm. Power & Co. Music Warehouse [ca. 1806]. 4p.
750. No. 1. Glee for five voices. The words taken from Shakespeare. [As
it Fell upon a Day]. Dublin: published by B. Cooke [ca. 1795]. 5[1]p.
751. Bards of the Days of Old. A glee for three voices, the words
taken from Ossian. Dublin: published by F. Rhames [ca. 1800].
5[1]p.
752. Bonny Lasses O. A favorite ballad with an accompaniment for
the piano forte or harp. [There’s nought but care on every han].
London: published by C. Wheatstone [ca. 1809]. 3[1]p.
753. A Broken Cake. Glee for three voices with an accompaniment
for the piano forte. The poetry translated from Anacreon by Thos. Moore.
London: published by Broderip & Wilkinson and in Dublin by F. Rhames
[ca. 1803]. 4p.
754. Buds of Roses, Virgin Flowers. A cheerful glee for four voices,
the poetry translated from Anacreon by T. Moore. Dublin: by F. Rhames
[ca. 1800]. 5[1]p.
755. By a murmuring brook. A favorite song sung by Mr. Braham.
Dublin: published by M. Hime [ca. 1800]. 3[1]p. Additional accompt. for
German flute.
756. (Another ed.). Liverpool: published by H. Hime, and may be had of
M. Hime, Dublin: Clementi & Co. and T. Preston, London. and all the
Music Sellers in the United Kingdoms [ca. 1800]. 4p. Additional accompt.
for German flute, and arr. “in two lines.”
Box 5B
757. The Catherine. A favorite melody of Lady Catherine Stewart’s
arranged as a duet. [If to gaze on thee waking with love]. London: published
at Powers Music Ware House and at W. Powers, Dublin [ca. 1818]. 7[1]p.
758. (Another ed.). London: published at Power’s Music Ware House
and at W. Powers, Dublin [ca. 1818]. 7[1]p.
759. Cease not yet sweet Bard thy strain. An answer to Moore’s
celebrated ballad, of Here’s the Bower. London: published at Powers
Music Ware House and at W. Powers, Dublin [ca. 1815]. 7[1]p.
760. The Charter Glee of the Freemason’s Harmonic Club. The
words by T. M. Rafter. [Our hall this night with festive glee]. Dublin:
published by I. Willis, and may be had at the Royal Musical Repository,
London [ca. 1826]. 7[1]p.
761. The Chieftain and Lord Ullin’s Daughter. A duet with
an accompaniment for the piano forte ... Words by Thos. Campbell. [A chieftain,
to the Highlands bound]. London: published by J. Power and W. Power, Dublin
[ca. 1815]. 8p.
762. Come take the Harp. London: published at J. Power’s
Music Ware house and sold at W. Power’s, Dublin [ca. 1808].
7[1]p.
763. Come unto these Yellow Sands. Glee for three voices, as sung
at the Hibernian Catch Club, with an accompaniment for two performers
on one piano forte. The words from Shakespear. Dublin: published by Hime,
and to be had at all the Music Shops in England [ca. 1802]. [2]15[1]p.
764. (Another ed.). Adapted from the glee composed by J. A. Stevenson,
Mus. Docr. for one voice with an accompaniment for the piano forte. Dublin:
for Hime and to be had of all the Music dealers in England [ca. 1798].
5[1]p.
765. Emma’s Plaint. [Sweet Zephyr, tho’ ‘midst
Rosebuds playing]. Dublin: published at Rhames’s [ca. 1795].
S. sh.
766. Faithless Emma. Sung with great applause by Mr. Spray at the
Music Hall, Liverpool ... .Words by G. A. Esqr. of Dublin. [I wander’d
once at break of day]. Liverpool: published by Hime, and may be had at
Messrs. Clementi & Co., and Preston’s London [ca. 1802]. 3[1]p.
767. (Another ed.). Sung with great applause by Mr. Spray. Liverpool:
published by H. Hime & Son, and may be had at Messrs. Clementi &
Co., and Preston’s, London [ca. 1804]. 3[1]p.
768. (Another ed.). Dublin: published by M. Hime [ca. 1805]. 3[1]p.
769. (Another ed.). Dublin: published by M. Hime [ca. 1810]. 3[1]p.
770. (Another ed.). Sung with great applause by Mr. Spray, Mr. Vaughan
and Mrs. Ashe. Liverpool: by Hime & Son, and may be had of all the
Principal Music Sellers in London [ca. 1812]. 6th. ed. 3[1]p.
771. Flow on, Thou shining River. The words by Thomas Moore. London:
published by J. Power [ca. 1829]. 3[1]p.
772. For Anna once I culled a flower! A favorite ballad sung by
Mr. Spray. Liverpool: published by Hime & Son [ca. 1807]. 3[1]p.
Additional accompt. for flute.
773. The Frantic Maid. A ballad sung by Mr. Braham. [To Mary’s
sad story give ear gentle stranger]. London: for Goulding & Co., and
Dublin [ca. 1809]. 3[1]p.
774. Song No.5. Half Hid In The Grove. With an accompaniment for
the piano forte or harp... words taken from the Celebrated poem of Oscian.
Dublin: published by B. Cooke [ca. 1798]. [4]p.
775. The Harp in softly pleasing strains. A ballad with an accompaniment
for the harp or piano forte. London: by C. Wheatstone [ca. 1809].
3[1]p.
776. “How slowly move the hours”. A favorite ballad sung by
Mr. Braham. Composed and arranged with an accompaniment for the harp or
piano forte. [London] by Goulding & Co., and Dublin [ca. 1810]. 3[1]p.
777. No..4. An Irish Song. [Along the mead one Morn I stray’d].
Dublin: published by B. Cook [ca. 1798]. [4]p.
778. The Maid of Marlivale. A ballad from Moore’s poems composed
with an accompaniment for the piano forte or pedal harp. [Where is the
Nymph whose Azure Eye]. Liverpool: (By permission of the Proprietor) by
H. Hime, and sold by Clementi & Co., London [ca. 1806]. 6p.
779. The Maid whose Heart was cold to Love. A ballad sung ... by
Mr. Philipps. [Mild thro’ the groves soft Zephyrs played]. London:
published at J. Power’s and at W. Power’s, Dublin [ca.
1810]. 7[1]p.
780. Mary I believed thee true. A Scotch song with an accompaniment
for the piano forte or harp, the poetry by Thos. Moore. London: by Broderip
& Wilkinson [ca. 1803]. 3[1]p.
781. (Another ed.). Mary I believe the true. A ballad. London:
at C. Wheatstone’s Music Warehouse [ca. 1810]. [4]p.
782. The Meadows look cheerful. A celebrated air in the Poor Soldier
Harmonized by Doctor Stevenson. Dublin: published by E. Rhames [ca. 1795].
[4]p. Scored for five voices.
783. My Love is Far Away. A canzonet with an accompaniment for
the piano forte. [Not the charms of blooming spring]. London: by Clementi,
Banger, Hyde, Collard & Davis and sold at all the Music Shops in England
and Ireland [ca. 1808]. 4p.
784. No.2 Song. O Ever Skilled to Wear the Form. with an accompt.
for the piano forte. Dublin: published by B. Cooke [ca. 1798]. [2]2-3[i.e.4]p.
785. (Another ed.). O Ever Skilled. Liverpool: published by H.
Hime [ca. 1800]. 3[1]p.
786. (Another ed.). London: by C. Wheatstone [ca. 1810]. 3[1]p.
787. Oh stay sweet Fair! An answer to Moore’s favourite ballad,
of Oh Lady Fair! .... Words by G. A. Esqr. London: by Clementi,
Banger, Hyde, Collard & Davis and W. Power & Co., Dublin [ca.
1806]. [2]7[1]p.
788. (Another ed.). [2]7[1]p.
789. Oh tell me, tell me Mary dear. A favorite ballad sung ...
by Mr. Spray. London: by Goulding & Co., and Dublin [ca. 1812]. [2]5[1]p.
790. Oh! then dearest Ellen! [When the Rosebud of Summer its beauties
bestowing]. London: published by J. Power, and W. Power, Dublin [ca. 1812].
6p.
791. Remember me my Delia. A favorite canzonet with an accompaniment
for the piano forte. London: published by Goulding, D’Almaine, Potter
& Co., and to be had at Dublin [ca. 1814]. [2]5[1]p.
792. Say Pretty weeping Figure. A ballad with an accompaniment
for the piano forte or harp. London: published by C. Wheatstone [ca. 1810].
[4]p.
793. The Sigh of her Heart was sincere. A favorite ballad written
by Peter Pindar. London: by Goulding, Phipps & D’Almaine. Likewise
may be had of Goulding, Knevett & Co., Dublin and James Stevens, Glasgow
[ca. 1804]. 4p.
794. The Surprise. A canzonet for two voices with a figured bass
for the piano forte, the poetry by Thos. Moore. [Chloris, I swear by all
I ever swore]. Dublin: published by E. Rhames [ca. 1800]. 3[1]p.
795. Sweet is the Woodbine’s fragrant twine. London: by Goulding
Phipps & D’Almaine. Likewise may be had of Goulding Knevett
& Co. Dublin and James Stevens, Glasgow [ca. 1804]. 4p.
796. Sweet Little Margaret. A favorite duet with an accompaniment
for the piano forte, the words by Edward Lysaght. Liverpool: published
by H. Hime, and may be had at all the other Music Shops [ca. 1803]. 3[1]p.
797. The sweetest Eyes that e’er were seen. (From Lord Strangford’s
Camoens) As sung by Miss Bolton, with an accompaniment for the piano forte.
[The Heart that warmed my guileless breast]. Liverpool: by Hime &
Son [ca. 1809]. 3[1]p.
798. Tell me where is fancy Bred. A Duett for two voices with an
accompaniment for the piano forte or harp, the words from Shakespeare.
Dublin: published at Wm. Power & Co., Music Warehouse [ca. 1798].
6p.
799. (Another ed.). Liverpool: (by permission of the proprietor) by H.
Hime, and sold by Clementi & Co., London [ca. 1805]. 6p.
800. Thyrsis. A fragment from J. J. Rousseau, set to music with
an accompaniment for the piano forte. Liverpool: (by permission of the
proprietor) by H. Hime, and sold by Clementi & Co., London [ca. 1805].
3[1]p.
801. To the Brook & the Willow. A favorite song, with an accompaniment
for the piano forte or harp, as sung by Mrs. Ashe, Messrs. Harrison, Greatorex
and Bartleman’s, vocal concerts. London: printed and sold by L.
Lavenu [ca. 1808]. 3[1]p. Additional accompt. for flute.
802. What’s Life Unblest with Love. A favorite song ....
Words by Joseph Atkinson Esqr. M.R.I.A. [If sweet concord tunes the mind].
Dublin: published at Wm. Power & Co. Music Ware House [ca. 1806].
3[1]p.
803. When first from the Girl of my Bosom I parted. A favorite
ballad, sung by Mr. Spray. Liverpool: published by Hime & Son [ca.
1807]. 4p.
804. When the Rose-bud of Summer. A ballad, as sung by Mrs. Ashe
and Mrs. Salmon ... and by Miss Stephens. London: published by J. Power
and W. Power, Dublin [ca. 1814]. 6p.
805. Whilst I listen to thy Voice. Sung by Mr. Spray. London: published
by J. Power and W. Power, Dublin [ca. 1810]. [2]5[1]p.
806. Why does my Love her Linnet mourn. A favorite song composed
and arranged with an accompaniment for the piano forte. London: by Goulding,
Phipps, D’Almaine & Co., and Dublin [ca. 1807]. 4p.
807. With Delight will I Sing. Liverpool: published by H. Hime
[ca. 1804]. 3[1]p.
808. With The Sun We Rise At Morn. A favorite glee for five voices.
Dublin: published by Hime [ca. 1801]. 5[i.e.3][1]p.
809. Song, No. 3. The Wreck. With an accompaniment for the piano
forte ... words taken from the celebrated poem of Oscian. [The
wind is abroad]. Dublin: published by B. Cooke [ca. 1798]. 3[1]p.
810. Ye Shepherds, Give Ear To My Lay. Liverpool: published by
H. Hime [ca. 1804]. 3[1]p.
811. Ye Zephyrs where’s my blushing Rose. A favorite song
in answer to The Mansion of Peace. London: printed and sold by J. Bland
[ca. 1793]. 3[1]p. Additional accompt. for German flute or guitar.
812. Young Ella was the Happiest Maid. A favorite ballad written
by T. Moore. Liverpool: published by Hime & Son [ca. 1807]. 3[1]p.
STORACE, Stephen
813. Across the downs this morning. Sung by Sigra. Storace in No
Song No Supper. [London] by Longman and Broderip [ca. 1790]. 4p. Additional
accompts. for guitar and two German flutes.
814. As Wrapt in Sleep I Lay. A favorite song sung by Mrs. Crouch
in The Pirates. London: for J. Dale [ca. 1797]. 15[i.e.1]-3[1]p. Additional
accompt. for flute.
815. (Another ed.). Dublin: published by H. Mountain [ca. 1799]. S. sh.
Additional accompt. for flute or guitar.
816. Be mine, tender Passion. Sung by Sigra. Storace in The
Haunted Tower. London: by Longman, Clementi & Co. [ca. 1800].
4p. Additional accompt. for German flute or guitar.
817. (Another ed.). A favorite new song sung by Sigra. Storace in the
opera of The Haunted Tower. Dublin: published by Hime [ca. 1801].
[4]p. Additional accompt. for German flute or guitar.
818. Captivity. Supposed to be sung by the unfortunate Marie Antoinette,
during her imprisonment in the Temple. The words by the Revd. Mr. Jeans,
Dibden, Hants and sung by Sigra. Storace and Mrs. Crouch. [My foes prevail].
London: for and sold by J. Dale [ca. 1796]. 4p. Additional accompt. for
German flute or guitar.
819. The Carpet Weaver. A favorite song sung by Sigra. Storace
in Mahmoud. [Don’t you remember a Carpet weaver]. London: printed
and sold by Joseph Dale & Son [ca. 1807]. 3[1]p. Additional accompt.
for German flute.
820. Dicky Gossip. A favorite song sung by Mr. Suett in My Grandmother.
[When I was a younker]. London: for and sold by J. Dale [1796]. 3[1]p.
821. (Another ed.). 3[1]p.
822. Down by the River there grows a green Willow. A favorite song
Sung by Sigra. Storace in the Iron Chest, the words by Geo. Coleman. London:
for and sold by J. Dale [ca. 1797]. 3[1]p.
823. Five Times By the Taper’s Light. A glee in the opera
of the Iron Chest. Dublin: published by E. Lee [ca. 1805]. 3[1]p.
824. From Break of The Morn. A much admired Duett in the Iron Chest.
[From break of the morning]. Dublin: published by Hime [ca. 1798]. [4]p.
825. Go, George, I can’t endure you. Sung by Mrs. Bland in
the comic opera No Song No Supper. [London] by Longman and Broderip
[ca. 1790]. 4p. Additional accompt. for guitar.
826. (Another ed.). Go, George, I can’t endure you. Sung
by Miss Romanzini in the comic opera No Song No Supper. [London] By Longman
and Broderip [ca. 1790]. 4p. Additional accompt. for guitar.
827. Go not my Love. A favorite song sung by Miss Leak in ... the
Three and the Deuce. London: for and sold by J. Dale [ca. 1797]. 4p. P.[1]
numbered 15. Additional accompt. for flute or guitar.
828. Haste Zephyr O’er the Glade. A celebrated duet in the
Siege of Belgrade. Dublin: published by Edmund Lee [ca. 1805]. [4]p.
829. How happily my life I led. A favorite song sung by Mr. Dignum,
in ... No Song No Supper. [London] by Longman and Broderip [ca. 1790].
4p. Additional accompt. for guitar.
830. (Another ed.). How Happily my Life I led. A favorite song
in No Song No Supper. [London] engraved, printed and sold by H. Andrews
[ca. 1804]. [4]p.
831. Canzonet. [How sweet the Calm of this sequester’d Shore].
[London] by Longman and Broderip [ca. 1785]. [1]6-8p. Additional accompt.
for guitar.
832. The Jealous Don. A favorite duet sung by Mr. Bannister and
Sigra. Storace in the Pirates. London: printed and sold by C. Wheatstone
[ca. 1810]. 3[1]p.
833. The favorite air & minuet as sung by Siga. Storace in the
Siege of Belgrade. [La ra la ra la la ra]. London: for J. Dale
[ca. 1792]. [4]p. Additional accompt. for German flute.
834. The ling’ring pangs of hopeless Love. A favorite song
sung by Mr. Kelly in No Song No Supper. [London] by Longman and Broderip
[ca. 1790]. 4p. Additional accompt. for German flute.
835. Little Taffline. A favorite song sung by Mrs. Bland, in ...
the Three and the Deuce. [Should e’er the fortune be my lot]. London:
for and sold by J. Dale [ca. 1797]. 3[1]p.
836. The Lullaby. A favorite song sung by Sigra. Storace in the
Pirates. [Peaceful slumb’ring on the ocean]. London: for and sold
by J. Dale [ca. 1792]. 4p. Additional accompts. for German flute and guitar.
837. Canzonet. [My Banks they are cover’d with Bees]. [London]
by Longman and Broderip [ca. 1785]. [1]16-19[1]p.
838. My native Land I bade adieu. A favorite song sung by Mr. Sedgewick
in the Haunted Tower. [London] by Longman and Broderip [ca. 1790]. 4p.
Additional accompts. for guitar and flute.
839. (Another ed.). London: by C. Wheatsone [ca. 1803]. [4]p. Additional
accompt. for flute.
840. (Another ed.). [London] for H. Andrews [ca. 1808]. [4]p. Additional
accompt. for German flute.
841. Now all in preparation. A favorite song sung by Mr. Bannister
Junr. in the Haunted Tower. [London] by Longman and Broderip [ca. 1795].
3[1]p. Additional accompts. for guitar and German flute.
842. The favorite masquerade song, as sung by Sigra. Storace in My Grandmother.
[On the lightly sportive wing]. London: for J. Dale [ca. 1797].
3[1]p.
843. The Poor Black Boy. A favorite song as sung by Master Welsh
in The Prize, or 2.5.3.8. [You care of money]. London: for
J. Dale [ca. 1797]. 4p. Additional accompt. for German flute.
844. The Sapling Oak. A favorite song sung by Mr. Sedgwick in the
Siege of Belgrade. London: printed and sold by J. Dale [ca. 1797]. 3[1]p.
845. Spirit of my sainted Sire. A favorite song sung by Mr. Kelly
in the Haunted Tower. [London] by Longman and Broderip [1789]. 4p. Additional
accompt. for guitar.
846. The Summer heats bestowing. A favorite rondo sung by Mrs.
Crouch in the Doctor and the Apothecary. [London] by Longman and Broderip
[ca. 1788]. 4p. Additional accompt. for guitar.
847. Sweet little Barbara. A duet sung by Sigra. Storace and Mr.
Bannister Junr. in the Iron Chest. London: printed and sold by J. Dale
[ca. 1797]. 4p.
848. (Another ed.). London: published by C. Wheatstone [ca. 1809]. 3[1]p.
849. There, the Silver’d Waters roam. A favorite song as
sung by Mr. Sedgwick in the Pirates. London: for and sold by J. Dale [1792].
4p. Additional accompt. for German flute.
850. Well-a-day! Lack-a-day! A favorite song sung by Mr. Bannister
Junr. in My Grandmother. [Ah, me! I am lost and forlorn!]. London: for
and sold by J. Dale [1796]. 3[1]p. Additional accompt. for flute.
851. With lowly suit and plaintive ditty. Sung by Sigra. Storace
in No Song No Supper. [London] by Longman and Broderip [ca. 1790]. 4p.
Additional accompt. for German flute or guitar.
852. (Another ed.). With lowly Suit. A favorite song in No Song
No Supper. [London] for H. Andrews [ca. 1808]. [4]p.
853. (Another ed.). With lowly suit and plaintive ditty. Sung by
Sigra. Storace in No Song No Supper. London: for G. Walker [ca. 1816].
4p. Additional accompt. for German flute or guitar.
854. Ye streams that round my Prison Creep. A favorite song sung
by Mrs. Crouch, in ... Lodoiska. London: printed and sold by J. Dale [1794].
4p. Additional accompt. for two flutes. “Entered at Stationers Hall”
above imprint.
855. (Another ed.). London: printed and sold by J. Dale [ca. 1797]. 4p.
Additional accompt. for two flutes. “Entered at Stationers Hall.”
above imprint.
Box 6A
THOMPSON, Thomas
856. The Banks of Ayr. Written by the late R. Burns. [The
gloomy night is gathering fast]. London: by G. Goulding [ca. 1787]. 3[1]p.
857. The Wandering Savoyards Song. Written by Mr. Dimond Junr.
[Within a silent sheltered spot]. London: by Goulding & Co., and for
W. Wright, Newcastle upon Tyne [ca. 1800]. 3[1]p.
THORLEY, Thomas
858. ‘Tis not the distant Seas can part. A favorite song
sung by Mr. Pottier. London: for and sold by John Longman [ca. 1805].
3[1]p.
859. Three Old Woman Weather wise. An interlude inscribed to Master
Moore, Almanack Maker, with three songs, set to music. The words By George
Saville Carey. [O lack a day]. London: printed and sold at Bland &
Wellers [ca. 1805]. 4p.
860. Tibbie, I hae seen the day. The words by Burns. [O Tibbie].
Edinburgh: printed and sold by J. Hamilton [ca. 1802]. S. sh. Additional
accompt. for German flute.
861. To the Land of the Leal. Tune (Hey Tutti Taiti) played when
Robert Bruce led his troops to Battle at Bannock Burn. [I’m wearin’
awa John]. Edinburgh: printed and sold by Gow and Shepherd [ca. 1806].
[1]1-2[1][i.e.4]p.
862. The Tobacco Box or Soldier’s Pledge of Love. [Tho’
the fate of Battle on tomorrow wait]. [London] L[ongman] & B[roderip]
[ca. 1785]. [4]p. Additional accompts. for guitar and German flute.
863. (Another ed.). with “Pr. 6d.” after title. [4]p.
864. (Another ed.). [London] for G. Goulding [ca. 1786]. [4]p. Additional
accompt. for German flute.
TOWERZEY, Edward
865. Sweet is the Vernal Matin Air. Written by W. M. L.L.D. Oxford:
for the author by H. Hardy [ca. 1795]. [4]p. Score for voice, violin
and keyboard. Additional accompt. for guitar.
TRAVERS, John
866. Haste my Nanette. Words by M. Prior. [London] for J. Bland
[ca. 1785]. 6p. P.1 incorrectly numbered 2.
867. (Another ed.). Haste my Nanette. A favorite canzonet for two
voices .... Words by Prior. London: printed and sold by Preston [ca. 1790].
4p.
868. (Another ed.). Canzonet for two voices. London: for G. Walker [ca.
1812]. 4p.
869. Glee ... words by Matt. Prior. [Soft Cupid wanton am’rous
boy]. N.i. [ca. 1780]. [1]14-16p.
870. True Justice or the Reward of a Traitor. A song on the times.
[To Tom Paine in France]. Oxford: by R. Firth and sold at the Music
Shops in town and country [ca. 1795]. 3[1]p.
871. The Trumpets Loud Clangor. [London] for J. Bland [ca. 1785].
3[1]p.
872. The Unsettled Lover. [Yes I Could Love, if I Could Find].
N.i. [ca. 1750]. S. sh. Additional accompt. for German flute.
URBANI, Pietro
873. Fare thee weel &c. Words by Robert Burns. Edinburgh: printed
and sold by Urbani and Liston [ca. 1801]. [1]2[1]p. Additional accompt.
for German flute.
VANBRUGH, George
874. The Coquet. [From White’s and Will’s to purling
Rills]. [London] G. Bickham junr. [ca. 1740]. S. sh. numbered
8. Additional accompt. for flute.
VERNON, Joseph
875. Epilogue to the Irish Widow. Sung by Mrs. Barry. [A
Widow bewitch’d with her passion]. [And] the Irish Fair. [London]
J[ohn] J[ohnson]. [1772]. 4p. Additional accompt. for guitar.
876. La Ville de Paris or England’s Glory. [For three voices].
[Britain insulting France and Spain had Join’d]. N.i. [ca. 1782].
[4]p. Additional accompts. for guitar and German flute.
[WADE, John Francis] attrib.
877. Adeste Fideles. The favorite Portuguese hymn on the Nativity
with an accompaniment for the piano forte to which is added English words.
[And] The Sicilian Mariner’s Hymn. London: by Goulding, D’Almaine,
Potter & Co., and Dublin [ca. 1814]. 4p.
WALKER, George, ed.
878. Walkers Collection of Popular Scotch Songs for the Piano Forte
or German Flute. Book [2d]. [Saw you my father, &c.]. [London]
for G. Walker [ca. 1815]. [1]28-30p.
WALMISLEY, Thomas Forbes
879. Oh Memory thou fond Deceiver. Ballad ... words by Dr. Goldsmith.
London: published by T. Monzani [ca. 1805]. 3[1]p. Initialled.
880. Water. The words by Geo. Alex Stevens. [Our Chorus to Bacchus,
to Bacchus we’ll raise]. [London] P. H[odgson]. [ca. 1778]. S. sh.
Additional accompt. for German flute or guitar.
WEBBE, Samuel, the elder
881. “All Day I wander through the Groves”. Duet. London:
by Broderip & Wilkinson [ca. 1800]. 4p. Additional accompt. for
two flutes or two guitars.
882. “Around my Fair”. Terzetto. London: by Broderip &
Wilkinson [ca. 1800]. 3[1]p.
883. Glee. [Come live with me...and be my Love]. N.i. [ca. 1790].
Oblong fol. [1]28-32p.
884. (Another ed.). [Come live with me...and be my love]. [London]
for F. Linley [ca. 1798]. [1]102-103[1]p.
885. (Another ed.). Come live with me and be my love. A celebrated
glee. London: for G. Walker [ca. 1805]. [1]2-2[1][i.e.4]p.
886. (Another ed.). Come live with me. A glee .... Words by Christopher
Marlow. London: printed and sold by Chappell & Co. [ca. 1825]. 64-67
[i.e.4]p.
887. From Glaring Shew. A favorite song as sung by Miss Harrop.
London: for J. Bland [ca. 1780]. 4p.
888. To the President and Members of the Glee Club, Instituted in London,
1787. [Glorious Apollo from on high beheld us]. London: by Longman
and Broderip [ca. 1788]. 3[1]p.
889. (Another ed.). Glorious Apollo. A celebrated glee. [London]
sold by G. Shade [ca. 1816]. [1]2-3[1]p.
890. The Harmony of Peace. An ode for six voices ... performed
at the Vocal Concerts of Messrs. Harrison. The words by J. Taylor.
[When fam’d Timotheus with his wond’rous Lyre]. London: printed
and sold for the author by L. Lavenu [ca. 1808]. 12p. Initialled.
891. The Mansion of Peace. Sung by Mr. Harrison. The words by a
Lady. [Soft Zephyr on thy balmy Wing]. [London] for J. Bland [ca. 1790].
4p. Scored for voice, flute, horn, two violins, viola and bass.
892. (Another ed.). London: for John Bland [ca. 1790]. 4p.
893. (Another ed.). [London] for G. Walker [ca. 1808]. [4]p. Additional
accompt. for German flute.
894. Glee. [The mighty Conqueror...of Hearts]. N.i. [ca. 1808].
[1] 162-164p.
895. (Another ed.). The Mighty Conqueror. [London] by Clementi
and Co., Horsley’s ed. [ca. 1830]. 95-98p.
896. O Lead Me Where the Lonely Nightingale. Sung by Mr. Harrison
... Words by a Lady. London: printed and sold by J. Bland [ca. 1785].
5[1]p. Scored for flute, two violins, viola and harpsichord.
897. The Rose had been Washd. A favorite song, sung ... by Mr.
Harrison .... Words by a young Lady. London: by J. Bland [ca. 1786]. 4p.
Scored for flute, two violins, viola and harpsichord.
898. (Another ed.). The Rose had been Wash’d. London: for
J. Dale [ca. 1795]. 4p.
Box 6B
899. In three Volumes: A Selection of Glees, Duetts, Canzonets.
Principally taken from the nine books published at different periods from
the year 1764 ... to which are added many new glees and canzonets, never
before published. [Ninety-three songs: Music’s the Language of the
Blest Above, &c &c.]. London: for the author by Rt. Birchall
[ca. 1810]. 3v. Vol. I-I[II]. Vol. statement Vol. I[I]-I[II] in manuscript.
Signed.
900. “Swiftly From The Mountain’s Brow.” The
poetry by Cunningham. [London] by Clementi and Co., Horsley’s ed.
[ca. 1830]. 53-58 p.
901. The Traveller. A favorite ballad as sung by Mr. Harrison.
[O tarry gentle Traveller]. London: printed and sold by L. Lavenu [ca.
1801]. 3[1]p.
[WEBBE, Samuel] the younger
902. The Answer to “Come live with me and be my Love”. Composed
at the request of the Earl of Sandwich. [If Love and all the World were
young]. N.i. [ca. 1795]. Oblong fol. 2-7[i.e.6]p.
903. The Wood Nymph. A glee for three voices, written by Mr. Lewes.
[Gentle stranger have you seen]. London: printed and sold by Rt. Birchall
[ca. 1805]. 4p.
904. Would you know my Celia’s charms, Sir you are a Comical
Fellow. Two celebrated catches, composed by S. Webbe and W. Bates.
London: published by W. and S. Wybrow [ca. 1826]. 3[1]p.
WELCH, J.
905. Willie and Waterloo. A new song, composed and set to music
by J. Welch. [Young Willie was a Highland Lad]. N.i. [ca. 1815]. 3[1]p.
Additional accompt. for German flute.
[WELSH, Thomas] attrib.
906. The House that Jack Built. With appropriate introductions,
the music entirely new, by an eminent composer. [This is the House that
Jack built]. London: printed and sold by C. Mitchell [ca. 1811]. 3[1]p.
907. What Care I for Whom She Be. Sung by Mr. Vernon. [Shall
I wasting in despair]. [London] S. A.[&] P. T[hompson] [ca. 1780].
[1]8-9[1]p. Additional accompt. for German flute.
WHITAKER, John
908. Each Has a Lover But Me. A ballad sung ... by Mrs. Liston.
Composed with an accompaniment for the piano forte. [My old Maiden Aunt
says I’m young]. London: at Button & Whitaker’s [ca. 1811].
4p.
909. Had I a Cave on Some Far Distant Shore. A favorite song, written
by Robt. Burns, composed with an accompaniment for the piano forte. London:
printed and published by Button & Whitaker [ca. 1808]. 3[1]p.
910. Paddy Carey’s Fortune, Or Irish Promotion. A favorite
comic song sung ... by Mr. Webb. Written by Mr. Cherry. [‘Twas at
the Town of nate Clogheen]. London: published by Button & Whitaker
[ca. 1814]. 5[1]p.
911. Pibroch of Donuil Dhu. Written by Sir Walter Scott and sung
... by Mr. Braham .... Arranged with symphonies and accompaniments. London:
published by John Gow & Son [ca. 1825]. [2]5[1]p.
912. No.1. Silent Kisses. The words by Leigh Hunt. [We’ll
breathe not a kiss to the tell tale Air]. London: at Button & Whitaker’s
[ca. 1808]. 3[1]p.
913. The Soldier slumb’ring after War. Sung by Mr. Payne.
London: by Button & Whitaker [ca. 1808]. 3[1]p.
914. The White Cockade. [My love was born in Aberdeen]. (With)
Donald. [When first you courted me I own], (and) Donald and Flora. [When
merry hearts were gay]. (Imprint on p.2:) London: printed and sold by
J. Bland [ca. 1790]. 3[1]p. Additional accompt. for guitar to second song
only.
WILLIAMS, Thomas
915. Twist ye Twine ye. Cavatina sung by Mr. Nelson .... The
words by Walter Scott. London: published by T. Williams [ca. 1818]. 3[1]p.
[WINTER, J. D.]
916. Rest Lady Fair. A ballad, for three voices as sung ... by
Messrs. Terrail, Vaughan and J. Sale ... as an answer to Oh Lady Fair.
[London] engraved and published by J. Davies; sold also by E. Riley
and W. Rolfe, R. Williamson, Sc. [ca. 1801]. [2]7[1]p. Initialled.
WINTER, Peter von
917. Six Italian canzonets, one duet, a trio and a quartetto. With an
accompaniment for the harp or piano forte. [Con tala storia che vera un
tempio, &c]. London: printed and sold by Rt. Birchall [ca. 1800].
28p.
918. Vaghi colli ameni prati. The much admired duet as sung ...
by Sigra. Grassini and Mrs. Billington, in the grand serious opera of
Il Ratto di Proserpina .... Arranged by M. C. Mortellari. London:
by M. Kelly [ca. 1805]. 6p.
WORGAN, John
919. Neptune’s Resignation. Written on the Naval Victory
obtain’d by Sr. Edward Hawke November 20th, 1759 Off Bellisle. Sung
by Mr. Lowe. The words by Mr. Wignel. [The Wat’ry God great Neptune
lay]. N.i. [ca. 1760]. S.sh.
920. The Wounded Hussar. The words by F. Campbell, author of the
Pleasures of Hope a Poem. [Alone to the Banks of the dark rolling
Danube]. London: by Goulding, Phipps & D’Almaine. Likewise may
be had of Goulding Knevett & Co, Dublin, A. Guthrie, Edinburgh
and Stevens, Glasgow [ca. 1802]. [4]p. Additional accompt. for German
flute.
921. Ye Banks And Braes of Bonny Doon. A favourite Scotch song,
the words by the celebrated Robt. Burns. [London] printed and sold by
Wm. Boag [ca. 1800]. [4]p. Additional accompt. for German flute.
922. (Another ed., variant text in four verses). Ye Banks an’
Braes of Bonny Doon. A favorite Scots duet by Robert Burns. As
sung by Mrs. and Miss Ashe. Glasgow: printed and sold by J. McFadyen [ca.
1802]. [1]12-13[1]p. Additional accompt. for 2 German flutes.
ZINGARELLI, Niccolo Antonio
923. Questo sol ché si funesto. Also, sung with the greatest
applause at the Oratorios, private and public concerts. A favorite air
sung by Signora Corri. [Esulta appienoe godi barbaro Ciel]. Edinburgh:
by N. Corri, and to be had at Goulding & Co., London [ca. 1815]. 7[1]p.
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